Owner’s ManualOwner’s Manual v1.17 Documentation réalisée par : Joël Patrouillault 1/53 1. GENERAL Following a thorough market research, both in the past keyboards professional arrangers, music and software, we decided to develop the software Based on the wishes of many professional musicians around the world wanting a simple and effective tool with optimized ergonomics for the game "Live" to play music from an orchestral quality without compromise. 2. PRINCIPLE OF OPERATION You connect to the computer your favorite MIDI instrument (usually a keyboard with a MIDI or USB output, but also guitar MIDI, MIDI accordion ...) You connect the computer a MIDI synthesizer (sound generator) take care to recognize "real time" played agreements and generate a complete orchestration in the chosen style, while allowing you full control over all aspects of your instrumental Thurs Instead of developing software with thousands of parameters to enter into menus and submenus, we opted for an integrative approach. So we decided to offer a ready-to-use solution for the musician, from one end to the other the chain of sound production. Of course, the software is inherently scalable and we are in constant technological monitoring to integrate progressively solutions that really seem workable for the musician. Our first choice turned to integration Ketron SD2 sound module. 3. FEATURES gives you full control and easy sound module: Changing the Tone Multi effect, sound synthesis, mixer on 16 MIDI channels, Eastern Range, Organ drawbar, Splits, Layers ... includes a real-time optimized especially for exceptional musical arranger, with a sophisticated computer modeling algorithm principles of orchestration and harmony rules. lets you play styles in size but Ketron YAMAHA and ROLAND. Native compatibility is complete without converters. The legendary grooves, wah-wah guitars, mounted bass, brass riffs, furious Latin rhythms, guitars' Unplugged ... can be controlled remotely from your MIDI keyboard controllers, or by keyboard (wireless?) from your computer. All functions can be assigned in one click! Included 400 new sounds (up to 5 layers) of exceptional richness for Ketron SD2 module. Further :Possibility to connect two MIDI instruments. Mode split (Split) simple and flexible. Total control DRAWBARS, for lovers of the Organs of drawbars. With , Your sound module is operated at its maximum. You had never imagined capable of such potential! The development team consists exclusively of passionate musicians who want, above all, the realization of a powerful and effective tool for stage and sharing this initiative with other professional or amateur musicians throughout the world. We are listening to your comments and suggestions to change the software so that it matches your needs. We help you install and configure the software, and we are committed to getting your full satisfaction. 4. INSTALLATION After ordering on the website:http://www.varranger.com/Buy_Now.phpYou will receive the installation instructions within 24 hours, and the vArranger software download email. Documentation réalisée par : Joël Patrouillault 2/53 You can choose between two modes of installation: - Installation on your computer (requires no USB, but only works on a single computer) - Installation on your USB brand (Kingston, Sandisk ...), so you can use the software on any computer by plugging the USB key before launching vArranger. This choice is final. 5. DESCRIPTION Default starts in full screen, double click on the bottom of its main window allows the dimension at will and a right click opens a popup window for recording the starting position of the main window . Figure 1 : Interface vA ² 5.1 WINDOW PROGRAM Figure 2 : WINDOW PROGRAM 5.1.1 OPTIONS Documentation réalisée par : Joël Patrouillault 3/53 Figure 3 OPTIONS 5.1.1.1 MIDI PORTS This window allows you to choose or MIDI interfaces that will be active in IN and OUT from those connected to the computer. can be controlled by one, two or up to three MIDI inputs with the following features: Features intrinsic to MIDI input Observations This entry is particularly suitable for everyday use from a master keyboard. It can receive MIDI notes to be played + MIDI instrument by the RIGHT part of the MIDI notes to be played by the MIDI IN 1 MIDI Controller LEFT part, notes the recognition of agreements to control the arranger and the assignment of MIDI messages in the menu CONTROLLERS This input allows you to connect a second MIDI instrument, if Play Notes is checked, the notes received Optional + MIDI instrument at the MIDI IN 2 will also be played by . MIDI IN 2 * MIDI Controller Play with Notes unchecked, can for example connect a MIDI controller to adjust the different volumes, panoramic etc.. Optional MIDI controller This entry is reserved for the use of a MIDI controller. MIDI IN 3 * Optional This option allows receive external commands Commands from a device connected with USB management joystick JOYSTICK (analog pedals with a USB interface, for example) *: Provided that the MIDI interface is provided with several MIDI IN input. KEYBOARD MODE: By default, KEYBOARD MODE is configured on the MIDI CHANNEL 1 (Fig. 4) Documentation réalisée par : Joël Patrouillault 4/53 Figure 4 : MIDI PORTS - KEYBOARD MODE ACCORDION MODE: This mode is activated by selecting MIDI ACCORDION, it is then possible to set the MIDI channel for the right hand (Right), the MIDI channel for the left hand (Left) and the MIDI channel for Bass (Bass). Figure 5 : MIDI PORTS - MODE ACCORDION Now, only the MIDI ports used are displayed This window also enables a second and a third MIDI input (MIDI pedal for example) Documentation réalisée par : Joël Patrouillault 5/53 2nd MIDI IN .2nd MIDI IN . Figure 6 : MIDI PORTS . This option is active in OPTIONS / MIDI PORTS. we assign 4 buttons variations ABCD arranger. For example. 6) entrance.MIDI LED FEEDBACK Some MIDI controllers such as the KORG nanoKONTROL2 have buttons that can illuminate. 7). VIDEO: http://youtu. these lights can beings controlled via MIDI. button change during turns. In the figure below is selected in the MIDI controller MIDI IN 2nd by checking the LED feedback box this MIDI (Fig.be/otV1oLeaLRE This option gives you a visual acknowledgment without having to look at the computer screen. you can choose the MIDI port to accept control LED (fig.nanoKONTROL Documentation réalisée par : Joël Patrouillault 6/53 .LED feedback Figure 7 : MIDI PORTS . LED MODE = EXTERNAL Similarly. for each button. choose: .Note : To accept the control of LEDs. for the KORG nanoKONTROL2 the KORG Kontrol Editor program (available on the website KORG) and select is used: .ASSIGN TYPE = BUTTON CONTROL CHANGE BEHAVIOR = MOMENTARY-OFF VALUE = 0 . MIDI controller may require adjustments.CONTROL MODE = CC . For example.ON VALUE = 127 Documentation réalisée par : Joël Patrouillault 7/53 . To do this. Documentation réalisée par : Joël Patrouillault 8/53 . SYNCRO OUT : Ability to synchronize vArranger with other software or MIDI synthesizers. GM2 mode is recommended in all other cases. MIDI OUT : For best sound results. Caution: Before version 1. XG.17. The MIDI OUT framework offers a choice between GM modes.To save the settings. check the box next to Send Clock MIDI output concerned. GS. Most MIDI controllers are factory configured in this way. XG mode is recommended for Yamaha synthesizers. now you will probably re-set your midi controller MOMENTARY mode.MASTER The GS mode is recommended for Roland synthesizers. you must choose the mode that best suits your tone generator module. GM2. Note : The choice Ketron SD2 and SD4 leads to the appearance of the check MY SD2/SD4 Freezes box in the OPTIONS window . such as the Hypersonic 2 VST or other GM compatible VST. Write Scene Data. Ketron SD2 and SD4 depending on the device connected to MIDI OUT. go to the menu Communication. vArranger worked in TOGGLE mode. they are: an external MIDI controller (MIDI CONTROLLED BY INPUT) (Master keyboard or MIDI Foot .. arpeggiator. can play in rhythm with another arranger.2 CONTROLLERS This window allows you to manage the behavior of against external controls. START button to confirm the settings during initial installation or change thereafter.. It is also possible to use up to three sound modules simultaneously with By selecting the midi ports in MIDI and MIDI OUT 2 OUT 3.. This option allows for example to double the polyphony of sound modules Ketron adding other modules.1. it is necessary to set other software or MIDI synthesizer.For proper operation. etc. With this option. sequencer. If you do not use this function.) Figure 8 : CONTROLLED BY MIDI INPUT the keyboard of the computer (PC CONTROLLED BY KEYBOARD) Figure 9 : CONTROLLED BY PC KEYBOARD an external device connected via USB (CONTROLLED BY JOYSTICK) Documentation réalisée par : Joël Patrouillault 9/53 . drum machine.1. because it sends continuous MIDI messages. so he agrees to synchronize to an external MIDI clock. it is advisable to leave unchecked the box. 5. Here. Documentation réalisée par : Joël Patrouillault 10/53 . you can close the window with the OK button. is already assigned to a function of . A message will be displayed. a MIDI button. Figure 11 : Message Controller already assigned Example : Here. it is reported that the key on the PC keyboard (code 157) is already assigned to the CHANGE DOWN function. Note: If a key on the PC keyboard.. It is no longer possible to assign a different function.. we choose first the desired among those presented in the table (see Fig. All settings are done. etc . All these settings are saved and reloaded automatically at each session. 