The Symbolism of the Ninth Gate

The Symbolism of the Ninth GateThe Ninth Gate is a film by the well known director, Roman Polanski. It is billed as a raising the devil movie (as opposed to simply raising Cain). For example, the DVD's cover includes such quotes as: "The only thing more terrifying than searching for the Devil... is finding him." "Johnny Depp goes head to head with Lucifer in Roman Polanski's new thriller!" "Johnny Depp unlocks the gates to hell in Roman Polanski's newest thriller. Depp stars as Dean Corso, an unscrupulous rare-book dealer who is hired to locate the remaining copies of 'The Nine Gates of the Shadow Kingdom,' a demonic manuscript that can summon the Devil. Corso becomes embroiled in a conspiracy involving murder, theft and satanic ritual, and ultimately finds himself confronting the devil incarnate." Wow! That sounds pretty scary. Sort of like playing with fire and getting burnt (pardon the pun). However... Within the community of true disciples seeking enlightenment, there is a well established tradition or standard whereby profound truths are clothed in apparently scary stuff -- what might otherwise be described as a sheep in wolf's clothing. The gist of the technique is that only those with the courage, understanding, ability to discriminate or see beyond the facade can be allowed the opportunity to discover the esoteric ("for the few") truths. For anyone else there are only left-overs, the exoteric ("for the many") apparent truths. The key factor here is that the spiritual path is only destined for those who are willing to pay attention to the man behind the curtain (a reference to the Wizard of Oz, another movie with hidden truths). That is, instead of simply blindly following the path of the Willfully Ignorant. Accordingly, an unwillingness to look beyond the cover of a book simply because its subject matter appears to be unsavory can lead to a condition where important truths can be overlooked. Admittedly, there are probably few esoteric truths to be uncovered in a movie like Chucky battles Jason in Halloween 666. (And I apologize to everyone if I've inadvertently given some demented soul the idea for a title of just such a movie.) But well-established actors such as Johnny Depp and Frank Lagrella, and their appearance in a movie might motivate one to revisit the movie/book and take a deeper look. For example, is it possible, a Johnny Depp fan might ask, that Roman Polanski's The Ninth Gate is far more than it seems? The book, The Dumas Club by Arturo Perez-Reverte, the original engravings by Francisco Sole, and the screenplay by Enrique Urbizu, Roman Polanski, and John Brownjohn all certainly provide for "an irresistible Gothic thriller." But is there more in the movie than what might appear at first glance? Well obviously there is, or why else would the question have been asked! Duh! On the one hand, Philip Coppens' article "The Ninth Gate Opens" does constitute an excellent treatise in providing what might be termed the exoteric interpretation of the movie (and book). His relatively brief article is well worth reading... we'll wait here for your return. Back already? Well then... Now that you're somewhat intrigued by the possible depth of The Ninth Gate, consider just a few comments by Mr. Coggen. For example, "Lucifer is said to be... quoted in the Corpus Hermeticum. Whereas... "the Hermeticum could not be further removed from demon worship." [emphasis added] "Aristide Torchia, though fictional [supposedly the author of the 'The Nine Doors to the Kingdom of Shadows', written in 1666], is created from the life of Giordano Bruno." There is no evidence the historical figure, Giordano Bruno, ever attempted to summon the devil, but nevertheless he was burned at the stake by the Catholic Church. But instead of his charred remains representing a blot upon his character, his death at the hands of the Catholic Church places Bruno in the best of company. One might surmise that upon his arrival at the pearly gates, the guardians thereof almost certainly exclaimed, "What? You were burned by the Catholics? Then welcome honored guest! Such a distinction can only add to your glory. Quickly, bring out the fatted calf, notify the heavely caterers of a great feast, and don't forget to inform the dancing girls that there services will be once again in demand!" But I digress. Another, far more intriguing essay on the hidden merits of The Ninth Gate has been written by Laurel Whitney, and her essay is the primary content of the ten pages (being posted here with her kind permission). Ms. Whitney does an astounding job of relating the contents of the movie and the book to the Qabala, The Tree of Life, and to the general contents of this website. By analyzing the movie in considerable detail, she shows that Roman Polanski's movie is sufficiently filled with symbolism and otherwise apparently insignificant detail, that it's almost certainly intended as such. The profound truths that seem to be lurking in The Ninth Gate can almost certainly have been intended by all of the creators of the book and movie. An example of such underlying meanings -- which is my responsibility and not Ms. Whitney's -- is the tendency to think of Johnny Depp's character (Corso) as intially shallow and selfserving, and by the moral standards of today, something to be avoided. However... In the movie, it is apparent that Corso lives in a relatively sparse apartment (decorated for the most part with primarily books, in effect his stock in trade). Other than his briefcase which he is never without, he has no affiliations, relationships (other than business), and is quite literally unattached. His interest is not in having friends, but as he points out to a bookstore owner, but in his "percentage". One can assume, therefore, that he has no particular baggage which might hinder his quest. Losing the baggage is in fact considered one of the prime requirements for anyone seeking enlightenment. Baggage, it should be emphasized, is more than just stuff. Baggage might also be construed as emotional baggage (a failure to get ye over it), societal baggage (doing what is politically correct, i.e. not being shallow and self-serving), and paradigm baggage (the possible inability to see beyond one's current understanding of reality, and at the same time a possible unwillingness to allow radical change to occur in one's view of the world). One can hardly expect success on their Fool's Journey or Hero's Journey with any of the limitations imposed by Baggage (with a capital "B")! In the movie, the character played by Johnny Depp, Lucas Corso, has apparently rid himself of the societal baggage of doing only what is correct, i.e. not being shallow and self-serving. Corso also shows no indication of having or having had any close personal relationships, and in fact seems to be content to have sexual relations with anyone as the opportunity arises. His paradigm baggage is also apparently minimal in that revelations [pardon the pun] do not seem to dissuade him from his pursuit. Corso is, in effect, the epitome of The Fool, and like the Fool on his Journey, he carries only his sachel, and is otherwise pretty much oblivious to all the warnings of what might happen if one does not follow the straight and narrow. there has to be a willingness on the part of the initiate to do whatever is necessary to reach his or her goal -and "to hell with what anyone else thinks!" (Again.. he's a "fool". a good provider. This therefore allows the Fool to be shallow -. and furthermore that no one was harmed. or a pillar of society.It must be suggested here that someone's eagerness to please others is NOT a good sign for a person entering upon a quest to reach a higher level of existence. pardon the pun. Polanski may in fact have a better understanding of truth than we might have imagined.by definition -.) One can take the path of The Fool. of course. [The caveat. involved the female who was considerably underage. then it's difficult to see a crime. Instead. after all. Keep in mind also that certain authorities have attempted to incarcerate Roman Polanski for allegedly having sex with an underage female -. of certain societal mores may have been intentional in the movie as a means of Polanski's own apparent contempt .) The true "Hero's Journey" is not about being a nice guy.as well as self-serving.] Accordingly.the latter whom may or may not have initially been a willing participant.. A QABALISTIC KEY TO 'THE NINTH GATE' Roman Polanski's Journey Beyond Evil . Corso. are singularly inept at traveling. (Pillars. if only because the Fool is forgiven for all such transgressions inasmuch as. even if she may have looked the part. well. If one assumes that consensual sex is okay. the seeming contempt by the movie's "hero". but where it is understood that no one expects the Fool to make a positive contribution to society. THE 'BIG PICTURE' Light Shines in Polanski's Darkness In the first scene of the film "The Ninth Gate". is strangled in her wheelchair and her famous library of satanic books set ablaze. collector of occult books. I still can't quite imagine how that particular chain of thought ever came together. non- . Once his feet have stopped twitching. a beautiful. didn't just think it. Roman Polanski.I. burns himself alive in a deserted Cathar castle while performing a ritual which he is convinced will summon the Devil. When it comes to popular films with "spiritual" themes. whose symbols tell the story of the journey on the Tree). sex-exploiting vamp. despite the dark reputation of its director. very wealthy and cultured gentleman calmly commits suicide by hanging himself from the chandelier in his tastefully appointed library full of priceless rare books. "The Ninth Gate". The final victim. a billionaire business mogul. murderous devilworshippers in an almost tongue-in-cheek way to illustrate a message of genuine. a crippled German baroness and best-selling author on the subject of the Devil. Over the course of the film. But however far-fetched this idea may seem. he actually pulled it off. obsessively sadistic. it's impossible not to think of the most recent. said to have been co-authored by the Devil himself. Now. non-denominational morality play in which almost all the parts are played by evil "satanists" and one enigmatic character in particular is widely speculated to be Lucifer "herself". ugly and dispiriting way to deliver a message which was widely perceived to be controversial. unassuming but genuinely redemptive. five more people will suffer violent deaths because of their associations with this infamous book. group Satanic ritual at her secluded French chateau. an older. the camera pans across the shelves behind him to a vacant spot where one book is missing. that book is "The Nine Gates of the Kingdom of Shadows". the film's co-writer and director. religiously polarizing and divisive. The contrast between this and Polanski's film could hardly be greater or more ironic. the one in which a zealously pious director presented traditional religious imagery in what many felt was a psychologically disturbing. high-profile example. try to imagine for a moment reading this brief outline of the setting for a horror/murder mystery film. Polanski's surprising twist of using over-the-top. another. iron-willed. nude under her hooded black robe. and cold-blooded serial murderer. a 17th century grimoire (1666 to be precise). (even the esteemed author of the book on which the screenplay was based wasn't quite *that* ambitious. is choked with her own pentacle necklace while conducting a fire-lit. As we later discover. is a quirky. the Qabalah's Tree of Life!" Personally. Three of these victims are self-described Satanists: the first. and thinking to yourself "Wow! This would be the perfect vehicle to introduce the general public to the principles of one of the world's great traditional spiritual teachings. although he did start the ball rolling by commissioning the series of nine symbolic engravings which appear in "the Devil's book". but with the help of an enigmatic character known only as "the girl". intelligent cult following. I can't think of a film that more richly deserves to develop a wide-spread. other symbols in the series of engravings were more elusive and as I began the process of interpreting them. Balkan. the engravings which appear in the three books are not all identical. Death and the Fool were easy to recognize. The Choice: Light or Fire? The film tells us there are three copies of the book "The Nine Gates of the Kingdom of Shadows". six engravings are initialed "AT" for the book's author. Hermit. Corso manages to make the true journey which is depicted . I had no idea of how highly unusual the film actually is. we must begin to become familiar with the two occult "keys" to their symbolism: the diagram of the Qabalah's great teaching of spiritual synthesis. In my opinion it's one of a kind because it has done something that no other movie that I'm aware of has attempted. What I discovered went far beyond anything I had expected. Although the Tarot's Hanged Man. Two Sets of Gates. Two Hidden Keys to 'The Nine Gates' I saw the film 'The Ninth Gate' the first time mostly because Johnny Depp was in it and he can usually be relied on to pick interesting projects. all three books are necessary to obtain a full set of LCF engravings describing all nine gates. starts out as a paid agent of his employer. The first. The engravings intrigued me. the film has us follow along on the adventures of two main characters. In order to illustrate the meaning of the variations in the symbolism of the engravings. and that each book contains nine engravings. The only element missing up to now has been a publicly accessible key to the mysterious. And because the engravings which are initialed LCF vary from book to book. definitely makes for a refreshing change. Aristide Torchia. In each book. unexplained symbolism of the engravings which appear in the film's infamous book. but the LCF engravings contain small variations in the symbolism which greatly change the meaning of the scenes depicted. In fact. which is why I decided to write this article. and three engravings are initialed "LCF" for "Lucifer". All of the AT engravings are identical. I wasn't sure how deep the symbolism would go or how internally consistent it would be. and culminating at the top of the Tree with the wedding of Soul to Spirit and the opening of the 'Ninth Gate'. But as Johnny Depp's character Corso discovers. What the designer of the engravings has actually done is to use a mixture of symbols taken from the Tarot and the Qabalah's Tree of Life to describe key transition points on the journey of spiritual evolution 'up' the Tree. widely speculated to be the "co-author" of the book. and the meaning of a half dozen or so symbolic figures taken from the Greater Trumps [the Major Arcana] of the Tarot which are traditionally assigned to describe the nature of certain "paths" on the Tree. the Tree of Life. In order to understand the meaning of the engravings. rare book dealer Corso. but until I began to look seriously at their symbolism. beginning at the bottom with ego consciousness.sectarian spiritual hope. each engraving representing one of the nine gates. making the crossing at the middle of the Tree into the realm of Soul to achieve the union of ego with Soul. But is it really as simple as that? As we will see. surrounds himself with a circle of fire. Confident of his success. When Corso later asks the girl why Balkan didn't succeed. each path leading to radically different experiences and endpoints. The modifications which Roman Polanski and his fellow screenwriters made to the plot taken from the book are completely consistent with the symbolism of the journey depicted in the engravings. there seem to be two different opinions about exactly what was necessary in order to 'pass through' the nine gates. After managing to gain possession of one of the three copies of "The Nine Gates". he suspects forgery and hires Corso to track down the other two copies of the book. to place them in a particular order. or Walking the Walk Judging from ongoing comments to the boards for this film at the Internet Movie Database (IMDb) website. he tries to use it to perform a ritual which he believes will "summon the Devil" and who will then grant him unlimited wealth and power. lays out the nine engravings in an order of his own devising and conducts a ritual in which he recites his interpretation of the meaning of the engravings. This ultimate destination which the traveler through the LCF gates reaches is symbolically represented in the film's final scene in which Corso walks into a castle blazing with Light. I believe that to look at it in this way is to confuse the map with the territory and to risk falling into the category of 'mumbo-jumbo'. and the path through the nine AT gates leads inevitably not to Light but to fire. Ritual. Balkan travels to an abandoned castle apparently identical to the one depicted in the engraving for the Ninth Gate. The engravings describe two possible paths which must be followed *in real life*. When Balkan finds out from Corso about the LCF variations.a journey from ordinary ego consciousness all the way to ultimate enlightenment and an experience of the world in the form which is symbolized in the Book of Revelation as 'The New Jerusalem'. There is a clear correlation between the order in which we see the engravings in the course of the film and the progress which Corso is making on his journey up the Tree (through the gates). The second main character. When his ritual doesn't work.in the LCF engravings -. like Balkan. Boris Balkan. and recite some words. she says it was because his LCF engraving of the Ninth Gate (depicting the castle in flames) was a forgery. is a business tycoon and lecturer on occult subjects who has dedicated his life to pursuing wealth and power and has assembled the world's largest collection of books on satanism and the Devil. he sets himself on fire to demonstrate his invincibility and instead burns to death (or he would have if Corso hadn't finally shot him as an act of mercy). Some. ruthlessly murders the other books' owners and steals the remaining six LCF engravings from their books which he believes will allow him to conduct a successful ritual. There are scenes in the movie which . believe that all that was required was to possess the original nine engravings initialed by LCF. so much so that it can only have been intentional. he begins secretly shadowing Corso. Finally in possession of all nine of the LCF engravings. the journey which Balkan made *in real life* followed the path described in the AT version of the engravings. 'Mumbo-Jumbo'. Corso is the one who successfully completes the journey because he enters into partnership with 'the girl' who helps him to follow the path which is symbolized by the LCF variations of the engravings. but you still have to make the journey. as depicted in the genuine Ninth Gate's symbol of 'The New Jerusalem'. Balkan's path is symbolized by the AT variations of the engravings and it ends in exactly the kind of fiery destruction which the collective ego consciousness of our time is now trying to convince us is also our 'fate': Armageddon. Not every engraving is illustrated in this literal. I believe that either the illustrator was a serious student or initiate of a mystery tradition himself or he must have worked in close collaboration with someone who was. The way in which director Roman Polanski and his fellow screenwriters integrated the meaning of the engravings into his vision of the plot of the movie is also impressive and is the subject of Section VIII of this article. symbolic clues. the encounter with Light. In the movie.physically mimic the symbolism of the engravings. "The Polanski Code". visual way. But as the LCF engraving of the Fourth Gate illustrates. The symbolism used actually impressed me very much. symbolic rituals performed as part of a spiritual path may help to focus the mind. Most of them (with the exception of Corso) take this to mean that the engravings are to be used to construct a ritual at the end of which a supernatural entity representing the force of evil in the world will appear (Poof!) and grant the one performing the ritual special powers. refuses to make the journey beyond ego-dominance and tries to use the energies of the Tree to serve the desires and power drives of his own ego. The engravings may be valuable in their function as maps. The main problem with this is that the symbolism of the engravings doesn't support that idea at all. [emphasis added] LCF vs. The most interesting twist with the engravings is that it is the variations bearing the initials LCF which actually represent stages in the development of the very positive internal spiritual state which leads to the experience depicted in the genuine LCF engraving of the Ninth Gate. I believe these were included to give viewers the clue that the journey depicted in the engravings was also happening in the lives of the movie's main characters. the ultimate fruit of the Quest is nothing less than personal transformation and the experience of the world from the perspective of the Higher Self. The Devil -. and the resemblances between some of the characters in the engravings and real people Corso encounters on his journey. like the scene of Bernie the book-seller's body hanging in the pose of the Tarot's "Hanged Man" as shown in the engraving for the Sixth Gate.A Case of Mistaken Identity The movie's characters all seem to agree that the purpose of the combined content of all of the LCF engravings is 'to raise the Devil'. depicting it outwardly would be difficult to impossible except through the use of such periodic. This confirms to me that. but instead suggests an entirely different interpretation of the phrase 'to raise the Devil'. "Fate is not the same for all" and for those who devote themselves to the real-life 'journey up the Tree' described by the LCF version of the engravings. For some. 'the end of the world'. But since the journey up the Tree is one of internal spiritual evolution (in Corso's case) or the lack of it (in Balkan's). Balkan. despite what any of the movie characters . but they are certainly not required. the socalled 'black magician'. a symbolic figure representing a non-dual. power and harmony of your own Soul. To follow Corso's successful path. The lesson is that in the determination of 'fate'. spiritual-evolutionary force which is separate and distinct in its nature and function from our current popular conception of the degenerate symbolic figure of evil. have been unanimous in recognizing that all paths 'up the mountain' lead to the same 'Peak'. inspire. (This is the real-life equivalent of the guiding and protective function which "the girl" provides to Corso in the film. the realm of the lower mind at the base of the mountain. and the nature of your own internal spiritual state is entirely up to you and the life choices which you make. an ultimate dissolution/destruction of the same nature as the destruction of the body by fire which Torchia himself suffered. no matter what tradition they followed. for example. corresponded exactly to the symbolism of the Torchia version. From the perspective of ego consciousness. 