Summer Guitar Guide

The 2010 Guitar GuideSummer Edition Gear up in style with Taylor gifts and accessories. TaylorWare CLOTHING / GEAR / PARTS / GIFTS taylorguitars.com/taylorware ® 3 Guitar Guide Summer 2010 Find us on Facebook. Add us on MySpace. Subscribe on YouTube. Follow us on Twitter: twitter.com/taylorguitarspr The 2010 Guitar Guide 4 6 Welcome to the 2010 Taylor line. There’s a lot to love here. The 2010 Guitar Guide On the Cover Grammy-winning singer-songwriter Zac Brown with an NS74ce, his main stage guitar. You might know what you like, but is it the right match for the sound you want? We break down the elements of tone to help you understand what makes a guitar right for you. Finding Your Fit: Woods and Shapes 8 8 From the Koa Series to the Baby Taylor, we profile our many flavors of acoustic tone. The Acoustic Line 22 GS Mini Our new scaled-down GS packs a potent sound into a portable size. We also designed some special accessories, including an easy-to-install after-market pickup. 26 Specialty Models A sweet-voiced 12-Fret and a pair of rich Baritones promise to take you somewhere new. 28 The Electric Line This year, SolidBody customization leads the way. We’ll walk you through the new color and pickup options, including our new vintage alnico humbucker. 26 28 34 38 Build to Order If you’ve been dreaming of a custom Taylor, our Build to Order program gives you a broad array of choices and an impressive turnaround time. 40 Acoustic Electronics Whether for stage or studio, the Taylor Expression System® captures all the natural tonal richness you love about a Taylor and helps you share it with the world. 41 Customer Service We take service as seriously as we take guitar-making. From helping you find a guitar to helping you care for it, we’re all about giving you the support you need. 38 22 42 The Specs Here’s a closer look at the details that define each guitar we make. th E 2010 guitar guide Specialty acoustics, custom electrics, and more expand this year’s taylor line B oasting more guitar choices than ever before, this year’s lineup of Taylor models celebrates the many flavors of musical inspiration, some already discovered, others yet to be born in your hands. Whether you’re a beginner, a virtuoso, or somewhere in between, our guitars promise a playing experience that brings out your best. In our 2010 Guitar Guide, we present an overview of the many flavors of Taylor tone that are available to you. Like people, each guitar has its own unique personality, and with more than 100 different standard Taylor models on the menu, our guide is intended to help you find the right one. This year we’re pleased to welcome three fresh acoustic voices to the line as part of our “Specialty” series. Two of them are baritone models, a 6-string inspired by our 35th anniversary LTD and an 8-string. Joining them is an amazing new 12-fret rosewood Grand Concert, also inspired by a 35th anniversary model. As we detail on pages 36-37, our Artist Series continues to grow this year, with new signature models designed with popular singersongwriters Jason Mraz and Dave Matthews, both longtime Taylor players. We also debut a new pickup for our nylons, the Expression System-derived ES-N®, and proudly unveil the GS MiniTM, a fun-size guitar with a full-size sound. In our electric division, the big news is the evolution of our SolidBody series to offer a much greater ability to choose your specs. Now you can select from a variety of options that include new colors, new pickup configurations, pickguards — now available for the Standard and Custom — and a tremolo option for any model. We also have a new pickup, a vintage alnico humbucker. And from the T5 series comes the new ovangkol-top T5 Classic. Each year it seems to get a little harder to contain the Taylor line for very long because we’re constantly working on new designs that spring to life throughout the year. But we wouldn’t have it any other way. As you leaf through the following pages, we hope you get a sense of one of our underlying goals: to make the guitar-playing experience more enjoyable. We do it through constant innovation that redefines what a guitar can be, and we do it through the kind of customer outreach and support that strives to help you enrich your life through music. L-R: Bob Taylor and Jason Mraz at the Taylor factory. 4 . Working out your own personal tone equation will help you find some great model options. and a bigger shape tends to translate into more tone because there’s more surface area vibrating with the strings. a guitar’s dimensions generate the guitar’s fundamental sound. and the way one plays interacts with those tonal attributes. while others shine in a more specialized playing application. and our attraction to a certain look may get in the way of finding the right sound. The idea is to choose a body shape and combination of woods that respond well to the way you play. we each perceive tone in a unique way. This is both the beauty and the challenge of finding the right model — one that inspires you and delivers the sounds that you’re after. a small-bodied guitar may not be right for you. Understanding a few basic ideas about the factors that contribute to acoustic and electric guitar tone will streamline your search and help you find the most compatible instrument for your musical needs. so knowing what you want always helps. Each person has different playing mechanics. Or. Keep in mind that certain guitars are highly versatile. Acoustic Shapes A guitar’s overall shape defines how big the soundboard is. maple probably won’t cut it.Finding Your Fit The right pairing of shape and woods will lead you to a Taylor that sounds great on you Choosing a guitar is a highly personal. if you’re a lively strummer who wants a lot of volume. subjective process. When Taylor product specialists talk with customers at Road Shows about acoustic guitars. they often start by offering this basic “tone equation” for reference: A guitar’s body shape + the tonal properties of woods + player technique = guitar tone In other words. Each Taylor shape features a refined design that helps establish a distinctive sound for that guitar. Here’s a rundown of our five standard shapes and their accompanying sounds. you can always talk to a Taylor dealer or call Ben Benavente at the Taylor factory (1-888 2TAYLOR) for recommendations. . if you’re a fingerstyle player who craves a warm sound with rich overtones. If you aren’t sure. For example. the types of woods used for the guitar help flavor that sound. TV and furniture wear out with age. acoustic volume is not an issue. yielding a rich. wipe it down. go for it! how will an acoustic guitar’s sound change over time? It will develop more clarity. and the different pickup configurations that are available. the way you fret — essentially the sum total of everything you physically do to the guitar — is a big part of the equation. Western Red Cedar — Cedar’s softer density adds an element of warmth to a guitar’s tone. In short. In terms of body styles. which adds a new tonal dimension to roots-flavored music. Low humidity ravages a good guitar. It’s the best neck/body attachment in the industry today. although the Standard and Custom feature special tone chambers. and you’re shopping for a guitar among many options. but works very well when played with other instruments or when recorded. unless you are controlling the humidity in those rooms.” What are the most important things to remember about caring for a guitar? Caring for a guitar is easy if you consider heat and humidity. as they might run out of headroom with cedar. their tonal personalities. This tone-print not only sounds fantastic when played on its own. string type and gauge. Store you guitar in its case rather than displaying it in the living room or music room. full sound without the bottom-heavy boominess. midrange and treble notes. Strong pickers are bound to love the blend of power and fidelity. and sometimes this is hard. This is where people get confused. Electric tone When it comes to electric guitars.” Bob’s Guitar Tips People often have questions as they consider the many guitar choices available to them. yet the contoured waist helps tighten the midrange. will influence its tonal frequencies. as in leaving your guitar in the trunk of your car while you shop or eat at a restaurant on a summer day. long established in the acoustic world. together with the more compact size. More aggressive players are better matched with spruce. full strummers. the most solid. Sitka spruce is far and away the tonewood used most often for guitar tops. Taylor Jumbos particularly shine as 12-strings. quick. But in our experience. adding distinctive tonal “flavors. The GA is a superb all-purpose guitar shape that rewards players with versatility and incredible range. precise. Adirondack Spruce — Compared to Sitka. but the more the guitar is played. Use a soundhole humidifier to restore lost humidity to the wood in your guitar. T3 and SolidBody. try to define what the guitar is meant to do for you. traditional guitar shape he inherited by refining it. It’s strong yet flexible. In the electric portion of the Guitar Guide. offers physical comfort and playability that may appeal to players with smaller hands. It allows total control over action and intonation. like fingerstylists or moderate strummers and pickers. It’s so much easier if you try not to make each guitar solve every musical problem. partly for weight relief but also to optimize the body’s natural acoustic “bloom. These are just generalizations for reference. Sure. taking a potent tone known for its strong bass response and adding a balanced midrange and clear notes to give flatpickers and strummers the ability to be both aggressive and articulate across the tonal spectrum. will wreak havoc on your guitar. you’ll find more details on Taylor’s proprietary electric pickups.” This enhances sustain. Hardwood Tops — Woods like koa and walnut that are used on the back and sides of a guitar are sometimes used as tops. First. Bob Taylor answered a few common questions and offered some personal advice on finding the right guitar. The description of each series in our acoustic/electric line on the following pages includes a note on the distinguishing properties of the tonewoods used on the back and sides of the guitar. For more on the tone-shaping variables of the player and how they can be matched up with the right tones or woods. back and sides of an acoustic guitar interact with the fundamental sound profile established by the shape. and the overall presence sits well in a studio mix with other instruments. It’s one of the amazing treats of buying a guitar.” A wood’s stiffness and density. especially if you’re a person who already knows you need more than one guitar. What qualities set a taylor acoustic guitar apart from other guitar brands? A Taylor has a unique tone. lush tone with lots of signature Taylor clarity and balance. your attack (how hard or soft you hit the strings). traditional dreadnought shape. The T5 is a fully hollowbody design. more depth and more volume. if that doesn’t come to you. The curvy dimensions present a lot of soundboard real estate. The slightly tapered waist helps create