9) by clicking on the corresponding line function then press the MIDI controller or the key on the PC keyboard key or joystick of the desired use. various functions controlled by a pedal Ketron ® type FS13. for example. Figure 10 : CONTROLLED BY JOYSTICK To assign a function to an external controller. 3 SONG CHORDS Documentation réalisée par : Joël Patrouillault 11/53 . Figure 13 : MIDI MONITOR 5. Figure 12 OPTIONS CONTROLLERS At the bottom of the window CONTROLLERS (OPTIONS /.1.1. This can be useful to know what instruments and MIDI controllers send. scroll MIDI events entering vArranger (outside of active sensing messages and midi clock). 1. we enter the agreement for the selected time. SONG CHORDS. Figure 14 : Edit Window SONG CHORDS SONG CHORDS 2 in 1 function that allows you to: 5.1. select a style. Documentation réalisée par : Joël Patrouillault 12/53 . By clicking on the upper part of the measure. Fill. Intro.1 Creating chordsheet Quickly create accompanying music from A to Z. It then enters the chord grid of the song on the screen. and click OPTIONS. For a given and for each of its sections style. Ending.). To do this. By clicking on a measure. one can select a variation from those of the current style (ABCD Main.3. duration in number of measurements is shown in brackets. Figure 15 Duration in measuring sections Once you click on the time of the measurement. it erases everything. With the CLEAR ALL button. the agreements between the mouse. Once the chord grid input PLAY SONG can listen the full accompaniment created. It is also possible to implement the SONG CHORDS by semitone without re-entering data. simply by acting on TRANSPOSE + or -. Right-click in a time of one measurement opens the following pop-up window: Figure 16 : Pop-SONG CHORDS From this window you can: Documentation réalisée par : Joël Patrouillault 13/53 . or by playing a MIDI instrument or by typing the letters on the keys ASCII keyboard provided they are not already assigned in theMENU CONTROLLERS. or to the extent if no selection Transpose only selected measures [TRANSPOSE-TRANSPOSE +] Play SONG CHORDS for this measurement [PLAY FROM HERE] Note: Double click an extent plays SONG CHORDS for this measurement.. The SAVE button in the SONG SONG SONG CHORDS launches SAVE window with SONG CHORDS box already checked! Documentation réalisée par : Joël Patrouillault 14/53 .Insert [INSERT] one or more steps (4 steps in the example above) Select from this measurement [SELECT FROM ->] until the other measure [<-TO SELECT] Select All [SELECT ALL] and Deselect all [DESELECT ALL] Copy selection [COPY] Paste Selection [PASTE] Paste the selection several times [PASTE '?' TIMES] Figure 17 How many times you want to paste the selected measures? Remove selection [DELETE]. the time during the game is the salmon color as below in 3/4 time: Figure 18 : Measuring . or measure if no selection Clear information in the selection [CLEAR]. Some actions are validated by a confirmation message like this: Figure 19 : Confirmation message The insertion of data as 24 extends the edit window up to 48 steps and so on.. a INTRO.1. You can assign the knob vRIFF CONTROLLERS menu. Do not forget to SAVE / SONG and SONG CHORDS box to remember your power vRIFF the next time you play that style. . It is also possible to assign two different sounds Right and Left at the same time as the vRIFF cheek. The table below summarizes the different configurations vRIFF button: SONG current does not contain SONG CHORDS RIFF stored and is not in game SONG current contains SONG CHORDS stored. ENDING during an execution of a SONG CHORD. and burn your CD.It is possible to create midi accompaniments very quickly and easily by clicking on EXPORT TO MIDIFILE to generate the MIDI file. 5.1. Pianists now have both hands free to play other things. It is even possible to apply a fill. Can regain control of the fix to ANY TIME by clicking on the button vRIFF. Clicking it changes color and hear the now controlled by the series of agreements previously returned accompaniment. you can try other styles on the same grid by pressing the button vRIFF. For example: C Am F G... and from this base to simplify work: add VST audio tracks of . It should be noted that the instructions SONG CHORD have priority in case of simultaneous orders.On some agreements between the SONG CHORD window.2 The vRIFF function: The new function SONG CHORDS can be used in another manière. or until the agreement is terminated sequence itself (vRIFF then resumes its gray). and the left hand does not control agreements.. and RIFF is in game A SONG CHORDS is in game Note: Right click on the button shows vRIFF SONG CHORDS editing window. Features: It should be noted that SAVE / SONG stores the state of vRIFF button.3. Once the chord grid entry. It is possible to play the chord grid directly loading the style. Above the four variations of the style (Main ABCD) There is a button called vRIFF.1. 5.4 MIDI EVENTS This screen displays all the events contained in the MIDIFILE or STYLE YAMAHA year. enabling the vRIFF button and saving the SONG. then closes the window: Launch (START) and play some chords. and RIFF is not in game SONG current contains SONG CHORDS stored. it is possible to open it in any professional MIDI sequencer.1. Documentation réalisée par : Joël Patrouillault 15/53 . If when you play the melody notes. the sound of your MIDI instrument is too low.MASTER Documentation réalisée par : Joël Patrouillault 16/53 . and adjust the velocity curve in the options of your MIDI instrument. MIDI INPUT GAIN: MIDI MIDI IN1 and IN2 potentiometers are used to adjust the overall level of MIDI inputs 1 and 2 respectively. you can add a bit of gain with these controls.1. Figure 21 OPTIONS . or you need to play hard to reach high velocities. Asterisks indicate default values. It is advisable to leave these two knobs to 0.1.5 MASTER BASS BOOST : Adjusts the equalizer by selecting the correct frequency and gain. Figure 20 : Window MIDI EVENT LIST 5. if the permits. prevents the SD2 plant. MIDI PORTS). 5. Midi test : http://www. Documentation réalisée par : Joël Patrouillault 17/53 . This option.1. 5.1.msg2123. filtering some MIDI messages. appears if a SD2 and SD4 is a selected MIDI OUT (OPTION. once selected.php/topic.html CHORD RECOGNITION THRESHOLD VELOCITY : Ability to filter the notes low intensity to avoid unwanted chord changes. Selected notes (in red) are lowered by a quarter tone.2 Icons MIDI Activity Three icons symbolizing the three MIDI inputs possible materialize MIDI activity on each. 112. If your SD2 does not crash when reading midi testIt is better to shoot and all the midi messages are sent. the OFF button restores each note their original intonation.1.fr/vforum/index.varranger.EFFECTS This window allows you to set the CHORUS DELAY DISTORTION effects.MY SD2/SD4 Freezes The old Ketron SD2 have a bug and sometimes crash.6 EFFECTS Figure 22 OPTIONS . Note : This option is checked by default. Figure 23 : ARABIC SCALE NB: To delete this window it is necessary to return to OPTIONS then ARABIC SCALE 5.7 ARABIC SCALE This function allows you to create valid ranges in countries that use the Arabic scales. This is especially useful for MIDI guitarists because unwanted notes are easily sent by open strings touched.1.1. MY SD2/SD4 freezes. 6 ICONS REDUCTION / CLOSE Works like icons reduction Windows window.3 REAL TIME DISPLAY This real-time display consists of two frames: Documentation réalisée par : Joël Patrouillault 18/53 .1. For example.1. Figure 25 : PANIC 5.2 Figure 28 : No transposition Figure 29 : Transposition semitones three semitones 5. Double-click the wallpaper brings the window from normal to full screen and vice versa.1.5.3 vArranger ² By clicking on this title. remain audible. 5. an information window will appear: Figure 24 : ABOUT 5. In Normal mode. the second support returns to the screen. a first pressing "Esc" reduced the window. you can also move and resize the window.1. He notes that off after a problem as a MIDI cable disconnected. assign the "reduce" the PC Escape (Esc) key function. By clicking on the display. A click on the minimize button of the window also frees momentarily keys assigned to PC . a display is tilted 12 to 24h Figure 26 : TIME 5.2 TRANSPOSE This affects all the notes coming out from the MIDI OUT except those of DRUMS and PERC (LIVE DRUMS) channel Figure 27 : Transposition .5 TIME Displays the current time. Thus. it is advisable.4 PANIC This red button sends information ALL NOTE OFF on all MIDI channels. in CONTROLLERS. 5. 25). the keyboards right hand and left hand are physically separated. 