'the Devil' or 'Satan'. it is in the realm of ego consciousness. his unevolved internal spiritual state would still have condemned him to suffer the same destructive result. The Journey Beyond 'Evil' -. making war on them. his pre-existing mindset made it impossible for him to gain a true understanding of the meaning of the symbolism and so he made no effort to align himself spiritually with the variations depicted in the LCF engravings. For an analysis of her enigmatic nature and ultimate identity. and challenge you to grow beyond ego consciousness and align yourself with the greater purpose. see my response to the first reader's comment in the Commentary section of this article. His internal state. This is easy to see when you're looking 'down'. and for this reason. LCF stands for 'Lucifer.might believe. and trying to stamp them out.All Climbers Welcome In Torchia's AT version of the engravings. The major problems come in the earliest stage of the journey in the case of those who don't progress beyond the perspective of ego and expend their energies not in completing their own journey. at some point it is necessary to forge an alliance with your own best understanding of a Higher Power. in fact.) Every religious tradition has its own language to describe this same process of spiritual evolution in different ways and those who have completed the journey. the symbolic figure of 'the Devil' is identified with anyone-who-doesn'tbelieve-exactly-what-I-believe. require disciples first and foremost . If you take the time to explore the symbolism of the engravings. small symbolic variations describe a path which has only one final destination. The 'path of return' of the Tree of Life is one traditional way up this same symbolic mountain. the Light-Bearer'. where the concept of 'the Devil' finds its ultimate playground. I believe it will be clear that although Balkan 'possessed' almost all of the necessary LCF symbols. but in declaring that those who are following all of the other paths up the mountain are 'evil'. This is why the teachings of Jesus the Christ. a benevolent spiritual guiding force which can help. it is the nature of the internal spiritual state which is the deciding factor. but much less obvious from the ego's perspective at the very base of the mountain. so that even if he had possessed the genuine ninth engraving. only the desire for a better life and a better world and the will to achieve both by working on yourself to become a better person. the easier it becomes for others to follow. No membership in any 'secret' organization is required. John rightly identifies with the destructive nature of 'the Beast' and the number 666. DECIPHERING THE ENGRAVINGS ! The Frontispiece Engraving -. suddenly started washing their potatoes too. to love their neighbors as themselves. As a perennial optimist. and as we will see in the analysis of the Ninth Gate. Where's That '100th Monkey'? The analysis of the symbolism contained in the engravings and in the plot of the movie is not a simple subject. to love and forgive even their 'enemies' and to remove first the 'beam' in their own eye before presuming to remove the 'speck' in their brother's eye. and I originally took on this challenge because of my own fairly obsessive curiosity and for my own use. in the realm of Spirit/Soul. in the simplest possible way.The Serpent on the Tree The fictitious book in the film is called 'The Nine Gates of the Kingdom of Shadows' and it . the divisive concept of "the Devil" has no power. Once this work is begun in earnest. called the 'tipping point'. and their numbers will only increase with time. and the more people who make the trip. At the top of the mountain. and since this essential transition can only happen if each one of us makes his/her own journey individually. everybody else evolves right along with him. who had no contact with the original monkeys. what the journey represented by the symbols in the engravings is all about (for those who are not familiar with it). I'd like to dedicate this article to that potential '100th monkey' who may be reading this sentence right now. it is this very lower ego-mind which the Apocalypse of St. to judge not lest they be judged. and when that '100th monkey' (as this syndrome is called) makes the transition to a new standard of behavior. there are a great many people in this world who have already quietly and unobtrusively completed the journey which the engravings symbolically describe. enough monkeys had adopted this behavior that monkeys on another island. II. But since it seems clear to me that the world as most of us know it is currently at risk of being destroyed by the raging desires and fears of a collective ego consciousness which is long overdue to be brought into balance under the guidance of the wisdom consciousness of the Soul. The realm of the domination of the ego-mind is finally left behind in the passage through the Sixth Gate. Soon all of the monkeys on the island copied their example and started washing their potatoes and at a certain point. I thought it would be worth the effort to try to describe.to love one another. the spiritual development which follows is an entirely natural and spontaneous evolutionary process. The lesson is that there is a level at which consciousness is collective. You may have heard of the famous case of the group of monkeys on one island who learned that washing their sweet potatoes in the ocean made them taste better. As some of you reading this will know. The diagram of the Tree is made up of ten circular centers referred to as a sephira (singular) or sephiroth (plural). which is how many people now perceive this world. which is the opening of the Ninth Gate.30/ . In the descriptions for each gate. A thorough study of this diagram and navigation of the experienced realities which the symbols of the Tree of Life represent might be the work of many lifetimes. Most of the owners and pursuers of the book never understand this and in fact believe exactly the opposite. you might be 'mentally pronouncing' the names of the ten sephiroth many times and if you would like to pronounce them correctly. the Hebrew letters that appear at the top of the engravings do not refer to the paths.236. According to the Cornell University Epigraphy Project http://132. as you read the interpretations of each of the Nine Gates. To help in visualizing the paths which the traveler of the engravings takes as he climbs the Tree of Life. Each sephira on the Tree is related to a state of human consciousness and the film's nine 'gates' correspond to specific points of transition which the individual traveler encounters on his journey of evolving consciousness 'up the Tree'. [Editor's note: It might be worthwhile to print out this description of the Tree of life for use in reading this essay. The Frontispiece engraving of the book shows a tree being struck by lightning which causes a portion of the tree to fall. each letter having a corresponding numerical value. each path corresponding to one of the 22 letters of the Hebrew alphabet and one of the 22 Trumps of the Tarot's Major Arcana. but it is possible to touch the high points which are represented in the engravings of the Nine Gates and get a general idea of the territory and the journey. He will 'climb' from a state of minimal ego awareness at the very bottom of the Tree and ultimately reach the realm of Spirit and the vision of Light at the very top of the Tree. The symbols shown are simply the first 9 letters of each alphabet in sequence except for the Greek where a substitution has been made in the letter representing the number 6.php/Image:Tree_simple. The Hebrew and Greek Letters & The 'Number of the Beast' There is a long tradition in Tarot of correlating individual cards with the meaning of Hebrew and Greek letters. Appendix P contains a pronunciation guide. I have spelled out the names of the letters instead.] Also.thelemapedia. and it is this mindset which is at least partly responsible for drawing to them their various gruesome fates.org/index. rather than reproducing the Hebrew and Greek letters which appear at the top of each engraving. Those who are familiar with the basic teachings of the Qabalah will recognize this as a reference to the qabalistic diagram called the Tree of Life. It's important to note that while the 22 Hebrew letters are assigned to the paths between the sephiroth on the Tree. These are connected by 22 paths.would probably be helpful to know right from the start that the journey depicted in the engravings *begins* in the 'Kingdom of Shadows'. while a snake with its tail in its mouth winds itself around the base of the tree. a [more or less traditional] diagram of the Tree with the names of the ten sephiroth and the names of the Hebrew letters which are assigned to the paths can be viewed at http://www. and the 'nine gates' are passed through on the journey *out* of the Kingdom of Shadows.125.gif. numcode. it appears this is a misidentification based on a confusion between the similar forms of 'sigma' and 'stigma'. and nine for the hundreds. So the letter representing 6. or more provocatively.html. we now begin the symbolic journey of the 'Path of Return' or the 'Path of the Serpent'. . The form of this letter (which we will call 'stigma') begins with a variant lower case form of sigma (with a snakelike "S" shape) which is used only at the end of a word. I have found no other reference which identifies the unmodified variant form of 'sigma' with any official numerical value. three obsolete letters were reinstated. 6 + 6 + 6 = 18. but I think it can legitimately be seen as a reference to it. but also why attention may have deliberately been called to this particular variation of the Greek letter sequence which appears on the engraving for the Sixth Gate showing the symbol of the Hanged Man. There we may discover not only why Greek letters were prominently featured on the engravings. In terms of numerology. to the highest point in the Realm of Spirit. from the lowest point on the Tree of Life in the realm of ego. the number 18 can be represented as 1 + 8 = 9. including a letter variously called 'digamma' or 'stigma' to represent the number 6. non-variant lower case form of sigma (roughly circular with a 'cowlick') has the value of 200. in order to construct a complete numerical system from Greek letters. is a composite of the variant form of sigma (bottom) and the form of tau (top). The regular. The Greek letter which appears on the engraving for the Sixth Gate is the snakelike. 27 letters were required: nine letters for the single units 1-9. nine letters for the 'teens'. a journey which begins with the opening of THE FIRST GATE. lower case form of sigma which is used only at the end of a word. called 'stigma'. horizontal rather than curved 'cap' which is taken from the top of the letter 'tau'. This is not the technical equivalent of 'the number of the Beast' which in gematria is 'six hundred sixty-six'. Because there were only 24 letters in the Greek alphabet at the time. with its curved top unmodified. Although there is a table at Wikipedia which shows this symbol as representing 6. the only number associated with it would be 18. We will have more to say about this when we come to the analysis of the symbolism of the Ninth Gate. If this letter form of sigma has no 'official' numerical value. since it is the eighteenth letter of the existing Greek alphabet. With these preliminaries established. This variant form of sigma was modified by adding an extended. He is riding towards a castle which has three towers. PERV.N LEG.THE FIRST GATE Aleph (Ox) = 1st Hebrew letter * Roman Numeral I * Alpha = 1st Greek letter In the book version of the engraving.RIT NEMO PERVENIT QUI NON LEGITIME CERTAVERIT Literal Translation: "No one attains who unlawfully contends" Book Translation: "Only he who has fought according to the rules will succeed" The engraving shows a mounted knight with his right index finger to his lips making the sign for "Silence". the caption is: NEM. the caption is: .T QUI N. the castle has 4 towers] In the movie version. This is the LCF Version [In the two AT engravings. CERT. He has large feather plumes on his helmet. will interpret everything as the ego sees it. The latter represents the Transcendent Source from which all of Creation is born. the Holy Trinity. but a transcendent. They will then assume that the goal of the quest involves personal profit and power over others -. There are also four dimensions to everything that we are capable of experiencing in the material world: the three spatial directions (length. The 'Silence' gesture is a reminder to students of spiritual wisdom traditions that not everyone in the general public is prepared to properly understand the teachings. intuitive sense which. the first three sephiroth or centers of energy at the top of the tree (the Supernal Triad). width and height) plus time. air. [This is particularly true of movie critics!] In the context of the journey up the Tree portrayed in the engravings. The classical distinction is between the transcendent or spiritual level of reality and the material or mundane level. the Triple Goddess. human-level expression of that Source energy. The variation in the engraving in terms of the number of the castle's towers directs our attention to the difference in symbolic meaning between the numbers three and four. The number four reflects the qualities of the created world: the four directions. and the four classical 'elements': fire. apparently ostrich plumes. which in the symbolism of heraldry represent obedience and serenity. those whose consciousness are still dominated by the perspective of the ego. the knight rides towards a castle with three towers which is a symbolic indication that the treasure which he seeks is not a mundane. 'knows the way home'. Wisdom traditions are traditionally meant for those who have already become disillusioned . which suggests the idea that he is on a quest and perhaps also suggests all of the high moral qualities and determination to prevail which we associate with ideal knighthood. A similar feather appears in the headgear of The Fool in some versions of the Tarot. in case you get lost.unless the student is lucky enough to have a qualified teacher to help him or her avoid this kind of distorted viewpoint. is the first manifest. In the LCF version of the First Gate. Divinity is often expressed as a trinity. and in the Tree of Life symbol. The ostrich plume was also the feather of the Egyptian goddess Ma'at. and the fourth sephira/center.VM SILENTIUM EST AUREUM Silence is Golden Beginning with the symbols which remain the same between the two versions. In the underworld. water. we have a knight. The knight is approaching a castle.VM E. earth.T AV. spiritual one. which is often a symbol of the location of a treasure which the castle walls protect. Ma'at would weigh the deceased's heart in her scales against this feather. just below it.SI. the four seasons. and only the heart which was unburdened by the weight of worldly sin would escape being devoured by the crocodile-headed Ammit. He is riding a horse which brings in the symbol of the helpful animal or being in touch with one's instinctive. incarnate. represented by the lowest levels of the Tree. associated with justice and truth. material treasure. also known as The Kingdom. [Editor's note: One might argue that "the girl" in the movie is doing the same. and continue to make. Those who follow the path symbolized by the AT version of the engraving will seek their material treasure here. Malkuth. who keeps his own counsel. . (Also. my own journey on the Tree and my intuition. and ultimately succeeds. just do it. tells me that sharing what I have learned so far is the correct thing to do. based on the decisions which he makes over the course of the movie. Those who follow the LCF version will look to the very top of the Tree as the goal of their Quest which brings us to the next engraving. the material realm. and have taken no blood-curdling vows of secrecy. The only antidote that I know of for the apparently precarious state of the world today is for as many people as possible to start making their own 'Journey Beyond Evil'. because I have made. a kind of 'flash-forward' from the lowest sephira of the *human* realm of the Tree to the highest. if he contends unlawfully. I am not a member of any arcane organization. don't advocate any potentially risky "short-cuts" on the spiritual path. he is clearly convinced that following his own personal rule book is the way to 'win'. everything which Balkan's path of destruction illustrates is already happening in the world around us every day and there is nothing in this article that could make this situation any worse. practically all of the characters except Corso have something to say about their own deluded ideas of what the engravings mean. with the help of the girl. But as the motto of The First Gate warns. As for the idea that it's necessary to fight 'according to the rules'. and who are ready to pursue the spiritual treasure which is found on the 'upward' path on the Tree. So why am I apparently breaking this rule of silence now? First. In terms of the symbolism of the First Gate. The best translation of the 'Silence' gesture that I know is 'Don't talk about it. a method which any sincere seeker can also follow. leaving a trail of dead bodies behind him might be considered to be perfectly acceptable.' In the film. and who is perhaps a member of some secret organization whose goals are equally materialistic. he will not attain the true high goal of the Quest. but it is only Corso. The film "The Ninth Gate" seems to me to be an interesting way to introduce people to the idea of the journey and to provide a general description of the experiences which may be encountered. and for one who is on a quest for material treasure and earthly power (Torchia's version of the engraving showing a castle with four towers).with the material world-view of the ego. not all knights were virtuous. the truths of the Tree which I present here were discovered through long-term study and practice. it's possible that according to 'the rules' which such a person would live by. quietly pursues the true journey. Balkan is obviously on the path which Torchia's version of the engraving describes and. which I have come to trust absolutely. The First Gate can be associated with the lowest sephira on the Tree.]Secondly.) So back to the First Gate. His lit lantern is on the ground in front of him to the right and a small dark dog faces him to his left. knock. and it shall be given you. seek. The knocker suggests the activity of internal seeking which the Hermit is engaged in ("Ask.T CLAUSAE PATENT They open that which is closed The engraving shows a figure who is recognizable as The Hermit. It's interesting that this is the only door in any of the engravings that has a knocker. He stands before a closed door with two keys in his left hand. the Ninth Trump of the Tarot's Major Arcana. PAT. symbolizing again Spirit (the value of 'pi' being 3 plus an infinite number of decimal places). which happens to be circular.THE SECOND GATE Bet (House) = 2nd Hebrew letter * Roman Numeral II * Beta = 2nd Greek letter CLAVS. and it . The Hebrew letter Teth (numerical value = 9) appears next to The Hermit's head. and you shall find. Hebrew letters have individual meanings and Teth means 'the serpent'. The first is his lantern which is always burning. we have the Hermit figure from the Tarot. if you look at the shape of Teth. Since Hebrew letters are read from right to left. empowers the inner quest. The Tarot symbolism for the path of Teth will be the subject of the engraving for the Ninth Gate. Teth is an appropriate attribution for the stage of discipleship which the Hermit symbolizes. Accordingly. and keep us in touch with our physical.shall be opened unto you: for every one that asks receives. what we see reflected in this symbolism is the final stage of the Quest which the knight in the engraving of the First Gate is just beginning. there is no reason to assume that it stands for 'the devil'. Teth is also the Hebrew letter which is assigned to the final horizontal path just below the Abyss which separates the lower seven sephiroth of the Tree from the transcendent realm of the Divine Creative forces of the Supernal Triad. loyally defend us against would-be attackers. he must also get back into touch with and integrate into his conscious psyche his own helpful animal instincts. nip at our heels if we don't keep up the pace. The two keys in the Hermit's hand also appear in several of the Tarot's major trumps. The dog traditionally symbolizes a domesticated. a knowing of God at the heart of our own being ("The Kingdom of Heaven is within you"). but were not. The snake is a symbol of the pursuit of knowledge and wisdom as well as the kundalini force which. who has two traditional possessions. This symbolizes the development of an understanding which illuminates the true nature of things.” --Matthew 7:7–8) LCF Version [The two AT engravings show the keys in the right hand] Beginning first with the symbolism that remains the same in both versions of the engravings. In addition to the higher knowledge and wisdom which the Hermit seeks. a period of time in which attention and energy must be withdrawn from ordinary engagement with the outer world and turned inward in a quest for inner meaning and self-knowledge. helpful form of our animal instincts which can 'smell' and warn of danger. even those which you might have thought were already clearly seen by the light of ordinary consciousness. ????? The symbol of the dog is not in itself either 'good' or 'evil' and despite speculation which I have been seen on some threads at IMDb. and he that seeks finds. you will see not only that it resembles a snake but that it reflects the truth that the first movement in the 'ascent to God' is a movement 'inward'. and to him that knocks it shall be opened. one key being traditionally silver and the other gold. The second is a staff which is symbolically also represented as a snake. but it is actually present in the form of the Hebrew letter Teth. It seems at first that the staff/snake is missing in this engraving. turned inward and upward. feeling side when we are in danger of getting lost in the intellect. In fact such an interpretation would be completely foreign to the symbolic system of the Tarot from which the figure of the Hermit comes. This symbolism parallels other polarities like . even in daylight. Chesed/Mercy. which the little dog symbolizes. The Hermit card is assigned to the path which connects the balance point of the realm of the Soul at Tiphareth/Beauty with the highest human level sephira on the Tree. and judgment (an automatic tendency to disparage and look down on others and to take upon yourself the power to condemn and execute as 'unworthy' any competitors or rivals)." The Hermit holding the keys in the left hand symbolizes this same necessary preference for Mercy. In order to maintain an 'upward' orientation on the Tree. the implication being that in order for you to win. of both left and right-brain perception. and not just to cultivate the outward appearance of being knowledgeable. It's not very difficult to recognize that this is the path which Balkan took. In the LCF version. the face is looking towards you. When the human figure is superimposed on the diagram of the Tree.Sun/Moon and masculine/feminine. of him instructed. Although in the context of the end of the quest. Torchia's version of the symbols. anger (at anyone who looks like they might be ahead of you or who stands in your way). to perfect the law it by placing it into the context of Divine Mercy/Love. to keep heading in the direction of Spirit. In Canto IX of Dante's 'Purgatorio'. Geburah/Judgment). saying "From Peter these I hold. emphasizing Judgment. holding the keys in the left hand symbolizes an attitude aligned with the . The fact that he is holding the keys in his left hand also indicates that it is his true and deepest intent to seek genuine truth and wisdom. represents an egocentric and competitive attitude. The Second Gate is a kind of 'flash-forward' which shows what the dominant attitude of consciousness must be to succeed in the quest. This represents the AT version of the keys held in the right hand (right arm. Mercy must always be given the edge over Judgment. from the perspective of ego (which is the vantage point which our traveler now has). This assumption naturally generates fear (that someone else will get what you want first). The sephira Judgment is identified with the planet Mars. This is another way of expressing the Christian truth that Christ came not to destroy the law but to *fulfill* it. Although Judgment and Mercy constitute a polarity on the Tree which must be correctly balanced. everyone else must lose. so that the sephira of Chesed/Mercy is identified with the left arm. the right hand may also symbolize what is already known and conscious and the left that which remains unconscious. and indicates that the Hermit must achieve a balanced synthesis of intellect and feeling. the angel who guards the gate from Hell to Purgatory uses these same gold and silver keys to unlock the gate for Dante to pass. that I err rather in opening than in keeping fast. and must remain open to receive inspiration from both superconscious and subconscious if he is to unlock the doors/gates which lead to true wisdom. once an effective working balance has been achieved between them. The horizontal path of Teth connects the sephira Chesed/Mercy on the right-hand Pillar of Mercy with the sephira of Geburah/Judgment (sometimes also called Pachad/Fear) on the lefthand Pillar of Severity. The First Gate established the basic orientation of the disciple toward either material or spiritual goals. the concept of Judgment will have a more evolved function. The Hermit's search takes him deep into the realm of his own unconscious and the collective unconscious of humanity. In a more general context. Mercy is actually higher up on the Tree as it was the first incarnate energy to be created or 'emanated' by the Supernal Triad. SUM C. It is the first path which we will encounter which will lead us from the realm of the ego to the realm of the Soul is the subject of THE THIRD GATE. ARCAN. VERBUM DIMISSUM CUSTODIAT ARCANUM .sephira Mercy which reflects the qualities of the planet Jupiter: a wise. Chesed/Mercy is the highest sephira in the realm of what I will call the Soul. THE THIRD GATE Gimel (Camel) = 3rd Hebrew Letter * Roman Numeral III * Gamma = 3rd Greek Letter VERB. D. the surest way to succeed yourself is to do your best to help everyone else to succeed along with you. and on the journey through the 'gates'. open. sharing spirit that recognizes that 'we're all in this together' and that. on a genuine spiritual path.T.S. generous. This raises the question: What determines whether the traveler is allowed across or not? Given the two towers. LCF Version [In the two AT versions. Yesod represents the unconscious/'astral'/dream world of desire (and fear). Above the bridge. a traveler who resembles the Tarot's Fool with his bundle hanging from the staff over his shoulder. Once this arrow finds its mark. Yesod. The bow is drawn and the arrow aimed downward. but the movie does show a second arrow in its LCF version. The cherub (or Kerub) is a class of angel assigned to the sephira Yesod. the sephira of Yesod/Moon/Foundation on the Central Pillar of Equilibrium is associated with the genitals. and in the course of this pursuit we are drawn 'upward' on the Tree to the sephira which is the central balance point of the Realm of the Soul. resting on a little cloud.it's an interesting detail that Corso is virtually never seen without his satchel. it will be necessary for him to pass through a total of four doors to make the crossing. the great Moon goddess Artemis/Diana.the bow. Tiphareth. the wild huntress with her crescent Moon-shaped bow. I. the 'Beloved' who is the perceived cause of this wounding becomes a mirror in which we see the qualities of our own Soul reflected. is following a path which leads to a bridge connecting the two banks of a river. but I will try to identify only the essential elements. apparently towards the near side of the bridge. visualized horizontally pointing upward at the level of Yesod. In this engraving. This is a complex subject. we see a cherub (who in the movie version resembles one of the Ceniza twins) holding a bow and arrow. We see that there is a second arrow In a quiver on the cherub's back. called the 'Foundation' and identified with the sexual/desire nature. both engravings at the website are AT versions. The symbols of the bow and arrow also refer to the "Path of the Arrow" -. is associated with the twin sister of Sun god Apollo. There are several clues here which tell us not only that we are in the symbolic territory of the Tree of Life. In pursuing the Beloved. shoots its golden arrow of Will straight up the Middle Pillar of the Tree. the realm of the astrological Moon. Just as in the engraving of the Hermit we discovered that the left hand is associated with the sephira Chesed/Mercy on the right-hand Pillar of Mercy. there is no second arrow in the quiver] [Editor's Note: The engravings provided by An Eclectic Historian do not show this second arrow. but also exactly which sephira/center and path we're dealing with. The bridge is heavily fortified with a guard tower on each bank.e. we have the Tarot's Fool carrying his traditional sack over his shoulder -. called 'Beauty' and associated with Love and the Heart.] Beginning with the symbols which remain constant.The lost word keeps the secret. He is traveling towards a heavily fortified bridge which suggests that passage from one side of the river to the other may not be possible. from the astral desire world of Yesod to the central balance . Please understand that there are variations in the paths to which the Tarot cards have been assigned on the Tree and I am presenting here the system that makes the best sense to me. we pursue the Soul. The angelic cherub with the bow is identical to the classical Cupid/Amor whose arrows wound the heart with Love. that there is simply no way to 'translate' between the two without the radical change in the nature of 'being/Being' which crossing the Abyss effects. This is because the nature of reality above the Abyss is so entirely 'other' than the reality below it. is the familiar 'Saint Valentine's Day' symbolism in its