an even blend between the bass. Its availability is limited. in my opinion a guitar doesn’t need too much other care. heat. but you might want a larger guitar for strumming. buzzy action are signs of a guitar drying excessively. like a good sports car. computer. pickups are another key part of the tone equation. yet without compromising balance — the GS is your shape. it gets worn cosmetically. which. so it helps if you understand what kind of a player you are and what you’re going for when you play. go to taylorguitars. which is otherwise hard to create on an electric when everything is locked down. Now. try not to second-guess a feeling when you know you’ve found the right guitar. Player technique It’s fair to say that a guitar’s tone is largely in the hands of the player.com under “Features. which helps yield more natural acoustic tones that contribute to the T5’s incredible sonic range. Jumbo (JM) Taylor’s biggest shape delivers a big. and when that happens. keeping the overtones in check. Its availability is also limited. Whereas your clothes. it’s the long. 7 . To read more about acoustic shapes and woods. The SolidBody is. meaning that different species of woods will yield different degrees of bass. For instance. treble and overall sustain relative to each other. Because of its tonal clarity. It’s Taylor’s boldest. I often smile when I read forums where people proclaim that Taylor made better guitars in the early ’90s than now because their old guitar sounds better. Woods The woods used on the top. you will eventually like one particular guitar more than the others. When it comes to soundboards. or is it a guitar to fit a particular musical style or desire? Most people have multiple guitars because they have multiple needs and play many styles. your guitar wears in with age. Here is a brief rundown of soundboard properties among the woods we commonly use for guitar tops: Sitka Spruce — Used on the majority of Taylor acoustics. which produces a clear acoustic tone. the more full-bodied the tone becomes. It was big enough to compete with the bigger. Some players also perceive an additional sweetness in the midrange tones. Grand Symphony (GS) If you crave acoustic horsepower — if you’re a strummer or picker who likes to drive a guitar and get full-bodied tone and robust volume. adjustable guitar necks. Sharp fret ends or low. Is it a one-time purchase to solve all your guitar needs for life. which means players can drive the GS hard without sacrificing clarity. act on it. for example. With the availability of the Expression System® acoustic pickup or studio microphones. Your playing style (strumming. and change the strings to keep the tone sounding good. All too often a person laments the guitar that got away. as well.or 15-year-old guitar against a brand new one of the same style. car. it has more dynamic range and can be driven hard for greater volume without losing clarity. Engelmann often has a hint of additional richness that sounds like an aged or played-in guitar. and. how will I know when I find the right guitar? Sometimes this is easy. Other than humidity control. yet the GA offered more sonic balance instead of a bass-dominant tone. even with these challenges. Their stiffness translates into a bright tone initially. As a result. it will just sound better and better. That tonal balance comes through for strummers. a small-bodied guitar might be perfect for fingerstyle. visit taylorguitars. especially for players with a softer touch. Engelmann Spruce — Compared to Sitka. as the name suggests. Currently our NT® neck design is the ultimate in straight. the GC is well suited for fingerstyle and for pickers who play lead lines. Grand Concert (GC) Taylor’s smallest body shape features a slender waist that helps curb the overtones. However. the clarity suits fingerstyle playing. It’s most noticeable when you play your 10. so when one inspires you in a way that you know is right. slow lack of humidity that does more damage to a guitar than anything else. keep in mind that each set of wood is unique. blends power with responsiveness. and allows easy. The GC also features a shorter 24 7/8-inch scale length. certain distinctions are reflected in the different body designs of the T5. especially for solo artists who want a robust acoustic voice without sacrificing balance. Just play it. known for its clarity and balance. Dreadnought (DN) Bob Taylor chose to honor the large. Equally important and widely recognized are the superb playability and intonation of a Taylor. Also. affordable adjustments for the life of the guitar after the purchase. but the tone just improves. which helps it blend well with other instruments both on stage and in a recording mix.Grand Auditorium (GA) The medium-size GA gave the world an identity-defining Taylor shape and sound. richest acoustic voice. polish it once in a while. flatpicking. the GC tends to occupy less sonic space. The T3 is a semi-hollowbody with a solid center block that runs down the length of the center.com/guitars/features/ woods/tone. which of course adds to the fun of sampling guitars. it yields a broad dynamic range and accommodates a versatile range of playing styles. Jumbos are great as big. midrange. They’ll claim it has some quality they can’t describe. I can describe it very easily: It’s called “age. This adjustability allows the original factory setup to be perfect. fingerstyle). . however. koa promises to age gracefully. K26ce. Koa’s seduction is often kindled with the first glimpse of its flamed figure and rich variegation. K66ce Hawaiian koa. chances are that you will. K54ce. tends to unfold more gradually. K24ce. K24ce shown 9 . K14ce. The romance with its tone. K20ce. As a dense tropical hardwood.2 0 1 0 G u I tA R G u I d E TH E ACOu StI C/ E LE CtR I C LI N E The kOA SerieS Back/Sides: Hawaiian Koa top: Abalone-trimmed Sitka Spruce or Hawaiian Koa Fretboard Inlay: Abalone Koa Series Binding: Curly Maple Rosette: Abalone Additional Premium Appointments: Maple-bound soundhole Models: K10ce. To match the wood’s visual splendor. too. K64ce. sweetening as the midrange takes on rich. But the tone slowly reveals its full range as it opens up with playing over time. we appoint the Koa Series with figured maple binding and vibrant abalone trim. K65ce. mellow overtones similar to mahogany. Fingerstyle players who use more flesh than nails will naturally soften the brightness. A truly rare beauty both above and below the surface. koa’s tonal properties initially project a bright focus like maple. you had us at “Aloha”. especially when also topped with a koa soundboard. K56ce. If you spend enough time with a koa guitar. K22ce. K12ce. K16ce. 712ce. rosewood will simply sing in your hands. 916ce. Western Red Cedar (714ce. full-range tonal palette. The 800 Series has evolved from its workmanlike appearance during Taylor’s early days into a stylish appointment package featuring figured maple trim. flatpickers can drive basslines and pick out clean melodies. Rosewood is appealing and abundant enough that we use it for three different Taylor series. articulate highs. 10 L-R: 916ce. 812ce. 712ce). peghead and bridge inlays Models: 910ce. Boasting deep. 716ce East Indian rosewood’s sweeping tonal range is matched by its broad appeal. fingerstylists and lighter pickers have access to a crisp. 714ce .Th e 9 00 S e r i eS Back/Sides: Indian Rosewood Top: Abalone-trimmed Sitka Spruce Fretboard Inlay: 900 Series Pearl Binding: Ivoroid Rosette: Abalone Sunburst Options: Tobacco (top only) Additional Premium Appointments: Gotoh tuners. 714ce. A rosewood Grand Auditorium lives in both worlds. bone nut/saddle. bright. while strummers benefit from the dynamic range and the tonal balance. 856ce Th e 700 S e r i eS Back/Sides: Indian Rosewood Top: Engelmann Spruce (710ce. rosewood’s tone is both complex and responsive to the player. and rich sustain. The 700 Series displays rosewood’s most organic personality. straighter grain. 814ce. 815ce. often with thick chocolate-hued bands and complemented by rosewood binding. 816ce. 855ce. The 700s also feature alternative soundboard offerings — cedar for extra warmth and richness and Engelmann spruce for a creamier look and slightly mellower response. With larger body shapes. Whichever series you favor. With a small guitar body. 954ce Th e 8 00 S e r i eS Back/Sides: Indian Rosewood Top: Sitka Spruce Fretboard Inlay: 800 Series Pearl Binding: Curly Maple Rosette: Abalone Sunburst Options: Tobacco (top only) Models: 810ce. having carved out a deservedly rich heritage among acoustic players for decades. Our premium 900 Series rosewood has the broadest range of colors and tends to display tighter. 716ce) Fretboard Inlay: Pearl Dots Binding: Indian Rosewood Rosette: Abalone Sunburst Options: Tobacco (top only) Models: 710ce. 914ce. The overall aesthetic is of elegant sophistication rooted in tradition. 912ce. full lows. 814ce. and pairs well with a variety of guitar shapes. making it one of the most versatile Taylor guitars a player can own. 854ce. . . It’s also more immune to feedback. 614ce. you can order any color or burst treatment we offer through your dealer. Purple. Its physical density translates into fewer overtones and quicker note decay. Of course. white binding adds a crisp counterpoint to more than 15 available color shades. 655ce. Tobacco Sunburst (or optional top only). blue 614ce. invite a variety of vibrant color shades and bursts that enhance the dimension of the figure while evoking vibrant personalities. Natural. 616ce. so the sound tends not to be overly boomy. 612ce. including sunburst options. Blue. Ruby Red. Orange.21 Th e 6 00 S e r i eS Back/Sides: Big Leaf Maple top: Sitka Spruce Fretboard Inlay: Pearl “Leaf” Pattern Binding: White Rosette: Abalone Colors/Bursts: Aged Toner. On our 600 Series. And through our Modify a Model program. tobacco sunburst 610ce 13 . Amber. Black. (It has less low end and more high end than rosewood. coupled with varying degrees of figure. L-R: Natural 610ce. offering more visual “pop” to the abalone rosette. cherry sunburst 616ce. it has been a preferred guitar wood for ensemble playing. Honey Sunburst. 654ce. both on stage and in the studio. Blue Burst. Green. Cherry Sunburst (or optional top only). 615ce. tobacco sunburst 616ce. Ruby Red Burst. Maple’s tonal properties work well for smallerbodied guitars where the tone is being amplified. from flame to quilt. at no additional charge. Cherry Black Sunburst. as its blonde complexion. including 12-strings. because it articulates clearly through a mix with other instruments. 656ce Maple’s focused tone is strong on the fundamental and produces a clean. Transparent Black Models: 610ce. and with biggerbodied guitars.) Consequently. bright sound. because it’s not bottom-heavy. tone is often only half of maple’s equation. mahogany flourishes in the midrange zone. With more people involved in home recording projects. fingerstyle players. began recording at home with his computer in 10th grade. ranging from ballads to pop-punk to musical theater. As a traditional tonewood. Taylor acoustics have long been favored for recording due to their natural clarity and balance. working with a Taylor means it’s easy to get a great acoustic sound. 