Songs With Guitar From the Age of Napoleon, John Mccormick

SONGS WITH GUITAR FROM THE AGE OF NAPOLEON, John McCormickSONGS WITH GUITAR FROM THE AGE OF NAPOLEON John McCormick INTRODUCTION In this, the 5th incarnation of "Songs with Guitar from The Age of Napoleon", I have made a few changes and have added a considerable number of songs and collection locations to the "catalogue" of composers and libraries. The changes I have made are as follows: I have shortened the commentary section to a considerable degree, sticking mainly to "factual" material and omitting as many of my editorial comments as I could without gritting my teeth. I have put the library and collection listing (catalogue) that you will find at the very end in better order, namely, alphabetically by library sigla, thus, in effect, grouping them by country. I have also added a biography or two. Finally, I have made some more corrections, and there are numerous additions in my listings. It should be observed that the song composer and collection listings are still far from complete, since such a vast number of songs with guitar were composed during this period. However, as further discoveries are made, they will be added to the lists. COMMENTARY The approximate time-period in which I am interested encompasses the latter part of the 18th century and extends through the beginnings of the 19th century. This era is variously known as The Age of Reason, The Rossini Period, The Age of Napoleon, the beginning of the romantic period, the end of the classical period, the classic-romantic period, and by any one of a countless number of other labels that have been attached to this tumultuous, creative era. Whichever is used depends entirely on the vantage point from which one views this remarkable time. During this time, profound changes in virtually all aspects of society swept across Europe in an amazingly short time. They affected every aspect of the social, economic, cultural and political environment. Of all the possibilities that present themselves as ways of identifying this period, which in certain contexts does not even span what we would normally regard as one generation, The Age of Napoleon seems to best personify the character of the music that is the subject of this presentation. The social and political structure of the age had a profound influence on musical tastes, and most specifically, on the incredible popularity of the guitar. Furthermore, many of the composers listed below owe much of their success to the active support of either Napoleon himself, or to that of his many relatives who had been strategically placed throughout his far-flung empire. For all of his faults, he and most of his family members were, most certainly, ardent supporters of the arts, especially music. The fact that the guitar was extremely popular during this period is well documented. During the Age of Napoleon, its popularity was equaled only by the popularity of singing. Singing in its various forms has always been the single most universal form of music making, but during this period, it became especially widespread. Opera and song were the two most important forms of musical entertainment. However, because of The Revolution, and all the events surrounding it, operatic themes (and song) underwent a radical change. Before the revolution, operatic librettos dealt largely with real or imagined historical events that had to do with royalty and pageantry. After the revolution, comic opera came into vogue, often using humor to lampoon those in authority or to make fun of past royalist practices. Today, we often overlook many of the social mores attached to musical practices of the past, which are now completely different. This is, in part, because we tend to see the eighteenth century through today's eyes, often at our own expense. Take, for example, our use of the terms "popular" and "classical" as applied to styles of music. This terminology is a modern innovation stemming from compositional practices that began to evolve in the latter part of the nineteenth century, when composers began thinking in terms of writing music for the "ages", attempting to express through music grand philosophical thoughts that transcend a specific time or place. This approach was then taken one step further, with "experimental" music, which heralded the first time in history that an attempt was made to write music with a total disregard for its potential audience. It was also the first time in history a composer was not expected to make a living through composing. In the late 18th century, there was no distinction between "serious" and "popular" music. The closest approximation of this concept could only be drawn from the time of royalty, when serious musicians were dependent on the whims and tastes of their royal employers. They were called upon to write and perform elegant music for elegant http://www.guitarandluteissues.com/mccormick/mccormic.htm[13/01/2013 12:39:51] SONGS WITH GUITAR FROM THE AGE OF NAPOLEON, John McCormick tastes. Demand for their music was most often associated with a specific event - a wedding, a coronation, a banquet or for the entertainment of a visiting dignitary. None of these touched the average person of the day unless it was part of a specifically staged public event. The only other avenue for the composer was through the church. Indeed, this was a rich period in the volume of music produced for the church that extended well through the Napoleonic era. Through one of the many vagaries of history, not much of the liturgical music written during the Age of Napoleon is heard today. While most of it may not now be seen to have been on a par with many of the great masterpieces from previous eras, it, along with secular vocal music, began to reflect the changing tastes of the times, taking on a rich simplicity that marked a new-found preoccupation with closely wedding the text and the melodic line. For the practicing musician, the most telling and personal effect of the French Revolution was the sudden and complete loss of his livelihood. Musicians had worked for royalty. Now, aside from Napoleon and his family, there was no more "royalty". For better or for worse, the Revolution heralded the dawn of "free enterprise". Therefore, in order for them to make a living, musicians of all kinds, as well as publishers, instrument makers, and impresarios, were all faced with the need to find new markets for their wares. Under the circumstances, this involved going directly to the average "man on the street". Today, those of us who are given to think about such things sometimes marvel at the volume of works commonly turned out by a single composer during this time and previous eras. Haydn, Schubert, Mozart and Rossini are names that immediately come to mind. The days when a composer such as Johannes Brahms could afford to take twenty years or so to think about one symphony were yet to come. In the Age of Napoleon, the free market was more like a free-for-all for everyone involved in music. There