pre-Christianized form. the symbolic bridge in the engraving cannot be crossed). the Heart. Without this wound. We see in the movie that Balkan once again proceeds confidently according to his own flawed understanding. This. and the Veil of Paroketh cannot be pierced (that is. and other Qabalistic aspects of the Tree of Life. If the arrow of the personal will takes a 'downward' alignment on the tree -. We have seen that arrows have symbolically been identified with 'will'. All of the negative energy which his personal will directed outward at others would then be reflected back and turned against him (downward arrow).e. There is another similar case of a 'lost word' in masonic mythology in which. of course. In the process he leaves a trail of destruction behind him and ultimately destroys himself. . the original meaning was 'lost'/'left behind' above the Abyss and a new one had to be substituted below it. following the Torchia single-arrow version of the Third Gate. in terms of the symbolism of the Tree.i. The power to pierce the Veil comes from 'above' and is evoked by the Love of the Soul. the Power of Love to draw the traveler 'upward' on the Path of the Arrow towards communion with the Soul cannot be ignited. the traveler would see reflected back at him by the watery barrier of the Veil. which is an experienced reality which no mere 'word' (ego concept) can ever connect with. only *seem* to be coming from 'above'. all without ever leaving the illusory realm of the ego.the hardened ego will not permit the heart to be wounded by the arrow of the Eros cherub. which was translated as 'The lost word keeps the secret'.point of the realm of the Soul. The same is true at this 'lower' barrier between ego and Soul. In the Latin phrase for this Gate. and that there are potentially two 'arrows' at this point of transition at the Veil of Paroketh. This is why one interpretation of the engraving is a warning of 'danger descending from above'. pursuing the 'four tower' material quest of the First Gate and adopting the 'right-hand' fear/anger/judgment attitude of consciousness of the Second Gate -. the word 'dimissum' (lost) also carried the meaning of 'abandoned' or 'left behind'.] Instead. The real danger comes from the violent projections of the ego which. [Editor's Note: See the Qabalistic Background (the next web page in this essay) for a more detailed explanation of the Veil of Paroketh. an illusory world corresponding to his own desires and fears and his own ego's belief system. reflected by the Veil. the sephira Tiphareth. and 3 showing. each with three readable sides with numbers 1.THE FOURTH GATE Dalet (Door) = 4th Hebrew Letter * Roman Numeral IV * Delta = 4th Greek Letter FOR. A Jester. N. the maze is seen to be full of dead-ends. He stands on a low rise of ground looking down on an irregular hexagonal enclosed maze whose shape is slightly elongated.QVE FORTUNA NON OMNIBUS AEQUE Fate is not the same for all. On the far back wall of the maze is an archway which opens to the outside. A. 2.N OMN. wearing a two-'eared' cap 'n bells. one has 2 up. stands at rest holding a serpent/staff in his right hand which balances him. The entry door to the maze is closed and viewed from above. One die has its number 1 side up. suggesting the shape of a coffin. whose . Three dice lie on the ground to the Jester's right. and one has 3 up. more often appeared in secular contexts. seen from above. These designs. the challenge posed by a maze was to 'solve' it in order to reach a goal which was something *other* than the place where you entered the maze. by contrast. are inlaid into the floors of some medieval cathedrals including the labyrinth at Chartres outside of Paris. Now in the Fourth Gate. Though the terms 'maze' and 'labyrinth' have been used interchangeably. at exactly the height of the mid-point between Yesod and Tiphareth. an illustration of the contribution of the Venus realm of lower feeling to upward progress on the Tree. most of us today think of a labyrinth as having a single path which winds. And just as the configuration of the walls of the maze limits the freedom of movement of a traveler within the maze. . we come to the role of the realm of Mercury. with passages that intersected at right angles. which ensured that you would pass through all of the passages in the maze. the lower mind. Since it was a puzzle. which was the model for the labyrinth at Grace Cathedral. If we look at the maze as a symbol of the passage through life. In the passage through the Third Gate.top has five crenelations. LCF Version [in the two AT engravings. associated with the sephira Hod on the left-hand Pillar of Severity. It is this last truth which is the subject of the engravings of the Fourth Gate. without obstruction. full of unforeseen . Like the one in Grace Cathedral in San Francisco. is a kind of map of what will be encountered inside it. and the Magician. and was more of a left-brain puzzle. whom we saw as the traveler on the path in the Third Gate engraving. is the sephira Netzach/Venus (ego realm). often circular. This suggests that the labyrinth had a traditional spiritual application. we traveled the Central Pillar path from the sephira Yesod (realm of the ego) up to Tiphareth (realm of the Soul). eventually being sure to find the 'goal'. we are dealing with Mercury/Hermes. also known as the Juggler or Magus. associated with ego values and lower feeling. was often square. The right end of the polarity. on the right-hand Pillar of Mercy (also at the height of the mid-point between Yesod and Tiphareth). such labyrinths have become popular meditation tools. The 'maze'. In the Fourth Gate. to the center. The maze is an appropriate symbol here since a maze. the personal love for a 'Beloved' was the catalyst that began the quest for the Soul which pierced the barrier between ego and Soul. and in alchemy as Hermes or Mercurius. but below the Veil of Paroketh. Hod/Mercury (ego realm) is associated with the lower mind and is the left pole of a horizontal polarity. perhaps as a symbolic pilgrimage or form of penance. In the symbolism of the Third Gate. and the function of the ordinary intellect or lower mind has a lot to do with 'mapping' or defining experience. Both of these Tarot characters are aspects of the archetypal figure known in astrology as Mercury. the back archway is walled up] There are two figures in the Tarot who resemble the Jester: the Fool. it is also true that life experience may be limited by the kind of configuration of the territory which the mind is capable of conceiving (or 'mapping'). with an intricate network of intersecting passageways and many dead-ends. at which point you simply retrace your steps to exit. The classic method for finding your way through a maze was to keep your right hand always in contact with the wall. and the four towered castle representing a material ego goal and the angular maze as a lower mind puzzle. celebrity. The fact that the open archway is built into the structure of the maze and appears to be only temporarily bricked up suggests that this barrier is not an absolute one. representing not games of chance but divination of the future or one's 'fortune'. there would be no concept of wishing to pass beyond the ego realm of the maze itself and therefore no 'exit' from the maze on the ego's map of life. fame. and who was incapable of making the transition from ego to Soul at the Third Gate. in which all possible goals exist within the bounds of the mundane world (such goals as wealth. The Seal symbolizes the union of the upward and downward pointing triangles. the 'one-hand' technique for solving the maze would parallel the gnostic belief that the individual must pass through all possible forms of experience before reaching the point where a return to earthly life would no longer be necessary. This engraving reflects the number 6 in the sum of the numbers facing upward on the three dice and in the six-sided shape of the maze. Let us return to the question "What is the goal of life?". the result will be 6. the union of above and below and heaven and earth as well as the Soul and ego. pleasure or security). power. and blind alleys. 6. an ego attitude of competitiveness. 6. the latter which come from the union of ego and Soul. We will understand why the illustrator associated the 'number of the Beast' with the Fourth Gate of the lower mind as well as the Sixth Gate of the transition to Soul when we come to the analysis of the Ninth Gate.twists. At this Gate. Since the ego is incapable of imagining a goal that exists beyond its own mundane world. there are two possibilities: the ego consciousness of lower mind/Mercury (AT version) and the intuitive consciousness of the Higher Mind of Hermes or the Magician (LCF version). If the maze is a symbolic map of earthly life. Dice were among the implements found on the table of the Tarot's Magician in early versions of the Tarot. If it is the lower mind of Mercury which responds to the question.). The traveler who chose a 'downward' orientation on the Tree (towards material goals) at the First Gate. but is experienced only from the perspective of the lower mind/ego consciousness which is what creates it. then the question becomes 'what is the goal?' The answer to that question will depend upon what level of consciousness is asked. the answer will be based on the map of reality which the ego recognizes.. If you count all of the visible numbers on each of the dice. and in terms of the engravings of the Fourth Gate. would find himself confronted by Torchia's no-exit version of the maze. fortune would favor the traveler who has the advantage of access to the intuitive Higher Mind functions of the Magician. on arriving at the Fourth Gate. a map of life which would also represent his 'fate' until such time as he might be able to evolve enough (through longer life experience) to achieve a higher perspective. If it is the consciousness of the . the Seal of Solomon which represents balance and completion. Six is considered a number of luck and is most famously associated with the six-pointed star.. Perhaps you can see the correspondences between the round labyrinth and the three towered castle representing a spiritual goal (value of pi = 3. anger and fear at the Second Gate. turns. on the Magician's first passage from ego to Soul.Magician which responds. Balkan would still be wandering around inside the ego maze but would be laboring under the illusion that he had passed beyond it. his interactions with the sephiroth above the Veil would actually be a kind of unreal 'shadow-boxing' with the desire and fear-generated illusions of his own imagination in which he wouldn't actually connect with the transformative reality of these powers at all. there is a sense in which 'fate' *is* the same for all: death. Within such an expanded context. And it might also refer to the fact that. as a student of 'black magick'. even the guidance of his own Soul. and this distorted view might represent one version of an 'exit' from the maze for him. The third and final path to be traveled to pass beyond the Veil of Paroketh begins at the sephira Netzach/Venus/lower emotion. he would still be following the path of the AT version of the engraving. in the context of the mundane world and from the ego's perspective. However. which then gradually becomes a permanent subordination of ego consciousness to the greater power. The references to death in the coffin-like shape of the maze and its many dead-ends. the events of earthly life are no longer experienced as being 'mundane' but are seen and understood in an entirely new light. his ego's experience is one of the 'death' of its autonomy. Since the goal envisioned by the Magician requires transcending the world of the ego. In spite of his illusions. and this will prevent him from genuinely piercing the Veil of Paroketh which separates the realm of ego from the realm of Soul. to unite ego and Soul. might refer to the fact that. So in terms of the Fourth Gate engraving. the Magician's 'map' of earthly life would have to include the idea of 'passing beyond' the ego's territory and this is represented in the engraving by the open archway at the far side of the maze. Because Balkan's concept of the nature of the higher powers of the Tree would be limited to how they could serve his own ego goals. Balkan's temperament will not allow him to subordinate his ego to anyone or anything. . the answer would be to master the lessons of earthly life. and is the subject of THE FIFTH GATE. even if an illusory one. he would have a distorted *concept* of the existence of powers to be acquired from traveling on the Tree. develop the capacity for Spiritual discernment and become an effective instrument of unselfish Divine Love. The five crenelations of the arch might represent the five-senses which are the basis of the ego consciousness of the lower mind which is transcended beyond this passage. wisdom and guidance of the Soul. and the powerful Indian god of destruction and creation.A FRUSTRA In vain A bearded man. The trident is the traditional symbolic implement of the Western gods who rule the oceans. This is the only engraving in which the figures are shown *inside* a structure where the door is clearly bolted (and can be . not a youth). is sitting in a room.ST.THE FIFTH GATE Heh (Window) = 5th Hebrew Letter * Roman Numeral V * Epsilon = 5th Greek letter FR. (a mature man. The man is seemingly unaware of the hooded figure of a skeleton standing just behind his left shoulder and holding two symbols. and in his left hand he holds a pitchfork which is shaped like a trident. In his right hand is an hourglass in which all of the sand has run out into the bottom chamber. Shiva. Poseidon/Neptune. counting out stacks of gold coins from a very large sack on the floor before him. which means 'fish'. Numbered one through ten (comparable to diamonds in the modern playing card deck). 'shields'. Once the force of the element is exhausted. or 'disks' in some versions of the Tarot. Storing up material riches is ultimately futile since death is certain and "you can't take it with you". But if we stop at this level of interpretation. the Ten of Pentacles. The Hebrew letter name of this path is Nun. Netzach/Venus is the realm of feeling. But Venus.] The symbols here seem simple and straight-forward. the illusory barrier between ego and Soul. This is the last remaining path which brings the traveler to confront the watery Veil of Paroketh. Tarot Key #13. We have already traveled the two other paths from ego to the Soul realm in the Third and Fourth Gates. the most obvious being Death. freeing the energy to take on a new form. There is certainly nothing wrong with the desire to have enough material possessions to sustain and support your life. as the astrological ruler of the Second House and sign of Taurus. they are called 'coins'. the dissolution and putrefaction of the old structure. the sand is in the top of the hourglass] [Editor's Note: Both of the versions in An Eclectic Historian show the LCF version. The incarnating Soul has submerged itself in the values of the ego and immersed itself in the world of materiality to the fullest possible extent. Pentacles are the suit representing the material element of earth. also rules the desire for and the ability to attract material wealth and it is this aspect which is considered in the engravings for the Fifth Gate. This reflects Venus' role in relationship (Venus rules the astrological Seventh House and sign of Libra. symbolic of material resources. you realize that it is money and material possessions *in themselves* which are simply 'not enough' to fill the void which is still felt inside. and we have already seen one aspect of its power in its collaboration with the sexual nature in the Third Gate where personal love for a 'Beloved' is transmuted into Love of the Soul. The second Tarot reference is to the Minor Arcana card. symbolic of marriage and serious partnership). freeing up its energies and elements to be re-embodied in a new form. This is the point at which the sand finally runs out into the bottom chamber of the hourglass. the story doesn't go anywhere. called 'Wealth'. Ten is the number of completion in the Tarot Minor Arcana in which the energy which came into existence with the Ace has expressed itself to its fullest possible extent.unbolted) from the inside. and the Tarot key Death is related to the water sign of Scorpio which rules the alchemical processes of transformation. the resulting stagnation begins the process of transformation. and symbolism in the Tarot is always about the stages of a journey. Those who have attained great wealth eventually find that there is a point at which no amount of money is 'enough' because once you have more than you could ever possibly spend. but the situation reflected in this engraving is one in which the man has accumulated wealth far beyond his need to spend it. There are two references to the symbolism of the Tarot in this engraving. and the only way forward from this point is through the death of the ego's old . LCF version [in the two AT engravings. associated with the path on the Tree of Life which connects the sephira Netzach/Venus (ego realm) on the right-hand Pillar of Mercy to the sephira Tiphareth/Sun (Soul realm) on the Central Pillar of Equilibrium. debased humanity. that of the animal instincts. the vibratory color of the lowest human energy. though no one seems to have much insight into *why*. It's miraculous! I feel nothing. Instead it deludes itself that Neptune's powers are its own. But the symbolism of trident-wielding Neptune can shed some light on this. doesn't allow this transcendent energy to draw it 'up' the Tree in the direction of full humanity and union with Soul. you are aware of the world as the Soul perceives it and this is the only proper context in which the transcendent energies of Neptune express themselves in an entirely positive way. Only the repeated experience of disillusionment and destructive consequences can break the negative Neptunian spell and convince a 'devilish' human that he is *not* the personal equal of God. has already been covered in the description of the related function of Scorpio. The symbolic figure of the devil also wields a trident-shaped 'pitchfork'. yet believing itself to be separate and apart from all other selves.the Neptunian vision of the Soul subverted to serve the lower instincts and power drive of the lower mind and ego. Once you have made the return trip which unites ego with Soul. appropriates the divine message as if it applied to itself alone and translates it as Balkan does: "I alone have grasped the secret. The Roman god Neptune commanded the water realm which is symbolically the realm of feeling.materialistic value system and the birth of a new perspective which begins to recognize the value of spiritual attainments and to feel the magnetic 'pull' to make a conscious return to the realm of the Soul. Why does the figure of Death hold a trident instead of the traditional scythe? The function of the Indian god Shiva. Here Balkan demonstrates what is known as 'satanic pride' -. This is a delusion which brings nothing but disaster. he was not associated with small bodies of water which might be compared to the feeling nature of the ego. It has cloven hooves. I alone am worthy to enjoy the fruits of that discovery: absolute power to determine my own destiny. I alone have fathomed the Master’s grand design. catching a glimpse of the ideal Neptunian vision. but was the ruler of the vast. walk on water! Behold. and clutches the trident of Neptune but. before the ego becomes consciously aware of the Soul. .I feel no heat. undivided expanse of the oceans symbolizing the Soul's Transcendent Higher Feeling realm in which the Soul recognizes no boundaries. is usually red. beyond its obvious use as a weapon with which to torment 'sinners'.. and attempts to use them to satisfy its animal appetites and instinctive drive for power. horns. not being even fully human in its development. and a tail. the ego believes itself to be the ultimate master and interprets the visions of Neptune as if they were intended for itself. 'Below' the Veil of Paroketh. Astrological Neptune represents the ideal Spiritual energies of the Soul. The ego. sees all other human beings as spiritual equals. The symbolic figure of the devil. I am invulnerable! I am invincible! I can float on air. that of transformation. nothing at all!" The film showed us just how well this delusion worked out for him. I plunge my hands in fire . The Soul knows itself to be connected to all other Souls and knowing this. However. representing unevolved.. as in the AT version. For those like Balkan who are still entranced by the illusion that material power and possessions can provide ultimate satisfaction. Once he is no longer dominated by the illusive ego desires which would draw him 'downward' on the Tree. The nature of the major transformation which the traveler is about to undergo from ego dominance to Soul dominance is the subject of THE SIXTH GATE. until the Love of the Soul ultimately draws him 'upward' into a union of ego with Soul at the central balance point of the Tree at Tiphareth. Appropriately enough. he is free to be inspired by the true vision of Neptune. At that moment. the word 'frustra' can also be translated as 'deceived'. He can then direct the same powerful will that was once devoted to material goals towards the attainment of spiritual goals. only the individual himself can know when the sands of satisfaction with materialism have completely run out.To return to the Fifth Gate. the sand is still in the upper chamber of the hourglass and the death/transformation of the lower mind/ego which leads to ultimate union with the Soul will have to wait until this negative Neptunian spell which deludes the ego is broken. . he will stop seeing reflected back to him in the watery barrier of Paroketh the vision of his own continuing desire for material riches and possessions that only serve to feed the vanity of his ego. in the Latin phrase assigned to the Fifth Gate. R. We will consider the possible implications of this in more detail at the Ninth Gate. A man is hanging upside-down from the battlement of a castle wall by a noose-like rope wrapped around his right foot. DITESCO MORI I am enriched by death. or as 6+6+6.) DIT. In addition to resembling a snake.SCO M. The 'hangman's knot' is tied at the top loop of the rope that . this variant of sigma as the 18th Greek letter also has interesting numerological properties as the number 18 can be represented as 1+8 = 9.! THE SIXTH GATE Vav (Nail) = 6th Hebrew Letter * Roman Numeral VI * Sigma = 18th Greek Letter (The Greek letter shown on the engraving is the variant form of lower case sigma used only at the end of a word. Key #12. Since. the man hangs by his left foot. it is also known as the 'path of the lightning bolt'. the castle is symbolic of the final goal of the quest. flaming sword. in the original creative process. the traveler here is shown for the first time to be entirely 'dependent' upon it. Of course this doesn't mean that he stops all activity -. from now on. guide all .encircles the crenelation thus placing the crenelation of the castle wall in the place where the usual hanged man's head would be. He is no longer riding or walking up a path by his own will and energy. the question of whether the traveler was maintaining an 'upward' or 'downward' orientation on the Tree has been a fairly simple matter. His hands are behind his back because he doesn't have to *do* anything except learn to attune himself to his own Higher Will so that he can become a perfect instrument of the True Will of his Soul which is always in perfect alignment with the Will of God. This is the path which the Transcendent Creative Energy originally took from the top of the Tree to the bottom. But in the Fifth Gate. The arms are held behind the back.this is a symbolic representation of the inner attitude of receptivity to direction from Spirit which will. the protective flaming sword which is spoken of in Genesis will not obstruct him on his journey up the Path of Return to the Garden. and this is a transition which involves a profound reorientation of the will. the LCF version of the engraving illustrated a choice which placed the traveler on an 'upward' path. The flaming sword is another symbol related to the Tree of Life and is one name given to the path of the Tree's transcendent energy which flows on a downward course to sustain all of the lower sephiroth of the Tree. LCF Version [in the two AT engravings. This is a symbolic reflection of the great change which he experienced upon passing through the Veil of Paroketh. instead of separate from and traveling towards it. a symbol which first appeared in the engraving of the Frontispiece showing a lightning-struck tree. apparently restrained there. as he was in the past. To his right is a closed entry door to the castle and above it and to the left is a narrow arched window opening through which a mailed right arm is extended holding an upright. but from the wall of a castle on the outside. the LCF traveler finally left the realm of ego domination and entered the realm of the Soul. Up to now. leaving the realm of the ego and entering into the realm of the Soul. The man's left leg is bent at the knee at almost a right angle and crosses behind the right knee. The man's face is relaxed and serene and there is no sign of the effect of gravity on his hair or clothing.] Here we have the Tarot's Hanged Man. emanating each of the centers of the Tree as it went. At each of the earlier gates. but has adopted a posture in which his accustomed ego-motivated activity is deliberately stilled. His feet aren't on the ground because he doesn't need to *go* anywhere in the old materialistic sense of reaching ego goals. This is just one example of the general pattern of 'reversal' in this engraving. just preceding this. in this series of engravings. hanging not from the usual Tau cross or tree. Because it zig-zags from pillar to pillar. The Hanged Man is now aligned with the path of the 'flaming sword' in which the energy comes *from above* and as long as he maintains this orientation. is (in the system I have been using) assigned to the Tarot card The Hanged Man. S. wait without love For love would be love of the wrong thing. the top three transcendent sephiroth of the Creative Godhead. in which the ego's old way of perceiving and understanding has to be dissolved before the new. whose base is the sephira Hod/Mercury (right leg). embodied human consciousness is able to reach: Geburah/Judgment on the left-hand Pillar of Severity and Chesed/Mercy on the right-hand Pillar of Mercy. Not coincidentally. each to its proper degree and in its rightful place. more highly evolved perspective of the Soul can take its place. Eliot describes the experience of this transition beautifully in these