514ce. 14 . Our 500 Series offers a choice of cedar tops on the popular 514ce (GA) and 516ce (GS) — adding even more warmth for fingerpickers and strummers — and Engelmann spruce on the Dreadnought 510ce and Grand Concert 512ce. “My Taylor has changed recording acoustic guitar from a tedious process into an artistic sonic exploration. Robin Whitehouse. 512ce) Western Red Cedar (514ce. he has recorded a variety of music projects. including two full-length albums with his own bands and the music of other local artists.Th e 5 00 S e r i eS Back/Sides: Tropical Mahogany top: Engelmann Spruce (510ce. 512ce. along with superb dynamic range. although plenty of contemporary players (including Leo Kottke) are devoted to mahogany’s tone. You’ll hear that midrange resonance sometimes described as meaty or earthy. Pictured in his home studio with a 510ce. 516ce) Fretboard Inlay: Pearl Dots Binding: Indian Rosewood Rosette: Abalone Models: 510ce. That midrange character. yielding a “bloom” of overtones that add richness to the overall acoustic sound. records well and offers a lot to a musician who appreciates character and texture — singersongwriters. 23. and blues/roots artists come to mind. Tonally. 516ce Mahogany sits alongside rosewood in terms of its enduring appeal among acoustic guitar makers and players. Mahogany also sounds wonderfully resonant in alternate tunings.” he says. mahogany is associated with a lot of vintage acoustic music like blues and folk. . . My guitar is perfect for my band. is a highly sustainable alternative to mahogany that has a similar sound. 17 .Th e 4 00 S e r i eS Back/Sides: Ovangkol top: Sitka Spruce Finish: Satin with Gloss Top Fretboard Inlay: Large Pearl Dots Binding: White Rosette: 3-Ring Models: 410ce. Liz Grace fronts the country band Three Chord Justice. 414ce. another African tonewood. Both series feature a satin finish and a simpler appointment package. for 20 years.S.” She’s pictured here at Hooleys Irish Pub playing a 314ce. but with its slightly higher density. 354ce. 455ce Th e 3 00 S e r i eS Back/Sides: Sapele top: Sitka Spruce Finish: Satin with Gloss Top Fretboard Inlay: Large Pearl Dots Binding: Black Rosette: 3-Ring Models: 310ce. translating into our most affordable price point for solid wood acoustics without sacrificing any of Taylor’s signature playability. flanked by a 355ce and a 412ce. 315ce. 314ce. “When I first picked up my Taylor and heard its clear and wonderful ring. Our 400 Series and 300 Series deliver that and plenty more. “I’ve been singing in honky tonks across the Western U. because it gives me a rich. 355ce A reliable. with a bit more midrange. performance-ready guitar is an indispensable tool for a gigging musician. with a splash of extra sparkle.” she says. yet they give players a comparable range of tones. warm sound that cuts through the band. 412ce. But my Taylor is perfect. 312ce. adds a touch of extra treble zing. Sapele. I knew I would be a loyal Taylor player. Both series feature woods that may not boast the recognizable heritage of rosewood and mahogany. Ovangkol is an African alternative to rosewood that yields a similarly wide tonal spectrum from lows to highs. Every other guitar I’ve played struggles to be heard. 454ce. The 100 and 200 Series give players great tools for honing their chops and offer the kind of playability and tone that’s hard to match at their price points. 214ce) and Connor (right. Here. 210e. 110ce. 214ce Th e 100 S e r i eS Back/Sides: Sapele Laminate top: Solid Sitka Spruce Fretboard Inlay: Pearloid Dots Binding: Black Rosette: 3-Ring Models: 110. Our rosewood laminate 200 Series and sapele laminate 100 Series are designed to give players an inspiring Taylor playing experience and arm them with a fun tool that can cover a lot of musical applications. all at a reasonable price point. the garage may end up being the biggest venue they ever play. 18 . Both series feature a choice of Dreadnought or Grand Auditorium shapes with a solid spruce top. it’s all about having fun. Brandon (left. 114e. 114. 214. but in the end. 114ce We know how to make a great guitar more affordable without compromising great tone.Th e 200 S e r i eS Back/Sides: Rosewood Laminate top: Solid Sitka Spruce (Gloss) Fretboard Inlay: Pearloid Dots Binding: White Rosette: 3-Ring Models: 210. For some guitarists. 210ce. while Connor’s brother Dallas dials in the drum kit and lead vocalist Rocky the dog struts his stuff. Whether you’re in the early stages of woodshedding or you’re just looking for a killer value. and can be ordered with or without our under-saddle ES-T® acoustic pickup. come with or without a cutaway. you can’t go wrong with either series. 110e. 214e. 110) goof around. . In 2009 we added a pair of more affordable rosewood laminate nylons to the family. Grammy favorites from Jason Mraz to Zac Brown to Wayne Johnson rely on Taylor nylons for songwriting and performance.Th e nyLOn S e r i eS nS72ce/nS74ce Back & Sides: Indian Rosewood Top: Cedar Binding: Indian Rosewood Headstock Overlay: Indian Rosewood nS62ce/nS64ce Back & Sides: Big Leaf Maple Top: Engelmann Spruce Binding: Indian Rosewood Headstock Overlay/Bridge: Ebony nS32ce/ nS34ce Back & Sides: Sapele Top: Sitka Spruce Binding: Black Headstock Overlay: Indian Rosewood nS24e/nS24ce Back & Sides: Rosewood Laminate top: Sitka Spruce Binding: Black headstock Overlay: Indian Rosewood One of the pleasures of living in the modern acoustic guitar era is the diverse palette of tonal flavors available to players. With a cutaway and a 1 7/8-inch neck. our nylons offer steel-string acoustic players a smooth crossover to a fresh sonic texture. used not just for traditional classical or Spanishtinged music. 20 NS74ce shown . from rock and pop to jazz and world music. and the lighter string tension adds an extra helping of playability. and new for 2010 is our ES-N® pickup. but in virtually every contemporary genre. Our Nylon Series represents the next generation of nylon tone. featuring a preamp and tone controls that were designed to naturally capture the nylon-string voice. The ¾-size Dreadnought helped establish the travel guitar market. Baby Taylor shown 21 . the Baby’s appeal is as far and wide as you want to go. Plus. Its bigger. its appeal remains as strong as ever for travelers. the Big Baby. and the Baby Taylor has taken this to a whole new level. and now. It makes a great companion when you’re commuting around town. is another favorite for players who want to keep a songwriting guitar handy at the office. even 14 years after its debut. too. Whatever your needs. You don’t have to be off in the wilderness to appreciate the Baby Taylor’s portability.BABy Taylo r Size/Shape: 3/4-scale Dreadnought (22 3/4-inch scale length) Back/Sides: Sapele Laminate Top: Solid Sitka Spruce or Mahogany Fretboard Inlay: Pearloid Dots Rosette: Laser-etched B I G BABy Taylo r Size/Shape: 15/16-scale Dreadnought Back/Sides: Sapele Laminate Top: Solid Sitka Spruce Fretboard Inlay: Pearloid Dots Rosette: Laser-etched A big reason for the guitar’s widespread popularity is its portability. children and artists from Lindsey Buckingham to Taylor Swift for a simple reason: It plays and sounds like a real guitar. louder sibling. whichever direction you may be headed. you’ll be well equipped if you get inspired to do a little busking on the fly. or as an alternate-tuning guitar. in their house for friends to pick up and play. The Mini even borrows some of the refined aesthetic details of our full-size models. first embodied by the Baby Taylor. he can easily record music from anywhere. visit sonomawireworks. the GS Mini is always ready to play.2 0 1 0 G u I tA R G u I d E T H E G S M I n I TM Size/Shape: Scaled-down GS (23 1/2-inch scale length) Back/Sides: Sapele Laminate top: Solid Sitka Spruce Fretboard Inlay: Pearloid Dots Rosette: 3-Ring Purfling: Black/White/Black The GS Mini pairs the concept of a fun. Taylor V-Cable and the Sonoma Wire Works GuitarJack™ iPhone interface. And to make the Mini even more versatile for players who want to plug in. beefed-up sound. including one for the GS Mini. ultra-portable guitar. FourTrack and the Taylor iPhone app. 22 .com/guitarjack. Together with the V-Cable. it’s pre-fitted for easy self-installation of our proprietary magnetic soundhole pickup. the Mini also features Taylor’s patented NT® neck. like an inlaid rosette. with the tone-enhancing engineering that led to the development of the GS body style. which delivers Taylor’s renowned intonation and provides more stability in different climate conditions out in the world. ES-Go. the ES-Go™ (opposite page). Besides a surprisingly rich. He uses Sonoma’s iPhone app FourTrack™ and a Taylor iPhone app with several Taylor EQ presets. which can be purchased separately and added in minutes. The result is a small-size guitar with a full-size sound. With the GS Mini. top purfling. wherever life takes you. and a pickguard. Scott Winder from Taylor’s equipment maintenance team enjoys cruising out to the desert or the mountains on the weekends. and loves to have a guitar with him when he’s surrounded by the inspiration of the great outdoors. making it the perfect go-anywhere guitar — from the couch to the campfire to the concert hall — at an affordable price point. For more details on the GuitarJack. Once the pickup is snapped into the connecting bracket. making it easy to adjust your volume anytime you plug in a GS Mini with the ES-Go pickup.Plug-in ACCESSORIES ES-Go™ The ES-Go is a magnetic soundhole pickup developed exclusively for the GS Mini. and it can be turned off to unplug noiselessly. which has a cable that plugs into an input jack on the pickup. Simply replace the Mini’s endpin with the pickup’s endpin jack. It was designed to be a convenient add-on component that anyone can install on their own in minutes for a great amplified acoustic sound. The ES-Go includes a mounting clip that snaps into the bracket. Taylor-designed V-Cable features a master volume control that’s built directly into the cable. Both the ES-Go and the V-Cable are available through TaylorWare at taylorguitars. It also works with other guitars that don’t have an onboard volume control. allowing the pickup to “float” in the soundhole without touching the top. V-Cable™ The innovative. The volume knob’s ergonomic placement on the end of the cable that plugs into the guitar makes it easy for players to find it in the dark. the Mini is ready to be plugged in. 51 23 .com. Every Mini comes pre-fitted with a pickup connecting bracket that’s mounted to the neck extension block inside the soundhole. 24 L-R: a lefty GA3e. organized around four shapes: the GS. GA7. GS5. DN5. pickguards are withheld (available as an option). GA-K-12. symmetrical contours of a noncutaway acoustic speak to the aesthetic of elegant simplicity that defines our Acoustic line. GC3 d R EAd n Ou G ht Models: DN-K. GA6-12. GC4. GS8. GS5-12 G RAn d Au d ItOR I u M Models: GA-K. woods and pure tone. Inspired by the development of the Grand Symphony (GS). the Grand Auditorium (GA). A world of rich detail and nuance lives within that tone. GS7. GS8-12. DN3 *Features “Cindy” fretboard inlay and abalone-edged top **Features 800 Series fretboard inlay and white binding The clean. GC7. and our less-is-more design approach honors the essential elements of a fine acoustic guitar: shapes.