5.A FRAMEWORK 1 top left.S.3.3.2 PART 2 The CADRE 2 displays the first line selected stamp on the right hand (R) for the accordion or the right of the split point for pianists (ROCK PIANO example in Fig. 27). Note: In ACCORDION MODE.. Figure 31 : KEYBOARD MODE Figure 32 : MODE KEYBOARD . Mid). the KARAOKE files (*. a FRAME 2 top right.3. MIDI Sequences (*. encryption) when it is in operation.A PLAYER A PLAYER framework and frame B.SPLIT POINT In KEYBOARD MODE Split indicates the note sharing by clicking Split it is possible to adjust the split point (Fig. The cursor on the name of the SONG is displayed in a yellow name tag STYLE used. 25). you can load the styles of different formats (Ketron. as moot.1 PART 1 FRAME 1 shows the first line selected stamp on the left hand (L) for accordion and one on the left of the split point (split point) for pianists (SYNSTRGS1 in the example) and the group of stamps second line (STRINGS in the example). The third line of the box indicates the MIDI configuration ACCORDION (Figure 25) or PIANIST (KEYBOARD) (Figure 26). .3 THE PLAYER A In this area. Split indicator does not appear. for example: Documentation réalisée par : Joël Patrouillault 19/53 . The second line displays the group stamp RIGHT voice (PIANO in the example) and the third line (2nd) the tone of the second voice (VIOLA example in Fig. YAMAHA and ROLAND). Kar). The dashes in front of [ACCORDION] or C3 according Split MIDI mode indicates the agreement recognized and played by the arranger (U. the active part is the one whose letter is framed in white (here drive A is active). Figure 30 : Display real time 5. 5.4 THE PLAYER B In this area. Mp3. Arranger OFF (STOP): the bass is played manually 5. Wma).5 BASS This function allows you to select MANUAL BASS or BASS BASS TO LOWEST NORMAL or when no option is selected. Figure 34 : OCTAVE 5. *.5.4 OCTAVE This function allows you to change the octave of the item selected in the Mixer window.1 NORMAL BASS Figure 35 : NORMAL BASS When the Arranger is running (START).5.3. The active player has his letter surrounded by a white rectangle. Wav. the bass is automatically generated around the agreements received in a style unique to each melodic line. you can load audio files (*.2 MANUAL BASS Figure 36 : MANUAL BASS The arranger is ON or OFF: the bass is played manually Documentation réalisée par : Joël Patrouillault 20/53 . *. 5. Figure 33 : STYLE "TEXMEX" is used for the SONG "Bamba" 5. 2 RIGHT . 5.2ND VOICE Figure 39 : RIGHT .5.3 BASS TO LOWEST Figure 37 BASS TO LOWEST With BASS TO LOWEST activated. 5.6.6. the bass line revolves around the lowest note that constitutes.2ND VOICE This option allows to overlay a second stamp set of the right hand and adjust its characteristics. you play a different bass note.1 RIGHT Figure 38 : RIGHT No option selected.6 RIGHT 5. the game the right hand produce a single tone and the left hand will be active until the split point (does not apply to the Accordion mode). Keeps unchanged the melodic bass line structure. the agreement is replayed with the new bass note.FULL KEYBOARD In this mode. 5. the chord recognition occurs over the entire keyboard. 5. For accordion with BASS TO LOWEST option.6.3 RIGHT FULL KEYBOARD Figure 40 : RIGHT . Although this feature RIGHT FULL KEYBOARD mainly the right side of the keyboard has a particular effect with MIDI accordions in association with MANUAL BASS as follows: + Automatic Low + Automatic + manual Accompaniments Agreements + Battery + Melody Documentation réalisée par : Joël Patrouillault 21/53 . a sound monotimbrale will consist of a single stamp. + Manual Low + Manual Agreements Battery + only + Melody + Manual Low + Automatic + manual Accompaniments Agreements + Battery + Melody Note: Manual agreements (LEFT) are always available and audible depending on the settings left1. Each bank contains VOICE stamps sorted by ten pages in a vertical column on the right. left2 and Left3. Documentation réalisée par : Joël Patrouillault 22/53 .7 VOICE Figure 41 : VOICE VOICE frame has 20 banks in which stamps are classified so-called sound: "Multitimbral" for certain "Monotimbrales" for other "Drawbars" or "User voice" Multitimbral tone consists of two stamps to be played simultaneously on the same note. 5. Figure 43 : Function OFF 5. page 2 of 6). It is possible to change these settings by moving the drawbars and add percussion on two harmonics up expected result can then be saved as a USER VOICE by SAVE and SOUND (see 5. it is also easy to select sounds from any MIDI synthesizer. the selection of one of them revealed a new window in which the settings are displayed for the selected Preset. A button SLOW / FAST can choose fast or slow the speed LESLIE effect.7. Right-click on the label of a stamp displays a context menu that adds the stamp in MY SOUNDS or remove only for VOICE USER (yellow label).10. Documentation réalisée par : Joël Patrouillault 23/53 . You can assign this button OPTION / CONTROLLERS. it is possible to make the column disappear. The OFF function individually mutate stamps forming a multi-timbral sound. When the cursor changes shape between the two arrows. A new selection of the bank will reappear.Arrows to navigate through the various pages of the library (here.1 INS INS function INSTRUMENT: Ketron SD2 In addition.3 procedure ). Removal is done with a confirmation ("Are you sure you want to permanently delete the selected stamp?") Figure 42 : Delete confirmation The bank DRAWBARS contains stamps drawbar organ. . then click the button INS. Ins must be present on the hard drive of the computer. INS are available on the Internet and soon in the download section of our forum. click on LOAD and select an INS file.. This will import the sound bank in .) Figure 45 : INS Button Right click on the button displays the INS INS files folder on the computer disk. To activate the INS function. click on one of the 16 tracks. This is useful if the sounds of other banks are classified according to the GM standard. Many of these files.8 MY SOUNDS Documentation réalisée par : Joël Patrouillault 24/53 . To change the sound.PIANO . to change the sounds. Figure 44 SELECT A SOUND Column ALTERNATIVES shows alternative sounds from all banks. It is important to note that the *. The new screen allows you to navigate through all the files installed INS. display the list of sounds on your module. is compatible with the file format. banks and select one of the 128 sounds of the displayed bank. To find this window at any time an INS button is added (top right groups of sounds: PIANO. 5. Once the INS window open. And displays a new window with a list of sounds. synths. you can also click on other tracks. INS (Cakewalk Instrument Definition). E. Documentation réalisée par : Joël Patrouillault 25/53 . NoteSee also paragraph GROUP MASTER / EFFECTS To change the order in which the stamps are displayed in bars MY SOUNDS. The top bar for RIGHT or right hand accordionists can contain up to 10 stamps chosen from the library VOICE stamps. these stamps are directly accessible at any time during the game for the lower LEFT or left hand bar ( agreements) for accordion has the same characteristics. BY STYLE with activated (bar VOICE) 10 stamps and 10 stamps UPPER LOWER can be associated with each STYLE to be immediately available. Figure 46 : MY SOUNDS This framework contains two lines of 10 stamps each will be called MY SOUNDS bars. 5. Figure 49: ADD TO MY SOUNDS 5. It is also possible to load a stamp in MY SOUNDS selecting the label stamp selected and right click to perform ADD TO MY SOUNDS.8. right-click to remove the stamp shows a REMOVE menu. Figure 47 : LINK function not activated Figure 48 : LINK function activated This great feature allows you to automatically change the timbre of the LEFT and RIGHT section depending on the variation in game The stamps will be the first four bars MY SOUNDS.8.2 Delete a stamp MY SOUNDS To remove a stamp MY SOUNDS.1 "Sounds Drop Here" To fulfill MY SOUNDS. The stamp will only be removed from MY SOUNDS. This window contains a LINK button that takes the color RED when the feature is enabled or gray otherwise. simply drag (s) stamp (s) selected (s) in the framework MY SOUNDS. simply drag the label stamp considered to a new location in the bar. Txt) and especially the score of the piece to play.0. The label changes color only when the file is read natively by .. karaoke etc.8) Right click on a category button MY SONGS (UNPLUGGED.. the partition will automatically appear on the latter which can be positioned in portrait example for comfort and readability mode. 802. BALLAD . Registrations.. the mouse pointer may take various forms: Documentation réalisée par : Joël Patrouillault 26/53 . Each bank contains the files shown in the left column.html In the case of use with a second screen.varranger. Once the changes are complete. Files can be: style a Registration a MIDI sequence an mp3 file a kar file a text file a jpg etc . which itself can contain multiple pages like the VOICE column (see 5. open Windows Explorer directly pointed at this issue.php/topic. MIDI sequences. DANCE. It can contain any kind of file: Styles. Figure 51 : MY SONGS This framework contains 12 labels or 11 banks over a navigation arrow for exceeding the number of banks. You just have to show that the file is in a subdirectory "son" of the SONGS folder that named "SCORE" and it bears the same name. The display PDF files requires downloading and installing a Plug In available for free here: http://www. It is possible to