verses from East Coker: "I said to my soul. the faculty of spiritual/moral discernment and the fiery destruction of anything which is not in alignment with the Higher Will. we are now approaching the highest horizontal polarity which normal.of the traveler's actions. Wait without thought. T. Geburah/Judgment. the sephira of Chesed is the last stop before the great Abyss which separates the seven sephiroth of the lower created world from the Supernal Triad. Geburah's destructive function parallels that of the alchemical 'solve' in the process of 'solve et coagula'. reflects the fact that the transition from ego-dominance to Souldominance is a process which occurs over a period of time during which the ego's impulses to action are restrained until a working attunement to the impulses coming from Soul is achieved. for you are not ready for thought: So the darkness shall be the light and the stillness the dancing. who hung from the world tree for nine days in search of transcendent knowledge. Geburah/Mars." In terms of the structure of the Tree of Life. and wait without hope for hope would be hope for the wrong thing. On the upward path of return. whose symbol is the sword. this 'boundless outpouring' must be shaped and measured to serve the highest moral purposes of the Soul which recognizes the equal necessity and compassionate nature of intelligent restraint and generosity. there is yet faith But the faith and the love and the hope are all in the waiting. The nature of Chesed has been described as the boundless outpouring of the divine desire to give. be still. In the balance which must be achieved between Chesed and Geburah. The related myth of Odin. the path which connects Hod with the next sephira 'up' the Pillar of Severity. The fact that the traveler is hanging by his right foot indicates that we are in the territory of the left-hand Pillar of Severity. . represents purposeful Will. then crosses over to the 'right leg'. it is naturally a priority to keep Balkan in the game as long as possible. he discovers the Soul. When we last left Balkan. He would think of it as the route which would give him the closest access to his own distorted conception of the final goal of the quest: harnessing the Higher Will to serve the deluded purposes of the lower mind/ego. Balkan never goes through the process of union with the Soul which is symbolically represented by the Hanged Man and it is his unregenerate ego alone which attempts to rise to Geburah. ego-based power who. The symbolic form which this reunification takes is the subject of THE SEVENTH GATE. material. It begins at the bottom sephira. the end result is the same.Since the movie is structured to follow the progress of Corso as Balkan's agent and witness to his misadventures. in the Thoth deck. Whether he was somehow able to rise to the level of Geburah or only experienced the illusion of doing so as visions of his own desire were reflected back at him by the watery surface of the Veil of Paroketh. But the violence which he directed out towards others inevitably returned to its source to wreak its destruction on him. the true. and since he reflects the typical mindset of the would-be 'black magician'. Balkan's goal as a 'black magician' is to use the energies of the Tree which are available to him to satisfy the materialistic desires of his ego. and progresses through the astral realm of Yesod. So in terms of the Sixth Gate engraving. Balkan would not have achieved the inverted perspective of the Hanged Man and would instead be (symbolically) standing upright on his left foot with his bent right leg crossing it (as in the AT version). a symbol of earthly. The route on the Tree which Balkan has actually taken so far bypasses the realm of the Soul on the Pillar of Mercy and the Central Pillar above Yesod. unable to make the Fifth Gate transition to the realm of the Soul. eternal Self which is the heir to the entire Kingdom. Balkan clearly believed that he would be 'enriched by death' in the sense that the death of his competitors would ensure that the prize he was seeking would be his alone. . touches the lower feeling realm of Netzach (the 'left foot'). In this posture he resembles the Tarot's Emperor figure. right up to the final gate. Since this 'left-hand path' by-passes the transition from ego to Soul. the sphere of the lower intellect of Hod and makes an attempt to proceed up the Pillar of Severity towards Geburah/Judgment. he was still ruthlessly pursuing his ego goals and counting out his gold pieces at Netzach/Venus. sits on a throne with his right leg crossed over his left. This is 'The New Jerusalem' of the restored and unified Tree. illusory ego identity and the ego's value system and way of seeing the world. the romanticized idea of the 'left-hand path' of the Pillar of Severity would naturally appeal to him. and in compensation for this loss of the illusory personal self. Malkuth. The genuine Hanged Man experiences the 'death' of the autonomy of his old. a black dog and a white dog are leaping up.S P. crowned King and a younger man dressed as a peasant or common person (we will call him the disciple). are playing chess on a board where all the squares are black. is a closed door. in the left-hand wall. The black dog is visually 'above' the white dog and their configuration suggests the yin/yang symbol. In the background. DISCIPULUS POTIOR MAGISTRO The disciple surpasses the master. The disciple is visually 'below' the dogs.TI. mature. as if in play. The symbols of the Moon are also visually 'above' the figure of the King (at a higher .THE SEVENTH GATE Zayin (Sword) = 7th Hebrew Letter * Roman Numeral VII * Zeta = 7th Greek Letter DIS. and the two steps. Above them is an arched window through which we see the Moon. the Moon. The King is visually 'below' the door. A bearded. Also in the background. up two steps and against the right-hand wall.R M. emanated the second highest sephira. the conjoining or 'sacred marriage' of the alchemical King/Sun/Solar Consciousness/Soul and the alchemical Queen/Moon/Lunar Consciousness/ego. First of all. the union of upward and downward-pointing triangles. the common man who began his journey at the lowest sephira. into two triangles. located directly above Tiphareth on the Central Pillar of the Tree and representing the Seventh Gate which we will describe below. Malkuth 'fell' from its original state of transcendent Unity with the Divine into a state . The Tarot card called The Moon also depicts an invertebrate (lobster/crab) emerging from the water. Chokmah/Father/Wisdom/Force. Kether/Crown. Soul/ego is also a central goal of Qabalah. on which the next sephira 'up' from Yesod/Moon is Tiphareth/Sun. specifically. The door which appears visually 'above' the King symbolizes the mysterious 'non-sephira' Daath/Knowledge. the first and highest sephira. in their yin/yang configuration. Malkuth. The Moon. diagonally. This unification/integration of Sun/Moon. represented by the symbol of Solomon's Seal. representing the astrological sign of Cancer the latter which is ruled by the Moon and symbolizes the unconscious.level in the picture). the Unus Mundus (Unified World). the central balance-point of the realm of the Soul. and that is the version I will use. In the foreground and at the visual low-point of the scene is the disciple. it would cut the chessboard in two. That there are two steps leading up from the man of Malkuth to the symbols of The Moon might refer to the next two sephira above Malkuth which (together with Yesod/Moon) make up the Lower Triad of the realm of the ego: Hod/Mercury/lower mind and Netzach/Venus/lower feeling. I have no idea whether this was an error or. the 'Conjunctio'. the scene shown in this engraving can be read as a description of a portion of the Tree of Life. whose symbol is a King. In the corner where the two walls meet is one pillar. These three transcendent sephiroth represent the Creative Force of the Supernal Triad/Godhead. the sephira Yesod/Moon is the balance point of the ego realm of duality. with its two dogs (sometimes a dog and a wolf) symbolizing the realm of the animal instincts. also reflect the fact that on the Tree of Life. but I believe that the original version from the book reflects the symbolism which the creator of the engravings intended. The next level of symbolism comes from Alchemy. LCF version [the two AT engravings show all-white boards] Interestingly. one black and one white. representing Transcendent Unity. If a line were extended from the bottom of the pillar. the Daughter. if it was intentional. As symbolized in the myth of the Garden of Eden. The two dogs. On the right-hand wall are the symbols of Tarot Key #18. This is an essential stage in the production of the ultimate goal of Alchemy: the alchemical 'Gold'. There is a tradition that when the Tree of Life was first created. The one pillar suggests the Central Pillar of Equilibrium. what might have prompted the director to make this change. Binah/Mother/ Understanding/Form. Malkuth. King/Queen. or Philosopher's Stone. which emanated the third highest sephira. the movie showed the LCF version of this engraving as having an all-white board. The union of Chokmah/Father/Force and Binah/Mother/Form then created a fourth sephira. the energy of the highest Soul-level sephira. Tradition holds that in the process of the 'Fall'. in the place from which Malkuth fell. is then positioned to sit on the Throne of Binah. bridging and annihilating the Abyss. the non-sephira Daath. which represents the 'non-sephira' called Daath/Knowledge. the upward pointing triangle is sometimes shown in white and represents Spirit while the downward pointing triangle is shown in black and represents the manifest world of matter. The Central Pillar of Equilibrium represents the equivalent of the Buddha's 'middle way'. Chesed. turning their faces towards 'Home'. and the Abyss are all associated with the color black. and taking the place of the 'non-sephira' previously known as Daath. also called the Kingdom and the Bride. the Garden of Eden's Tree of Knowledge became the left-hand Pillar of Severity/Form. the separation between ego and Soul. and Netzach rise up as if there were a fold on the diagram of the Tree just above the Lower Triad. as Yesod/Moon descends 'on top of' Tiphareth/Sun (as the black dog was on top of the white dog in the Seventh Gate engravings). the transcendent sephiroth of the Supernal Triad were separated from the rest of the Tree by a barrier called the Abyss. developed and integrated in the individual human Soul/ego to a point of ultimate balance. and in the course of the 'Fall'. Hod. reverses its vitalizing force from flowing 'down' the Tree to flowing back 'up' the Tree on the 'Path of Return'. the common person of Malkuth. Malkuth. resuming her original state of Unity. In the context of the Ascension of Malkuth. to one day 'sit upon the Throne of Binah'. and the disciple of the engraving. used to be. filled with longing to pass upward again into the Infinite. Yesod/Moon then conjoins Tiphareth/Sun in the Sacred Marriage of King/Queen-Sun/Moon. This is the moment of 'Ascension. In the center of the Abyss. they follow in Chesed's wake. Malkuth. at the place where the Veil of Paroketh. After the 'Fall'. In my personal opinion. and the original Tree of Life became the righthand Pillar of Mercy/Force. the path of balance between the extremes of the two outer pillars. the downward- . which would bridge the Abyss and restore both the Kingdom and the Tree itself to its original state of Unity. It is said that when the energies of the lower seven sephiroth of the Tree have all been accessed. Daath is also called the 'Throne of Binah'. the Bride. In the traditional interpretation of the symbol of the six-pointed Seal of Solomon. Imagine that the lowest four centers. Binah/Mother (the last Transcendent sephira above the Abyss). "surpasses the master". with no number.of created duality.' The ultimate union of the ego and Soul is symbolized in the conjunctio of Tiphareth/Sun and Yesod/Moon to form the six-pointed star. Ego is wed to Soul. The other levels of consciousness of the lower Tree experience this at first as a feeling of desolation and abandonment. the diagram of the Tree shows a circle usually made of dotted lines. the other six lower sephiroth of the Tree came into being. This is the path of ascent which must be followed to restore the lost unity of the original Tree. There is a tradition that it is the destiny of Malkuth. Solomon's Seal. until at last they begin to sense the pull of the turning tide and. having 'leaped over' Tiphareth/the King to the superior former position of Daath on the Tree. Yesod. symbolism like this is not set in stone but is subject to interpretation depending upon the context. and cannot make the crossing back into the realm of Unity. the intellect. once .pointing triangle on the Tree is the 'Ethical Triad' (Soul realm) made up of Geburah/Chesed/ Tiphareth and the upward-pointing triangle is the 'Lower Triad' (ego realm) made up of Hod/ Netzach/Yesod which. This dualistic perspective represents a last barrier which must be overcome because in crossing the Abyss. This is accomplished by a deceptively simple but profound gesture of assent by the Higher Will and the capacity of the ego to recognize its relative insignificance and to kneel in genuine humility and holy awe before the threshold of the Greater Mystery. In Dante's 'Paradiso'. Once all of the lower centers have been developed and balanced. a concept which is 'redeemed' at this point in the journey when it is perceived in its ultimate nondual symbolic form as 'Lucifer the Light-Bearer'. having forged no alliance with Soul. In order to cross the Abyss. a passage into the darkness of 'unknowing'. The ego energies of the Lower Triad have symbolically reversed themselves to join in union with the Soul energies of the Ethical Triad. on 'knowing' its experience in terms of duality. assumes an upward-pointing orientation as we have seen. once the last barrier of duality. It was Beatrice. the ever-faithful servant of God and 'honorable adversary' of man. would represent the complete defeat of everything the black magician strives to attain. nothing of the created world is 'left behind'. This includes the ego's idea of 'evil/ the devil'. at the moment of the union of Tiphareth and Yesod and the ascent of Malkuth. who had been Dante's guide through Hell and Purgatory. before Malkuth can bridge the Abyss. the Soul/ego consciousness must be capable of crossing the Abyss. the Soul/ego must give up its insistence on intellectually understanding. to see white as symbolic of 'good' and black as symbolic of 'evil'. but because of the quality of consciousness which he represented. The intellectual power of the ego is based on duality. had to be left behind at the gates of Paradise not just because he was a 'Pagan'. Willingly consenting to sacrifice his intellect. symbolically wedding 'Earth' (realm of ego/Soul) to 'Heaven' (realm of Transcendent Spirit). The ego has been predisposed to value light and to despise darkness. What the Soul experiences as blissful union with the Love/Light of Heaven is to the intellect/ego a 'via negativa'. which essentially represents a voluntary temporary 'death' of the ego consciousness. In just the same way. symbol of the Divine Love of the Soul who led Dante into the Transcendent Realm. Before this redemptive Conjunctio is possible. in terms of its essence. it is the Divine Feeling nature of Chesed/Netzach which joins in ecstatic Union with its transcendent Source in a 'knowing'-by-participation in the One Ultimate Being of the Transcendent Godhead before which the Abyss. The ego sees only by the 'lesser light' of the intellect and the ego of the black magician. there is only one obstacle which can prevent this crossing and it is symbolized by the same Tree of Knowledge that was the original symbolic cause of the 'Fall'. a barrier perceptible only to the duality-based consciousness of the ego. And here we have the last obstacle which a would-be 'black magician' like Balkan is incapable of overcoming. Virgil (a master of medicine and mathematics as well as poetry). ceases to exist. It must lay down the intellect. is left behind. submitting even to the temporary 'death' of the fierce will and power drive of his ego. Pachad/Fear. is left to deal with the processes of the highest sephira which he believes is accessible by those who follow the 'left-hand path'. At this point. also called (as experienced from the perspective of the unregenerate ego). This is the highest sephira on the Pillar of Severity/Form. unable to cross the Abyss or to cross over to the Soul realm of the Central Pillar and Pillar of Mercy. The AT versions of the Seventh Gate engraving show a chessboard with all white squares which. It also symbolizes the Soul's ability to continue to 'play the game' in the territory of the Abyss and the Transcendent Realm of Spirit. represents the refusal/ inability of Balkan's dualistic ego-consciousness to pass into the darkness. . in the context of the passage through the Abyss. which the dualistic ego consciousness of lower mind experiences only as a descent into oblivion. Geburah/Judgment. the 'black magician' Balkan.deprived of the intellect's light. falls into darkness and is powerless. which is the subject of THE EIGHTH GATE. The LCF version of the all black board represents the capacity of the Soul to value the darkness as the equal of the light. He holds a studded mace (a large spiked club) raised up over his right shoulder. (the book on which the movie 'The Ninth Gate' was based). The weapon was most likely changed from a sword to a club because of the scene in the movie in which Corso is sitting at a table in the library of the Kessler Foundation looking at this engraving when he is hit on the head and knocked unconscious from behind. In the background behind the knight is a Wheel of Fortune with three human figures apparently attached to the outer surface of the wheel. VICTA JACET VIRTUS Virtue lies defeated. in the realm of Soul. kneeling with her hands clasped in prayer. The Wheel of Fortune card is assigned to the path which connects the sephira Netzach/Venus/ lower feeling at the bottom of the right-hand Pillar of Mercy in the realm of ego. behind the kneeling woman. Meanwhile a knight who looks like Balkan (with no halo around his head) stands behind him and to his left. A knight. with a halo encircling his head. there is no halo around the knight's head. so an understanding of the meaning of the Wheel symbol provides the proper context in which the meaning of this particular execution is to be understood. I. wearing a monk's robe and kneeling with his hands clasped in prayer. Just as the symbol of the Wheel provides the visual background for the central figures of the 'executioner' and the 'victim'. One figure is headed up towards the top. apparently about to hit Corso in the head. in the two AT versions of the engraving. Because the symbolism of the sword is a more exact fit with the symbolism of the Tree of Life. The traveler whose consciousness reflects the level of Netzach/lower feeling will find that his . stands behind her and to her left with his sword raised up over his right shoulder in the classic pose of the Archangel Michael.] This engraving was modified for purposes of the film to show a young man who looks like Corso. shows a young woman in a flowing gown. and one is headed back down. The most immediately recognizable symbol.! THE EIGHTH GATE Chet (Fence) = 8th Hebrew Letter * Roman Numeral VIII * Eta = 8th Greek Letter VIC. Also in the background. is the Wheel of Fortune. LCF version [According to the book. Tarot Key #10. apparently about to behead her. located in the background of the engraving. The original LCF engraving for this gate. as commissioned for 'The Club Dumas'. This path is the the right-hand Pillar equivalent of the left-hand Pillar path of the Hanged Man which was the subject of the Sixth Gate. one is kneeling on his left knee at the top of the wheel.T VIR. with the sephira Chesed/Mercy/Higher Feeling at the top of this Pillar. I will use the original engraving from the book to describe the passage through the Eighth Gate. is a castle with a closed door. If he believes that the experience is 'unjust'. Welcome and entertain them all! Even if they're a crowd of sorrows. the most important thing is that it always be 'in control'. or that the individual has absolute control over what happens to him (and this is perceived as 'good'). It appears to the traveler that this Force somehow arranges to draw into his life those people and experiences which will most help him to correct his shortcomings and to develop and grow into the fullness of his highest potential. . some momentary awareness comes as an un expected visitor. The traveler whose feeling nature reflects the Higher Feeling perspective of Chesed comes to trust in the ultimate goodness of the Higher Moral force which he understands to be guiding the events of his life and on that basis he accepts and values as 'good' whatever experience he encounters. or 'God'). [Editor's Note: This might be best expressed by Rumi: This being human is a guest-house. At this point. The response then becomes one of anticipating and being open to the new growth. He may be clearing you out for some new delight.a gift -. he begins to become aware that he is being subtly guided by what seems to be the intelligent essence of a Higher Moral Organizing Principle (which some label 'Guardian Angel'. no matter what the outer circumstances of life might be. 'Higher Self'. he can control what happens to him in the future. As the traveler begins to notice this pattern developing in his life. what is it that I don't understand now that this experience has come to teach me?' Emotional security. he will feel victimized by powers that are apparently beyond his control and may come to believe that there is no moral order in the world or that the world is actually 'evil'. his perspective gradually shifts as he realizes that the most difficult experiences may actually bring the most valuable results in terms of his growth as a person. If it perceives that it is *not* 'in control'.emotional response to the 'ups' and 'downs' of life is colored by his ego's assessment as to whether what is happening to him is 'just' or 'unjust'. seeing it as an appropriate learning experience -. satisfaction and happiness are rooted in the relationship of absolute trust which exists with the 'Guardian Angel' Force. he may expect that good behavior will result in favorable experience ('favorable' as defined by the ego. From the ego's perspective. A joy. every morning a new arrival. it feels that it is being 'victimized'.simply because it has happened to him. the question of whether an experience is 'just' or 'unjust' loses its power to provoke an emotional response. treat each guest honorably. If he believes that his experience is 'just'. a meanness. As the traveler crosses over into the realm of Soul and rises on the path towards Chesed/ Higher Feeling. who violently sweep your house empty of its furniture. Notice that the two perceptions are extreme opposites -. and the ultimate experience of joy which is the fruit of this growth. For example. still. a depression. of course).the belief is either that the individual has no control over what happens to him (and this is perceived as 'evil'). as in: 'Okay. he may draw the conclusion that by behaving in accordance with certain rules. his spiritual development. The dark thought, the shame, the malice, meet them at the door laughing, and invited them in. Be grateful for whoever comes, because each has been sent as a guide from beyond.] The consciousness which passes beyond the Veil of Paroketh on all three paths, from Yesod/ Moon/instincts (Third Gate), from Hod/Mercury/lower mind (Fourth Gate), and from Netzach/Venus/lower emotion (Fifth Gate), comes to a point of union with the central balance point of the Soul, Tiphareth. Here the lower feeling experience of emotional 'ups' and 'downs' as experienced by the figures on the outer rim of the Wheel gives way to the Higher Feeling state of serenity which comes with the view from the center of the Wheel. This is the 'still point' which T. S. Eliot famously wrote of in his poem 'Burnt Norton': "At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point, the still point, There would be no dance, and there is only the dance." Directly opposite the sephira of Higher Feeling (Chesed/Mercy), is the sephira of Higher Moral Discernment, Geburah/Judgment, (first visited in the Sixth Gate), whose symbolic weapon is the sword. The sword, in the symbolism of the Tarot, represents the ability of the intellect to dissect, analyze, and discriminate in the realm of ideas. The sword in the context of the Higher Mind in the realm of Soul, also carries the meaning of moral discernment -- the ability to intuit what constitutes the highest good in any particular situation. Geburah is also a symbol of the Higher Will, the determination to live always in alignment with the Soul's best understanding of what represents the highest good. Although in the realm of the ego the perception is that in order for one to 'win' others must 'lose', in the realm of the Soul, the highest good of each individual is understood to be in perfect alignment with the highest good of all others because the Higher Moral Organizing Principle is the One Source with which all Souls are aligned, even while each follows his own highly individualized life path. The principle is one which the American writer Flannery O'Connor used as the title of one of her short stories: "Everything That Rises Must Converge". Although the ego may maintain its 'righteous' self-image by paying lip service to society's secular laws and religion-based moral codes, its internal standard of 'right' is often 'whatever I can get away with' and what is really considered 'wrong' is 'getting caught'. From the ego's perspective, what is 'good' is always defined as whatever best satisfies personal ego needs (sensual pleasures, material security, 'winning') and If it is necessary to lie, cheat, steal, trample on the rights of others or even kill others in order to achieve its goals, the unregenerate ego feels that these sorts of actions are simply what it takes to be a 'winner'. The belief is that 'sin' is the price which must be paid for material 'success', and it is only a short mental trip from that belief to the symbolism of 'selling one's soul to the devil' as a way to ensure 'success' in life. From this debased ego perspective, 'virtue' is the equivalent of 'weakness', and those who are 'foolish' enough to insist on behaving virtuously are simply setting themselves up for inevitable defeat. This cynical viewpoint is reflected in the AT engravings in which the figure who represents non-violent morality (in the book version the demure woman and in the film version