** DN8. GA4-12. GC5. without intruding on the beauty of the instrument. A quartet of acoustic models against a backdrop of figured Hawaiian koa boards. and we don’t want anything else to take away from your playing experience.* 810 Legacy. GS-7 and GC-Ke . and the optional Expression System® pickup fits the line’s design sensibility by amplifying the acoustic tone in the most natural way possible. GA5. DN5e. 910 Legacy. GA8. Appointments are understated and kept to a minimum. and the Dreadnought (DN). GA6. GC6. GA8-12. GA3. GA3-12 G RAn d COn CE Rt Models: GC-K. DN4. Several 12-string models are available in the GS and GA shapes. the Grand Concert (GC).2 0 1 0 G u I tA R G u I d E TH E ACOu StI C LI N E G RAn d SyM Ph Ony Models: GS-K. GS6-12. GA4. GC8. GS6. the Acoustic line features 34 models. . . look no further than our specialty models. The rosewood/spruce 12-Fret has stolen Bob Taylor’s heart and given the world a Taylor sound like no other — a modern vintage tone that blends warmth and depth on the low end with crisp. the result is a sweet spot of sound that gives the 12-Fret the voice of an aged guitar right out of the case.” she says. It’s great for walking bass lines and other melodic chord embellishments. Because the neck meets the body at the 12th fret instead of the 14th. richer tone.” L-R: The 12-Fret. and allowing them to sing in a lower vocal range. Baritone 8-string. If you’ve been craving something different to stimulate your creative juices. and the bridge is repositioned farther back on the soundboard. its North Star. “I’ve always loved the lower tones of the guitar and have been an admirer of Neil Young’s detuned guitar sound. which forces me to reinvent a new constellation of chords. and Baritone 6-string 27 . pairing two upper octave strings with the third and fourth (D and A) strings to extend the baritone range into the upper register without overemphasizing the 12-string jangle. The 8-string is a sonic revelation. giving singersongwriters a guitar with deeper. “But probably most important is my desire to reinvent. San Diego singer-songwriter Cindy Lee Berryhill enjoys her first exposure to our new 8-string Baritone. The Baritone models feature a longer 27-inch scale length and are tuned from B to B. Linking the trio are the tonewood combination of Indian rosewood and Sitka spruce and an underlying theme of discovering fresh musical inspiration.2 0 1 0 G u I tA R G u I d E T H E S P E C I A Lt y M O D E L S BAR ItOn E 6-StR I n G BAR ItOn E 8-StR I n G 12-FR Et Three unique guitar voices from 2009 have inspired new models for our line this year: a 6. As a guitarist/songwriter. Then the songs start blowing in. snappy treble and surprising overall volume. Berryhill often writes in the keys of B and B flat and says the Taylor Baritone is now officially on her wish list. I invite each song cycle to come from a fresh place.and 8-string Baritone Grand Symphony and a 12-fret Grand Concert. yet with normal string tension. I like to get myself in a sea of tones on a ship that’s lost its bearing. The model also features a slotted head and a cutaway design inspired by our Nylon Series. full sound. Standard with white pearloid pickguard and 3 single coils. pickup configuration. “plug & play” loaded pickguards give you additional options that let you easily swap out pickups to completely change the tonal personality of your guitar in minutes. 3 mini humbuckers and tremolo. You can now order a SolidBody Custom or Standard with a pickguard. we diversify the SolidBody’s appeal with a fresh array of custom ordering options and after-market flexibility. the Taylor SolidBody has given the electric guitar world a uniquely inspiring voice. which boasts a big. a vintage alnico (VA) humbucker.2 0 1 0 G u I tA R G u I d E TH E E LE CtR I C LI N E Th e S OLI d B Ody Fueled by our proprietary pickups and innovative design touches. and the Classic now comes in 14 different colors. the SolidBody experience means you can own a Taylor electric that fits your style and sound. our solderless. Custom Walnut with white pearloid pickguard and 2 full-size humbuckers 28 . Now more than ever. 2 single coils/1 humbucker and tremolo. and pickguard color. We’ve also added a new pickup to the mix. Now you can have exactly the look and tones you want by choosing from options that include color (for the SolidBody Classic). On top of that. with an optional tremolo bridge available for any model. L-R: Viper Blue Classic with white pearloid pickguard. Jewelescent Orange Classic with black pearloid pickguard. Custom Koa with vintage alnico humbuckers and tremolo. For 2010. . Viper Blue Classic .Magenta Pearl . our pickups are designed for after-market “plug & play” flexibility. without the need for any soldering. black pearloid. You can also e-mail them. giving you the ultimate in SolidBody customization. tortoise.Trans White Classic . taylorguitars. koa or walnut. available in a choice of five colors: white pearloid.Sublime Classic . The Configurator gives you the option of downloading a picture of your guitar with your chosen specs.Lava Red Classic .Purple Flake Classic . pickup and pickguard combinations. The Standard features a chambered sapele body with a top of figured maple and an aged cherry sunburst.Blue Metallic Classic .Jewelescent Orange Classic . BuILd A VIRtuAL SOLIdBOdy OnLInE You can explore the different custom options offered with the SolidBody by using our online SolidBody Configurator. ChOOSE yOuR PICkuP COnFIGuRAtIOn A wide variety of different SolidBody pickup configurations gives players a unique palette of electric tones from which to choose. Standard and Custom. with a choice of two different tops. without a pickguard. In addition to these choices. The Custom also features a chambered sapele body.com/guitars/electric/ models/solidbody/ Classic .Th e S OLI d B Ody ChOOSE yOuR BOdy The SolidBody comes in three different body styles: Classic. The Classic features an alder body with a broad array of color options (shown and listed below).Titanium Pearl Classic . The Standard and Custom can also be ordered with direct-mount pickups.Sage Green Classic . Feel free to experiment with different body. print them. The program allows you to select from all available options and build a virtual model. black and parchment. so you can swap out for other loaded pickguards with different pickup configurations. ChOOSE yOuR PICkGuARd All SolidBody models come with a pickguard. or be directed to one of Taylor’s premier electric dealerships to place an order. yet with a more modern sonic flavor. but also solved some of their inherent problems. With the SolidBody.Koa . but because of its smaller size.Walnut Custom . which is great for cutting through a mix. The following pickups are available in different configurations on the SolidBody. Jeff Beck and David Gilmour.Black Custom . The fact that they had such a cool and unique character justified designing a whole new guitar around them.PICkuP PERSOnALItIES Much of the distinctive tonal character of an electric guitar comes from the types of pickups used. Our VA pays homage to the tradition of classic humbuckers. sparkle and other distinctive character of the single coil sound. Humbuckers are known for having a high output and for their ability to produce sound without the noise that is inherent with a traditional single coil pickup.Trans Red Custom . Vintage Alnico (VA) humbucker: Our newest pickup is a full-size. Taylor’s David Hosler explains: “I’ve always liked that big. When played through a clean channel on an amp. our pickups were actually developed before the guitar was. The High Definition (HD) is our original high fidelity design. Our breakthrough noiseless single coil responds with all the breathiness.Koa w/ pickguard Classic . glassy and bright. hum or other sonic artifacts. It unleashes raw rock power and great sustain without sacrificing balance or great tone. Players who have popularized the single coil sound include Stevie Ray Vaughan. Mini humbucker: Also uses two coils and has all the advantages of a full-size humbucker. Our developers also added unique Taylor “flavors” and enhanced the tone-shaping capability.Tobacco Sunburst Custom . it provides a tone that takes up less sonic space. but without any of the traditional buzz. Our humbucker was designed to balance the sweetness and definition of a vintage pickup sound with the power to fully drive an amp without overpounding it. covered humbucker with a big sound.Aged Cherry Sunburst Classic . Dickie Betts and Carlos Santana have defined their signature tones with humbucker-equipped guitars. high definition / high Gain: Our full-size and mini humbuckers are available in two different versions. humbucker: Uses two coils to generate sound.Walnut w/ pickguard Classic . woolly tone that comes with PAF humbuckers. Standard . They take on a different personality when played through the crunch or high gain channel of an amp. while the High Gain (HG) is slightly darker-sounding and unleashes more front-end drive for a crunchier tone with extra rawness. single coils can sound shimmery.” Single Coil: Uses only one coil by design. Players such as Jimmy Page. Our electronics team captured all the familiar “goodness” of the iconic electric pickups we’ve loved for years. Our goal was to create a pickup with a little more drive on the front end of the amp.Natural Classic .Aged Cherry Sunburst w/ pickguard Standard . The Alnico 5 magnets we used are known for their hot output and round sound. Some players just want to plug in. you can completely personalize your sound for your playing preferences. 5 6 4 7 3 32 . The vintage alnicos are our modern version of a traditional PAF-style covered pickup. With plenty of configurations available. A sideman will be able to cover a lot of ground. Pulling up the volume pot will split the coil.” “All Along the Watchtower. they’re a great choice for a band with multiple instruments. The bridge pickup sounds great overdriven. 1 Full-size hG humbucker 6 There is a simple beauty to the signal chain of a guitar. If you like to ride the volume knob for more nuance. and rock out. players have relied on this combination to deliver the warm. For years. Our 5-way switching system adds both a parallel and series option for a broader tone palette. 3 Single Coils 5 Another classic sound in the electric world. turning down the volume controls a little and hitting the amp in different ways will yield all kinds of colors and flavors at different levels. cable and amp. “Sultans of Swing. On stage. crunchy tone. Traditionally. The HG version is full of presence and is engineered to hit the front of the amp harder than the HD for a heavier. Here’s a rundown of available configurations. round sound with a warm bottom end. They have plenty of grind and punch without getting in the way of the other arrangements in the mix.” “Brown Sugar. Our noiseless single coils capture all the great character of the single coil sound without the buzz and other sonic noise. 