automatically display lyrics (*.. The score is displayed and scalable and can be repositioned at will. POP. Figure 50 : REMOVE 5.. it is recommended that you click 'Refresh' to refresh the display.). According to its position in the score. Nothing is easier to add or modify files.9 MY SONGS MY SONGS part is very useful because it allows performance to present on the screen all necessary to the smooth running of files.fr/vforum/index. .: Allows you to move to another folder SONG => select the destination folder from the list or enter a new folder name. or any other file in the left column)....Right Click MOVE TO .. Clicking delete the page shown.. COPY TO . a new menu appears with four users choice: Figure 52 : MY SONG . A click on the SONG will reappear. A click will display the following page A click will display the previous page A click displays the menu below semi transparency. The left column shows the first 10 "SONGS" in the selected bank. a second click clears.TO MOVE . By clicking with the right button on a SONG (a style. Resizes the page. A "slide" moves the window on the screen..: Allows you to copy a file to another SONG => select the destination folder from the list or enter a new folder name Documentation réalisée par : Joël Patrouillault 27/53 . Figure 53 : MY SONG . JPG. there would also be displayed ROCK.PAT2 that contains the information recorded by SAVE SONG.COPY TO .....RTF which are partitions and / or words of this song in the SCORE directory.: Rename a SONG (enter a new name for this song) Figure 56 : MY SONG . ROCK2.. Figure 54 : MY SONG .PAT style.DELETE .: Deletes a SONG (the files go to the recycle bin) Figure 55 : MY SONG ...jpg. DELETE . a ROCK. Documentation réalisée par : Joël Patrouillault 28/53 . These features will bring up a new window with a list of ALL files reports with the SONG. but also rock. RENAME . ROCK1... ROCK.JPG.. For example.RENAME . PNG. This will greatly facilitate the organization of your directory. TIFF.1 LOAD This function allows you to load a compatible file not contained in MY SONGS. recognizes the following formats: STYLE Extension Designation Brand Comment PAT Pattern Ketron . rename or move a SONG.2 SAVE The SAVE function saves the settings made previously.So if you delete. GIF. MIDI MID.Solton BCS Basic Style Yamaha PRS Pro Style Yamaha Tyros style FPS Free Play Style Yamaha Tyros style STY Standard style Yamaha SST Style Session Yamaha Tyros style PST Piano Style Yamaha PCS Piano Combo Style Yamaha STL Music Style Roland TEXT TXT Text RTF Rich Text Format IMAGE JPG.9. AUDIO WAV. BMP. KAR INS: Cakewalk Instrument Definition File PDF(Requires the free plugin) 5. JPEG.9. renamed or moved automatically at once. 5. MP3. all files related to this SONG (by default they are all selected) will be deleted. TIF. WMA. a menu will appear with options following backup: Documentation réalisée par : Joël Patrouillault 29/53 . Figure 58 : SAVE CONFIG STARTUP Note : AUTOSTART MIDIFILE & MP3 can play music directly in the selection of a song. This function allows you to find the same set of settings each time you start the program. without having to press START. A window summarizes the settings saved in the default configuration the next time... Figure 57 : SAVE OPTIONS • STARTUP CONFIG. • SONG . This function allows you to save a set of settings with the following options: Documentation réalisée par : Joël Patrouillault 30/53 . Note : Recording format FOLDER: 2 Numbers in parentheses immediately following the name of the folder (here REGISTRATION) is used to classify banks MY SONGS.3 "Songs My Folder" This feature allows the background. With box 12 ASSIGN S CONTROLLERS checked. displays the first 18 characters on 2 lines maximum. if necessary. Figure 59 : Save Song SONG NAME: Name given to this set of control ("bayonet" in the example) FOLDER : Folder which will be saved in all settings named MY SONGS in the example. The user checks the backup options according to their needs or all together with SAVE ALL. 2). 5. for example to create or delete rename folders in the working directory without leaving the software.9. a MIDI pedal or any other button (QWERTY keyboard or keyboard MASTER) a joystick etc. This directory is a subfolder of the directory vArranger (ref. By clicking on the label . For the name of a folder. Documentation réalisée par : Joël Patrouillault 31/53 . 1) created under the root of the hard disk of the computer during the installation . customize the use of external auditors for each song. displays the Windows file manager. the first 4 characters (brackets + 2 digits) are invisible in and are only used by the software to classify files (FOLDER) in an order chosen by default and can be modified by the user. pre- positioned in the working directory named default: StylesROM1 (ref.. This function allows. Settings are stored for the SONG in progress . assigned to "hardware" controllers as a foot control. 5. 5. eg THIS IS MY LIFE is a partition then it will automatically display the call the SONG. 4) and contains files with the same name as the SONG (ref.5 "Search" This function is very useful when searching for such a lunch kar SONG or on computer disk file.4 "Refresh" This function allows you to refresh the data stored on the computer and used by without needing to restart the software. partitions or other files found useful.9. 5). The figures. which allows a personalized classification of genres simply by changing the first two numbers while retaining brackets. the data working directory . invisible in Represent the fourth position in the bar MY SONGS. THIS IS MY LIFE. When this subfolder is called SCORE (ref.9. the file DANCE (ref. In the example in the figure above. This function is very useful when the user changes in the background with MY SONGS FOLDER or with another task. The number of sub folders is not limited by . Figure 60 : MY SONGS FOLDER The working directory (StyleROM1) defaults to 10 sub-folders whose names begin with two numbers in parentheses as (04) SWING. 3) contains a sub-folder in which you can place text. Another example can be seen that "hell" is two pages in jpg format. Documentation réalisée par : Joël Patrouillault 32/53 . Also. then uncheck DISPLAY SCORE OF THE SONGS Ability to disable the automatic display of the words of midi files. The popup window is floating and resizable.7 KARAOKE Figure 63 : KARAOKE KARAOKE function displays in a new window the information contained on the track KARAOKE MIDI or KAR or user-defined files. The search engine is very fast. it is possible to record the start position of the Karaoke window by right-clicking on the window and Karaoke: SAVE WINDOW POSITION KARAOKE button turns red when this function is active. 5. double-click the desired title (grayed) the load in drive A. 5. At this point. Pressing the assigned to the search function search function (SEARCH) button activates. As and when the user hits the letters (and / or numbers) shows the occurrences already found the magnifying glass turns red during the search and turns green at the end of the process. The popup window is floating and resizable. Figure 61 : Search By clicking on this window.9.6 LYRICS Figure 62 : LYRICS LYRICS The function displays in a new window the information contained on the track LYRICS MIDI or KAR files or user-defined. Ability to disable the automatic display of karaoke midi. by right clicking on the Lyrics button. A second press cancels the current search. the steps may not be well received. the lens becomes green and the cursor moves ready characters to search. Ability to disable the automatic display of partitions SCORE file by right clicking on the Lyrics button. then uncheck DISPLAY OF THE LYRICS midi LYRICS The button turns red when this function is active.9. by right clicking on the button Karaoke then uncheck DISPLAY OF THE KARAOKE midi Figure 64 : LYRICS Documentation réalisée par : Joël Patrouillault 33/53 . it turns red and the vertical column stamps appears to the left for a possible change of timbre. TRACK 2 4 BASS.10. by clicking on the track. Double-click displays the SOUND EDIT window for any changes.1 GROUP VOICE This group has 16 voices. TRACK 3 5 ACCOMP 1 TRACK 4 6 ACCOMP 2 TRACK 5 7 ACCOMP 3 TRACK 6 10 ACCOMP 4 TRACK 7 11 ACCOMP 5 TRACK 8 2 1 LEFT TRACK 9 3 LEFT 2 DRUMS 0 3 LEFT TRACK 11 12 RIGHT 1 TRACK 12 13 RIGHT 2 TRACK 13 14 RIGHT 3 TRACK 14 15 RIGHT 4 TRACK 15 1 2ND VOICE TRACK 16 Figure 65 : VOICE Landmark Observations 1 TRACK (TRACK) 3 PLAYER MODE SEQUENCE MODE or BASS ARRANGEUR 2 STAMP name assigned to this track.10 MIXER 5. Documentation réalisée par : Joël Patrouillault 34/53 . CHANNEL MODE PLAYBACK MIDI ARRANGEUR MID / KAR 9 DRUMS TRACK 1 8 PERC. each voice can be either on a runway or arranger on a track MIDI or KAR read file.5. The above parameters is added: A play area: Documentation réalisée par : Joël Patrouillault 35/53 . 2. in this case it becomes clear and light blue line indicates its position relative to the center. * By clicking on this knob and sliding along a vertical axis. 2. 9 Here we display the name of FX2 chosen. its value is set. activated. 4 and 2nd VOICE LEFT and 1. The bow green circle indicates the level of effect applied from 0 to 127 ** (black button indicates that zero is applied). update the SOUND EDIT window. the reverse is down. Once the open window. can "TRANSFER" (mute) the track. The speech controller acts on the volume of the track. 