were no copyright laws, for example. Anyone could publish anything that might sell, whether it was already being published by someone else or not. Under such circumstances, composers had no control over the fate of their music, once it was sold to a publisher, even to the extent of merely correcting typographical errors. Nor could they benefit from arrangements of their music done by a person hired by the publisher, a very common practice with music for which there was a demand. In addition, there were no restrictions on publishers "stealing" from other publishers. There are countless instances in which a given work of a composer appeared in numerous editions put out by dozens of publishers in as many countries. They each, in turn, issued arrangements of popular works for what now seems like rather bizarre combinations of voices and instruments. This was especially true of operatic arias, since opera, especially comic opera containing a generous dose of political satire, was the most popular music of the day.. If a particular opera succeeded in becoming well known, arias were extracted for publication in whatever form would sell to the public. In all of this, the composer had no say and reaped no benefits. Under the circumstances, composers were always heavily involved in self-promotion. This generally took the form of performing their own music in concerts. Unlike concert programs of today, in which the performer presents works by a variety of composers from different periods, the performer was most often the composer, and the program was made up entirely of his or her own compositions. Very rarely did a performer present works by other composers. There were also occasions, especially in Vienna, when concerts were sponsored by wealthy patrons that involved the participation of several performers, all of whom presented samples of their works. Over a long period, almost since the beginnings of opera, staged performances involving singing were often no more than showcases for singers who were capable of displaying the greatest range and flexibility in their voices. By the 18th century, their careers had come to depend almost entirely on their ability to dazzle their audiences. Their vocal displays normally included improvisation of lavish melodic ornamentation, often so extreme that it rendered the work of the composer nearly unrecognizable. One manifestation of this trend was the phenomenon of the castrato, a voice type that began in the church and migrated into opera. This was a voice with incomparable power, range and agility, ideally suited for the times. Beginning in the second half of the 18th century, however, this all began to change. Audiences, performers and composers alike began to view such practices as straying far afield from the intrinsic spirit of music, and in particular, of singing. The pendulum began to swing completely toward simplicity, expressivity, and respect for the wishes of the composer. In both opera and song, the emphasis became that of placing great importance on communication of the text, on a beautiful, flowing legato line, and on musical simplicity. This trend toward simplicity and directness in Italian song without further development may have been its undoing with respect to its historic perpetuation as a great art form. Elsewhere, the same theme of expressivity began to take the form of innovation; largely centered on exploiting the perceived capabilities of the piano The major innovation http://www.guitarandluteissues.com/mccormick/mccormic.htm[13/01/2013 12:39:51] In light of the highly personal nature of musical taste. It was set to music not only by Metastasio himself. this practice is.com/mccormick/mccormic. It has been my experience over the years that most of the literature I have read having to do with music history and biographical information on composers contains the common flaw of having subjective opinion presented under the guise of factual information. A History of Song. Mauro Giuliani. Such evolutionary processes also made it easy for future historians to place comparative value judgments on differing styles of song writing. harmony and rhythm on an equal footing. J. Frederick V. Grout. some of his many verses that songwriters used quickly became favorites. John McCormick was to establish the "accompanying" instrument and the voice as equal partners. Thomas F. Naturally. Massimo Agostinelli. Songs with guitar from this period present numerous opportunities in the realm of subtle artistic expression. He also wrote numerous songs and vocalizes to illustrate his point.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. It was also used by numerous anonymous writers of songs with guitar.The Guitar and Mandolin. This is intimate music. On the other hand. similar vocal writing. He now climbed rapidly. when provided. aged eighty-four. the tendency is far less prevalent in works devoted to the in-depth study of a given composer. some of them being set by twenty or thirty different composers. came from the following sources . he became disenchanted with the prevailing trends and retired as a singer. was adopted and educated by a wealthy man of learning. other than those for music. the majority of Italian songs at this time. one of the composers of songs with guitar listed below. at best. used as their texts the poetry of Pietro Metastasio. Correctly or incorrectly. being heard at the age of eleven publicly improvising verses in the street. but also by no less a composer than Mozart. at the expense of those. as regular church-goers know their book of prayers. Hasse set all his librettos once and some twice. it usually takes the form of a gratuitous opinion concerning the quality of a particular composer's work. Heck. This seems to be especially true of songs written with guitar. Gravina. The biographical material. Virtuoso Guitarist and Composer. One of the most famous of the Castrati. This verse was only one of many that enjoyed such repeated use. In any event. and the trends it set in terms of expressivity. Others included Zingarelli. dismissing it as being. notably the somewhat later German Lied with piano. and virtually the only one to remain active during this time. Brambilli and Melia. devoting himself particularly to the provision of texts for music. and for the most part. text. designed for intimate settings.htm[13/01/2013 12:39:51] . Bone . and to compositionally place melody. Gluck. since they have all been ignored in standard music history texts. which did not follow their particular way of thinking. so that their every word was known in advance by the audiences of the day. A History of Western Music. and orchestra.guitarandluteissues. http://www. vocal trios and choruses. perhaps such subjective evaluations are seen as being more acceptable in such a context. He established himself instead as a teacher of singing and wrote several treatises on the aesthetics of the voice. This was a purposeful break from the time-honored tradition associated with solo song. He was a grocer's