2 Mini humbuckers (hd or hG) 1 Because mini humbuckers take up less sonic space than full-size humbuckers. turn up.Th e S OLI d B Ody PI Ck u P COn FI G u RAtI On S Choosing from different combinations of pickups allows you to customize the fundamental tonal palette of your SolidBody. dirtier tone than the mini for more of a rock edge. 2 Full-size hd humbuckers 2 2 Full-size hG humbuckers 3 2 Full-size Vintage Alnico humbuckers 4 Two full-size humbuckers have a heavier. sweet sound of the neck pickup and the bite of the bridge. yet has lots of sparkle and clarity when played clean. They feature a fat. the minis have a little more cut and presence. Our switching allows each pickup to be selected individually and also provides two combined pickup positions.” and “Another Brick in the Wall” are examples of single coil gold. guitars with two humbuckers have a 3-way switch. this setup suits any style or tonal flavor. born out of the guitar player culture of swapping pickups. the middle pickup alone. Both positions drive the front end of an amp really well. “plug & play” loaded pickguards give SolidBody owners ongoing pickup flexibility. the “single single hum” configuration will get it done. Positions 1 and 5 (Neck and Bridge) deliver a smooth and driving front edge. and make great choices for blues rhythm or lead. The real gem of this configuration is Position 3. Owners of a SolidBody Standard or Custom who have their pickups directmounted without a pickguard can purchase individual replacement pickups in the form of full-size or mini humbuckers. Positions 2 and 4 capture a thick single coil vibe. If you’re a player who needs to quickly switch between the slam of a humbucker and the wisp of a single coil. it’s really transparent and thick.9 8 2 Single Coils/1 hG humbucker 7 This combination. 33 . Players can choose from a variety of pickup combinations and pickguard colors. with great distortion and clean sounds available at the flick of a switch. available in both HD and HG versions. making it easy to swap out pickups for a new configuration that translates into incredible versatility. 2 1 LOAd E d PI CkG uAR d S In addition to custom ordering options. It sparkles and drives at the same time. With a trem. is a very popular and versatile setup. groovy. Perfect for a player who wants access to multiple tones with one guitar. Both the loaded pickguards and replacement pickups can be swapped out in minutes with a Phillips head screwdriver. A 3-way switch allows you to toggle between the modern sound of our high definition mini and the spank of our noiseless bridge single coil. rhythmic chording. 3 hd Mini humbuckers (hd or hG) 9 The three-mini setup is reminiscent of the ’60s Firebird 7 but with Taylor’s own sonic imprint. Taylor’s solderless. 1 hd Mini humbucker/1 Single Coil 8 This setup throws a nod to Keith Richards and other great blues players like Albert Collins. Great for cutting. For 2010. we’re pleased to add another model to the mix. A five-way switch offers access to a full range of acoustic and electric tones. the T5 is fully compatible with acoustic amps. Plug one in and you’re bound to discover a heap of cool new sounds. tobacco sunburst T3/B. on the T3/B. visit taylorguitars. the ovangkol top T5 Classic (available as either a 6. a PA system. fat jazz. koa top T5-C2. A metal rollerstyle bridge includes two tailpiece options: a stop tailpiece or. and electric amps. TH E t3 The T3 rounds out the Taylor electric line with yet another inspiring blend of tones and smooth functionality that embrace the semihollow sound and then take it to another level. To view a video demonstration of everything the T5 can do. The T3’s coil-splitting application allows players to turn their high definition humbuckers into single coils. Equipped with an acoustic body sensor derived from the Expression System® and two humbuckers (one installed beneath the fretboard). sound and performance of a semi-hollowbody electric. the T5 has redefined what a guitar can do and given performers across the musical spectrum a guitar that can cover as much ground as they need to on stage. A winner of multiple industry awards. L-R: Ovangkol top T5 Classic. the T3 enhances the feel.TH E t5 The incredibly versatile hollowbody hybrid T5 continues to amaze players with its stunning range of electric and amplified acoustic tones. from rockabilly twang to hard rock to warm. Our push/pull tone knob activates two different levels of tone-shaping that yield a colorful range of electric voices. and an A/B/Both box lets players dial in a blend of both. Macassar ebony top T5-C5. chromed-out cool. red T3 with stop tail 34 . an authentic Bigsby vibrato that adds a touch of vintage. Every step of the way. The Bigsby/roller bridge pairing solves the pitch problems long associated with fixed bridges and tuning stability.or 12-string).com. honey sunburst T5C1-12. . . Our DDSM and LKSM celebrate two of the most accomplished fingerstyle players in the world in Doyle Dykes and Leo Kottke. Taylor Swift Baby Taylor. zodiac rosette inlay featuring koa. The DMSM adds a fresh inlay motif to the 914ce model that Dave Matthews has played on stage for years. unbound f-hole tSBt Signature Artist: Taylor Swift Back/Sides: Sapele Laminate / top: Solid Sitka Spruce unique Features: Custom rosette featuring a vine motif with “Love” inscribed three times. pearl/abalone rose peghead inlay. The TSBT is an invitation to young Taylor Swift fans who have been inspired by her songs to pick up a guitar themselves. incorporating additional design elements that visually capture part of the artist’s identity. aged toner top shading L-R: Jason Mraz Signature Model. For 2010. The STSM-T5 captures the creative energy of rock singer-songwriter Serj Tankian and the dynamic range of musical emotions the T5 can articulate on stage. our Signature models embody a range of musical styles. heavy gauge strings tuned to C# dMSM Signature Artist: Dave Matthews Back/Sides: Indian Rosewood / top: Sitka Spruce unique Features: Custom fretboard and peghead inlays. Leo Kottke Signature Model. different color options (see specs) LkSM. Dave Matthews Signature Model 37 . With the right guitar. In each case. And the JMSM. JMSM Signature Artist: Jason Mraz Back/Sides: Indian Rosewood / top: Western Red Cedar unique Features: Mexican cypress “Be Love” triangle/circle fretboard inlay. bubinga and Mexican cypress StSM-t5 Signature Artist: Serj Tankian Body: Sapele / top: Maple unique Features: Red binding. offset pearl “Chet” style fretboard inlays. LkSM-6 Signature Artist: Leo Kottke Back/Sides: Tropical Mahogany / top: Sitka Spruce unique Features: No fretboard inlay. Our Signature models represent an extension of each Taylor artist’s unique musical expression. designed with Jason Mraz. 4 1/8-inch body depth. “Energy Wheel” fretboard and peghead inlays. showcases the ways a nylon-string’s expressive flavors and rhythmic textures fit into the acoustic pop world. Doyle Dykes Signature Model. we each can find our own signature sound. Serj Tankian T5. a signature guitar has evolved from a standard Taylor model an artist has played for years. with Taylor Swift’s stylized signature and the word “Fearless” over the bridge ddSM Signature Artist: Doyle Dykes Back/Sides: Big Leaf Maple / top: Sitka Spruce unique Features: Florentine cutaway. abalone-edged top.The SIGnAtuRE modelS Great artists bring something uniquely compelling to the world. from amazing grades of exotic woods to custom neck profiles to a rich palette of inlay. you might have questions along the way. and we’re more than happy to answer them. binding and purfling options. It includes nylon-strings. and abalone top. GC with a cocobolo back. giving you an additional resource. since you’ll place your BTO order through your dealer. Our Build to Order program doesn’t just cover our steelstring acoustics. new BTO options for acoustic guitars include an armrest or a headstock backstrap. 12fret or baritone guitar.2 0 1 0 G u I tA R G u I d E C u S t O M I z At I O n B U I LD tO OR d E R Part of the pleasure of being a guitar enthusiast is envisioning one’s dream guitar(s). New options for the T5 and T3 include Koa Backstrap the availability of maple. L-R: GA with AA-quilt maple back and sides. too. sides. tobacco sunburst finish. The program is based on three key ideas: choice. Last is turnaround time. This means that orders are fulfilled in around eight weeks. Our menu of options may change on a quarterly basis. we’ve taken it upon ourselves to make those guitar dreams tangible through the Taylor Build to Order program. We’ve also brought a good number of our dealers out to the Taylor complex to spend time with Bob Taylor and our BTO team and learn firsthand about BTO options. koa or ebony binding. For a listing of BTO categories. and 600 Series fretboard inlays. and antique gold Gotoh 510 tuners 38 . Next is support. In recent years. With the many available options. In 2010. Engelmann spruce top. armrest and binding. 900 Series fretboard and bridge inlays. our BTO menu features about 40 separate categories from which to choose. Koa Series peghead inlay. We reserve daily build slots for BTO guitars because you shouldn’t have to wait six months or more. check our Specifications pages in the back of the Guitar Guide. the T5 and the T3. koa binding and rosette. Our goal is simple: to use our wood resources and design expertise to help you create a Taylor that’s truly your own. plus the ability to order a custom 9-string. based on the availability of woods. T5 with Macassar ebony top and headstock overlay. Starting with choice. “Cindy” fretboard inlays. support and turnaround. ) Common choices include: • Alternative nut widths of 1 11/16 or 1 7/8 inches • Switching to or from a short-scale neck • Tuner upgrades (including Gotoh 510s) • Pickguard options (black.or three-piece back. we offer a number of options through our Modify a Model program. On the 500 Series and higher. Engelmann spruce or cedar. For more information about modifying a model. clear. not for an existing guitar. tortoise. and you can choose between a two. The Koa Series offers a shaded edgeburst option. top swapping options include Sitka spruce. For the maple 600 Series. Prices vary by option and may not be available on all models. You can also opt for a Florentine cutaway in place of the standard Venetian on any acoustic/electric. none) • A bone nut/saddle Some options are specific to certain series. you can choose between different grades of quilt or flame. 