3 Volume slider of the track by sliding up the noise level is increased. to the right or left according to need. active. 11 The rotary potentiometer * FX2 the dose effect to be applied to this track. You can click on the name to select the FX2 with the added LESLIE SLW (SLOW) or TSP LESLIE effect (FAST). the digital value applied. allows you to listen to one track. 7 MUTE button turns orange when selected. a single click on other tracks. 6 SOLO button turns green when selected.10. 4 Display sound level set by the cursor 3. 10 The rotary potentiometer * dose effect REVERB FX1 will be applied to this track. The adjustment is made by sliding the dark blue button. 12 Display expression (MIDI controller 11) as a red line on the meter for each track. 3 can be made simple or more complex presets. when it is in the center. 8 Displays the cursor panning (left / right): C CENTRE. Right-click to display a popup window.2 SECTION SOUND EDIT Double-click on one of 16 tracks opens the SOUND EDIT window. 5 Meter of an active runway. ** The overview of the potentiometers can view in a little yellow pop-up. Figure 66 : SOUND EDIT When editing tracks RIGHT 1. in order not to overload the display three dashes indicate OFF. 5. The arc of red circle indicates the level of effect applied from 0 to 127 ** (black button indicates that zero is applied). 3. 63R to pan completely set right and 64L to pan left completely resolved and all intermediate values. 2. 4 and 2ND VOICE LEFT 1.).From Key and Key To allow you to select the range of action. we define KEY From notes by clicking on the displayed value and then play the keyboard the desired note (the number will be displayed. 2. A low value corresponds to "light" the maximum is "Sforzando. Figure 67 : EDIT SOUND RIGHT 1. A change octave. We define Key To note (which may not be less than From Key) by clicking on the displayed value and then play the keyboard the desired note (which may not be less than From Key). 3 The parameters are set you can save your work in SAVE SOUND Distinctive Ways DRUM and PERC By double-clicking on the track or PERC DRUM SOUND EDIT window appears with new percussion own settings: Documentation réalisée par : Joël Patrouillault 36/53 . This value can not be less than Velocity FROM. Particular velocity: Velocity FROM Sets the value of the strike force from which the note will be generated. 3. A transposition in semitones. These special lanes and 2nd RIGHT and LEFT VOICE allow for example to produce a different tone and a different velocity according to the octave played." Velocity To Sets the value of the strike force from which the note will no longer generated. DRUM & PERC These two channels have a DRUM MIXER Particulars of the Track BASS Ability to save the MANUAL BASS SUSTAIN. and change the value of the Release Time. AttackDecaySustainReleaseWha- epiano. You can then save this setting in CONFIG SAVE STARTUP 5.) Wha On / Off Name of the Wha-Wha AmountFilter CutOff Ports twelve o'clock Freq activated 1/2/3Bank 0. guitar ...Vibrato PANREVERBFX2FX2 LFO2 speed TYPE LFO2 delay Key ranks FROM LFO2 depth .10.Tremolo From Velocity Pitch Bend sensivity Velocity TO PitchRangePortamentoPotamento Brightness time Resonance Monophonic Documentation réalisée par : Joël Patrouillault 37/53 ." The following parameters are stored in SAVE RIGHT SOUND: Category sound (piano. double click on the bass track.3 SAVE SOUND SAVE RIGHT SOUND is available from the button and "SOUND . Figure 68 : SOUND EDIT .. select Manual Bass.Sweep Key ranks TO LFO2 depth . 32 Filter Resonance and Program Change LFO1 speed VolumeTranspose fine LFO1 delay pitch LFO1 depth . To do this.. 2 SOUND EDIT 5.1 SEND TO MIDI This menu allows you to route MIDI track this information to multiple MIDI outputs. these choices are not mutually exclusive.10.10.10. Documentation réalisée par : Joël Patrouillault 38/53 .. 3. See Section 5. Note : It is possible to use multiple MIDI interfaces with the same names of MIDI ports. right click ACCOMP4: Figure 69 : SEND TO MIDI OUT 5.4.4. 5.3 STYLE MIXER .10. Expression By combining up to 5 tracks (RIGHT 1. 4 and 2nd VOICE) it is easy to create new sounds complex.4 CONTEXT MENU TRACK Right click on a track displays a context menu that allows the following selections: Here..2 SOUND EDIT ... 5. 2.4.10. or the audio file type (0-127) Documentation réalisée par : Joël Patrouillault 39/53 .5 GROUP MASTER / EFFECTS Figure 71 MASTER GROUP AND EFFECTS This group has 4 channels and adjustment effects two groups: The first track named SONG.This command displays summary screen settings current style for each track. (Compatibility Ketron styles to come) Figure 70 STYLE MIXER 5. we read a sequence or an audio file.10. or STYLE for the use of a style rule by moving the cursor vertical level of the sequence. and each variation. The fourth track named MAST rule acting on the vertical slider overall output level (MASTER) from 0 to 127. It appears in the FRAME (blue horizontal thermometer). the number of notes "ON" sent to the sound module. which causes the column display stamps allowing choice. provides up to three reasons for the introduction of simpler (No. The maximum level is adjustable reverb chosen in another drop-down list of values: 0 to 16. This path can be selected.The second channel named LEFT adjusted by means of the vertical level of the cursor LEFT section (0 to 127).11. The third path named RIGHT adjusted by means of the vertical level of the cursor RIGHT section (0 to 127). The choice is made by clicking on the name of the REVERB in use. no INTRO is selected. This allows for example. it is of polyphony. Above. whether is receiving MIDI data from the device connected to MIDI IN. 5. The second effect group named FX2 can choose different types of CHORUS DELAY DISTO to be applied to different tracks . in other words. 1 or A) to the richest (3. Figure 72 : Real time control table with an original style KETRON Figure 73 : Table of real-time control with original YAMAHA style 5.11 REAL TIME CONTROL ARRANGEUR The control of the arranger comes in different aspects. C). a drop-down list displays the different reverbs available.4. A right-click displays the popup menu cf.10. Documentation réalisée par : Joël Patrouillault 40/53 . The first group of effects named FX1-REVERB can select a reverb type from eight types of which OFF (no reverb). 5. depending on the origin of STYLE loaded. By clicking on the bottom of the window It clears the combo box without applying the changes.10.4.1 INTRO By default. This feature allows you to associate a bar SOUNDS MY STYLE. Eight different types are available including an OFF for all three FX2 effects. the length of the introductory units is variable depending on the style but never less than one degree. By clicking on the bottom of the window It clears the combo box without applying the changes. 5. A right-click displays the popup menu cf. This path can be selected. which causes the display option in VOICE. another digital indicator shows white numerals on a black background. These variations each have a different pattern of support in general from simple "A" to the richest "D" some original Ketron styles offer RIFF instead of change "D". All commands can be assigned by the arranger OPTIONS / CONTROLLERS then CONDUCTOR menu. Note : If you start the arranger on ENDING. the harmonic grid rotates in the tone of the recent agreement struck before entering this variation. the buttons change color upon selection. pressing START starts arranger INTRO preselected to bind the A CHANGE CHANGE or any other previously selected . 5. selecting a fill / BREAK will start the arranger on the FILL / BREAK preset from its start.11. you only have to click on the reason for his choice.11. the control panel of the arranger becomes bulletin board MARKERS which look like.3 ENDING provides up to four reasons for terminating the simplest to the most wealthy.11.Arranger Off. Up to 32 steps. will stop at the end of the pattern end. D or RIFF and up to 5 FILL IN. Documentation réalisée par : Joël Patrouillault 41/53 . It is possible during the game to a replay INTRO. B. the length of the reasons for terminating the style varies but never less than one degree. C. The framework is provided with a button which turns red when selected. 5. The change over is indicated by the blue color of the button.4 MARKERS When reads a sequence. 