son who." As was the case with his libretti before. Crescentini. The Art and Times of the Guitar. Metastasio was "born in Rome in 1698 and died in Vienna in 1782. it is somewhat rare that one of them has verses by a poet other than Mestastasio. Stevens. The New Groves Opera. one of the results of this practice has been to minimize the artless simplicity of Italian song writing during the late 18th century. who later left him a fortune. piano. vocal technique. Although there were undoubtedly other poets who were also popular. This tendency seems to be especially true of general reference material. I have long felt that if it were not for this music. One such was Ecco quel fiero istante. flawed.P. His poetic works. mundane. Girolamo Crescentini. Johann Gottlieb Naumann and Pellegrini. a substantial number of which are accompanied by the guitar. It was set for duets. whether they were written with guitar or other instruments. highly misleading. were translated into many languages. The lessons of this body of music were to influence songwriters and singers for many generations. was among those who contributed substantially to this change in thinking. Grunfeld. In fact. Haydn and Mozart were amongst his clients. For over half a century he lived in Vienna as court poet. or the aesthetic characteristic of a specific composition. for his dramas were accepted as the perfection of their kind. Rosselli. among the many songs with guitar in the Italian language I have encountered. In my view. The New Groves. for the most part. Among the composers of guitar accompanied song who used this verse were Carulli. and the wedding of the text to the melodic line. The Oxford Companion to Music. and becoming the most celebrated librettist in Europe--almost The Librettist. Handel. in which every other musical element was subservient to the vocal line. whether the composer in Italian or another nationality. might very well have taken a different turn. According to the Oxford Companion to Music . to name a few. Singers of Italian Opera. Anelli moved to London..Mutter spricht ich soll's night leiden [15] Apell.Louises Graf * Sörg ej den gryende dagen (voice and lute) * Här vid denna silver bächen (voice and lute) [22] Albenese (1729-1800) . After he made his debut at Bayreuth.Wahrsagenlied [11] . Asioli.Wrote three collections of songs with guitar and violin that were published in Paris..Fernandos Lied [11] Aprile. he wrote a http://www. 1793) . and other combinations... he did write a significant number.Ah lorsque la mort trop cruelle [9] Baldini . Johann (1773-1806) . guitar and bass. . where he appears to have remained for the rest of his life Apel. Joseph Charles (Bohemia) (1759-1822) -.Tout m'alarme tout excite et ma crainte et mes regrets [2] Anelli.(Several songs with guitar published mainly between 1800 and 1817.Sopra una candida (Cavatina) [1] Arcari. many of which were with guitar.Although his primary instrument was the violoncello.Souvenir [2] Andreozzi . He remained a prominent and respected musical figure in Berlin until his death. He was distinguishing himself as a performer as early as 1809 in Turin. but often performed as a vocal soloist to his own guitar accompaniment. At the end of 1813 Anelli left Italy for Paris. though he continued to visit Italy. Olof (1756-1835) . He later studied the violin and guitar. His singing career began in Prague. songs with one and two violins and bass.Amon was born in Bamburg and began his musical career as a singer. Francois (beginning of 19th century) .Non dormo un'ora al gano (aria) * Grazie o pietosi Dei (aria) * Vado in traccia del ben mio (cavatina) * Povero cor tu palpiti (cavatina) * Child of heart with the Golden Hair (cavatina) * Tre cavatine * estrate dalla cantata . . C. He was sometimes judged by Parisian music critics to be the better performer of the two..Se perdo l'idol mio [15] Agliasti. Here he played for the public his two Concerti for guitar and orchestra. After a brief stay in London. along with vocal duets. 5 . voice. John McCormick THE COMPOSERS AND THEIR SONGS Accorimboni . op.There he came to know Fernando Sor and became his rival in guitar concerts. he not only gave solo guitar concerts.Als ich auf meines Bleiche [11] * Romance des Pagen aus Figaros.Jenny [2] Baldenecker. Wrote about 300 songs with guitar. where he stayed for a short time. Nicola Bathioli or Barthioli.Borne in Turin at the beginning of the 19th century.Mes Souhaits [4] Barbereau.His accompaniments are quite simple.guitarandluteissues. Daniel-François (1782-1871) .. Little is known abour Anelli concerning his exact date of birth or his birthplace.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. Alt. In addition to writing songs for voice and guitar.) . He died in 1830. it is difficult to tell whether a particular songs is an arrangement or an original composition. Johann Andreas (1763-1825) . Giuseppe (Joseph) . the scores of which are now presumably lost. Ambrosche limited himself to writing songs. folk-like works to more complex pieces. Amon. He also founded a music publishing company. Napoleon's sister.. All of the accompaniments were written for five-string guitar. as well as horn playing.Lived in Vienna where many of his compositions were published.Non v'è più barbaro (cavatina) * Crudel morir mi vedi (2 voices & guitar) * Mio ben ricordati * O cara immagine del mio tesoro * Per te non ho più pace * Sacri orrori amiche selve * Se tuti miei pensieri * Zeffiretti fovieri dal giorno [15] Balochi. Valentino .. During this time. According to the article in Groves. David August von (1754-1832) .htm[13/01/2013 12:39:51] . but his vocal lines often have numerous embellishments". For some time he was employed by the Princess Paolina Borghese. Mathurin-Auguste (1799-1879) . E.Heure du soir [2] Bassi. "his lied style ranges from simple. Although his output was relatively small as compared to other such composers.A quanto è mai difficile * Napoleon sei solo [24] * Voi lo vol terete (2 voices & guitar) [40] Arnold. In some cases. Andrade.Mio ben ricordati [40] * Se restosul lido (Canzonetta) * Timor mi scaccia (Canzonetta) [53] Auber. In 1815.com/mccormick/mccormic. strophic. Fortunato (18 th cent. Luigi Alström.Ambrosche. Unlike some of the others. . The songs are mostly on French texts and are in a popular vein. Jean Auguste (d. These collections included a few guitar solos as well. Luigi (1760-1832) . he published several volumes of songs with guitar. Johann George Christian (1775-1841) .So ist mein Wunsch (1825 ) [11] . he moved to the provinces west of London. he remained in Germany for the rest of his life. Bonafazio (1769-1832) .) Here is one of a number of examples I have found thus far of singers who also composed. The only adverse criticism his performances received was on the few occasions that he attempted to sing German opera in German. This is the only song for voice and guitar by this composer I have found so far. Beauplan. Ludwig (1777-1839) . Mozart. the invention of the vocal nocturne. he enjoyed his greatest success in Germany. (J. He remained a permanent member of the opera buffa company at the Prussian court for many years.Prolific composer of lieder and sacred choral music. B.Conseils a mon amie * Romance * L'Amour Venge * Comparaison (Published in facsimile by S. Napoleon's sister. Zingarelli) [28] Bianchi. Chi vive amante. he claimed.E. He was.