39 . The program applies to any model from the Acoustic 3 or Acoustic/ Electric 300 Series and up. and for no additional charge can select from all available color and burst options. contact an authorized Taylor dealer. (These options apply when ordering a guitar only.m o d i fy A M Od E L If you want a variation on a guitar model from Taylor’s existing line without having to order a custom Build to Order guitar. it incorporates the ultra-musical analog circuitry of Mr. This version features the ES sensors and preamp. and is easy to use. the ES-T® is a single-source. Another goal of the ES design was to offer easy-to-use tone controls without intruding on the beautiful aesthetic of a Taylor. The latest version of the ES (updated this year) allows players to turn off the body sensor with a switch on the preamp board inside the soundhole. its wood pairings. The result is amplified acoustic tone that sounds like you and your guitar. For more information. ($300) • The ES-NC (no controls) is an option for customers who want the ES electronics but also want to preserve the pure acoustic aesthetic of their guitar. Although the ES was originally designed with performance in mind. rely on it for a great acoustic sound on stage. allowing you to precisely shape your guitar’s tone by honing in on the notes or frequencies of your choice and then cutting or boosting them to taste. Side-mounted controls fill the existing preamp hole in the guitar. Ultimately. articulation and dynamic range you could ask for. adding more tone-shaping control and preserving the natural design aesthetic. while a neck sensor picks up string and neck vibration. tip: Because of its flexible. The ES comes standard on acoustic/electric models from the 300 Series up and is optional on models in our acoustic line. allowing you to dial in your sound to suit the performance space. A guitar’s shape. Among the K4’s features are a tuner output. is reliable. or feel free to call Taylor’s Customer Service Department at (800) 943-6782. A body sensor affixed to the underside of the guitar’s soundboard (top) captures all the sonic detail of its movement. the ES will satisfy the most demanding pro player. and some of the biggest names in music. With three softtouch roller knobs elegantly embedded in the upper bout of the guitar. • The ES retrofit is used on a Taylor that has the Fishman Onboard Blender. NT neck design only. the sound quality is good enough that many players and recording engineers also use the ES signal for recording. phase reverse switch. you can adjust your volume. • The ES install adds the ES to a Taylor that doesn’t currently have electronics or that has other electronics inside the body of the guitar and won’t present an obstruction to the installation process. our Factory Service Center can install or retrofit the Expression System. with the ES. the K4 is an essential piece of gear. If you like to detail your tone. Featuring loop. ($500) ES-t under-Saddle transducer / 100 & 200 Series Inspired by our Expression System technology and installed on our 100 and 200 Series. bass. pre-NT neck design) incorporates the same type of a neck/string sensor used on the standard ES. 40 . We worked closely with legendary pro audio designer Mr. the ES-N applies our ES pickup technology to our Nylon Series. The ES incorporates a network of magnetic sensors that work like a microphone to capture the acoustic detail coming from the guitar’s body and neck as they resonate. because other aftermarket pickups like a traditional piezo transducer had never managed to produce a true acoustic sound. It’s also highly feedback resistant. battery indicator LED. It includes the realm of amplified sound for players who want to plug in and convey all the great acoustic nuances they love about their Taylors. enabling you to drive an amp. Rupert Neve. with a battery life LED power indicator (which is lit when the battery is being used). Even if you’re not quite ready for that open mic night. but has no volume or tone controls. A retrofit for “classic” Taylor necks (featuring a onepiece. We started by studying how a guitar resonates. whether an older Taylor with pre-ES electronics or a model without electronics. The latest version of the ES also includes a fused string ground. which allows you to use reverb. A pro audio grade preamp cleanly boosts the signal and eliminates noise that might otherwise distort or muddy the tone. our product development group designed a highfidelity acoustic pickup and preamp that are fully integrated into the guitar. under-saddle transducer with individual elements for each string. It’s perfect for studio or home recording and live performance. yet makes it simple enough for anyone to plug in and get a great live tone. Baggs pickup used on the Doyle Dykes Signature Model. PA or both. Try using the K4 as a channel insert on your mixing console the next time you do a mix. many gigging acoustic players stake their livelihood on their live sound.) ($500) ES installation includes our Refresh service package. a volume pedal or other effects and maintain a balanced signal chain. The ES-T has an onboard preamp and the same active controls found on the full ES. with all the richness. features a battery indicator LED. and they want a pickup that sounds natural. We’ve been installing it in our guitars since 2003. the Expression System® (ES). transformercoupled balanced outputs give you routing flexibility. The pickup installation also features a standard endpin jack along the tail line instead of the ES battery carriage. It’s similar to the ES-T. Our standard ES control knobs replace the Fishman EQ control unit formerly installed in the guitar’s upper bout. the k4 Another Taylor toneshaping product that we feel deserves a place in any serious musician’s toolbox is the K4 Preamp and Equalizer. see our service package listings on page 41. In the end. ES Installation and Retrofits Whatever model of acoustic guitar you own. the K4 can come in handy in a mixing session. and includes a fused string ground to protect players who play at venues that may not have proper electrical ground. only the pickup housing is mounted in the soundhole. We decided to develop our own acoustic pickup. smooth EQ section. The K4 is also handy for enhancing the amplified sound of other types of acoustic/ electric guitars. The pickup also has a Phase switch for feedback control. and we think that voice deserves to be heard when the guitar is plugged-in. (The 9v battery is housed inside the soundhole.Acoustic Electronics The performance-ready Expression System faithfully reproduces your Taylor’s natural voice Our commitment to great acoustic tone doesn’t end with the guitar. and a switch that allows you to turn off the body sensor. The Baby and Big Baby can be equipped with an active undersaddle transducer ($150).R. ES-n / nylon Series New for 2010. midrange and treble frequencies. which is located on the preamp board inside the soundhole. and an effects a custom-voiced EQ and dynamic response. a stomp box. from John Fogerty to George Strait. ($500) • The ES upgrade will modify your ES-equipped Taylor guitar from the AA battery power source to the 9v system currently used. Multiple. your guitar will be ready to go when you are. Fishman Prefix or the L. and the technique of the player together create a unique tonal character. headphone jack. but the preamp design and tone controls were customized to complement the nylon-string voice. After all. Rupert Neve and expands the degree of tone control of the ES. Like the ES. the system is powered by a 9-volt battery. From tech support to guitar care tips. where our service staff can refer to our list of over 300 repair techs to find the right tech for your needs in your area. Our Factory Service Center can also perform Expression System® pickup installations and upgrades. Spend a little time with a new tuner to learn its “personality. 3-5 wraps straight down. and whatever your questions or concerns may be. For us. in Wood&Steel. Some of you may own 20 Taylors. it’s the expert care and repair of your favorite guitar. dry cloth. service has come to mean many things. The beautiful thing about a well-made guitar is that if it’s well cared for. Ben can also assist customers with Build to Order questions. He’ll be happy to answer questions about tonewoods.” • Using harmonics to tune will help your tuner lock onto the note faster. • Always tune strings up from flat. (Guitars with additional wood cracks will incur further charges. Guitars shipped to us will be returned in a brand new shipping carton with Taylor-engineered inserts designed to stabilize the case and cushion the ends. staffed by repair techs who’ve trained here at Taylor’s headquarters. • Acoustic models: Nut and saddle adjustment or replacement (Tusq) as needed • SolidBody models: Nut adjustment or replacement (bone) and bridge adjustment • T5 models: Nut and saddle adjustment or replacement (bone) as needed $200 Acoustic models $200 SolidBody models $300 T5 models Taylor Care: Restringing and Tuning Tips Taylor Customer Service Manager Glen Wolff shares a few tips that will help you keep your guitar in tune when you change strings. or if you want a particular model but can’t find it. We know that quality service can be hard to come by. people hone in on the right Taylor for their needs. straight from Bob Taylor himself. It’s a Road Show Q&A or hands-on demo with Taylor employees at your local music store. • Stretch and retune new strings several times to help them stabilize and settle in. we’ve expanded the scope of our authorized service network to support customers throughout North America and the rest of the world. Ben helps customers locate elusive Taylor models and answers questions that help Revive Includes the Refresh package plus: • Neck angle adjustment (reset) • Fret dress Customers in the U. such as warranty service. our service team has your back throughout your guitar journey. whatever its condition may be. We’re passionate about making guitars but also about helping customers find the right ones. ding repair.m. and finish with all the services in the Refresh package. Outside North America. without any sales pressure. go to taylorguitars. please call.) $200 All models • Every time you change your strings. Whatever information you need. It’s the instructive tech sheets and videos on the Taylor website. As Taylor and our customer base have grown over time. Our hours are 8 a. We also have four international factory service centers located in England. It’s an “Ask Bob” response. Ben is here to help. direct lines of communication for prospective customers and owners alike to interact with us. • When installing new strings. maintenance or repair questions concerning their guitars. Either way. tighten your peghead tuning machines and check for loose tuner buttons. At taylorguitars. and we’ll be happy to help you. As a full-service company. Germany and France. Includes the Revive package plus: • Partial refret up to 10 frets (full refret add $100) • Full check of the electronics system $325 Acoustic models $325 SolidBody models $425 T5 models Rejuvenate The ultimate hydrating solution for a dry guitar. So. Taylor’s repair techs will return your guitar to perfect performance condition.com and look for our maintenance videos under “Service & Support. while others may be encountering Taylor for the first time.m.com you’ll find a growing list of repair contacts who have gone through extensive training at the Taylor factory. make sure the ball end of the string is seated firmly against the underside of the top. or add a service package to a guitar that’s sent in for other reasons. wherever it may take you.” taylor Service Packages We currently offer four service packages that cover any level of maintenance a guitar might need. and because he is able to track dealer inventories. we provide a direct line to a great guitar experience. sales and service questions are best answered by our international distribution partners. and keep them in great condition. we repair any cracks in the fretboard