2 or 3). its length is indicated by the blue horizontal thermometer part A.2 CHANGE offers according to the origin of the style variations up to 4 A. RIFF is a pre recorded musical phrase of several measures. By default. you select the intro pattern (1.3 FILL IN provides up to three reasons for FILL IN BREAK more for Ketron styles and up to 5 FILL IN for YAMAHA styles.11. This feature is very popular for enhancing the musician's improvisation on a given grid. It appears in the FRAME (blue horizontal thermometer). Arranger Off. no FILL is selected. This automatically starts a fill when changing CHANGE according to the following arrangement: VARIATION AUTO FILL A 1 A to B 1 B 2 B to C 2 C 2 C to D (or RIFF) 2 D (or RIFF) 3 D (or RIFF) to A 3 5. the button turns red. 5. Par example.12. sliding the mouse along a vertical axis. you can go to the position of the marker by pressing the button or pedal assigned to variation 3 arranger. The third option is to use the control usually assigned to variations in key arranger. The measurement indicator is activated. green. a first double click on the displayed value changes appearance as below: Documentation réalisée par : Joël Patrouillault 42/53 . for a smooth transition. in the area of variations arranger. • Arranger running. the first of four LEDs indicates highlights (red light). An arc of orange-red circle whose opening is proportional to the value of TEMPO provides coarse adjustment TEMPO. and at the end of the current measurement. it is possible to increase or decrease the tempo value in steps of + or . 5.. if the marker is called "Main C" or "Solo Guitar Hand C". with the ability to support several times in a row. a chorus will be chained perfectly.1. pressing STOP stops immediately arranger (right or left click). the other. The button returns to its orange color and screen changes START (ready for a new start). 5. the position change will take place at the end of the measurement. (Section MARKERS). In OPTIONS / CONTROLLERS. show time low.12.1 START • Arranger stopped. use an editor of MIDI files and name tags. Figure 74 TABLE OF MARKERS A marker is used for storing a MIDI file in a precise position. so that they contain: Intro Intro 1 or 2 or 3 or Intro or Ending Ending 1 Ending 2 or 3 or 4 or Ending Main Main A or B or C or Main Hand D or Fill In Fill In 1 or 2 or 3 or Fill In Fill In Break. If the MIDI file is being played.12 STATUS ARRANGEUR Figure 75 : STATUS ARRANGEUR 5. reading the MIDI file directly to the start position of this marker. This is very useful if you eg public requires additional chorus. the button will turn green and the screen changes to STOP. display the markers present in the MIDI file. Clicking on a marker buttons.. It is also possible to use the functions assigned to CHANGE CHANGE UP and DOWN arranger keys to move through the markers. it is possible to assign up to 15 tags to MIDI buttons. To do this. The limit values are between 40 and 250 minimum for the maximum. pressing START starts the arranger (right or left click). You click on the marker Chorus.2 TEMPO By successively pressing the "+" and "-" keys. keys or PC . In addition. pressing FADE OUT (the button turns red) causes a sound fade out from the noise programmed to zero.12. this function is a count of chopsticks on the quarter of a measure heard before the start of the arranger. Note : These two options are not mutually exclusive. checked simultaneously play only when notes to it from the LEFT section. the button becomes gray and the Arranger is stopped. 5.12.12. pressing FADE IN (the button turns red) causes a fade output from the zero level to the noise level programmed. Note: The behavior of the FADE function is identical to a MIDI sequence or Kar. Arranger On.4 COUNT IN Arranger Off. time clicking with the right mouse button on the wheel TEMPO button.3 SYNC This framework offers two options: SYNC START: This function starts the arranger in sync with any note received in the LEFT (Left hand) part SYNC STOP: This function stops the arranger when no note is received in the LEFT part. 5.5 FADE • The arranger OFF. In OPTIONS / CONTROLLERS. bass and Documentation réalisée par : Joël Patrouillault 43/53 . you can assign a key to the TAP TEMPO function.6 HOLD The HOLD function when activated can remember the last agreement received in his LEFT part. Functions COUNT IN / RESTART are enabled with right or left clicks. 5. the COUNT IN button changes to RESTART. Practically. A second double-click resets the tempo indicator in its original definition and cancels the TEMPO LOCK function Note : TAP TEMPO: You can define a new tempo. Figure 76 : Double click on TEMPO The appearance of a small padlock in the center and a yellow circle indicates periphery GEL TEMPO. it keeps the activation of all the backing tracks. When the noise level reaches the screen is programmed exchange FADE OUT and the button returns to gray. with the arranger on. • The arranger START. This TEMPO LOCK function allows chaining of other styles on the same TEMPO. 5. this function immediately reset the arranger on the first beat of the measure.12. When the noise level reaches zero the screen changes FADE IN. like a drummer. drums even if the agreements of the left hand are not required. Figure 77 : MIDI error message 7. Otherwise.fr Documentation réalisée par : Joël Patrouillault 44/53 . only the battery is active without agreements received. 6. All ARRANGEUR STATUS commands are assignable by the OPTIONS / CONTROLLERS then TRANSPORT menu. ERROR MESSAGES Please do not select the same MIDI IN. CONTACT Technical Support: support@varranger. ed) Figure 78 : Configuration 1 keyboard Documentation réalisée par : Joël Patrouillault 45/53 . MIDI connections to are made via a MIDI interface the number of entries that will be needed (UM-3G Cakewalk by Roland for example .8. APPENDIX Non-exhaustive and non-exclusive examples of possible configurations Note : In all these configurations. Figure 79 : Different ways to control vArranger ² Documentation réalisée par : Joël Patrouillault 46/53 . Figure 80 : Setup 1 + 2 keyboards Midi pedal Documentation réalisée par : Joël Patrouillault 47/53 . Figure 81 : Configuring MIDI Guitar Documentation réalisée par : Joël Patrouillault 48/53 . Figure 82: Configuration Accordionist Documentation réalisée par : Joël Patrouillault 49/53 . ............................................................................................................................. 12 Figure 15: Time able sections ....................... 5 Figure 6: MIDI PORTS ....................................................................................................................................................... 13 Figure 17: How many times you want to paste the selected measures? ................................................................................................................Right Click................................. 19 Figure 33: STYLE "TEXMEX" is used for the SONG "Bamba" ................................. 20 Figure 37: BASS TO LOWEST ... 9 Figure 9: CONTROLLED BY PC KEYBOARD................................................................ 18 Figure 30: Display real time ...........................................................................................................................................................nanoKONTROL .......................................................................................................................................................................................................TO MOVE ................................................................................................................................................................................................................................... 25 Figure 49: ADD TO MY SOUNDS.................................... 20 Figure 36: MANUAL BASS ...............FULL KEYBOARD ......................................................................................... 14 Figure 19: Confirmation message ..................................................................................................ACCORDION METHOD ......................................................... 18 Figure 29: Transposition three semitones ....................... 26 Figure 52: MY SONG .......................................................2nd MIDI IN ......................... 14 Figure 20: Window MIDI EVENT LIST .................... 18 Figure 25: PANIC.................................................................................. 25 Figure 47: Function not activated LINK... 5 Figure 5: MIDI PORTS ................................................................................................... 3 Figure 2: WINDOW PROGRAM............................................................................................... 19 Figure 31: KEYBOARD MODE .................................. 24 Figure 46: MY SOUNDS ....................................................................................................................................... 21 Figure 39: RIGHT ............................ 23 Figure 43: OFF Function ................................. 18 Figure 28: No transposition ........................................................................ ILLUSTRATIONS Figure 1: Interface vA ²............................................................... 10 Figure 12: OPTIONS CONTROLLERS ................................. 21 Figure 41: VOICE... 6 Figure 8: CONTROLLED BY MIDI INPUT .................................... 21 Figure 40: RIGHT .............................................................KEYBOARD MODE .. 13 Figure 16: Pop-SONG CHORDS ...........................................2nd MIDI IN ............................................... 11 Figure 13: MIDI MONITOR .................................................................................................................................................................................................................................. 