the monk), is executed/defeated by the knight whose superior power is based simply on the fact that he is willing to use violent means in order to prevail ('might makes right'). This is the ego's interpretation of the phrase describing this engraving, "Virtue lies defeated". In the realm of the Soul, the moral positions of the two figures are reversed because from the perspective of the Soul and its capacity for Higher Moral discernment, there are times when the social and/or religious standards which are enforced by conventional laws and moral codes are simply wrong. Unjust laws and immoral religious codes exist until more highly evolved moral discernment exposes their evil nature and demands reform. There was a time when a 'good Christian' saw no problem with owning and exploiting the lives and labor of slaves. Secular law upheld the 'rights' of slave owners and socially sanctioned religious institutions turned a blind eye to the obvious injustice. Ego justified this situation by defining slaves as 'property' and considering them to be 'sub-human'. Parallel injustices exist today. The Soul, recognizing all others as its equals, is unable to sanction this kind of legalized injustice or religious hypocrisy and must use its higher moral authority to oppose any conventional definition of 'virtue' which would accept such injustice. In the LCF version of the Eighth Gate engraving, the halo surrounding the head of the sword-wielding knight identifies him as a personification of the Higher Moral function of Geburah/Judgment which is not deceived or deterred by the outward pretense of 'virtue' but strikes unerringly at the underlying injustice. From this perspective, it is the Higher Moral discernment of the Soul before which the ego's self-serving, conventional definition of 'virtue' lies defeated. This is exactly the fate which awaits Balkan if he should somehow actually venture within range of Geburah's sword. The traveler who originally began his journey at the very base of the Tree of Life in the purely material realm of Malkuth at the First Gate, has since made his way up the Tree to the very top of the created realm and now stands before the edge of the Abyss. Just below him is the final horizontal path which connects the highest two created sephiroth, Geburah/Higher Mind and Chesed/Higher Feeling. This path is assigned to Tarot Key #8, which is called in traditional decks 'Strength' and which depicts a woman crowned with the transcendent sign of Infinity, gently, fearlessly and effortlessly guiding with her hands the opening or closing of the jaws of a lion. But it is the symbolism for this card which is used in the Thoth Tarot deck (where it appears as Key #11), which best represents the passage across the Abyss for the very good reason that its creator designed it specifically with that purpose in mind. Crowley renamed the card 'Lust' (qualifying this by explaining that it refers to "the lust of the Spirit') and apparently took its symbolism from the Apocalypse of St. John, although the meaning of the symbols as popularly understood in the context of the Apocalypse is reinterpreted in a very interesting way to reflect the traditional wisdom about this stage of the 'path of return' on the Tree. The card depicts a naked woman holding an upraised Grail cup in her right hand, triumphantly and ecstatically riding on the back of a seven-headed beast. And it is with this image that we come to the actual crossing of the Abyss, the removal of the final 'veil' (the word 'Apocalypse' comes from the Greek Apokalypsis or 'unveiling'), and the opening of THE NINTH GATE. ! THE NINTH GATE Teth (Serpent) = 9th Hebrew Letter * Roman Numeral VIIII * Theta = 9th Greek Letter N.NC SCO TEN.BR LVX NUNC SCIO TENEBRIS LUX the Mother of all Form. The engraving as modified for the movie version shows the same scene except that the face of the woman has been redrawn to resemble the character of 'the girl' in the movie. and the Enochian word BABALOND is translated as 'harlot'. Her right hand rests on the shoulder of the beast and there is an upward-facing crescent Moon in her lap. Binah. In the movie version of the genuine LCF engraving. He received the vision of the symbol after he had conducted invocations using the Enochian system of magick. In her left hand she holds an open book. In the background on a hill is a castle engulfed in flames. it not only reunites its individual indwelling transcendent spark of Divinity with its Source but also brings its share of the riches of the lower Tree -. as the Soul makes the crossing back into Unity. her upraised Grail Chalice (on the Tarot card) represents the receptacle of all possible varieties of earthly experience. all three engravings of the Ninth Gate contained in the three books were the same. [data collectors all -. Babalon is identified both with the returning Daughter of the lower Tree (who created the lower sephiroth in the process of her Fall and collects and returns their energies to Unity on her return) and also with the first Transcendent sephira at the place of return. Corso discovers that at some time in the past. Whoever made the decision to contrast the AT version of destruction by fire with the LCF version of blazing light in my opinion should be congratulated because this symbolism fits very well with the traditional wisdom about the ultimate experience the traveler encounters as he finally crosses the Abyss and enters into the Transcendent Realm of Unity. but instead is blazing with light. the castle is not on fire. located at the center of the Abyss. which Corso finally recovers from the Ceniza Brothers' shop. She is . At the very end of the plot line in the book.saith Inanna!] Crowley called the woman who rides the beast 'Babalon'. The book version shows in the foreground a naked woman riding on the back of a sevenheaded horned beast. In the analysis of the Seventh Gate ('The disciple surpasses the master'). According to the book 'The Club Dumas' (on which the movie 'The Ninth Gate' was based). As both Binah/the Mother and Malkuth/the Daughter. And as each individual Soul completes its journey through the evolving states of consciousness represented by the lower seven sephiroth of the Tree of Life. a forgery occurred but there is no information or speculation presented in the book as to what the original symbolism might have been.the energies of The Daughter. we learned that the 'non-sephira' called Daath/Knowledge. ripe now with the fruit of life experience -. and her right arm is raised.and adds this share of treasure to the great harvest of Knowledge at Daath. In both contexts. was the original place of Malkuth/The Daughter before her 'Fall' from a state of Unity created the lower portion of the Tree. It is a Qabalistic tradition to consider the 'Fall' described in the Old Testament story of the Garden of Eden not as the Fall of man as a separate being from his Creator. but rather as the voluntary Fall of one aspect of the Divine from Unity into the realm of apparent separation and duality in search of knowledge through experience. There is no crescent Moon in her lap.Now I know that from darkness comes Light. her index finger pointing to the castle which has been redrawn to resemble the actual castle used in filming the movie. And you who seek to know Me. In Crowley's description. John of the Apocalypse is also Ionnes. for behold -. power and compassion. and it may or may not be possible to do that. For I am the soul of nature that gives life to the universe. From Me all things proceed and unto Me they must return. a sensuous woman (Netzach). Let there be beauty and strength. John in terms of historical. Let My worship be in the heart that rejoices. the Dove. a poet (Tiphareth).the 'womb' from which all of the forms of the lower Tree were born and it is She who welcomes all returning travelers back into Herself and into ultimate Union with their Source. but a vision received by an initiate. and numerical codes related to the original Greek language in which it was written are one central key to its meaning. a saint (Geburah). coded to disguise its Gnostic elements and is seeded with Qabalistic references which survive even in translation. For purposes of understanding the nature of the transformation which occurs with the opening of the Ninth Gate. But what is certain is that it was written in the form of an encoded 'occult' document which symbolically describes a process of transformation whereby the 'fallen' consciousness of the human Soul may find its way back to 'the Garden'. honor and humility. a satyr (Yesod) and a Lion-Serpent (Malkuth). According to Elizabeth Van Buren. This is not a message originally intended for the general public. The clues as to the context in which this work is to be interpreted are there for those "who have ears to hear". author of 'Sign of the Dove'. and I am that which is attained as the end of desire. a valiant man (Hod). She refuses no one. a phrase which is repeated many times in the text itself. becoming One with all who cross into Unity.all acts of love and pleasure are My rituals. Babalon returns to the realm of Unity riding the 'Beast' whose seven heads are the energies of the seven lower sephiroth. It was recorded in the symbolic language of initiation.] In her aspect as The Daughter. we will focus on the numerical codes which were used (for . unless you know the Mystery: For if that which you seek. know that your seeking and yearning will avail you not. There have been many attempts to interpret the vision of the Apocalypse of St. I have been with you from the beginning. a number related to the 22 paths of the Qabalistic Tree. you will never find it without. the one who has been initiated into the Mysteries and has received the Holy Spirit. including a structure of 22 chapters. The Apocalypse is called A Revelation *to* John. I call upon your soul to arise and come unto me. the true name of the Dove in Greek is Ionas. which is the basis of her symbolic role as 'Sacred Prostitute' [Editor's Note: From Starhawk. current or future political events. we have: I who am the beauty of the green earth and the white moon among the stars and the mysteries of the waters. mirth and reverence within you. the heads are those of an angel (Chesed). For behold. you find not within yourself. 'the nous'. 4) The procreative organs. The writer of the Apocalypse issues his most famous challenge in these words: "He who has wisdom (the wisdom of the Greek Higher Mind. including 'the Beast' whose number is 666. 2) A monster resembling a Leopard with bear's feet. the realm of the ego. Just as Qabalists equated parts of the Tree of Life with parts of the human body. the Tree's Malkuth. John's Apocalypse was originally composed in Greek (not just translated into Greek from an earlier Aramaic source) which may explain why some have observed that in its structure and ideas it more closely resembles the writings of the later Greek philosophers than it does the Old Testament sources of the apocalyptic tradition of the Hebrews. In Greek thought this was equated with the physical body. This is the equivalent of the Tree's Ethical Triad. not coincidentally. seven heads and ten horns. it is this monster in particular which is referred to as 'the Beast' which correlates with 'He Phren' and the lower ego/mind. called 'He Phren'. Given this clue. the center of the Higher Mind. The most convincing and fascinating exposition of the Revelation to St. the center of the desire nature. called 'Akrasia'. These are: 1) The head/brain. 2) The heart and above the diaphragm. center of the lower mind. the realm of the Soul. 3) The region of the abdomen." with updating provided by Michael Wassil. equivalent to the upper two chakras of the Lower Triad." The 'nous'. "Apocalypse Unsealed. 3) A Red Dragon with seven heads and ten horns who is named 'the Devil and Satan' which . a familiar term in classical Greek philosophy. the ego's desire nature. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ VII. The Apocalypse of St. the 'nous'). the equivalent of Yesod in the Lower Triad. UNVEILING JOHN'S APOCALYPSE It is now believed that St. John. also refers to four 'beasts' which correlate directly with these four 'somatic divisions': 1) A Lamb with seven horns and seven eyes who is identified as 'Iesous'/Jesus which correlates with the 'Nous' or Higher Mind. let him count the number of the Beast for it is the number of man. referred to the Higher Mind and was considered to be the highest achievement of man. The following is adapted from Wassil's analysis. a lion's mouth. the center of the animal instincts.those familiar with their derivation) as clues to the occult meaning of the four beasts which the vision describes.com gives a good short synopsis. one familiar with Greek philosophy would automatically think of the other three of four 'somatic divisions' of the human body. A review of the Pryse book at Amazon. Greek philosophy (with some variations) correlated four general areas of the body with four levels of human function. John that I have found is based on James Morgan Pryse's 1910 book. called 'Epithumia'. the Higher Mind/Ethical Triad. the part of the body which the Greeks identified with 'He Phren'. 333 . realm of the ego. and 4) A Beast with two horns like a Lamb but speaking like a Dragon. whose balance point is at Tiphareth/The Heart. There are other correspondences in the series: 'Epistemon' (intuitively wise) which is 999.Stauros the cross of matter on which Divinity is crucified. Malkuth.Speirema. For our purposes here. in my personal opinion. The subject of that Gate. symbolized by beast #2 called 'the Beast'. we will consider only the esoteric meaning of the four 'beasts'. the lower mind. the designer used a form of the Greek letter Sigma which is not assigned a value in the Greek system of numbering but as the 18th letter of the Greek alphabet. was the transition from the realm of the lower mind/ego (the functional equivalent of the Greek He Phren) to the realm of the Soul. In the qabalistic system. 'the Beast'. The value of 'Iesous' is 888. and 'Speirema' (the serpent coil or kundalini force) which is 444. Just as with Hebrew letters. 'Epithumia' is 555 and 'Akrasia' is 333. the desire nature.Epithumia. whose center is Tipareth. incorporated within their numeric context are: 999 . the upper two sephiroth in the Lower Triad. we find the only other reference in the engravings to 6+6+6 as the sum of the visible numbers on the dice. the False Prophet. symbolized by the Hanged Man. 555 . symbolized by the cross on the Tree connecting the ego and Soul. 444 . is the numerological equivalent of 6+6+6. the lowest sephira on the Tree. I would like to point out here that on the engraving for the Sixth Gate.Akrasia. symbolized by beast #1 the Lamb.Epistemon. and 666. the body. intuitively wise. These are all considered in detail at Michael Wassil's fascinating website 'The Dance of Ecstasy'. 666 . ! We Have Met "The Beast" and He is Us The four beasts of the Book of Revelation.Iesous (Jesus).He Phren. symbolized by beast #4. the initiated. and 777 . Greek letters have a numerical value and the value of the sum of the letters in a word is recognized as a part of its meaning. the serpent coil or kundalini force which powers the journey up the Tree. Yesod. the sephira Hod/lower mind is the functional equivalent of the Greek 'He Phren'/Beast and in the engraving for the Fourth Gate. is the symbolic . identified as the 'False Prophet' which correlates with the instinctive physical self. whose subject was Hod/lower mind as symbolized by the maze. 'Stauros' (the cross of matter on which Divinity is crucified) which is 777. the upper three sephiroth in the realm of the Soul. the lowest sephira in the ego realm. That. The numerical value of 'he Phren' is 666. integrated Higher Self 888 . symbolized by beast #3 the Red Dragon.correlates with the ego's desire nature. confronted by the 'First Gate'. the dread figure which we now call "the Anti-Christ". Any political.who continue to 'worship Babylon'. The fact that every political.equivalent of what a mathematician might call 'an elegant equation'. is now self-destructing from its own excess of negativity is a reflection of the fact that the time is now ripe for the promise of the Age of . It is also. 'The Beast'. and peace -. As we each express our individual 'Beast' consciousness in the world. It is only willing to enter into relationships in which it is able to exercise unequal power over the other and use the relationship to serve its own needs without having to consider the needs of the other. internal 'Beast'. it is the sum total of all of this lower ego/mind energy which *creates* and *empowers* 'Babylon the Great'. as the collective consciousness of the human lower mind/ego. we must continually work to disarm our own individual. religious or social institution which could possibly be identified by the label 'Babylon' as it is used in the Book of Revelations can only exist by gaining its power from the collective 'Beast' consciousness of all of us who continue to 'worship' the accumulation of wealth and power above truth. If we really love and fervently desire to see peace in the world. the reason that the designer chose to give the Greek letter sequence such a featured place on the engravings themselves. approaching the 'Second Gate' seeks to learn only what will give it an advantage over others and uses its knowledge of the powers of the animal instincts in order to stir up fear in others to turn them violently against each other. 'The Beast'. This Beast of our collective lower consciousness is already well on its way to destroying our world and will certainly continue to do so until we disarm it in the only way it *can* be disarmed -.one consciousness at a time. religious and social institution which reflects this 'Babylon' lower ego/mind consciousness in its values. justice. sees all others as either 'enemies' or rivals to be destroyed or victims or 'inferiors' who must be weakened and subjugated so that their existence serves only to increase the wealth and power of 'The Beast'. 'The Beast' is that aspect of our being which. the collective 'Beast consciousness'. it is first necessary to be very clear about what 'the Beast' actually is. Just to be clear. 'The Beast' at the 'Third Gate' hardens its heart against the experience of real love because it must always be "in control" and so is not willing to make itself vulnerable to another. In order to do this effectively . we have just learned that the Book of Revelation identifies "the Beast of the Apocalypse" whose number is 666. confined to the material world below the Veil. nor will it be able to recognize the existence of spiritual treasure which is worth infinitely more than the sacks of gold coins which it will forever continue to count and recount at the 'Fifth Gate'. It hordes what knowledge it gains to empower itself at others' expense. sees *value* only in material things and like Balkan. 'The Beast' is unable to conceive of the possibility of a greater satisfaction in life than the accumulation of money and power and being able to use these to take unfair advantage of those with less money and power (which it calls "winning"). Because of this it will never find the exit from the 'Fourth Gate's' dead-end ego-maze of the lower mind. the better to control them and profit from the destruction. tramples spiritual values such as honesty and justice underfoot in its ruthless pursuit of personal wealth and power. I suspect. It means taking a stance of quiet. destructive ideas). We are entering an era when we must realize that saving the world is "an inside job". None of those entities could exist in their present form in the absence of a collective human consciousness on the same moral/energetic wave-length to create and sustain them. destructive ways as a 'vehicle' of the collective "Beast" consciousness). there is room to accommodate *many* different visions. nonviolent. Not "accepting the mark" means not being manipulated by fear of economic hardship (inability to "buy or sell") into supporting employers or other organizations which feed on and/or profit from destruction. is a combination of self-righteousness. The end result." To undertake the journey up the Tree is to fight this battle on its proper and only effective ground. is a selfdefeating mindset. this cabal of corporations or that religious group or the other political ideology for all that is evil in the world. As the Great Soul. exploitation and war. ! A Refresher Course on How to Defeat the Anti-Christ The answer to this dilemma is deceptively simple and is the great moral challenge of our time. Every religion and every political system which exists is capable of producing some version of justice. as history shows us. In a Creation as beautifully diverse as ours. confusion. The 'flip-side' of this truth is that even the most ideal utopian vision will end in oppression and conflict if the power of the Beast is still controlling the consciousness of those trying to live out the vision. "shadow-boxing" and denial which only empowers 'the Beast' even more. or in our emotions. Only in this way can we destroy the seeds of hatred. Each one of us has to recognize and disarm our potential inner Beast while at the same time recognizing.acting in divisive. honoring and empowering the potential angel within ourselves *and all others*. and it is *there* the battle must be fought. violence and destruction which exist as potentials within each one of us *before* they can take root in our thoughts (symbolized as the "mark on the forehead" -. and many religions will see 'the Beast' at work only within *other* religions (or in those without religion) while believing themselves to be immune from such corruption (and vice versa). Mahatma Ghandi realized. once the Beast is brought under control.Aquarius to begin to bloom. the age in which the spiritual energy of the era will empower the understanding and consciousness of individual "common people" like us.accepting the validity of divisive. equality and peace. It is finally time for each one of us to begin to realize that blaming "the powers that be". our speech and our actions (symbolized as the "mark on the hand" -. "The only devils in the world are those running around in our own hearts. no matter how different from us those others may be. whether political or religious . "Republicans" will see it embodied in the ideas and policies of "Democrats" (and vice versa). provided that *the consciousness of those individuals who are exercising power within those systems is not dominated by 'the Beast'*. non-cooperation with divisive and destructive agendas. It is *not possible* to defeat the Beast in an external way "out there" in the world because "Socialists" will see the powers of the Beast being exercised by "Fascists" (and vice versa). fears and blood-lust of the inner Beast. "Meek" . It is a *spiritual* challenge to become hate-proof. as the 'winning' formula of the Beast is presenting itself to us today: those divisive/ destructive political agendas *clothed in* politically co-opted. They represent the powers of the Loving Heart and Higher Mind. can be read as an inventory of the only "weapons" which are capable of defeating the Beast.living "in Christ". you have a list of the "weapons" of the Beast. You can decide whether or not you want to empower . the healing power of Divine Love which must be empowered to over-ride the instinctive drives. not your own 3. "war industries". 888 the Lamb Iesous/Jesus. This must happen within the heart and mind of every individual person. and stealing the natural resources of other nations under the pretense of political conflicts *at the expense of the innocent common people of other legitimate nations*. divisive/destructive/distorted religious language.not seeking unjust personal advantage 5. "Persecuted" . "Peace-maker" .or. murder and destruction can be done in God's name.standing for true justice which is the sole foundation of peace 8. we cannot continue to allow ourselves to be duped by cynical political strategies designed to divide us so that we vote against our own best interests and continue to support those who profit from human misery. If we hope to see a more just world. the Beatitudes. "Hungering and thirsting for justice" . Politicians who get elected when it takes millions of dollars to run an effective campaign.being an instrument of God's will first (the highest good). This is the true function of all genuine spiritual teachings. "Pure in heart" . you consider those qualities which are the opposite of those which Jesus defined as"blessed".humble before God and respecting others as equals 2.having simple and sincere good intentions towards all 7. the Ethical Triad. by way of contrast. you are blessed no matter what anyone says about you or does to you ("blessed" in Matthew's original Greek was "makarios". These wealthy few profit from the sale of armaments. the destructive powers of the spirit of the Anti-Christ.due to your own spiritual shortcomings and those of the world 4. the 'Nous'. and every one of us can quietly and non-violently take them up: 1. to rise above any danger of being recruited into supporting the *politics of hate* which is a necessary precursor of the *politics of profit-through-war*. None who are lovers of God can allow themselves to be persuaded by those "false prophets" who serve the Beast that war. "Merciful" . only remain successful if they serve the economic interests of the few who can afford to financially ensure their success and by doing so "buy their votes". "Poor in spirit" . "Mourning" . more specifically translated as "possessing an inward contentedness and joy that is not affected by outer circumstances") If.forgiving others and so receiving forgiveness from God 6. The qualities which Jesus Christ defined as "blessed" in his "Sermon on the Mount". no denominational label will save you from the destructive consequences of your own actions. it's important to remember that the symbolism of the "gates". "that they all may be One. Seeking vengeance on anyone who offends you or gets in the way of your profit 6. straight-forward standards by which every sincere person may recognize and support true "righteousness" (whether affiliated with any religious system or not) and recognize. War-maker: always trying to provoke and profit from violence and destruction 8. And how did Balkan end up? Right. Refusing to tolerate criticism. reject. who are now in the process of passing through the AT/"Anti-Christ" gates. much less opposition. that they may also be in Us"). The down-side of this is that if your unrepentant behavior takes you all the way through the AT Ninth Gate. The coded symbolism of the LCF gates describes the qualities of the person who will be allowed to pass through them and these qualities happen to closely parallel those described in the Beatitudes. you become a part of the collective Christ Consciousness. [John 17:21]. even as You. Wicked of heart: deviously arranging for all others to lose so that you can win 7. Jesus said: "I am the Light of the world: he who follows Me shall not walk in darkness. Still. "you can do no wrong" These are very simple. like the symbolism of the Qabalistic Tree of Life.this spirit by allowing your own energies to align with it: 1. are in Me and I in You. Valuing the corrupt state of your Soul and the world because it empowers you 4. Arrogantly pursuing god-like powers so that you can dominate "lesser" others 2. In John 8:12. stands as a symbol for all of the misguided Souls. Desiring to subjugate and exploit others and avoid facing justice for your crimes 5. as you pass through the LCF gates. to use the Christian term. or the power of the "Anti-Christ" qualities to continue to destroy it. Anyone who has the qualities to 'climb the Tree' or pass through the LCF gates is welcomed into the Light. is non-denominational. no matter how much it may pretend to be "patriotic" or "holy". in high places and low. and deny support to "the spirit of the Anti-Christ". but shall have the Light of life. The coded symbolism of the AT gates actually describes a person who demonstrates all of the "Anti-Christ" qualities listed above. According to the symbolism of the engravings. (Christ prayed. Father. So Balkan. who also behaved in these ways. And how was the final goal behind the AT Ninth Gate symbolized? Destruction by fire. Achieving the final goal behind the LCF Ninth Gate is symbolized in the film by walking into a blazing Light. It is certainly not necessary to be a Christian to understand and appreciate the power of the "blessed" qualities to heal our world. Here we should recall that the translation of the Latin motto for the Fourth Gate was "Fate is not the same for all"." Other spiritual teachings also use the symbol of Light in this way because it reflects a reality which can be experienced. . Using your powers to achieve your personal will at others' expense 3. which are the seven 'heads' of the composite 'beast' on which The Lady Babalon. The crowning achievement of this reunion is symbolized in the Apocalypse as The New Jerusalem in which the returned traveler becomes conscious of the eternal and infinite Spiritual beauty which shines through all of the finite and temporal forms of the Kingdom. destruction and misery across our world. Now might be a good time -. We must be the first to learn to become instruments of peace and the 'leaders' will have no choice but to follow. a consciousness which eventually becomes the final victim of its own destructive nature. The . based on the quality of your own behavior.. 