or bridge. level any uneven frets. to 4:30 p. Refresh Includes: Stabilizing the guitar at the proper humidity level • Tuner tightening and adjustment • Fretboard cleaning and conditioning • Installation of new Elixir® strings • Installation of new battery • Truss rod adjustment • Cleaning and polishing $95 All models need help finding a guitar? If you’re interested in a Taylor but aren’t sure which model is right for you. its tone will only get better over time. never crossing over wraps. we’re committed to providing all the resources you need to enjoy your guitars as long as you own them. we opened an expanded Factory Service Center in El Cajon and extended our reputation for great service beyond Taylors to include other guitar brands. California. etc. never down from sharp.Customer Service Taylor’s commitment to service extends well beyond guitar repairs. give Taylor’s Ben Benavente a call. • Electronic tuners all react a little differently. It’s helping a traveling singer-songwriter get to a qualified repair technician on the road so they can get their guitar fixed in time for their next gig. he can direct you to a store that carries the specific Taylor model you’re looking for. It’s a friendly and informative factory tour.com/dealers/international 41 . Bone upgrade Add a bone nut and wave-compensated bone saddle upgrade to any acoustic service package for $100. For contact information. in response to customer requests. In 2009. Send your guitar(s) to the Taylor factory specifically for one of these packages. get the most out of them. Once the guitar is stabilized. Renew Geared toward the gigging player. In 2008. Your guitar and case are returned to optimum humidity levels with our rehydrating process. and Canada are encouraged to contact our Factory Service Center staff toll free at 1-800-943-6782 with any service. For a video demonstration of how to properly clean. And of course. • Install strings neatly on the tuner post. It starts with open. Monday through Friday. We’ve found that a personal conversation is the most effective way of answering questions and quickly troubleshooting problems. and it’s gratifying when someone drives in from out of state to drop off their Martin or Gibson because of the work we did on their Taylor.S. visit taylorguitars. file sharp fret ends smooth. designed to educate owners on everything from properly changing their strings to swapping out pickups to keeping their guitar humidified. Just call 1-888-2TAYLOR. Part of Bob and Kurt’s long-term vision for Taylor Guitars has been to redefine what service from a guitar company means. especially on the bass strings. polish and restring a guitar. Sweden. we put together a series of service packages designed to help owners keep their Taylors primed. • Wash your hands before playing and wipe down your strings afterward with a clean. Pacific Time. It’s Ben Benavente on the phone helping a customer decide on a koa or cocobolo guitar and then informing him which dealer near him might have the model in stock. Guitar service used to simply mean repairing a broken instrument if it was under warranty. We encourage you to call our Customer Service department here at our factory complex in El Cajon. body shapes and other appointment details. dimensions by Shape 2010 guitar guide Specifications GA Overall Length 6-String 12-String Body Length Body Width Body depth Scale Length Standard Short Baritone Frets neck Width 6-String 12-string 100/200 Series Strings / Gauge 1 3/4” 1 7/8” 1 11/16” 25 1/2” 24 7/8” • 20 41” 41” 20” 16” 4 5/8”* GS 41” 41” 20” 16 1/4” 4 5/8” GC 40 1/2” • 19 1/2” 15” 4 3/8” dn 41” • 20” 16” 4 5/8” JM 42” 43” 21” 17” 4 5/8” GS Mini 35 5/8” • 17 5/8” 14 3/8” 4 7/16” Baby 33 3/4” • 15 3/4” 12 1/2” 3 3/8” Big Baby 40 1/4” • 19 1/2” 15” 4” t3 41 3/16” • 20” 16” 2 1/3” t5 40 3/4” 40 3/4” 20” 16” 2 1/3” SolidBody 38” • 17 2/5” 13 13/20” 1 3/4” 25 1/2” 24 7/8” 27” 20 • 24 7/8” • 20 25 1/2” 24 7/8” • 20 25 1/2” 24 7/8” • 20 23 1/2” • • 20 22 3/4” • • 19 25 1/2” • • 20 • 24 7/8” • 21 • 24 7/8” • 21 • 24 7/8” • 22 1 3/4” 1 7/8” • 1 3/4” • • 1 3/4” • 1 11/16” 1 3/4” 1 7/8” • 1 11/16” • • 1 11/16” • • 1 11/16” • • Electric 1 11/16” • • 1 11/16” 1 11/16” • 1 11/16” • • Acoustic gC.011-.010-. Baby.010-.047) gS. ga. Big Baby: elixir® nanoWeB™ light gauge (. gS mini: elixir® nanoWeB® medium gauge (. 42 46 .053) all 12-string models: elixir® nanoWeB™ light gauge (.046) T5: elixir® nanoWeB® electric medium gauge (.070) T3.012-.049) T5 12-string: elixir® nanoWeB® electric light gauge *ddSm body depth is 4 1/8” Models by Shape GA K14ce K24ce K54ce K64ce 914ce 954ce 814ce 854ce 714ce 614ce 654ce 514ce 414ce 454ce 314ce 354ce 214 214e 214ce 114 114e 114ce ga-K ga-K-12 ga8 ga8-12 ga7 ga6 ga6-12 ga5 ga4 ga4-12 ga3 ga3-12 nS74ce nS64ce nS34ce nS24ce nS24e ddSm dmSm GS K16ce K26ce K56ce K66ce 916ce 816ce 856ce 716ce 616ce 656ce 516ce gS-K gS8 gS8-12 gS7 gS6 gS5 gS5-12 Baritone 8 Baritone 6 GC K12ce K22ce 912ce 812ce 712ce 612ce 512ce 412ce 312ce gC-K gC8 gC7 gC6 gC5 gC4 gC3 nS72ce nS62ce nS32ce 12-fret JmSm dn K10ce K20ce 910ce 810ce 710ce 610ce 510ce 410ce 310ce 210 210e 210ce 110 110e 110ce dn-K 910 legacy dn8 810 legacy dn5 dn4 dn3 JM K65ce lKSm lKSm-6 815ce 855ce 615ce 655ce 455ce 315ce 355ce GS Mini gS mini Baby BT1 BT2 TSBT Big Baby BBT t3 T3 T3/B t5 T5-S T5S-12 T5-S1 T5S1-12 T5-C T5C-12 T5-C1 T5C1-12 T5-C2 T5C2-12 T5-C4 T5C4-12 T5-C5 T5C5-12 T5 Classic T5 Classic 12 STSm-T5 SolidBody SB Classic SB Standard SB Custom Koa SB Custom Walnut models and specifications are subject to change without notice. SolidBody: elixir® nanoWeB® electric light gauge (. Jm.056) nylon Series: d’addario Pro-arté® extra hard Tension Baritone: elixir® Baritone (. dn.016-.013-.056) lKSm: elixir® nanoWeB® Custom medium gauge (.013-. S. Please note that some options. aa Quilt ovangkol Sapele Walnut. Premium engelmann Spruce engelmann Spruce. a hawaiian Koa. a flame maple. who will have a comprehensive BTO worksheet and will be able to help you with your order. master indian rosewood. a hawaiian Koa. If you live in the U. aa flame maple. as well as the T5 and T3. For customers outside North America. Peghead) Purfling abalone Trim fretboard inlay Peghead inlay Top finish Back/Sides finish neck finish Peghead finish Color Tuners String Type Bridge Pins Strap Pin Taylor’s Build to Order program enables you to custom-design your dream Taylor by choosing from a robust menu of guitar specifications. master mahogany redwood. or Canada and have specific questions about the BTO program. aa hawaiian Koa. For a complete list of options and pricing within each category. Standard Sinker redwood Sitka Spruce Sitka Spruce. grafted tops (Steel-string Acoustic) adirondack Spruce adirondack Spruce. aa hawaiian Koa. aa Walnut. Premium redwood. Standard Sinker redwood Sitka Spruce Sitka Spruce. guitar Type (6-. Premium redwood.or 9-string) Baritone 12-fret Body Shape Cutaway electronics right or left handed left handed strung right handed nut Width Scale length neck Profile Peghead Back/Sides Top Back Configuration Wedge material headstock overlay Truss rod Cover neck Wood Binding (Body. fretboard. may change on a quarterly basis. aa macassar (Striped ebony) madagascar rosewood mahogany maple.Build to Order Menu Categories 2010 guitar guide Specifications Acoustic.or 12-string) electronics right or left handed Bridge (T3) neck Profile headstock overlay Truss rod Cover neck Wood Binding (Body. a Quilt maple. and Ben Benavente will be happy to help you. Premium Western red Cedar 43 . a Walnut. a indian rosewood. Peghead) Bound (Peghead) Purfling rosette abalone Top fretboard inlay Peghead inlay Bridge inlay Top finish Back/Sides finish neck finish Peghead finish Color Tuners String Type Bridge Pins Pickguard nut/Saddle Strap Pin Bracing armrest Backstrap Build to Order Wood Choices Back/Sides (Steel-string Acoustic & nylon) hawaiian Koa. contact your preferred Taylor dealer. Acoustic/Electric nylon Body Shape Cutaway electronics right or left handed Back/Sides Top Back Configuration Wedge material headstock overlay neck Wood Binding (Body. contact the international Taylor distributor in your country. fretboard) rosette abalone Top fretboard inlay Top finish Back/Sides finish neck finish Peghead finish Color Strap Pin Peghead logo t5 / t3 guitar Type (6. Premium redwood. Premium Walnut Western red Cedar tops (nylon) engelmann Spruce engelmann Spruce. 12. particularly wood choices. Premium hawaiian Koa. Here you’ll find a list of BTO categories for our steel-string and nylon-string acoustics. call us at 1-888-2TAYLOR. fretboard. gC7.Standard Features koa Series Acoustic koa 900 Series 800 Series Acoustic 8 700 Series Acoustic 7 600 Series Acoustic 6 500 Series Back / Sides hawaiian Koa hawaiian Koa indian rosewood indian rosewood indian rosewood indian rosewood indian rosewood Big leaf maple Big leaf maple Tropical mahogany top neck Bracing Rosette Fretboard Fretboard Inlay top Inlay headstock Overlay Binding Bridge Bridge Pins nut / Saddle tuning Machines / Buttons truss Rod Cover Back / Side Finish top Finish neck Finish Electronics Pickguard Case Models Sitka Spruce or hawaiian Koa Sitka Spruce or hawaiian Koa Sitka Spruce Sitka Spruce Sitka Spruce engelmann Spruce / Western red Cedar Western red Cedar Sitka Spruce Sitka Spruce engelmann Spruce / Western red Cedar Tropical mahogany CV w/ relief rout Tropical mahogany CV w/ relief rout Tropical mahogany CV w/ relief rout Tropical mahogany CV w/ relief rout Tropical mahogany CV w/ relief rout Tropical mahogany Standard ii (forward Shifted Pattern w/ relief rout) 3-ring abalone ebony Pearl dots Tropical mahogany Standard ii (forward Shifted Pattern w/ relief rout) 3-ring abalone ebony abalone dots hard rock maple Standard ii (forward Shifted Pattern w/ relief rout) Single ring abalone ebony Pearl 600 Series “leaf” none ebony hard rock maple Tropical mahogany Standard ii (forward Standard ii (forward Shifted Pattern w/ Shifted Pattern w/ relief rout) relief rout) 3-ring abalone ebony abalone dots 3-ring abalone ebony Pearl dots Single ring abalone ebony abalone Koa Series 3-ring abalone ebony abalone dots Single ring abalone ebony Pearl 900 Series Single ring abalone ebony Pearl 800 Series 3-ring abalone ebony abalone dots abalone ebony abalone ebony abalone ebony w/ Pearl inlay ivoroid none indian rosewood none indian rosewood none indian rosewood none indian rosewood none indian rosewood none indian rosewood Curly maple ivoroid Curly maple ivoroid indian rosewood ivoroid White ivoroid indian rosewood ebony ebony ebony w/ Pearl inlay ebony w/ abalone dots Bone ebony ebony ebony ebony ebony ebony ebony ebony w/ abalone dots Tusq ebony w/ abalone dots Tusq Taylor gold or Taylor Slot head (gC) ebony ebony w/ abalone dots Tusq ebony w/ abalone dots Tusq Taylor gold or Taylor Slot head (gC) indian rosewood ebony w/ abalone dots Tusq ebony w/ abalone dots Tusq Taylor gold or Taylor Slot head (gC) indian rosewood ebony w/ abalone dots Tusq ebony w/ abalone dots Tusq Taylor gold or Taylor Slot head (gC) indian rosewood ebony w/ abalone dots Tusq Taylor Chrome Taylor gold (514ce. 954ce Taylor deluxe hardshell (Brown) 810ce. K22ce. 514ce. 516ce) indian rosewood Taylor gold gotoh Taylor gold Taylor gold Taylor gold ebony ebony indian rosewood indian rosewood ebony gloss gloss gloss gloss gloss gloss gloss gloss gloss gloss gloss gloss gloss gloss gloss gloss gloss gloss gloss gloss Satin Satin Satin Satin Satin Satin Satin gloss gloss Satin expression System® expression System® expression System® expression System® optional expression System® none expression System® optional expression System® none expression System® optional expression System® expression System® none none none Tortoise Tortoise Tortoise (amber) none none (colors/bursts) Taylor deluxe hardshell (Brown) 610ce. 612ce. 615ce. gS8-12 Taylor deluxe hardshell (Brown) 710ce. ga-K-12 gC-K. 656ce Taylor deluxe hardshell (Brown) ga6. gS-K dn-K Taylor deluxe hardshell (Brown) 910ce. K14ce. 916ce. 914ce. K12ce. K20ce. 910 legacy 912ce. K16ce. 810 legacy ga8-12. gS7 Taylor deluxe hardshell (Brown) 510ce. K54ce. gS8. 