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON.guitarandluteissues. Paer.Mc)] Blum. Senza parlar fra loro. After the revolution of 1830. 1793) . Cimarosa. W/ guitar by Bianchi) * Verita * Rimprovero di disinganno * Pretensione ingiusta [15] * Agitazion d'amore [26] [10] [14] * An Emma * No non vo piu rogatoli [6] * Pretensione ingiusta [18] * Smorfiofella [18] [27] [53] * Douze (12) Chansons Italiannes . The songs he wrote were published and re-published. As a boy he sang in the Turin Cathedral choir and was a pupil of Bernardo Ottani.Blangini is listed in Groves Opera as a French Composer. I would not take such statements as a deterrent that would prevent me from investigating Blangini's songs with guitar.An die Geliebten [11] . and as a musician. Crescentini.P. [4] Bevilacqua.com/mccormick/mccormic. J. [The preceding analysis is by the contributor to Groves Opera on the composer. and although several romances are appealing.Agnes Sorel. De Lyre ou Guitarre ( Mi lagnerò tacendo. there is generally much artificiality in his harmonic language and formal structure. Italy) Benzon. he became fashionable as a singer. sentirsi dire) [13] * A votre belle soyez fidèle [2] . In 1809. composer of salon music and singing teacher.Balladen. Back in Paris in 1814. mostly operas comiques. as well as sacred works and vocal chamber music. Siegfried (d. I would have no way of verifying those opinions.htm[13/01/2013 12:39:51] .Lived in London during the first part of the 19th century Berton. Genoa and Paris during his early career. he lost his court appointments. De tous les pays pour vous. & guitar) [2] Bédard. Given the total volume of music he wrote. he was also in the service of Pauline Borghese. and songs with guitar accompaniment. and professor of singing at the Conservatoire. Antonio (1758-ca.. Bianchi. Blangini composed nearly 30 operas. 1802) . and has subsequently been credited with. even though he was primarily neither a composer nor a guitarist. Amédée de (1790-1853) . Weigl. instead. Although he sang in Milan. maestro di cappella and master of chamber music to the new King of Westfalia.Douze chansons italiennes [28] [37] * Una vaga giovinetta (from Maître de chapelle. . a famous operatic baritone. * Je n'est plus la [4] * Silve a l'age de quinze ans. (2 voices & guitar) * Senza parlar fra loro (2 voices & guitar) * Mai se di lei t' accendi (2 voices & guitar) * Mai l'amor mio verace (2 voices & guitar) * Almen si nono poss'io (2 voices & guitar) * Chi vive amante (2 voices & guitar) * T'intendo si mio cor (2 voices & guitar) * Il piè s'allontana [15] * Nocturnes à Deux Voix Avec Accomp. Almen se non poss'io. Sarti. He was a member of the Legion d'honneur and received an auristocratic title. arr. They were written in a light. Much of his music was published by Diabelli. Carl Ludwig (1786-1844) . The few operas and ballets he wrote were only moderately successful.. court composer. romances. Amor che nasce con la speranza. (1772-1849) . However. Matteo P. In 1805 he became Maestro di Cappella to the Duke of SaxeCoburg in Munich.C.Alexis und Nettchen [11] Berger. Mai se di lei t'accendi.Je ne suis á personne * Marguerita (2 sop. Many of his stage works were unsuccessful and received few performances. was overtaken by the rise of romanticism. Farinelli. Napoleon transferred him to Kassel. Romanzen und lieder [51] * Schäne kommen gezogen (2 http://www. John McCormick number of guitar solos and a guitar method that included basic instructions in singing.Romances for voice and guitar [6] * Speranza al cor mi dice (2 voices & guitar). His autobiography was published in Paris in 1834. Jerome Bonaparte. he was superintendent of the royal chapel. where he was director of the theater.À votre belle soyez fidèle * Villanella rapita [2] * Maître de chapelle [27] * Douze chansons italiennes * Bigatti. mostly in Berlin and Hamburg. Bertioli. Florence. Henry-Montan (1767-1844) . He made his debut as an opera composer at the Theatre Feydeau in 1802 and at the Opera in 1806.Bianchi was a prolific writer of songs to French. Carlo (1779-1854) . singing teacher and tenor of Italian birth. rondeaux ey duos les plus favoris allemande. Alessandro . francois et italiens avec accompagnement de guitarre / choisis par M. who had an affair with him. became a French citizen and married a banker's daughter. Silve à l'âge de quinze ans. it is easy to suspect there might very well be more. German and Italian texts.Quattro Cavatine * Non t'accostare all'uma (aria) * Quattro duettini * Otto Cavatine * Reueil complet d'airs.Non dorma un ora al giorno (Cavatina) [15] Blangini. Francesco ( 1752-1810) . Not having heard the music. Arriving in Paris in 1799. with whom he remained until the king fell from power. Many of these songs were with guitar accompaniment. Mai l'amor mio verace. Salieri. Bevilacqua (Musiche di Blangini. T'intendo si mio cor. Felice (1781-1841) . almost banal style. . Vittorio . violin & guitar) [36] Champein. living for some years in Braunschweig and Berlin. Luigi .S'il est vrai que d'être deux [16] * Troubadour [14] Bolaffi.Frena la bella lagrima * Amo te sola * Ombre amene * Ecco quel fiero istante * Parlami pur sincero * Solitario bosc'ombroso: (Trois Ariettes italiennes. He did.De la douceur de voir Adèle [4] Carpi. 2 * IV Romances op.3) .Alta è la luna in cielo * Non senti amore * O mia Renè Carulli. Johann Heinrich Carl (1774-1840) .SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. fl. Cimarosa helped welcome the French revolutionary troops into Naples in 1799. Domenico (1749-1801) . Ferdinando (1770-1841) .Lungi da me che fai * Arrivo alle donne * Chi un dolce amor condanna * Deh torna in questo seno * Parlami pur sincero * Son lungi e non mi brami * Tu mi guardi tu sospiri: [15] * (Douze Ariettes Italiennes sur motifs de Rossini) . published in 1820 by Ricordi. 3 * IV Romances op. Edouard (d.Pour toi ma reine l'amour m'enchaîne [2] Brusch. op 20 * 6 Venetian Songs He was probably borne in Venice. guit. studying with local teachers. Paolo (1769-1840) .Sei Canzonette Italiane . In about 1805 he moved to Vienna. Cimarosa was a highly successful composer of comic opera. John McCormick voices & guitar) * Kleine Blumen. 4 * V Ariette Italiane e Duettino op.Racolta di 7 Canzonette [12] .Born in Florence during the latter part of the 18th century. 8 * IV Romances op. Carulli is well known today primarily for his guitar duets.Dolente e care immagini [24] Bornhardt. Bartolomeo (b. op. F.Though of by many as "the Italian Mozart".Trova un sola mia bella Clori (2 voices & guitar) * Sentirsi dire (2 voices. write numerous songs with guitar. Stanislas (1753-1830) . Michele (1769 -?) . he was arrested and spent a short time in prison. The Emperor ordered supper to be served to the performers and then told them to perform the entire opera again. (op. After 1803. In addition to his many light-hearted comic operas for which he was http://www..IV Romances. 