14 Figure 18: measuring ........................................................................................................................................................................................................................................... 9 Figure 10: CONTROLLED BY JOYSTICK ........................................................................................................................... 27 Documentation réalisée par : Joël Patrouillault 50/53 .................... 18 Figure 27: Transposition ............................................................................................................................................. 22 Figure 42: Erase Confirmation ............................. 19 Figure 32: MODE KEYBOARD ........ 25 Figure 50: REMOVE ..................................................................................................................................... 17 Figure 23: ARABIC SCALE.......... ..................................................................................................... 3 Figure 3: OPTIONS.......................... 20 Figure 34: OCTAVE ....................................................... ............................................. 4 Figure 4: MIDI PORTS ........ 17 Figure 24: ABOUT ................................................... 20 Figure 35: NORMAL BASS ................................................ 18 Figure 26: TIME ....................................................2ND VOICE ...........................................................................................................................................................................................................................MASTER.......................................................LED feedback .................................................. 21 Figure 38: RIGHT.................................... 24 Figure 45: Button INS ................................. 10 Figure 11: Message Controller already assigned.......... 16 Figure 21: OPTIONS ............... 27 Figure 53: MY SONG .........................................................................................................................................................2 semitones...................................................................................................................................................................................................................................... 16 Figure 22: OPTIONS ................................................................................................................................................................................EFFECTS ..... 6 Figure 7: MIDI PORTS ....................... 11 Figure 14: Edit Window SONG CHORDS .......SPLIT POINT ................................................................................................................................... 25 Figure 48: Function LINK enabled .......................................................... 23 Figure 44: SELECT A SOUND......................... 26 Figure 51: MY SONGS............................................................................ .............................................................. 43 Figure 77: MIDI error message ........................................................................................................................COPY TO . 49 Documentation réalisée par : Joël Patrouillault 51/53 .................................................. 28 Figure 55: MY SONG ......................................... 45 Figure 79: Different ways to control vArranger ².................................................. 4 and 2ND VOICE LEFT 1..................................DELETE ................................. .... 33 Figure 63: KARAOKE ....................................... 35 Figure 67: SOUND EDIT RIGHT 1.......................................................................... 3....... 30 Figure 59: Save Song ................ 34 Figure 66: SOUND EDIT.......................................................................... 33 Figure 62: LYRICS.......................................................DRUM & PERC.............................................................................................................................. 33 Figure 65: VOICE...................... 3................................................................................. 40 Figure 74: TABLE OF MARKERS........... 32 Figure 61: Search .................................................. 48 Figure 82: Configuration Accordionist ............................................................................................................................................. 31 Figure 60: MY SONGS FOLDER ............ 38 Figure 70: STYLE MIXER .. 40 Figure 73: Table of real-time control with original YAMAHA style .................................................................................................................................................................................................................................................................................................................. 44 Figure 78: Configuring Keyboard 1 ..................... 28 Figure 56: MY SONG ....... 2................................... 46 Figure 80: Configuration 2 + 1 pedal keyboards Midi..................................................................................................................................................................................................................................................... 37 Figure 69: SEND TO MIDI OUT.................................................................................... 28 Figure 57: SAVE OPTIONS .................................................... 47 Figure 81: Configuring MIDI Guitar ..................................................................................................................................................................................................................... 33 Figure 64: LYRICS.....................................................................................................................................................................Figure 54: MY SONG ......................................................................................... 39 Figure 72: Real time control table with an original style KETRON .................................................. 2......................................................... 30 Figure 58: SAVE CONFIG STARTUP............. 42 Figure 75: STATUS ARRANGEUR................................................................ 36 Figure 68: SOUND EDIT ............................ 42 Figure 76: Double click on TEMPO.......................................RENAME .................. 39 Figure 71: MASTER AND EFFECTS GROUP ......................................................... .......................................................................... DESCRIPTION ..............1..............................3........................................................................................................................................................1 GROUP VOICE..............................................................9 MY SONGS .................................38 Documentation réalisée par : Joël Patrouillault 52/53 ..2 3....................................................................23 5...........................1 WINDOW PROGRAM ....6..............5 "Search" ....................1..............1..............................................................................1...................................................................................................................................................................37 5..................................20 5.........................................................1 SEND TO MIDI .............................9...........................................10.........................................................1 NORMAL BASS ...4 MIDI EVENTS ......9 5...........................................................................................................................................................................................................9.......................................1 OPTIONS .....................................................3 vArranger ² ...................................38 5................9.......10..3.....................................................5..15 5....33 5...............................................................................................................12 5.................................................17 5..15 5....................1.........................................................21 5...25 5................................................................21 5...........................................18 5.....................1..............................................................2 PART 2....................................................3 SONG CHORDS ..........................................34 5.................................1..................................................................29 