555 and 333 was the fact that these unbalanced lower energies were allowed to operate independently. the former evil is overcome. rides back to the Realm of Transcendent Spirit to union with the great Mother of Form. we must each recognize and disarm our personal inner "Beast" so that we may become *harmless* to *all* of the fellow human beings and fellow creatures who share our world. The drives of the desire nature (333/555) and the selfserving lower ego/mind (the Beast 666) will inevitably express themselves in an unbalanced and distorted way until they come under the guidance and the polarity-balancing influence of the redeeming Higher energies of the Soul (888).If. "And the wolf (Beast) shall dwell with the Lamb (Iesous). and now that you *know* that you have this power." ! Getting Ourselves 'Back to the Garden' Although the ego experiences the passage into Unity as darkness/unknowing. this is not the end of the journey. If you have a consciousness. you have the power to begin making this change in the only place that it *can* be made. you are unfortunate enough to symbolically pass through the AT/"Anti-Christ" gates. and the Soul experiences its participation in Unity as Living Light/Love ("Now I know that from darkness comes the Light"). Symbolically.. overlaps and becomes a passageway to the Yesod/Foundation of the next higher world.if not now. Once our journey up the Tree brings us to a point of balance and integration of ego and Soul.and they shall not hurt nor destroy in all my holy mountain. and exploitation which continually fuel war. the Daughter. greed. to end the duplicity. There are four Qabalistic 'Worlds' which are represented in the 'Jacob's Ladder' form of the Tree of Life as extending vertically one above the next but overlapping so that the Daath of each lower world." The source of the earlier evil functioning of the 'beasts' 666. To disarm this spirit. thereby restoring the Unity of the Tree and redeeming Malkuth/The Kingdom from duality. as you pass through the AT Ninth Gate. confirming the declaration of the Gospel of Thomas: "The Kingdom of Heaven is spread upon the Earth and (most) men do not see it. we have now discovered that the four 'beasts' of the Book of Revelations are comprised of the seven lower sephiroth of the Tree of Life. you become a part of the collective raging-ego/AntiChrist consciousness which is currently creating great wastelands of death. once achieved. you have no excuse for not taking it up. We might even say that the spirit of the Anti-Christ is "born again" in you. when? With the help of the symbolism in the engraving for the Ninth Gate. you yourself become an Anti-Christ in the sense in which the Bible uses the word. and 4) Assiah (The World of Action) . what the Soul experiences as Light will be experienced by the unredeemed ego (the ego unescorted by Soul) as Fire. 7:14).'Heaven'. wedding the Earth of Assiah to the Heaven of Assiah and at this point all of the sephira of the Tree of Assiah are integrated into One. This symbolism is another way of saying that the Divine Light of God will shine through the forms of The New Jerusalem. so that God's dwelling place could be with men (Rev. where he sees The New Jerusalem as if it is coming down from Heaven. just as the light blazes out of the castle in the genuine LCF engraving of the Ninth Gate. as the AT engraving of the Ninth Gate and Balkan's fiery fate in the movie so . In the process of Ascension. Kether. beginning with the highest. This is the fully sanctioned return to the idyllic state of the 'Garden of Eden' but the experience this time is perceived by the individual awareness of the fully formed Soul/ego which was developed during the sojourn through the 'fallen' world of Assiah. for the first heaven and the first earth have passed away (Rev. the only contact with the Heaven of Briah was at Assiah's very highest Transcendent sephira. 3) Yezirah (The World of Formation) . the consciousness of the man of Malkuth/The Kingdom enters into Unity at the Daath of the material universe/Assiah and emerges at the Yesod. If he should make an illicit attempt to gain access to the Divine Light through the inadequate vehicle of his unredeemed ego. is the passageway to the Foundation sephira of the Heaven of Briah. In the new World of Formation of Yezirah. every mountain and island is removed from its place (Rev. physical upheaval required. are: 1) Aziluth (The World of Emanation) . Until Balkan freely chooses to submit his ego to union with his Soul and completes the journey through the upper paths of the Tree of Assiah. It must be understood that this is an *internal* revolution of consciousness which happens "in the twinkling of an eye".Four Worlds. the Throne of God and archangels. the Garden was guarded by cherubim and 'a flaming sword'. In the old world of Assiah.the eternal unchanging Divine world. once attained. The center of the realm of the Soul at Tiphareth overlaps/is identical to the Malkuth of Briah (the 'Kingdom' of 'Heaven') and the Daath of the new world. And where is Balkan? You might remember that after the Fall. 21: 1-2) and the holy city. with no external. abode of the archangels and the Throne of God. comes down out of heaven from God. What was unconscious has become conscious. 21:3). 2) Briah (The World of Creation) . The New Jerusalem. Symbolically. whose Supernal Light the human Soul could only receive brief glimpses of.the material universe in which we live. the Foundation of the World of Formation/Yezirah. the way back to the Garden is barred to him. the sky recedes like a scroll rolling up. and there is a new heaven and a new earth. and results in a radically different *experience* of the world.the abode of the 'lower angels' and the Garden of Eden. The fallen Daughter has risen to the Throne of Binah and become the Bride of Wisdom. The one thing that we know he did before committing suicide was to sell the copy of 'The Nine Gates' which he had originally bought for his wife. If he ever finds out what his wife is up to at these gatherings (of the Order of the Silver Serpent). There is one last question to consider. apparently has . director Roman Polanski also presented us with two 'real-life' variations on this journey: one a truncated AT version made by Boris Balkan (which we followed during the interpretation of the symbolism of the engravings). He knew how much she valued it. And where do we find Dean Corso at the beginning of the movie? He lives in a fairly nondescript apartment. And Corso's mindset at the beginning of the film seems to have a lot in common with the kind of bleak outlook which apparently drove Andrew Telfer to kill himself. in the end. Balkan clearly played the role of the failed magician to illustrate the fate of those who attempt to use the energies of the Tree to serve the lower desires of the ego. Following is a summary which correlates the characters and plot points of the film with the stages of Corso's journey as they are represented in the symbolism for each of the 'Nine Gates'." Corso may also have been right when he confronted Liana at the chateau: "He sold (the book) to get back at you. This is the ultimate dilemma faced by the knight in the AT engraving of the First Gate who travels towards the castle with four towers. who remained unsatisfied or even despaired despite his material success.Malkuth/Materialism: Andrew Telfer I don't think it's a coincidence that this film begins with an *actual* hanged man whose suicide suggests that a materialistic lifestyle is. symbolic of the material treasure of the purely material realm of Malkuth. not enough in itself to sustain the will to live. doesn't seem particularly concerned with appearances. but as 'the man who had everything'. THE POLANSKI CODE ! ~~~~~~~~~~~~~~~~~~ CORSO'S RUN . Andrew Telfer provides a good example of the state of consciousness of the person who eventually feels compelled to set out on the quest for spiritual treasure. so we may assume that the Baroness Kessler was right when she said "That creature Liana married him for his money.The Journey in the Film In addition to showing the audience the symbolic images representing the journey through the Nine Gates. Dean Corso never met Andrew Telfer. So apparently it was a failure of love which drove Andrew to kill himself.graphically illustrate. ~~~~~~~~~~~~~~~~~~ THE FIRST GATE . yet still couldn't find a reason to stay alive. What happened? Did he catch you with that albino?" It seems that Liana must have managed to get Andrew to fall in love with her and then cold-bloodedly proceeded to exploit his fortune and betray his trust. he'll probably kill himself. But what roles did Corso and 'the girl' play? VIII. and the other the successful LCF journey which Corso was able to make with the help of 'the girl'. His appreciation of fine music and art is a Higher Feeling function and he seems to value his occult books in the same way. artworks. The First Gate engraving is the first one that we see in the film when Balkan is showing the book to Corso in his library and Corso is about to accept the assignment to track down the other two copies. as rare 'art objects'. and philosophical about the decline of his fortune. Corso -. ~~~~~~~~~~~~~~~~~~~ THE SECOND GATE . and seems to spend most of his time conducting his business and drinking." Andrew Telfer owned the book 'The Nine Gates' for years but never discovered the true nature of its contents. and some of his collection of rare antique books. Corso is apparently ready enough to change that when the book crosses his path. do you believe in the supernatural?" Corso replies "I believe in my percentage. its notoriety and its great rarity. This is why he tells Corso that he won't sell it at any price. Corso apparently has a fairly cynical view of life. he could live the rest of his life on the proceeds. and has problems with addiction. the realm of Higher Feeling.no love interest in his life. Corso responds "That makes two of us". This is the first essential step in a journey which will bring him to the symbolic spiritual posture of the Tarot's hanged man and. a petty cruelty which brought no profit to himself except the satisfaction of knowing that it made life more difficult for his competitor. and cherishes his few remaining fine crystal glasses for their beauty and workmanship rather than their monetary value.I mean. whose inner search takes him on the path from the balance point of the Soul at Tiphareth to Chesed. When Balkan asks "Are you a religious man. His copy of 'The Nine Gates' is a treasure of his collection for the quality of its workmanship. He is unassuming. Corso practically never smiles. plays the violin. and since the Hermit's face was not modified from the original book version. kind to Corso. into a conscious partnership with his Guardian Angel/Higher Self/Soul. Victor Fargas lives alone in his fine old family mansion which has seen better days and the almost empty main floor of his home suggests that he has survived for some years already by selling off its furnishings. doesn't appear to get much satisfaction out of anything and shows clear signs of being depressed. When Balkan guesses that he doesn't have any friends. He admits to Bernie that he 'screwed' another book dealer by deliberately overestimating the value of a collection. being a chain smoker and drinking not just for recreation but simply to be able to cope with his life. Some have mentioned that the face of the Hermit figure in the engraving resembles Fargas. Although he has a congenial relationship with Bernie. even though he must realize that if he did sell it. Mr.Chesed/Higher Feeling: Victor Fargas The symbol of the engraving for the Second Gate is the Hermit. without investing himself intellectually in exploring their content. Fargas is a cultured man. . this probably means that the role for the film was cast based on this resemblance. for the first time in his life. it becomes the catalyst for a series of mysterious events which intrigue him enough to put him on the 'upward' path on the Tree. he doesn't budge an inch when Bernie makes a friendly case for a higher percentage on a book deal. and about to begin the journey that will ultimately take him to the very top of the Tree. hist curiosity starts to get the better of him as he begins to realize that there may still be important dimensions of life which he hasn't yet discovered." It is as Corso is comparing the engravings in the two books that we first see the Second Gate/Higher Feeling engraving of the Hermit. regardless of the circumstances. and after he encounters 'the girl' again and understands that she will be accompanying him on his assignment.The Baroness tells Corso that Fargas is an 'unbeliever'. When he asks Corso what he's looking for in comparing the two books and Corso replies "I'm not sure". a change which reflects his transition to the value system of the Higher Feeling nature. and when his apartment is ransacked. At that point he begins to trust in her guidance and to go willingly wherever it is that she's leading him. after a Ceniza twin indirectly warns him of 'danger descending from above' just before the collapsing scaffolding barely misses falling on his head. Liana attacks him. but this is an oversimplification because Fargas is not indifferent to the content of the book. this symbolically represents the perspective of the ego's lower mind. Martin Telfer The information given earlier on the symbolism of the Third Gate described the ideal situation in which the sexual desire nature of Yesod collaborates with the lower feeling nature of Netzach with the subconscious participation of the Soul at Tiphareth to produce the phenomenon of 'falling in love'. But we actually first see the Third Gate engraving in the shop of the Ceniza Brothers and as we will see below. On this lowest ego level. Then. Fargas says "Some books are dangerous -. Corso begins by taking Balkan's assignment for the money (desire). and this combination seems to reflect very well the way that Fargas' consciousness looks at the book. He fears and avoids the subject altogether because of the common misconception that all of its students are like Balkan. the experience of Yesod may simply . From then on he becomes motivated more and more by a powerful Higher Mind-based will to know the secrets of the book for their own sake.Yesod/Sexuality: Liana St. and then the Jester and maze of the Fourth Gate/lower mind. Desire and fear are the unavoidable stock-in-trade of the ego and lower mind until the union of the ego and the Soul introduces into the equation the Love of the Soul which tames desire. Seeing the qualities of one's Soul reflected in the 'Beloved' and pursuing a union with this 'Beloved' is the most common way in which the ego is led into an ultimate union with the Soul. and Bernie is killed and left in the pose of the Hanged Man.not to be opened with impunity. Balkan's offer of a lot more money puts him temporarily back on the job (desire again). He embraces his own idea of it in the delusional belief that it will provide him with a secret way to get what he desires and to gain power over others. ~~~~~~~~~~~~~~~~~~ THE THIRD GATE . casts out fear and greatly expands the capacity to understand. Corso naturally reacts with fear and wants to quit. Balkan is a good example of one way in which the lower mind/ego relates to the subject of 'the occult' (which simply means 'hidden' teachings). Corso's feeling state vacillates between desire and fear until he sees that he is being drawn into a partnership with 'the girl' who seems to be guiding and protecting him through his adventures. Fargas is an example of the other typical lower mind/ego reaction. This was the nature of Liana's original 'relationship' with her husband and was also the basis of Corso's coupling with Liana. In just the way depicted by the LCF Third Gate engraving. He had no intention of stealing the book for her and when she found she'd been tricked. sacred. Spain to the workshop of the Ceniza twins. it wasn't until he came to the point of the Ninth Gate that he experienced the true. we only hear the young boy's voice calling "Si. the subject itself is raised just before that when Corso makes his trip to Toledo. the aggressive nature of his willingness to cheat her out of the agreed 'payment' for her sexual favors was reflected back to him in the form of a liquor bottle descending on his head. one who ventures too far on this path for strictly ego-gratification purposes must expect the likelihood of 'danger descending from above'. She was using her sexuality as bait to get Corso to help her get her book back. she attacked him. si. On his first visit. the sign of the Moon. and just to the right of the center point is the Fourth House which is traditionally ruled by the sign Cancer. which is associated with the Mother. Corso was eventually drawn by the girl into a partnership with his Soul. both ruled in astrology by Gemini and Mercury and symbolized in Qabalah by Hod/Mercury/lower mind. si. money. In Corso's interaction with Liana.to carry Corso across the Abyss and into temporary ego death and union with Spirit. However. answering "Si.Hod/lower mind: The Ceniza Brothers Although we don't actually see the engraving for the Fourth Gate of Hod/lower mind until Corso visits Fargas. just to the left of the bottom center point of the chart. . is sometimes called 'the puer'. But the fact that it was repeated twice gives it some importance and it can also be seen as reinforcing another clue which he gave us about the symbolic identity of the Cenizas. mama!" This might simply be something which has a personal meaning for Polanski. Director Roman Polanski included an interesting detail in the film which is repeated in a slightly different form both times that Corso is walking down the alley towards the Ceniza Brothers' shop. while he was simply giving in to the opportunity for a casual sexual interlude. Mercury. either strictly for pleasure or as a way to achieve power. ~~~~~~~~~~~~~~~~~~ THE FOURTH GATE . the fact that they are twins. or some other ego goal. 'The Twins' is a name associated with the astrological sign Gemini which is ruled by Mercury and symbolizes the lower mind.involve a physical interaction without much personal feeling entering into it (let alone any Higher Feeling). tantric aspect of the energies of Yesod -which drew on both the lower and Higher Feeling energies which had been kindled between them -. mama!" When Corso returns the second time. symbolically a boy or youth who doesn't grow up. also known as Hermes. Gemini traditionally rules the Third House of an astrological chart. we hear a woman's voice calling out from somewhere on the right side of the alley and then a young boy comes running from Corso's left and crosses in front of him. shop was located to the left of the alley from where the boy ran and the twins' trade also involved books and the written word. Just as the Ceniza twin warned when we first saw the engraving for the Third Gate. The Ceniza Bros. Money finally becomes completely irrelevant to him at the point when.Netzach/lower feeling: Bernie the Bookseller We first see the engraving for the Fifth Gate when Corso brings the book to Bernie's and asks him to hide it for him. was challenged by the shock of a personal loss. We talked about the transition from lower feeling to Higher Feeling when we discussed the Second Gate above. As we will see when we get to the Eighth Gate. enough to call Balkan to tell him he was quitting. Fargas saw his copy and valued it from the perspective of the Higher Feeling function of the Soul. The Ceniza Brothers' shop will play one last symbolic role when Corso returns to find the genuine Ninth Gate engraving. we saw the Frontispiece.We have already covered Corso's transition from lower mind to Higher Mind but there is one more symbolic point here. this is correlated with the Sixth Gate symbolism of the Hanged Man). Corso wasn't sure at that point who was after Balkan's book. we can assume that it too was entirely consumed by fire. And judging by the position of the book where Corso left it on the Baroness' desk. was complete destruction by fire. centered on profit. ~~~~~~~~~~~~~~~~~ THE FIFTH GATE . and from what we saw of him. but it was clear to him that somebody was. lower feeling value system. representing the final stage in the transformation process which will be described in "Is that it?" We will consider then one possible reason why Polanski directed one of the twins to drop ashes all over the book when Corso first brought it back to them. not yet having received his check for . like his. the same copy which ended up in Boris Balkan's hands. When Corso came out of the bookshop after finding Bernie hanging like the Hanged Man. The Ceniza Brothers' shop (as a symbol of Gemini/lower mind) was the source from which Liana originally acquired her copy of the book. the Fifth Gate engraving of the man counting out his gold with Death lurking over his shoulder. the Baroness at least made an attempt to develop her Higher Mind functions though she ultimately failed and she never made the transition from lower feeling to Higher Feeling. its final end. Only when Balkan told him to 'add another zero' to the dollar amount of his fee. but Corso's reaction to Bernie's death was the first time that his previously dominant ego-based. Bernie was impressed by seeing the infamous book whose value he estimated at 'a million dollars' and as he leafed through it." Apparently it was the destiny of the Ceniza Brothers' copy of the book to be owned by people who saw it and valued it only from the perspective of the lower mind and used it only to serve the desires of their egos and since Balkan had it with him in the castle. As one of the twins observed when Corso told him of the book's new owner. and finally the Hanged Man of the Sixth Gate. Corso's apartment had been ransacked while he was at the research library where he had just briefly seen the same mysterious girl who was at Balkan's lecture. he was clearly shaken. Perhaps this is why his copy was only half burnt. was the financial incentive impressive enough to keep him on the job. seemed to have developed at least that half of the functions of the realm of the Soul. Corso's motivation shifts away from the financial when he partners with the girl. (and as we will see. "Each book has its own destiny. [She's the one squashing out a lighted cigarette which had just been dropped. Corso is assuming that she is working for Balkan. Corso is the one taking the initiative. this is a legitimate exercise of the power of Geburah."] On the plane from Sintra to Paris. you're my Guardian Angel then?" Girl: "If you say so. When the albino is escorting them at gunpoint down to where he is instructed to kill them. I see. the girl starts to take charge of Corso's journey and they begin to act as a team. a milestone which the girl acknowledges with obvious approval and satisfaction.Tiphareth/The Soul: 'The (Mysterious) Girl' From the time that Corso first meets with Balkan. As Balkan understands. the character identified only as 'the girl' is always somewhere nearby. lower feeling (Bernie) and sexuality (Liana).] We don't see her in Toledo. In the context of self-defense. When he asks her who was responsible for Fargas' murder. when he accuses her of having been working for Balkan." Corso: "Oh. but in the context of the journey described by the engravings. and he is finally only able to shoot Balkan as an act of compassion when he sees that Balkan is burning to death. Corso makes one of several attempts to get the girl to explain to him who she is and what role she is playing. This is the point at which he finally understands that she will be accompanying him on his journeys [albeit for reasons he doesn't yet understand. ~~~~~~~~~~~~~~~~~~~ THE SIXTH GATE . he grows into being more of an equal partner. At first. You're part of it.his assignment. she disappears . at the research library. she says "He's dead . It could have been me. She's at Balkan's lecture.)