9 Little is known about this composer. Brambilli. In addition to his many works for mandolin. François van (1779-1848) . Dmitrij (1751-1825) .com/mccormick/mccormic. 5 published in facsimile by Tecla) Bridy .Soldat * Laissez-moi le pleurer ma mère * je te pardonne en t'oubliant * Faux ermite (2 voices and guitar) [2] Campenhout. Boieldieu. When he was in Vienna in 1792. His compositions include various vocal solos and duets with guitar accompaniment. amiche peante * Conservati fedele * Amo te sola * Son lungi * Gia pronta la t'aspetta: (Grand Air italien) .A Neapolitan who spent much of his life in Paris. 5 * 6 French Songs. a famous soprano of the time who was also a mistress of Napoleon.O dieux qui m'avez tout oté [4] Cimarosa.A pupil of Antonio Salieri and a prolific composer. 6 * IV Romances. 1773) . violin & guitar) * Ah non pianger bell'idol mio (2 sop. violin & guitar) * Fuggi dagl'occhi miei (2 Sop.Menschensinn [10] Bruguière. however.Je pense à toi lorsque sous la feuillée [2] Carafa de Colobrano. he performed his Il Matrimonio Segreto. François-Adrien (1775-1834) .Hark the Vesper Hymn (4 voices & guitar) [27] Bortolazzi. Michel (1787-1832) . most of whose works for voice and guitar were published in Vienna between 1809 and 1821. He lived in London from 1800-1803 where he perfected his skills on the guitar. as well as his solo guitar music and a one-movement guitar concerto. his works include numerous songs and romances with guitar accompaniment. 1 Italienne 1 Allemande 1 Francaise et 1 Russe op. kleiner Blätter [53] . Bortolazzi wrote many chamber pieces calling for the guitar. op. violin & guitar * Sento già in sen che l'alma (2 sopranos. op. and songs for voice and guitar. violin & guitar) * Ah se di te mi privi (2 sopranos. he spent much of his life in his native Naples. one set of which was dedicated to Giuseppina Grassini. Milan. He also wrote a Method for the guitar.guitarandluteissues.Dal di ch'io vi mirai * Di me chi vide mai * Quel cor che mi prometti * Io rivedrò sovente * V'è com'è bello il mar * Selve ombrose .4) . He died shortly thereafter at the age of 51 in Venice. 1793) . Caruso.Il mese armonico [30] Bonfichi.Ecco quel fiero istante * Sognai mia fillide * O bella filide * Tornatesereni begl'astri * Ha negli occhi * Se son lontana * Già la notte s'avvicina * Amene selve.Sonst und jetzt * Jugendliche Frohsinn (V. he moved to Germany for his concert activities. Giuseppe .Che fa il mio bene * Deh con me non vi sdegnate * Tornate sereno begl'astri: {Six Nocturnes (for two voices and guitar)} . . 5IV Romances op. C.6 Italian Songs. Even though he traveled to other places. Boccomini. and when the Bourbon monarchy later regained power..) * Liebe lehrt in dunkeln Kummertagen * Ton der :leier * Wiedersehn * An die Hoffnung [11] * Mir bluhet kein Fruhling [11] [16] * Morgenlied [10] * Zitterbuben's Morgenlied * Piu che a te penso [8] * Aujourd'hui l'amour commode [21] Bortnjanskij. op. where he enjoyed success as a composer and teacher.htm[13/01/2013 12:39:51] . Luigi (1754-1822) .Senti Mio bene: (Trois ariettes et trois romances italiennes. He was among the most famous mandolinists in Europe. legato phrasing. he wrote quite a number of songs and keyboard sonatas.6 songs.(Several other libraries have printed editions.com/mccormick/mccormic.) Corigliano. and quickly became established in this capacity at the Conservatory in Naples.Quand l'Amour nacquit à Cithère [16] http://www. Mario Crescentini. whose youthful singing generally took place in church.In des Lebens Maientagen * O weine nicht in einem bessern Leben [11] * Sörg icke mer (voice and Lute) [22] Darondeau.htm[13/01/2013 12:39:51] .Premier amour [4] * Que de maux loin de toi [5] Dalberg. Friedrich . as well as on words and expression. op. ingrata sei gia loso [48] Drexel. When they retired from singing. and by Simrock. There were printed issues with either one or both)] . was the guitar. "Singing". José Melchor Gomis (1791-1836) . In addition to undergoing long and disciplined training in the art of singing. it is equally possible he wrote them himself.Fernandos Hochgesang an Clara [11] Ebers.S. Florence. Antonio (1770-1822) .P.El chacho moreno (Cancion andaluza) * La gitanilla zelosa (Cancion andaluza) [52] Comoglio.Vergessner Schwur [11] Eberwein. he wrote . placed great importance on smooth. composers.Abschied [11] Dottori. 6 lieder. Franz (1763-1826) . end of 18th cent. Following a long and successful singing career. Daniel . Justus Johann Friedrich (1783-1860) . they often became bibliophiles and dealers in books. In view of his wide-ranging skills as a composer. op. His musical training began very early. As a teacher of singing. Crescentini was singing comic opera in the small town of Fano at the age of 14.) . He was one of many castrati who could be characterized as very learned men. as well as in other musical skills. Carl (1786-1868) . Giuseppe (1769-1836) . he wrote several treatises on the subject. It is suspected that his few songs with guitar may have had their accompaniments crafted by an unknown contemporary. Henry (1779-1856) ."must be an imitation of speech". Twenty songs.echoing Caccini after more than two centuries . as well as teachers. Italy) Doltzhauer. although this speculation is without specific foundation.guitarandluteissues. bella Nice ingrata * Se lontan ben mio tu sei * Non le scherza te intorno * Se io t'amo s'io t'ao * Cara Nice. Vienna.Care zitelle no non sperate (2 voices & guitar) [15] Diabelli.manuscripts . s'avvien ch'io muora [14 .Ah potessi in quella tomba [40] Ferrari . Jan Ladislav (1760-1812) . following in the footsteps of those two generations before him. 20.E la bella m'a cercato * Me vogli anzurare dinto fratta * Chi t'a fatta sta bella * Piccere si m'ave nattanno bella cosa [48] Farinelli. Giacomo Goffredo (1763-1842) . they often had extensive literary training. Giuseppe Maria (1765-after 1822) . op.En vain de la nature je revois la parure (2 voices & guitar) * Il n'est point d'amant Elvire [2] * L'angellina e la cornacchia * Cuco (Canon for three voices) Ferrari.Elegie auf die Treue ihres Geschlechts [11] Eisenhofer . for example. One.Domenico (1770-1838) . The manuscripts apparently contain both piano and guitar accompaniment.Bianco il rosso il palido [16] Costa. the piano.( Six Airs Nouveaux) Romance * La fuite de l'Amour * Il faut une amie * Jadis et Maintenant * L'Esprit du tems * A Lisa (Published in facsimile by S.1836) . Giuseppe . 16. strings & guitar. Johann Friedrich von (1760-1812) . Nicolas-Marie (1753-1809) . John McCormick most famous. written in about 1810. unlike his predecessors.An den Schlaff [10] * Sie Schwankt dahin [26] * Wie wohl ist mir im Dunkeln [23] Dalvimare.Care zittele (2 voices.