5.................................................10..8.............................................................................................................6....................................................................................................17 5................................18 5..................................................................................................................................................................... INSTALLATION ......33 5.................................1.........SUMMARY 2.............5........................................................2 4..................................................1 PART 1.....................................21 5......34 5..................3......................................................7 KARAOKE................................11 5...................................................6 EFFECTS....................................................................................................................2 TRANSPOSE .............................................................................................18 5.................26 5........................................1 "Sounds Drop Here"............................................................................35 5...................................................................................18 5......................................19 5..........3........................................................................................18 5.....................1 MIDI PORTS .....................3 BASS TO LOWEST ....4 THE PLAYER B .............................9..........................................................................................5 TIME........................................................................................24 5................................................................................................................................. PRINCIPLE OF OPERATION ..7 VOICE .....................................2 Icons MIDI Activity................................................................... FEATURES........................................................................20 5....9......................................................................1.............................1......................................................32 5....................................................................................................................................................................................................................................................1................6 LYRICS ..........3 RIGHT FULL KEYBOARD ...............1.................1................................4 PANIC ............2 The vRIFF function: ....20 5................................1...............................9.......................................................................................................8 MY SOUNDS................1.....................................................................................................................................20 5.....................................................................4 "Refresh" ..............................................................................................4 CONTEXT MENU TRACK ...............1......................................................1..5....................29 5...............................9.................................................................................................4 5.........................................................19 5................22 5................................................... ...............2 SOUND EDIT ................................................1.....3 5..................................................2 CONTROLLERS ..................................................................................................................................................................5 MASTER ...............................3 SAVE SOUND.......................................................10...........3 "Songs My Folder" ......20 5.................2 5...............................3 THE PLAYER A .............................10 MIXER ..................................7....2 RIGHT ..............................................................6 ICONS REDUCTION / CLOSE ................................................3 REAL TIME DISPLAY ..........................................................................................................................................................................2ND VOICE ........................10........19 5..........................................................6............1 LOAD ........1.......1 RIGHT ...................................................................................................................4.............................................................................3 5...........................3....................................4........................................................................16 5..................................................................1.........................................................................................................................................10........................2 Delete a stamp MY SOUNDS .......................1......................................................................8........................1...............................................................................................................21 5.............31 5.....................................................................2 MANUAL BASS.....................38 5........................................4 OCTAVE..................................................................................................................6 RIGHT ................1 INS .........................1 Creating chordsheet............................2 SAVE.....................................3 5............................................................................5 BASS ............................................32 5.......................................................................................................................21 5...18 5..................................................2 SECTION SOUND EDIT .................3..................................25 5.................... ................12...........................41 5...........................................11...............11.....................................................................45 Documentation réalisée par : Joël Patrouillault 53/53 ..................10..12.............. CONTACT ........................43 5....................................................42 5..........40 5........................................4 COUNT IN................................12..................................................41 5.......................11...................................................................................................................................................................................3 FILL IN ........11 REAL TIME CONTROL ARRANGEUR................................12.................5 FADE..............................................................................................................................................................................................4 MARKERS ........11................................................................................................................................................................................42 5..............................................43 6.....................................................................................12...............................................................................................................................10.....................................................5 GROUP MASTER / EFFECTS ......1 START .......... ERROR MESSAGES .....................3 STYLE MIXER ............................6 HOLD ..................................................................41 5............................................... APPENDIX.................39 5...........................................................................................................43 5.........44 7.....................................................................4.................................................43 5............................3 ENDING ..................................3 SYNC .........................................................................................................2 CHANGE.........................................11.....................................................................................................12.....................................38 5..................2 TEMPO .......................................................................................................................................................................44 8.42 5............................12 STATUS ARRANGEUR ..........................................41 5..................................................................................40 5......................................................... 5.............................1 INTRO ...............................