." Girl: "Not with me to take care of you. the girl either seems absent or Corso only catches glimpses of her and when he tries to find her. and we see her reading a book on how to influence people. and accepts his assignment to track down the other two copies. while the litterer was most likely 'the albino'. But from the time that he visits Fargas." Corso: Someone's playing a game with me. when Corso first expressed his admiration and gratitude to the girl for fighting for him . but she apparently was there since Corso runs into her on the train from Toledo to Sintra. Corso is unable to use a gun in cold blood (having developed too strong a Higher Feeling function). Corso does this all on his own. she told him that she was a student "in a way"." Earlier. and we see her feet outside the window at Bernie's when Corso stashes the book there. although it's clear that she is always potentially stronger than Corso is. she answers.who cares?" He replies "I do. "I thought you were the one working for him. representing the first Soul level sephira of Chesed/ Higher Feeling. her role is clear. At first the girl plays a protective role and does the bulk of the fighting but gradually. and you're getting to like it. but later at the St Martin Castle." Girl: "Of course. Corso pulls a gun on Balkan at the castle in an effort to take the engravings away from him. Earlier. when Corso is dealing with the ego functions of the lower mind (the research library and the Ceniza Bros. it is Corso who throws him down the stairs and knocks him unconscious. By the time they arrive at Liana's chateau. This is pretty much all that she tells Corso about herself. takes possession of the book. the three symbolic marks might also refer to the three Transcendent Creative energies of the Supernal Triad (which. that since Balkan had now killed someone in front of witnesses. Corso demonstrated his determination to go beyond the world as he had been capable of understanding it in the past when. whose qualities (like those of Chesed) are kindness and mercy. he *had* to chase after Balkan as the latter left with the engravings on his way to the castle.against the albino down by the river. Since we are now describing Corso's journey. it would be a revelation. are located in the head). and in Corso's case might represent a sign of his initiation into Higher Feeling and the realm of the Soul.] In the context of the Tree of Life. the inter-dimensional figure of the girl remains a symbol of the non-dual Spirit. after the interrupted ceremony at the chateau. but there is also a symbolic aspect to this death. hyper-vigilant secretary at the Kessler Institute and is showing the Baroness the variations in the engravings. "Variations?" she says. It's true.. all of these energies would be a part of his consciousness and this integration would prepare him for a entirely new way of experiencing life. the central line extending down his nose.Daath/Ascension: Corso & The Girl. we saw the bond of Higher Feeling growing between them. as the girl pointed out. Now that Corso has achieved the . the Preserver. is an interesting choice of word. when the body is superimposed on the Tree. [Corso's blood stained forehead is not immediately cleaned. The elongated center mark might symbolize the Central Pillar which extends downward from the highest central sephira of the Godhead. given the symbolism of the Ninth Gate engraving. Kether/ Crown. In terms of Corso's experience with her. The integration of ego and Soul which is depicted in the engraving actually represents a consolidation of all of the functions of the seven lower sephiroth of the Tree. We first see the Seventh Gate engraving (the disciple surpasses the master) after Corso has made an end-run around the fierce. representing the route of the path of return which Corso is traveling. The fact that. he was now 'out of a job' meant nothing to him compared with his desire to *know*. Such marks are also worn as a reminder of the consecration of the body as the temple of the Spirit." which. ~~~~~~~~~~~~~~~~~~~ THE SEVENTH GATE . Corso would be 'off the hook' for Balkan's earlier murders of Fargas and the Baroness. as the girl said. It was at this point that the girl looked lovingly at Corso and drew with her fingers three vertical lines on his forehead with her own blood. There is a long spiritual tradition of marking the forehead as a sign of spiritual protection and initiation in both Eastern and Western traditions and three vertical marks on the forehead is the traditional Hindu sign of initiation of those who worship God in the form of Vishnu.. "If that were true. but once Corso has achieved the union of his ego and Soul. Inc. It is his union with her in this capacity which will carry him across the Abyss and into union with the Spirit with the opening of the Ninth Gate. Corso has a final moment of doubt about the girl because she stopped him when he tried to prevent Balkan from strangling Liana. The girl begins as a symbolic figure who models for him the qualities of the Soul which he will gradually grow into. Liana represented the negative exploitation of lower feeling and sexuality to serve the purposes of ego. first hitching a ride on a truck which is hauling large logs. I'll just mention one other symbolic touch which Polanski added concerning Simone. takes off his robe. not accepting. he will be starting over 'at the bottom' again. as he's running down the stairs away from the fire. and is now on its way to undergo a metamorphosis of form to become part of an entirely new structure. This is only fitting since she is a very effective example of one of the major functions of Geburah/Higher Mind: a vigilant. Simone. It is an interesting detail that Corso gets into Liana's car to chase Balkan but the girl makes no move to go with him and only hands him his coat and satchel. stripped of its non-usable parts. and he is in fact looking at this engraving when he is knocked unconscious from behind. the Baroness' formidable secretary-from-hell. since the goal which Corso is approaching is a significant new birth into an experience where. Still dressed in his black ceremonial robe disguise. we see that she has peeled the orange and makes a tentative effort to hide it as he walks past. It is my understanding that the decision to modify the engravings to resemble film characters wasn't made until after filming for the movie had already started. this would be the faculty of mental and moral discernment. The symbol of Tiphareth/Soul in his present world is that of a King. Corso peels out to chase Balkan but when Balkan fords a large stream. and as he's leaving. but to my eye. This is perhaps a reference to the Nativity. condoning or acting on unworthy ideas. this is a kind of experience which will no longer be possible for him. a symbolic equivalent of Corso's own present condition: a resource which has grown to maturity over many years until it was ready to be harvested. In the context of the individual's Geburah function. ~~~~~~~~~~~~~~~~~~ THE EIGHTH GATE . like a baby. militant determination not to allow anyone undeserving to proceed any higher on the path of return. Corso's borrowed car stalls out in the middle of it. On Corso's second visit.Geburah/Higher Mind/Will: Baroness Kessler & Secretary We get a brief first glimpse of the engraving for the Eighth Gate ("Virtue lies defeated") in Balkan's private library when Corso first accepts Balkan's assignment. arriving at the castle just as night is falling. he . He abandons the car. unbending. and returns to his hotel to regroup. Symbolically. so it's possible that the casting director for the movie may have had this in mind. We next see it when he visits the Baroness at the Kessler Institute. while in the new world which he will enter. Corso then continues in the back of a small truck carrying sheep and hay. bears an uncanny resemblance to the strapping swordsman in the original book version of the engraving. When Corso arrives for his original appointment. Corso covers the last distance on foot. a reflection of the black color of Daath and the symbolic state of darkness in which he will finally cross the Abyss at the Ninth Gate. gets directions and makes his own way to the castle. it is the King as Divine Child. Corso gets his shoes cleaned for a fresh start. the 'vehicle' of a socalled 'devil-worshipper' is not adequate for the journey which Corso is destined to take.union of ego and Soul and become conscious of his Higher Feeling function. discovers Liana's gun in the pocket of his coat. we see that the secretary has an orange. The Baroness would be a mirror image of Fargas' equally one-sided development except that she seemed to experience a failure of the will to move forward in the development of Higher Mind. Perhaps this was Polanski's way of having a little fun with one of Coppola's recognized 'serious' symbolic devices. calling her knowledge of it "profound". the arm which should be wielding Geburah's sword. Corso was apparently so disinterested in the subject of metaphysics that Balkan's lecture actually put him to sleep. 'Chinatown'. She tells Corso that her younger years were devoted to something very similar to the kind of theatrical rituals that we saw at Liana's chateau. She apparently studied the book over a period of years. Simone seems to be the human equivalent of a prosthesis. But maybe it was just Balkan's particularly shallow and skewed viewpoint that didn't appeal. or if she just decided that her 'orgy days were over'. This is poignantly obvious in the scene in which she sharply orders Corso out of her office. Simone doesn't die but the Baroness does. It's not clear whether the Baroness became disenchanted with this before or after she sustained her crippling injuries. The latter might be an indication also of her apparent lack of a developed Higher Feeling function since she seemed to have no appreciation of the artistry which the book represented in its workmanship and didn't respect it as an art object. If you enter the words "Godfather. would have won the Oscar for Best Picture of 1974 if it hadn't been up against Godfather II that year. She gave up and settled for exploiting her partial knowledge for money. the Baroness apparently never understood the true meaning of the engravings. and I see this failure of will reflected in her crippled body and particularly in her partially amputated right arm. At the beginning of the film. By the time Corso arrives at Liana's chateau.literally runs into Simone who is returning from lunch and knocks a bag of oranges from her hands. and her copy of the book was stuffed full of notes. pointing her poor stump of an arm towards the door. But though you might expect a student of an 'occult' subject like 'the devil' to have at least a passing familiarity with the symbolism of the Tarot and the Tree of Life. I looked for some symbolic function of oranges and found it in the context of the Godfather movies where it serves as a warning of imminent death. Following the rule that when some apparently random detail is repeated twice it may not be random. the Baroness' 'good right arm'. he is completely motivated by his desire to know the secrets of the book and is willing to do whatever it takes (within the limitations of what his Chesed Higher Feeling . I thought this was particularly ironic since it is a widely held opinion that the film many believe to be Polanski's masterwork." and "symbols" in a search engine. sending them bouncing down the stairs. There are indications that the Baroness had attempted to develop her Higher Mind functions. In the 'Ninth Gate'. Perhaps her preconceived ideas and romantic notions about having 'seen the devil' when she was fifteen years old prevented her from coming to any deeper level of understanding. She ended up devoting her life to using what knowledge she had to making large sums of money writing books about 'evil' and 'the devil' -and thereby subverting her Higher Mind function to serve her lower feeling material desires. She wrote a biography of its author." "oranges. you'll find examples and discussion about this death symbolism. we see a larger. he sits with his back to the door in a strange place and apparently doesn't register the approach of danger which should have been signaled to him by his aura/energy body in the form of a prickling feeling at the back of the neck. If you want to fare better in the future. it is the Light which the Frontispiece is referring to which we see shining from the castle. sees 'the girl' facing him as she replaces a book directly on the other side of the stack. a lack of discernment. which is the subject of . at this point. and that Balklan was an obvious suspect. and when he opens his volume. and Corso's intuition should have told him that Balkan wouldn't settle for a simple description of the variations in the Kessler copy. His one Geburah failure. we see the engraving for the Ninth Gate in which the woman riding the Beast resembles the girl. The girl appears as a more-than-human but personalized symbol of the spiritual evolutionary force which accompanies Corso from the very beginning of his journey to discover the meaning of the book to the point at which she takes him 'across the Abyss' in front of the flaming castle. Corso still should have thought to take more precautions than he did.as he is across the street recovering at the fountain -.Crossing The Abyss: Corso & The Girl. is a research library where we see him looking first at the Frontispiece engraving of Balkan's book and hear him translating to himself 'Sic Luceat Lux. Balkan knew that Corso was at the Institute during the lunch hour when the secretary was absent [he had in fact told Corso to go there at that time]." ~~~~~~~~~~~~~~~~~ THE NINTH GATE . and it is Corso alone who makes the journey 'back from enlightenment".function will permit) to achieve that. with the castle in flames. after he accepts the assignment from Balkan to examine the other two copies of the book. Next he removes a large volume from the shelf. And although it is the AT version of the engraving that we see then. despite the fact that his life has been threatened more than once. Thus let the Light shine'. you'll have to remember to pay more attention to me. We see that Corso has not yet accomplished this when. as symbolized in that engraving by the little dog. we noted that in addition to the inner knowledge that the Hermit seeks which leads him to the Higher Feeling function of Chesed. After he regains consciousness and escapes the fire -. He knew that the LCF engravings had been removed from the Fargas copy of the book before it was burned. In the description of the engraving of the Hermit. a joint venture Corso's first stop. apparently giving Corso a hard look and a message which I will translate here from the original canine body language: 'Tsk-tsk. more imposing version of the Hermit's little dog standing nearby. Corso had enough clues by then to have figured out that Balkan was closely following him and was probably responsible for the murder of Fargas. he also needs to integrate into his consciousness his natural animal instincts which warn of danger. She then directs him to the location of the genuine Ninth Gate engraving. is what makes him susceptible to being knocked unconscious from behind in the Baroness' library. Corso also suspected the 'albino'. Even if. in the genuine LCF engraving which Corso recovers at the very end of the film. the sexual energies serve only the desires and purposes of the ego. the ego's typically either repressed or prurient attitude towards the subject of sexuality is no longer present and so the Moon. it will take a new form. its symbol. representing the perspective of the ego's sexual. the engagement of the energies of the Higher Mind and Higher Feeling nature raise the frequency of the sexual energies to the point of being able to carry the traveler who is prepared to undergo this experience. But as symbolized by the kundalini serpent on the Tree in the Frontispiece. is the goal of the Eastern practice of Tantra. this energy also rises naturally as the journey up the Tree progresses whether special practices are followed or not. as the book puts it. his ego function. as we will see next in The 'Journey Back From Enlightenment'. perhaps symbolic of the full function of the seven lower sephiroth of Corso's inner Tree which he has now attained. which temporarily enters into darkness at the crossing of the Abyss which the ego/lower mind experiences as 'death'.The Journey Back From 'Enlightenment' From the dramatic high point of the Conjunctio with the blazing castle in the background. This ascent of the sacred kundalini energies which the ego calls 'sexual' but which express themselves at all levels of human experience (as conceptualized in the interdimensional energy system of the chakras). of the union of Soul and Spirit. symbolic. across the Abyss and into ultimate Union with the Transcendent energy of Spirit under the guise of its last and finest veil of form: Supernal Light. When this function 'resurrects'. no longer appears in its previous strategic location in the genuine LCF engraving."Is that it?" below. we see seven separate flames shooting out of the castle windows behind him. As we saw in the discussion of the Third Gate. the union of the seven lower sephiroth with the three Transcendent energies of the Supernal Triad of the Tree. but which disappears in the genuine LCF version. ~~~~~~~~~~~~~~~~ "IS THAT IT?": And What's With All The Shells? . there is another very interesting and parallel symbolic detail in the Crescent Moon which. As Corso leaves the castle after the fire which Balkan set has spread. This represents the reuniting of all of the energies of the Tree with the 'crossing' and annihilation of the Abyss. the . In the context of this higher experience of the sexual energies. As Corso and the girl engage all of these energies in raising the kundalini force through the seven interdimensional chakras. we see the emergence of three new flames in the castle behind them. In addition to the progression from fire (AT) to Light (LCF). I believe. without the participation of the Higher Feeling function of the Soul. lower feeling and lower mind functions. In interpreting the expressions which we see on Corso's face and the variations in the ways in which the girl appears to him. Once the union/Conjunctio of ego/Moon/Yesod and Soul/Sun/Tiphareth has been achieved. 'hides the woman's sex' in the AT engraving. and their energetic 'frequency' is confined to a level at which they symbolically create heat but no light. remember that there is a part of him. I understand the Moon in this context as the balance point (Yesod/Moon/Sexuality) of the Lower Triad of the Tree. There are various versions of the symbolic location and function of the shells (called 'klippoth' in Qabalistic tradition). the Divine nature of Creation may be virtually undetectable from the perspective of ego consciousness and the world. The first time that we see the shell symbol is on the grounds of the Fargas mansion where it is a central decorative motif on the fountain/pool where Fargas' body was discovered. the point of maximum incarnation into form. deep within his own psyche. Corso's first contact on his journey (other . (What?!) The unsubtle appearance of the Shell logo in the film has been speculated about at IMDb." And as the audience metaphorically leans forward as one. that it is not. Corso asks why Balkan didn't succeed. may appear to be something more akin to Hell. Corso immediately responds "Where's the real one? I want it. Spain. Corso is driving with the girl as a passenger. "Is that it? Is the game over?" The girl answers that it's over for Balkan but not for him. the word 'shell' has another meaning. the first two associations with this shell symbol are to an experience of a form of 'Hell on Earth' and a determination to undertake a sometimes arduous journey in order to escape 'Hell'. Others see the lowest world of Assiah (the Tree of the material world on which Corso has been journeying) as itself representing the realm of shells since the Divine energy which originally descended from its Transcendent Source has reached. for the first time. James (in Spanish. The second time is on a small sign outside Corso's hotel in Paris where he goes to visit Baroness Kessler. He will be in a state which is a psychologically protective form of denial and the spiritual equivalent of physical 'shock' for at least several days during which time he will act as if everything is 'back to normal' while being acutely aware. Corso has apparently recovered from his metaphysical rite of passage. and making a journey that would help him to escape the ego realm of 'Hell'. Corso asks. as the ego experiences it. in the context of Corso's journey of return on the Tree of Life. The fear of Hell and the desire to escape it was certainly a motivating factor for Christians in medieval times who made long journeys to certain spiritual destinations in order to atone for their sins or gain spiritual merit. Santiago) at Campostella. Fargas represented the function of Higher Feeling. the girl says "You're running low on gas" and they pull into a Shell station. Corso was leaving behind the ego's perspective of this world as a form of 'hell realm'. in anticipation of this long-awaited moment of revelation. but this appearance is deceiving. almost flippantly. and it may be true that Polanski received a handsome fee from Shell for product placement. I have to give him credit for using Shell to achieve his own purposes as much as Shell used the appearances in his film to achieve theirs. So to recap.film next takes us to ordinary daylight and the mundane front seat of a car which. Some see them in the form of a 'shadow Tree' in which each sephira has a corresponding 'shell' version whose energy is fatally unbalanced so that it produces evil effects instead of good. But if so. because. The large scallop shell which the Shell company adopted as its logo is also probably the best-known form of pilgrim's badge which signified that a Christian had completed a pilgrimage to the popular shrine of St. The girl explains that the Ninth Gate engraving was a forgery. in Assiah. In both cases. At this lowest level of the Tree. also in the realm of the Soul.the genuine engraving of the Ninth Gate showing an 8-pointed star (or Sun. a paper floats down from its top -. is considered the intermediary form between the square and the circle (symbolically uniting the four and the three. so they are not twins). one pouring water into a pool and the other pouring water onto the land. and is traditionally represented as an eight-pointed star accompanied by the naked figure of a woman with two pitchers. So Rises "The Star" As Corso is walking down the alleyway to the Cenizas' shop. Mama' but it sounds farther away this time. These hexagrams represent all possible interactions between the dual. 'The Star' is the 17th Trump of the Tarot's Major Arcana." As the Phoenix From Its Ashes. Its related form. 'Si. and when Corso arrives at the shop. he sees that it has been vacated and is being dismantled. which is also a star) shining from the castle. It is also the traditional shape of baptistries and baptismal fonts in which the body is sealed with the sign of Spirit through the agency of water. and from the . The eight-pointed star is a symbol of fullness and completion. don't speak Corso's language and have nothing useful to tell him. All the books are gone and the two workmen who are removing a last tall bookcase (men with different last names. saying "Ceniza Bros. since Corso now has everything he needs in order to complete his journey and must proceed from this point on his own. the realm of shells. but rather to the underlying *unity* of ego/Soul/Spirit and of the outer material form of Creation and the Divine Creative energy which informs and animates it. The eight-pointed star is also traditionally used in representations of the Star of Bethlehem (the birth of the Christ child who was both human and Divine) and is identified with regeneration and rebirth into Spirit. we hear once more the young boy's voice. And now the third encounter with the shell symbol comes as Corso is preparing to make a transition which will take him out of the world of Assiah. we have a reference which is. This is a symbol of uncertain derivation which can be seen as the agency of Soul uniting the realms of matter and Spirit -. As the bookcase is tipped over. in a note written on the forged copy and stuck under his windshield wiper. the duality consciousness of the Beast. This refueling stop also gives the girl an opportunity to disappear. almost like an echo or a memory. not to the transcendence of matter and ego. matter and Spirit). represent the ego's lower mind.just as the Soul mediates between the ego realm of matter and the Supernal realm of Spirit on the Tree. polar energies of active/solar yang (solid line) and receptive/lunar yin (broken line). and the Baroness represented at least a partial achievement of the function of Higher Mind. as a symbol of the sign of Gemini. all of the interactions still being recognized as reflections of One underlying Unity. So in addition to the symbol of Transcendent Light/Spirit emanating from the (material) castle in the genuine engraving. She leaves him one last direction on where to find the genuine Ninth Gate engraving. the octagon. significantly. entirely. Why did the Ceniza brothers forge the ninth engraving? 'The twins'.than the girl) with the realm of the Soul. and has been associated with the eight basic trigrams of the Chinese 'I Ching' whose combinations produce the full cycle of 64 hexagrams. The answer he's looking for comes unexpectedly from *above* the place where the previous books were. si. both as director of the film 'The Ninth Gate' and as co-writer of the screenplay with John Brownjohn and Enrique Urbizu -. The castle which Corso enters at his journey's end is a version of the symbol of The New Jerusalem. Considering that Aristide Torchia. "remember that you are dust and to dust you shall return". and Balkan himself. the Temple "not made with hands". At that time. the author of the book 'The Club Dumas' and Roman Polanski. There are lots of resources on the Tarot and Qabalah . he experiences what was always there for those 'with eyes to see': the Divine Light of Heaven which continually blazes from the heart of all created forms. 