(Eight Airs With Guitar) . on which he was very adept in both writing and playing. Martin Pierre (1772-1839) . He may have played others.E. Karl Friedrich (1770 . Bonn He was a famous castrato singer who was admired and supported by Napoleon. Girolamo (1766-1846) . from the opera "Le due nozze e un sol marito") [10] * Vieni tranquillo sonno [3] Dalayrac. Also. Giovanni (b.Dodici (12) canzonette * Dove rivolgo oh dio * Languir d'amore crudel mi vede * O teneri piaceri * Numi sei giusti siete * Per valli per boschi * Fra tanti palpiti d'incerti affetti * Mio ben ricordati. and performers on musical instruments. However. 32 (location & source unknown) Dusik..Mi giuri che m'ami mi chiami * Senza l'amabile dio di citera * Te lo giuro o mio tesoro * Nice.Ihr Wuchs ist Nympfenhalt und schlank [53] Doisy . he turned to the teaching of singing. Colomer. Curci. but Crescentini's musical instrument.(Early 19th cent.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON.Holde leibe sanfe freuden [53] Fabricatoriello.Composer of songs with guitar published by Artaria. he began singing in public at a very early age. as with his predecessors.Tiers [4] Delfante.Regrets * Mon coeur soupire [4] Danzi. Anton . Trois Romances. 1800 .Zu einem Tal bei einem Hirten [23] * Mädchen aus der Fremde (Voice. Bone) Glück.Non giova il sospirar. Aside from perhaps one or two. Pienso en ti solamente. 1772) .Scolierò le mie Catena [24] * Bella pescatrice (voice. Yome halle. 1767) . or piano)[29] Giuliani. Carry Me Along * My Old Kentucky Home * Massa's in de Cold Ground * Maggie by my Side * Little Ella * Farewell My Lilly Dear * Eulalie * Fairy Belle * Camptown Races * Willie My Brave * Jeanie With the Light Brown Hair .Troisieme Recueil d'airs choisis avec accompagnement de Guitarre  [35] Gossec.) .Sei duetti notturni a due soprani (2 voices & guitar. Caspar (b.Ci vuol altro che vantarsi [15] Grosheim."Numerous songs with guitar" (P.Charade [11] Fortunato. simple as they are. 95 * Pastorale a due voci. Todos dicen.Pourquoi [4] Fioravante.Placida campagna (2 voices. Se infida tu mi chiami) [35] [44] Flora . G. op. Non cerchi innamorarsi. Aurette leggiere. Glachant. Manuel Vicente (1775-1832) .Beim Abschied * An Elisen um Mitternacht [11] * Prends cette rose nouvelle éclose [2] * Cavatine aus der Oper: der Augenarzt * Neben dir ist das liebste Plätzchen mir (Lied) [53] Hanssens. John McCormick Fiocchi. ca. Gragnani. Pietro Alessandro (1728-1804) .El bajelito nuevo [52] Gaveaux. op. which were issued along with their piano accompanied companions. . Apparently there was a demand for these versions.Famous flutist and composer who wrote a set of six songs with flute and guitar accompaniment. bass & guitar) [43] * 12 Ariette per voce di soprano con accompagnamento di Arpa. Vincenzo (1767-1843) . Tiene sin su barbero. Spettri e larve che volate. as well as six songs with guitar or piano. were many songs with guitar. Muchos hai que se casan. Mauro (1781-1829) . Te dico a su marido.com/mccormick/mccormic. Io dico all'antro addio. violin & guitar) [2] Guglielmi.One of the most famous guitarists of his time. Pierre (1760-1825) .Perche due cori insieme * Dove soletta o Clori * Non ti sdnegnar mia Fille [15] Grazioli. Para campana grande.Patrie absente [4] Giroust.(15 Boleri) . V. he told me. Among these works. .htm[13/01/2013 12:39:51] . Garcia . flatter kleiner Vogel [53] . Karl (1784-1829) .39 * Sechs Lieder op. a colleague at the university where I was teaching informed me that the library had facsimile copies of first editions of the complete works of Stephen Foster. op. Valentino (1764-1837) . che brama. Mujer que llego. Al entrar en ducasa.Coleccion de Canciones españolas [52] Flotow. Con los aficialitos. François-Joseph (1734-1829) . Ombre amene. o di Piano-Forte.French songs with guitar published from about 1744.149 * Romance "Près d'un volcan". During a casual conversation. Johann Ludwig (1793-1840) . Filippo (d. Friedrich Ludwig Ferdinand (1783-1858) . o di Chitarra Francese (Se un core annodi. He composed numerous songs. Furstenau. op. Bone. op. J.In einem kühlen Grunde [14] * Heimweih [9] Gougelet (18 th cent.151 * Anacreontic Ode. Giovanni Francesco (1760-1818) . Stephen Collins (1826-1864) .Sophie (Romance) [52] Glaesser.Hymne des Versaillois [39] Giuliani.guitarandluteissues. I later made copies of them just to have them.Oiseaux en chantant s'eshappent du bocage [2] Goulet. Those listed are all with guitar.13 * Trois Romances.Mes adieux aux Alpes [2] http://www. Giace di quell'avel. op. Perche se mia tu sei. the guitar accompaniments. Todos de las mujeres.22 * Marie Louise au Berceau de son Fils. Giovanni ca. many with guitar. 151bis (Published in facsmile by Tecla) * Flatter. Op. J. were written by Foster himself rather than by someone else hired by his publisher. op. Pierre Marie (1726-1790) .I acquired these songs quite by accident. flute & guitar) [11] * Mädchen aus der Fremde (voice & guitar) [16] Slumra du lilla (voice & lute) [22] Guglielmo.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. according to P. Adalbert (1763-1850) . Antoine-Charles (1770-1851) . De los calvos no quieras.27 * Sei Cavatine.89 * Sei Ariette. Non temas que te de puisa [28] * Amores y dolores guitan el sueño (2 voices and guitar) [3] Garcia. George Christoph (1764-1841) .Old Memories * Gentle Annie * Hard Times Come Again No More * Come With Thy Sweet Voice Again * Willie We Have Missed You * Some Folks * Old Dog Tray * Oh Boys. harp.Pien di contento * Ecco ridente il cielo * Se il mio nome saper voi bramate * Sorte mia tiranna [16] Foster. Che chiedi. Pietro Carlo Gyrowetz. Questa rosa porporina. Un rosal que tenia. Francois (1738-1799) . to German French and Italian texts.Un fraile se que. che intorno volate. das die Leyer Klinge * Herzenswechel * Gebet während der Schlacht * Ida an Alexis.[11] Kallenbach. a symphony and some instrumental works. Horetsky. op.Wassernymphe . one in C and the other in D) [10] * Liebe [14] * An Louise [5] * Lob der weissen Farbe [53] Interlandi. financing the journey with the proceeds from the operas he presented there. Bone) Hurka. Horetsky was a famous guitarist and composers.Pauvre Amélie [2] Held. no specific mention is made in this reference to his songs with guitar. He was a man of broad interests. Spanish and English texts which were published in Scotland and London. He remained in favor with the court throughout his life..com/mccormick/mccormic.Devais-tu donc me laisser revenir [2] Hertel. he appointed him chamber composer and financed a rather extended trip to Italy.3.) .Collections of songs with guitar published around 1796. Louis Emmanuel ( 1768-1853) . beglückt.Joseph (1791-1846) .." As usual. but his royal employers had no interest in this idea whatsoever. I have not http://www. op.Lob der blauen Farbe [7] * Mädchen an ihren Geliebten * Du Kleines braunäugugtes Mädchen * Entfernte [27] * Schiffarhrt [14] [27] {53] * Frülingsabend * An Minna [16] * Waren mir selige Tag (2 versions. Felix (1800-1871) . Pierre (1789-1868) .According to P. op.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. Peter Ludwig (1817-1899) . 