814ce. 716ce Taylor deluxe hardshell (Brown) ga7. K65ce. 812ce. 854ce. 516ce 44 . gC6. 856ce Taylor deluxe hardshell (Brown) ga8. gC8. K56ce. 816ce. ga6-12 Tortoise Taylor deluxe hardshell (Brown) K10ce. 712ce. K26ce. 616ce. K64ce. 855ce. 815ce. 714ce. gS6. dn8. 512ce. 654ce. 655ce. 614ce. K66ce Taylor deluxe hardshell (Brown) ga-K. K24ce. 30s) ebony ivoroid White Cream Black Cream White (200s) Black (100s) ebony none none ebony ebony ebony ebony ebony ebony ebony ebony w/ abalone dots Tusq ebony ebony ebony ebony Black Black Black none Tusq Tusq Tusq Tusq Tusq nuBone® Tusq Tusq Ping Classical gold w/ivoroid btns Classical Chrome w/cream btns (20s) none (32. 34.Standard Features Acoustic 5 400 Series Acoustic 4 300 Series Acoustic 3 200 / 100 Series 200 Series: rosewood laminate Tropical mahogany ovangkol ovangkol Sapele Sapele 100 Series: Sapele laminate Sitka Spruce (dn) / Western red Cedar Sitka Spruce Sitka Spruce Sitka Spruce Sitka Spruce Sitka Spruce Sitka Spruce BT1. gC5. 110e. nS74ce) Big leaf maple (nS62ce. 214ce gS mini BT1 (Sitka) BT2 (Tropical mahogany) BBT (Big Baby) 45 48 . 210ce. BT2: Tropical mahogany Sapele X Bracing nylon Series Bracing mexican Cyprus & myrtle geometric Pattern ebony none Sapele laminate Sapele laminate GS Mini Baby taylor nylon Series indian rosewood (nS72ce. 210e. nS34ce nS62ce. nS74ce Models ga5. 315ce. 454ce. nS34ce) indian rosewood laminate (nS24ce. 114ce 210. 70s) ebony (60s) indian rosewood (60s. 114. 30s) gloss Taylor gold or Taylor Slot head (gC) Taylor Chrome Taylor Chrome Taylor Chrome Taylor Chrome Chrome Chrome Chrome indian rosewood indian rosewood indian rosewood indian rosewood indian rosewood rosewood lexan none gloss Satin Satin Satin Satin Varnish (100s) Satin (200s) Varnish (100s) gloss (200s) Varnish (100s) Satin (200s) Taylor eS-T® (e and Ce models) Tortoise Varnish Varnish gloss gloss gloss gloss gloss Varnish Varnish Satin Satin Satin Satin Satin Varnish Varnish Satin optional expression System® none expression System® optional expression System® none expression System® optional expression System® none Pre-fitted for eS-goTm Tortoise optional eS-n® Tortoise Tortoise Tortoise (BBT) none Taylor deluxe hardshell (Brown) Taylor hardshell (Black) Taylor hardshell (Black) Taylor hardshell (Black) Taylor hardshell (Black) gig Bag (100 Series) hard Bag (200 Series) gS mini hard Bag gig Bag hard Bag (20s) Taylor hardshell Black (30s) deluxe Brown (60s. dn3. 110ce. 70s) Black (20s. 414ce. gC3. 412ce. 355ce ga3. 72) indian rosewood (24. ga3-12 110. 214. 214e. 114e. gS5. dn4. 62. 312ce. 455ce ga4. 70s) nS24ce. ga4-12 310ce. nS64ce nS72ce. gC4. BBT: Sitka Spruce. 30s) Tropical mahogany Back / Sides top neck Bracing Rosette Fretboard Fretboard Inlay top Inlay headstock Overlay Binding Bridge Bridge Pins nut / Saddle tuning Machines / Buttons truss Rod Cover Back / Side Finish top Finish neck Finish Electronics Pickguard Case Tropical mahogany Standard ii (forward Shifted Pattern w/ relief rout) 3-ring abalone ebony abalone dots Tropical mahogany Standard ii (forward Shifted Pattern w/ relief rout) 3-ring ebony large Pearl dots Tropical mahogany Standard ii (forward Shifted Pattern w/ relief rout) 3-ring ebony Pearl dots Tropical mahogany Standard ii (forward Shifted Pattern w/ relief rout) 3-ring ebony large Pearl dots Tropical mahogany Standard ii (forward Shifted Pattern w/ relief rout) 3-ring ebony Pearl dots Sapele X Bracing Sapele X Bracing 3-ring ebony Pearloid dots 3-ring ebony Pearloid dots laser etched ebony Pearloid dots none indian rosewood none indian rosewood none indian rosewood none indian rosewood none indian rosewood none indian rosewood none lexan none lexan none indian rosewood (20s. 70s) Satin (20s. nS24e nS32ce. nS64ce) Sapele (nS32ce. dn5. 30s. 314ce. 354ce. gS5-12 410ce. 74) ebony (64) gloss (60s. nS24e) Western red Cedar (70s) engelmann Spruce (60s) Sitka Spruce (20s. Signature Models ddSM (Doyle Dykes) Standard Features .Standard Features .Specialty StSM (Serj Tankian) LkSM (Leo Kottke) tSBt (Taylor Swift) JMSM (Jason Mraz) dMSM (Dave Matthews) Baritone 12-Fret Back / Sides Big leaf maple Tropical mahogany Sapele laminate Sapele indian rosewood indian rosewood Back / Sides indian rosewood indian rosewood top neck Bracing Rosette Sitka Spruce Sitka Spruce Sitka Spruce maple Western red Cedar Sitka Spruce top neck Bracing Rosette Fretboard Sitka Spruce Sitka Spruce hard rock maple Tropical mahogany Sapele X Bracing Sapele Standard T5 Tropical mahogany nylon Series Bracing Tropical mahogany CV w/ relief rout Tropical mahogany Baritone Bracing Tropical mahogany 12-fret Bracing Single ring abalone w/ Bound Soundhole ebony Pearl dots Standard ii (forward lKSm Bracing Shifted Pattern w/ relief rout) Single ring abalone 3-ring Screen Printed Custom n/a mexican Cypress/ Bubinga/Koa Zodiac Symbols ebony mexican Cypress “Be love” w/Circle/ Triangle none indian rosewood indian rosewood ebony none Single ring abalone 3-ring abalone ebony Small Pearl diamonds none indian rosewood indian rosewood ebony Fretboard Fretboard Inlay top Inlay headstock Overlay Binding Bridge Bridge Pins nut / Saddle tuning Machines / Buttons truss Rod Cover Back / Side Finish top Finish neck Finish Electronics Pickguard Case Models ebony Pearl ddSm ebony none ebony Pearloid dots ebony Serj Tankian energy Wheel ebony Pearl Cindy / “grux” Fretboard Inlay top Inlay headstock Overlay Binding Bridge Bridge Pins nut / Saddle tuning Machines / Buttons truss Rod Cover none indian rosewood ivoroid abalone ebony w/ Pearl / abalone rose inlay ivoroid none indian rosewood indian rosewood ebony ebony none lexan n/a ebony w/energy Wheel inlay Black none ebony none ivoroid ebony ebony ebony w/ abalone dots Tusq Taylor gold ebony Black ebony ebony ebony ebony ebony w/ abalone dots Bone Taylor gold mini (8-String) Taylor gold (6-String) indian rosewood ebony w/ abalone dots Tusq Taylor Slot head Tusq Taylor gold Tusq Chrome Bone Chrome Tusq Ping Classical gold with ivoroid Buttons Bone gotoh indian rosewood ebony indian rosewood gloss none Black none ebony gloss Varnish gloss gloss gloss Back / Side Finish top Finish gloss gloss gloss gloss gloss gloss expression System® or Baggs / ddSm® none Taylor deluxe hardshell (Brown) ddSm colors: natural Black (opaque) Black (translucent) orange Brown Sugar gloss Satin none Varnish Varnish optional gloss gloss T5 electronics w/ five-Way Switch none Taylor T5 hardshell (Black) STSm-T5 gloss Satin eS-n® gloss Satin expression System® neck Finish Electronics Pickguard Case Models gloss Satin expression System® expression System® none Taylor deluxe hardshell (Brown) lKSm lKSm-6 none gig Bag none Taylor deluxe hardshell (Brown) JmSm none Taylor deluxe hardshell (Brown) dmSm none none TSBT Taylor deluxe hardshell (Brown) Baritone 8-String Baritone 6-String Taylor deluxe hardshell (Brown) 12-fret 46 . T5C1-12. Jewelescent orange. T5S1-12. ruby red Burst. Purple flake. Walnut (T5-C4). Single Coils. red. Blue. T5-C2. available in different configurations (see page 32) White Pearloid Black Pearloid Tortoise Shell Black Parchment none (optional on Standard and Custom) deluxe hardshell Classic: Translucent White. Custom Walnut) Tropical mahogany (Custom Koa) top Sitka Spruce (T5-S. Sublime. magenta Pearl. Standard natural) gloss (all other models) Satin (all Classics) gloss (all other models) full-size or mini humbuckers (hd or hg). Translucent red. honey. Standard) Pearl Progressive diamonds (Custom Walnut) Koa Series (Custom Koa) ebony Fretboard Fretboard Inlay ebony ebony ebony Pearl dots (T5-S. Viper Blue. T5C5-12 T5 Classic T3. lava red Pearl.Standard Features . Custom) Taylor Stoptail aluminum. T5-C4. honey Models T5-S. Black (Translucent Black optional) w/ edgeburst. Custom Walnut. Custom Koa 47 48 49 . T5-C2. T5C-12. T5C4-12. Sunburst options: Tobacco. Translucent orange. Koa (T5-C2). Sage green. T5-C1. T5S-12. figured maple (T5-S1. Cherry none natural. T5-S1. Titanium Pearl. T5-S1 and blue bursts) Taylor gold (T5-C.the electric Line t5 Body Sapele t5 Classic Sapele t3 Sapele SolidBody alder (Classic) Sapele (Standard. Standard natural) gloss (all other models) Satin (Classic natural. T5-C1. T5-C5) Small diamonds Pearl dots headstock Overlay Fretboard Binding Bridge nut tuning Machines / Buttons Back / Side Finish top Finish neck Finish Electronics ebony ebony ebony White Black White none (Classic) Black (Standard. T5C2-12 T5-C4. T5-C2. Standard: aged Cherry Sunburst. Blue metallic. Tobacco Sunburst. Vintage alnico humbuckers. T3/B Classic. fully adjustable optional tremolo Bone Taylor Chrome ebony ebony Chrome roller-style w/Stop Tail (T3) or Bigsby Vibrato (T3/B) Tusq with Teflon® Taylor Chrome Bone Taylor Chrome (T5-S. natural. Custom: Shaded edge gloss Satin gloss gloss Satin gloss T5 electronics w/ five-Way Switch T5 electronics w/ five-Way Switch Taylor hd humbuckers w/Coilsplitting Capability Pickguard none none none Case Color / Burst Options Taylor T5 hardshell (Black) gig Bag Taylor T3 hardshell (Black) natural. T5-C1). Custom) indian rosewood (Classic) Pearl dots (Classic. Custom Walnut) Tropical mahogany (Custom Koa) maple (Classic) ebony (Standard. T5-C). T5-C. T5-C5) gloss Tusq Taylor Chrome Satin gloss Satin (Classic natural. T5-C1. Standard. T5-S1) Pearl T5 “artist” (T5-C. Black. Black. macassar ebony (T5-C5) ovangkol Quilted maple maple (Standard) Walnut (Custom Walnut) Koa (Custom Koa) neck Tropical mahogany Sapele Sapele Sapele (Standard. T5-C4. T5-C5. Sunburst options: Tobacco. whose beautifully bookmatched soundboard exhibits rich variegation. while rosewood binding and white purfling accentuate the voluptuous GS contours and sharp Florentine cutaway.S. Aloha. The FSC is a non-profit organization that supports environmentally friendly. AZ Permit No. . Postage Phoenix. Gorgeous This stunning custom 6-string Grand Symphony was crafted through Taylor’s Build to Order program. The top.A Publication of Taylor Guitars Guitar Guide / Summer 2010 Taylor Guitars | 1980 Gillespie Way | El Cajon. back and sides feature exquisitely figured master-grade Hawaiian koa. socially responsible and economically viable management of the world’s forests. A mother-ofpearl tropical vine fretboard inlay helps evoke an exotic Island motif that suits koa’s hallowed heritage. 1225 Presorted PAId The paper we used is certified by the Forest Stewardship Council.com Standard U. CA 92020-1096 | taylorguitars.