'The Kingdom of Heaven is spread upon the Earth. The essence of our Being and of the created world has always been Divine. Arturo Perez Reverte. Only the temporary. only one victim. Like "Solomon's Temple". (except for the Higher Mind/LCF engravings which were rescued by Corso). we are told. which represents the old limited vision. Once Corso is able to look at last through the eyes of the Spirit/ Soul.and all three of his books -. the shop of Gemini. but there were four more yet to come: Fargas. When consciousness no longer looks out from the limited vantage point of the lower mind. was associated with Corso's relationship with the book. Only once this shift has occurred. In the Christian Ash Wednesday liturgy of repentance (from the Greek 'metanoia'.. is symbolically vacated -. is the true vision revealed from a symbolically 'higher' source (the genuine Ninth Gate engraving floats down from the top of the bookcase.' (The Gospel of Thomas) I believe that Francisco Sole.its view of the world is no longer adequate.perspective of this lower mind -. but from the enlightened perspective of the Higher Mind.. it may be more than coincidence that there is a Spanish idiomatic expression "tener el cenizo" which means to have bad luck or to be jinxed. The simple interpretation which I have given only barely scratches the surface of the riches to be found in the study of the Tree of Life.all deserve our gratitude for their parts in making available to a wider audience the basic outline of this inspired and inspiring traditional wisdom teaching. the author of the lower mind/AT versions of the engravings -. Polanski gave us a clue to this in the name Ceniza which means "ash" and in the one twin who smoked and rather spectacularly dropped ashes all over the precious book. Baroness Kessler. Bernie. it exists at once as both "Macrocosm" (the perfect Creation) and "microcosm" (the individual enlightened consciousness). Liana. limited perspective of our ego-bound consciousness has prevented us from experiencing this truth. when a cross of ashes is inscribed on the forehead. *above* where the books used to be). the designer of the original engravings.were reduced to ashes.the end of the journey *is* annihilation. This is a reminder to the consciousness of the lower mind/ego/body to align itself with the purposes of Soul in preparation for its Easter resurrection into Spirit.in terms of its autonomous existence -. a change of mind and heart). The number five in this context perhaps symbolically relates to the five physical senses on which the consciousness of the lower ego mind is based as it was in the case of the five crenellations which marked the exit from maze of the lower mind in the engraving for the Fourth Gate. and for this reason. the symbolic figure of 'the Devil' is identified with anyone-who-doesn't-believe-exactly-what-I-believe. But then the author takes a Devil-may-care turn and decides that for a " successful path". the realm of the lower mind at the base of the mountain. From the perspective of ego consciousness. it is in the realm of ego consciousness. On the one hand.i. Whitney's essay in which there are only two real alternatives -. necessary to forge an alliance with your own best understanding of a Higher Power." . and that is the spiritual evolution of consciousness. making war on them. one person at a time. and trying to stamp them out. the author has made a perhaps unwarranted leap in her interpretation of these two possibilities. a benevolent spiritual guiding force which can help. who "expend their energies not in completing their own journey. but in declaring that those who are following all of the other paths up the mountain are 'evil'. "it is. where the concept of 'the Devil' finds its ultimate playground." This path does in fact appear to have all the ingredients to lead one to fiery demise. power and harmony of your own Soul. and challenge you to grow beyond ego consciousness and align yourself with the greater purpose. I hope you will feel inspired to take up the essential portion of world-changing power which has been entrusted to you. inspire. If you have ever felt the desire to become part of the solution. COMMENTARIES Posted 2 February 2007 by Mercurio: There is a dualistic approach in Ms. there is the undesirable version.e.available online and I encourage those of you who found this analysis interesting to begin your own journeys of exploration. While this duality may be reflected in the nature of the two versions of the engravings. the good guys and the bad guys. I believe there is only one ultimate and sure solution to the precarious state of the world as it appears today. what the author might describe as the "egodominated" individuals. and begin. While she appears to be highly tolerant of other religions or paths to the "peak". mainstream religion. He may very well being following his own path -.e. but purely as a personal quest. After all...and even the diversity of goals -. if you're not willing to accede your destiny to a higher power. egotistical Higher Self? Perhaps the third alternative -. This is not the goal of finding some Higher Power to blindly follow. some ill-defined divine spirit with which to direct your life. The key is that instead of acknowledging servitude to some alleged Higher Power -. someone who is preaching the texts from some established. It is entirely possible that "the girl" who assists Corso is one who may have found her path (possibly with the help of another) and who is now simply "paying forward" her debt to her benefactor(s) by helping Corso.perhaps the true divinities of the universe are more likely delighted at one of their "children" coming of age and taking charge of their own destiny. but instead to become a Higher Power.is to be found in one achieving their own sovereignty -. but thy will be done" scenario. There is an inconsequential difference between selling one's soul to the Devil." The author also spends considerable energy in relating the "successful path" to various artifacts of Christianity. For those who devote themselves to the real-life 'journey up the Tree' described by the LCF version of the engravings. It might be well to remind ourselves that as the author points out in one of the engravings: "Fate is not the same for all. Taking bits and pieces of different religious hints of wisdom may be more a matter of interpretation than of pragmatic fact. but does not justify the author's interpretation that one must still look to a Higher Power for marching orders. and selling one's soul to some "Higher Power.being the critical factor." i.This sounds very much like: Failure on the path is destined for "anyone-who-doesn't-believeexactly-what-I-believe.not at the expense of others.or another interpretation of the "successful path" -. judging by his movies. the fact remains that many mainstream religions have lost a great deal of credibility in terms of acting in the best interests of its supplicants.one that does not necessarily conform to the standards of polite and politically . the ultimate fruit of the Quest is nothing less than personal transformation and the experience of the world from the perspective of." one's very individual.. the key to universal enlightenment is diversity. but to follow a path that is individually empowering (and not purely a power greather than others). with the paths taken -. you're in a heap of trouble! It's the old "Let not my will.or even to some fashionable moral code -. Keep in mind that Roman Polanski is not.. It's not about stomping on others to reach such a goal. is not a prime example of the righteous and compassionate disciple. but Corso isn't particularly "good" by most standards . The symbolism of the LCF engravings reflects a perspective and way of being that will take you beyond the separative ego's dualistic perspective and eventually into the conscious experience of Unity which is how the initiated "Higher Self" or "Soul" experiences the world. It is just entirely possible that Polanski's suggested path -. Roman has instead embedded Corso with a shallow. . group. to fight against. I was thinking of it in the context of the symbolism of the film and the function of "the girl. his hero. You're right that there is a basic perspective of duality in the analysis of the engravings (because there are two versions of each engraving). I would define the choice as one between the viewpoint of the ego which is *not* ready to evolve versus the viewpoint of the ego which *is* ready to begin the evolutionary journey. When I wrote the sentence that contains that term. but I wouldn't characterize the choices as "good guys" versus "bad guys". self-serving personality. until you're ready to move on. Balkan is portrayed as fairly villainous for the sake of the drama. Re: We Don't Need No Stinkin' "Higher Power"! (Just a little levity) Thanks very much for the feedback and the opportunity to clear up the question of what I mean by a "Higher Power"." She seems to me to be a pretty good symbolic representation of what the experience of a "Higher Power" is like in the context of the journey of spiritual evolution "up the Tree". or organization. Dean Corso.correct society.as exemplified by Corso -. who even in the last moments of the movie has not hinted at his intentions or motivations in following the path through the Nine Gates. Just to recap. And of course it *is* possible to be a relative "good guy" at the level of ego. Clearly.may be one of several "successful paths" in becoming a Higher Power. the symbolism of the AT engravings illustrates a perspective on life and way of being which acts to restrict your consciousness to the level of the separative ego which always manages to find some "other" whether individual. Author's Reply: Hi Mercurio. I realize that this term may be understood in different ways depending on the experience of the reader and clearly I should have been more specific about it in the article. Fourth and Fifth Gates). This is symbolically represented by the Ethical Triad of Tipareth. and in the engravings by the First. and in the engravings by the Second. Third. 1) First there is the ego's duality consciousness which is experienced "below the Veil". In my own experience. I had not come across any reference to the existence or function of such a Presence in this context and so I had no preconceived idea about it. Geburah and Chesed (and in the film by Corso acting in partnership with "the girl".Three Developmental Stages of Consciousness Although the two sets of engravings represent two categories of traveler (the ego that is ready to evolve and the ego that is *not* ready to evolve) there are actually at least *three* stages of consciousness which are represented in the film and on the Tree (to the best of my knowledge). there is the awakening consciousness of what I have called the "Soul". but has not yet achieved the third-stage Unitive vision which comes with the awakening to enlightened consciousness (crossing the Abyss and passing through the Ninth Gate). In all my studies. consciously experiencing its identity with Transcendent Spirit by symbolically "crossing the Abyss" (represented in the film by an enlightened Corso walking into the castle blazing with Light and in the engravings by the Seventh and Ninth Gates). this "Presence" also had a "feminine" nature and I think the character of "the girl" in the film is actually a pretty good representation of this. loving. This is symbolically represented by the lower Triad of Yesod. 2) Second. consciousness has begun to break through the first-stage illusion that the separative ego represents the totality of its identity. the individual consciousness encounters the experience of becoming aware of an entirely benevolent guiding "Presence" Who is *felt* as being very personal. and *more than human*. It is at the second stage of developing consciousness that the "sticky terminology" problem arises. Hod and Netzach (and in the film by Corso acting on his own. At this second stage of spiritual evolution. Sixth and Eighth Gates). 3) And third. powerful and protective. there is the enlightened consciousness which comes when the "Soul" is initiated. "Higher Power" was the closest non-denominational term I could think of I think it was very wise of Polanski not to give that enigmatic character a name or to try to . In this in-between second stage. Even today I have no handy terminology to draw on to define my experience of it. There is never any question of the traveler surrendering his will to anyone or anything other than the power of Love whose Source is his own Higher Self and this experience can only occur when the consciousness has reached the developmental stage at which it is prepared to begin the journey.it represents your perception that these Soul and Spirit powers are separate from you but in a form that remains close to you and plays a guiding/supportive role in your life. Although this Presence is at first experienced as being separate from your own accustomed identity. These Soul/Spirit powers are perceived as separate from you only until your consciousness expands enough to encompass and integrate these powers and recognize them as your own. depending on the temperament of the traveler. Only if a Beloved. this is only because the perspective of your consciousness has not yet expanded enough to include the potential powers of your own Soul and Spirit as a part of your recognized self. it must be able to represent (or to use the terminology of depth psychology. "carry the projection of") the energies and powers of the Soul. it is Love which draws the traveler upward through the Veil and into a more conscious partnership with his own Soul. will that Beloved have the power to draw the traveler through the Veil and into an experience of his own Soul. The way the function of "the girl" changes over the course of the film until she eventually disappears is a very accurate representation of my own experience of the mysterious appearance of this sense of a "Higher Power" and its gradual disappearance as a perceived "separate entity". to assuming the "rooted in Heaven" posture of the Hanged Man which looks to the higher. or a religious/spiritual figure of some kind. Whose Will Be Done? In terms of the symbolism of the engravings. the transition -. whether perceived as human or spiritual. is able to represent to the traveler the energies and powers of his own Soul. The vehicle which inspires this Love may be a romantic Beloved. The Beloved exerts an irresistible magnetic attraction on the traveler because he rightly feels that it "belongs to him". a part of his own being . The nature of the perceived reality is always a function of the stage of evolution of the consciousness doing the perceiving. The important thing is that whatever form the perceived Beloved takes. "the girl" or the "Presence" seems to be a "Higher Power" -.from relying on the drives of the separative ego to guide his decisions.is an entirely voluntary and joyful one. as-yet-unrecognized part of himself*. Because it is this powerful experience of Love which motivates the traveler's journey.explain her nature or function. At this second stage of the development of consciousness. for the first time. wider Vision of the Soul for guidance -. The face of the Hanged Man is serene because he is experiencing. *It is an unconscious. he is at first entirely unaware of this. Although the girl represents the potential powers of Corso's own Soul and Spirit. it is different only in that it reflects the Will of his Higher Self. the girl is at first assumed to be an ordinary person -.until she demonstrates the uncanny ability to disappear in mysterious ways. that part of his being which is larger and more all-encompassing than his separative ego alone was capable of recognizing. to a take-charge guy who saves his own life by throwing the murderous "albino" down the stairs. 2) As Corso is drawn in by the mystery of the fact that the symbolism of the engravings is beginning to appear in his "real life". As he grows into his powers. the function of the girl gradually changes until she finally represents for him the bridge to a conscious experience of Transcendent Spirit . she appears to him as a mysterious presence which intrigues him but which he can only catch fleeting glimpses of as long as he is preoccupied with the concerns of his ego. all of the functions which the girl has represented to his evolving consciousness have now been integrated into his own larger Identity. symbolically represented on one level as his evolution from something of a wimp who relies on the girl to do his fighting. At this stage. 1) At the beginning of the film.which was lost to him below the Veil. "Who is 'the girl'?" depends upon what level of consciousness is responding to the question. which represents the point at which Corso's consciousness passes through the Veil and he begins to experience his life in a different way -. which is the last as yet unrealized potential aspect of his Identity. I tried to convey this idea at the very end of the article in these terms: . "Who Is ‘The Girl ’?" The answer to the most frequently asked question about the film. The Higher Will which he learns to align himself with is still *his* . They become "partners". When Corso walks into the castle blazing with Light. Corso gradually begins to grow into the ability to exercise the powers of his own Soul.because of the presence and influence of the girl. 3) It is only when Corso makes the transition from the perspective of the lower ego-mind of Hod to the enlightened Mind of the initiated Higher Self (represented by the Star in the genuine Ninth Gate engraving) that the girl disappears. Corso's consciousness is focused at the level of the ego and from the perspective of the ego's duality-consciousness. the girl also begins to play a larger role in his adventures. you can't reach the Peak without going through all of the learning stages of the journey . The nature of perceived reality is always a function of the stage of evolution of the consciousness which is doing the perceiving. this is only because the perspective of your consciousness has not yet expanded enough to include the potential powers of your own Soul and Spirit as a part of your recognized self. Christianity and Buddhism. and each stage is a necessary and positive step towards the goal. You don't get the Unitive view from the Mountain Peak until you reach it . it exists at once as both "Macrocosm" (the perfect Creation) and "microcosm" (the individual enlightened consciousness). The essence of our Being and of the created world has always been Divine. this in no way means that all who contributed to these teachings would agree with this assessment or that every individual who is involved in a form of Christian or Buddhist practice will be able (or willing) to see their religious symbolism in this way. Corso is and always was his own "Higher Power". but becomes consciously aware of his ultimate *identity with* that Transcendent level of Being. he just wasn't aware of the higher levels of his Identity *in those terms* until he "grew into" them. Like "Solomon's Temple"." When Corso walks into the Light."The castle which Corso enters at his journey's end is a version of the symbol of The New Jerusalem. and only the temporary. "the girl" or the "Presence" seems to be a "Higher Power" -. I personally was completely disillusioned with Christianity as it is now being taught . while still remaining an individual. the Temple "not made with hands". Of course. At this second stage of the development of consciousness. embodied expression of it. he does not become the personal equivalent of the Transcendent Godhead. These Soul/Spirit powers are perceived as separate from you only until your consciousness expands enough to encompass and integrate these powers and recognize them as your own. limited perspective of our ego-bound consciousness has prevented us from experiencing this truth. Beyond Duality and Sectarianism The two spiritual traditions which I am personally most familiar with. Although this Presence is at first experienced as being separate from your own accustomed identity.it represents your perception that these Soul and Spirit powers are separate from you but in a form that remains close to you and plays a guiding/supportive role in your life. both contain symbolism which can be read to reflect the experience of the same journey which Corso undertakes in the film. it is also easy to see how these truths have been co-opted and distorted by individuals and institutions reflecting the power-driven consciousness of the egomind/"Beast". just as it's easy to see the core of truth in every religious tradition . second. when the traveler's consciousness is focused at the level of the ego-mind. This is why I think your point about Corso not conforming to the "politically correct" (or "religiously correct") stereotypes of a "spiritual seeker" is an important one. since a large part of the target audience I'm . I used Christian references in the article first of all because this is the spiritual tradition that I'm most familiar with and I thought that might also be true for many readers. it was also clear that the same truths were reflected at the core of many other symbolic systems as well. Bearing all this in mind. there is no way for him to avoid the fact that his understanding of Christianity -. because it's impossible to ignore the way in which the idea of the "AntiChrist" scenario is now being used to influence political decisions in a very "Beast-like" way.before I encountered my own first awakening experience and it was only *after* this that I was able to see and appreciate the truth at the core of the symbolism.is distorted by the dualistic nature of his consciousness. You don't really have the drive that it takes to begin the journey up the Tree until you are no longer able to achieve any meaningful satisfaction from ordinary ego pursuits -. as Corso's demeanor at the beginning of the film demonstrates. and being in a state where you don't have anything to believe in.the necessary emptiness which is required in order to be open to receive a radically new vision.and this "I can't get no satisfaction" state of mind is not a happy place to be. he will have no motivation to journey in search of something else. I admit that there is a potential down-side to my decision to include references to Christian symbolism in the article. and third.including the distorted egolevel practice of traditional religions -. From the perspective of the top of the mountain . At the beginning of the journey. But the good news is that the presence of a sense of frustration means that you have a reservoir of untapped energy ready to empower you. So the ideal state of mind to prompt a traveler to begin the journey would be one in which he had either "lost faith" in any traditional religious system or never had such "faith" to begin with. he doesn't have the perspective necessary to recognize that this distortion of his understanding even exists. As long as he remains satisfied with the value system of the ego-mind. because the symbolic figure of "the Devil" seems to have been greatly shaped and empowered by the lower ego-mind's interpretation of the Christ message (some even claim that traditional Christianity "created" the idea of the Devil in the form in which we now think of it).or any other religious tradition -. But at that point. is a form of "beginner's mind" -. where you have no serious investment in any particular world-view. At the same time. As the Jungians would say. the Unity which the traveler achieves on crossing the Abyss is not a state in which there is only Light and no Darkness (which would mean the end of the "Earth Game"). Contrary to many traditional religious notions. one which recognizes their redemptive qualities. and the game is a working game just so long as the angel is winning. but is never lost. even in the distorted form in which they first appear to the consciousness of the ego-mind. ‘The Girl’ character is most . And the same situation applies when it comes to understanding the nature of the Unitive consciousness which is the goal of the journey. no one can harmonize contained conflicts – without coming to a working arrangement between the angel in himself and the devil in himself. The two forces or tendencies are mutually interdependent.hoping to reach. My favorite quote on this subject comes from Alan Watts and goes like this: "No one can be moral – that is. I think we're actually pretty much on the same page except for a difference in the perceived definition of the term "Higher Power" (which I hope I've cleared up). between his rose above and his manure below. and the devil is losing. I would welcome the opportunity to try to address them. Thanks for the feed-back." I hope this attempt at explanation may have defused some of your objections. would probably find these references distasteful. if they're just beginning the journey or are still in its earlier stages. the goal is Wholeness rather than some version of the ego's dualistic notion of one-sided "perfection". but if you should still have doubts. you will see the symbols of Christianity and other traditional religions from a very different perspective. But those who are farther along on the journey or have had a first glimpse of the view from the Mountain Peak will recognize the parallels that I've drawn with the journey on the Tree and I think maybe it's important to file the idea away in the back of your mind that at later stages of the journey. (I have certainly felt that way myself). based on their present dualistic understanding of Christian symbolism and their experience of the way that many so-called "Christian" institutions have distorted and co-oped it. :) Laurel Andrew If you look closely at the engravings from the movie. you will see that the people in them resemble or take on the likeness of the actors in the movie. but does not win. or gates. on closer examination. and in the eighth engraving. This seems to point to the idea that Corso is somehow ‘chosen’ to be the one to pass through the ninth gate. the praying man is clearly Corso. Mount Ophel. Whether he is a heavenly or diabolical messiah is still open to interpretation. and the man swinging the mace at the back of his head bears the facial likeness of Balkan. and would further explain why Balkan is unable to enter. There are larger images available on Google Image search where you can see these features more clearly. but did anyone else make the connection that the Old City of Jerusalem has nine entrances.noticeable in the ninth engraving. one of which is bricked up as it is believed that the Messiah will return through this gate? This seems to have parallels with the illustration of the 4th gate. Mount Bezetha. . If you follow up some biblical references to the Whore of Babylon you will find. This interpretation is supported by the fact that the key engravings are split into 3 books. but. you will see that the old man holding keys in the second engraving has similar facial features to Fargas. Mount Gareb. Mount Acra. Jerusalem is built on 7 hills – Mount Zion. and Mount Goath and it is of course where Jesus is sais to have been crucified. Mount Moriah. the man aiming the arrow in the clouds looks blatantly like the Ceniza brothers in the third engraving. “The Woman is Split into 3 Divisions” (Revelation 16:19) Another name given for her is “Babylon” and it is said that “The Woman sits on 7 Mountains” (Revelation 17:9) and that she is ” located where Jesus was crucified” (Revelation 11:8). Anoush Jay Sansom Not sure if I’m seeing things that aren’t there.