9..An den Mond * An Minna . op. J. 3 [17] * Küsschen das ein Kind mir schlenket [15] Himmel. In addition to numerous guitar solos. especially his lieder. among his listed works.Weg zum Glück * Am meine Lyra * Weltweisen * Wohinaus zum grünen Hirteen dort hinauf * Ungestilltes Sehnen * Sehnsucht * Dir kleines Bethlehem erklang * Jüngling * Gunst des Augenblickes [7] Hildebrand. George Erst (1765-1832) . Luckily. his operas were performed in Venice and Naples. io solo inondo * Non vi fidate agl'uomini * Son le donne sul principio * In placido riposo * Vicino al segreto Dorindo * E che soffrir mi resta * Bedda Clori. Jean.Born in Prague and having spent much of his life in Edinburg. where Himmel studied and composed. the songs with guitar are mentioned. Wilhelm . (P.. he had elaborate plans to revive interest in opera in his homeland. op. 3 * Hasche die Zeit. Joseph (1732-1809) . Vito . John McCormick Harder..htm[13/01/2013 12:39:51] .. At this writing. August (1775-1813) . primarily because he turned down several offers for permanent positions in preference to maintaining an always tenuous independence. he moved to Vienna. He therefore made the long trips to Russia. journalist and poet. "In addition to a dozen operas an a similar number of theater scores.Roxalane [Chansonnette] (2 voices & guitar) * Gentille et vive Lisette ne voudroit jamais [2] Hédouin.guitarandluteissues. Born in Bavaria.Psalm LXXXVI [53] Henrard. a cantata..An ein Abendlüftchen [23] * Klotar * Mirta (2 voices & guitar) * An die Laute (2 voices & guitar) * An die Harfe (2 voices & guitar) * An den Mond (2 voices & guitar) * An den Hesperus (2 voices & guitar) * Abendlied (2 voices & guitar) [17] * Abschied [10] * Die Propheten der Natur * Wellen rauchen (Lied) [53] Haydn. John (Au. both financially and artistically. While in Italy.) . un it scantari * Cara. J. Friedrich Heinrich (1765-1814) . Bone) Helwig . (P.Blümchen das sich zwar nicht mehr [11] Jadin. It is observed in the course of the essay that his songs are often indebted to the aria melodies of the Italians. According to the essay on him in Groves. in spite of a pattern of rather erratic behavior. 3 * Bischoffslied. the trips were very successful.he composed songs and duets. Denmark and Sweden. Scotland. Kanne authored four volumes of songs with guitar.* Ergo bibamus. un ridiri [46] Jacquin. He then decided to devote his life to music.. he was active as a music teacher.Liebende * Es kann ja nicht immer so bleiben [23] * Welt ist nichts als ein Orchester [19] * Gebet während der Schlacht* An Hebe [11] [15 ] * Lied der Nachtwächter * Hin ist hin * Lieblingsplätzchen * Wenn im Schatten wo die Pracht * Lied der Nachtwächter in Berlin * Leiermann * An die Freude * Lied der Zufriedenheit [11] * Drei deutche Lieder [51] Beglückt... a mass. In addition to composing.Zerstörte Glück. After this. opera in particular. and there are many. plus six songs with guitar. Friedrich Franz (1762-1805) . His vocal works are numerous.Nice dorme. op. King Friedrich Wilhelm II was so impressed with his talents. se vuoi ch'io canti * Nice un parrari. he studied medicine in Leipzig and Theology at Wittenburg. he composed many songs with guitar to Italian. (18 th or 19th cent.. 3 * Gewehnt getan. Gottfried von (1767-1792) . In 1808. He also wrote a number of plays and long and short poems.Aveu timide [4] * Fillettes voulez-vous connaître [2] Jusdorf. Bone. wer die Geliebte findet * Fort. op. bei Sendung einer Rose * Die Wiederkehr in mein Vaterland [53] . C. J. 3 * Trinklied.Himmel was one of many non-Italian composers who was deeply influenced by Italian vocal music. For once. When he returned to Germany. Friedrich (1778-1833) (Vienna) . J.Weine Nicht [53] * Lebe wohl o mütterliche Erde [15] Kanne. where he spent the rest of his life. his several operas began to enjoy lasting success in Germany. he never achieved the established success his talents seemed to warrant. (see Martin y Soler below) http://www. where he was employed by the Duke of Abercorn. On returning to Naples in 1812 he was appointed singing teacher at the Reale Collegio di Musica and at the Pensionato Reale dei Miracoli.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. Switzerland.Prestiges de l'amour (2 voices and guitar) [2] Lami. Martini . Charles Philippe (1781-1839) . The only one I have found so far is shown below.Bayard pour chant et guitarre Lanza.Born in Koblenz. Gino (18 th cent. Joseph (1776-1856) . John McCormick located a source for those listed by Bone. since this was a very popular name.Was ich liebe zu vergessen [11] Marschner. He probably moved to London in 1793. wrote numerous songs with guitar. Luigi (1754 . In addition to his positions in the orchestras of Berlin. Gia la notte a me ne viene. and several collections of songs without opus numbers published by Breitkopf & Hartel.Ich wäre recht fröhlicht so gerne * An die Entfernte [11] * FrühlingsRuhe * In der Frene * Lebewohl * Morgenlied * Morgenandacht im Freien an einem Sonntage * Scheiden und meiden Kuffner. (P. Maria Felicita (Garcia) (1808-1836) A famous singer of the period whose father was an even more famous voice teacher. Vienna. Franz Xaver (1765-after 1810) . Bone) Labarre.2 Arie con recitative per una voce con accompanimento di Violino e chitarra. There were quite a number. Maes. Chevalier de (1785-1841) .Very prolific composer whose output included about 30 songs with guitar. He was born in Dessau. he was a well-known violinist and obtained a lifetime tenure as conductor of the court orchestra in Stuttgart. pub.guitarandluteissues.Ah Lucette il fallait nous voir ce matin (2 voices & guitar) * J'voudrais ben comprendre pourquoi (2 voices & guitar) * Amis je voudrais peindre Adelle [2] .) . Georgio .Closely associated with Weber.Dröj Sol uti din upgangstima (voice and lute) * Du i hvars oskuldsfulla blick [22] Krebs.Na cest alle pene mi povero * Lascia diletta fillida * Eccomi non ferir numi pieta * E it gha cor de vederme [48] Marchesi. Bone) Marani.Both a flute and guitar virtuoso. Louis . especially for foreigners who wanted to make it as opera composers and songwriters in Italy. Heinrich (1796-1861) .Tutto da voi dipende * Da te lungi idol'amato [24] Krauss. Legros . Germany and died in Schaffhausen.2 Arie con recitativo per una voce con accompanimento di Violino e chitarra. She was also very proficient on the guitar and gave many concerts accompanying herself. he composed a considerable amount of very fine lieder with guitar.C'est une larme [12] Lagoanère.htm[13/01/2013 12:39:51] . In addition to several successful operas. Cassel and Donauschingen where he played both instruments.Geistesgruss [15] Kraglich.Deux familles [2] Lafont. She wrote several songs with guitar which were published by D'Almaine. Skillful Guitarist and Singer. op. Luigi . August (1777-1853) . Andreas (1775-1839) .Mädel im Tal * Aufruf zur Jagd (2 voices and guitar) * An Elise [17] Kretzschmer. While most of his numerous compostions were for flute. Conradin (1780-1849) . Composer and singing teacher. including 12 songs. Apart from his conducting activities. J. Gaetano . Giuseppe (1750-1812?) .Amanda * Preghiera * Sehnstucht nach dem Vaterlande * Stille Liebe [53] .Sei ariette italiane [37] Marpurg.Sei arie notturne con recitativo [32] Lanza.Die Laute * Rondo (Tempo di Bolero) * Kennst du der lieb Sehnen? * Land meiner soligsten Gefuhle [53] .Souvenirs [2] Malabran. Karl Keller (1784-1855) . Peter Joseph von . Désiré .Jean Pauls Lieblingslied [11] * Die junge Schäferin * Der ritterliche Sänger [53] Kreutzer. Nella capanna andiamo [8].com/mccormick/mccormic. he toured extensively as flutist. By Schott. he wrote a guitar method and several chamber works involving the guitar He also wrote a large number of songs with guitar that were very popular during his lifetime. They were mainly published by Breitkopf & Hartel and by Aibt. Francesco . Nella capanna andiamo [32] Lanza.1829) . Joseph Martin (1756-1791) . J. and by Schott. Friedrich Wilhelm (1718-1795) .5.Jeune Indienne [2] Lindpainter. Gia la notte a me ne viene. London.(According to P. Karl Keller was also a teacher of singing. Kestner.I wonder which Martini this might be.Feldflasche [14] [8] * Holden Blumen bunter Schimmer [10] .L'amour et la gloire (1806) [44] Lemire. Theodore (1805-1870) . songs on poems by Goethe. Etienne Nicolas (1763-1817) . except that he served for a while as a church organist in his home town. Verdi took time from the production of his opera. he remained active in the musical life of Bergamo teaching. to attend Mayr's funeral. Gabriello (?-1840) . he tended to write his serious operas largely for La Scala. who was apparently a well-known opera singer of the time. with a revision of his second serious Venetian opera. who took him to Italy in 1787. a schoolteacher and organist. He lived for many years in the via de' Sediari (Chairmaker's Street) at number 76. At the same time there does not seem to http://www. who were noble and diplomatic personalities in Rome at the time. collaborating again with Da Ponte. The songs were originally published with only a sketch of an accompaniment.htm[13/01/2013 12:39:51] . In this modern edition. where he began formal musical studies two years later with Carlo Lenzi in Bergamo. During the year of 1795. During this time he taught himself to play almost all the string and wind instruments and also studied the organ. and continued to supply occasional ones to La Fenice and other Italian theaters. and that he briefly studied composition with Padre Soler (no relation). His musical talent was noticed by a Swiss Freiherr. In 1774 he was admitted to the Jesuit college in Ingolstadt and in 1781. Martin y Soler achieved his greatest success when he went to Vienna sometime before 1785. and by the age of ten could play the most difficult keyboard sonatas of Schubert and C. where he had played the viola since the theater opened in 1792.12 Canzonette Italiane (Published in a modern performance edition by Editions Orphèe. It was during this period that he also supplied other Venetian theaters with more than a dozen comic operas and one-act farces. in Venice. I wrote a fully realized guitar accompaniment. however. Gore Bogatyr Kosometovich. o sia belleza ed onesta. in the creation of what became his most famous opera. harp or guitar. he became known as Martini lo Spagnuolo. Count Pesenti. among others. helped obtain financial support from one of the cathedral canons for Mayr to study in Venice with Fernando Bertoni. Joseph. Bach. having been commissioned by Catherine II The Great to compose a Russian comic opera. and he seems to have never worked outside that city. although he wrote several for theaters in Naples between 1813 and 1817.E. and organizing performances of music by Haydn. as well as a set of six rather uninspired songs with piano for a Miss Miller. Méhul. Attila. Soler then returned to Sty. a serious opera presented during Carnival 1794 at la Fenice. In 1799. and encouragement from Piccinni and Peter von Winter caused him to take up opera.Settling in Italy where he assumed the name Vincenzio Martini. Johann Simon (1763-1845) .Melia was probably born in Rome in the last decadeof the 1700's. In 1786 he published a collection of twelve lieder. In 1838 he made a trip to Bavaria to visit his birthplace and his sister. to be played on piano. Thereafter. op. Little is known of his life prior to that time. Una Cosa Rara. He was to provide one of the two principal carnival productions there.16 * 12 Canzonette * Cavatine * Vini fagiam ben mio difebo il vivo ardor * Questa è la bella face * Quando miro il tuo sembiante * Ecco quel fiero istante * Quando non so dove il mio bene * Sempre più t'amo * So che pietà non hai * Povero cor tu palpiti * Invan si lagna questo mio core * Tradito sprezzato da quello che adoro * Praticel di fiori adorno * Sia benedetto amore * Rondinella a cui rapita * O cara di questa anima amabile [16] . enrolled in the university there to study theology. Beethoven and others rarely heard there.15 * Duetto. a small street that still exists close to the center of the city. guitar & orchestra) [28] . Five more oratorios and cantatas followed.Catina Bellina grazioso * Chi dice mal d'amore [15] Chi mi nostra chi m'addita [16] * Untitled * Oh come scorrono * Amor perche m'accende [38] * Non mi sprezzar Fileno * Amante mi sarete (duettino with guitar) [46] * -So che l'et [24] * Suonatore sventurato (Soprano. Mozart. Vicente (1754 . It is reasonable to assume that Melia did not develop his activities elsewhere. John McCormick Martin y Soler. He died in 1845. never to return. Near the end of 1788.com/mccormick/mccormic. Lenzi. his principal publishers. Petersburg. Over the next eight years or so.1806) . who had married an English woman and had arrived there three years earlier. Milan.Lorsque de mes parents [4] * Le doux mal [53] Melia. 1806. for which she had written the libretto. Mayr's first sacred compositions led to a commission from he Conservatorio di Medicanti for an oratorio. Mayr. he established his reputation with nearly a dozen operas written for various Italian cities. Martin y Soler left Spain while he was in his early twenties. He sang in the church choir. Mayr made his debut at La Scala.. maintaining a close relationship with the Rome environment. he went to Russia. Martin y Soler spent time in London. This can be reliably inferred from the dedicatees of his compositions. supplying music for the cathedral. Mayr developed cataracts and became blind in 1826. until the death of his patron.) Born in Valencia.Duetto. Ratti and Cencetti did business in the same street. His first stage work was Saffo. where he remained for the rest of his life. Indications of the extent of his teaching activities are found in the dedications of many of his compositions to his students.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. and began a collaboration with the librettist.guitarandluteissues. Lorenzo da Ponte which resulted.Mayr received his earliest musical training from his father. In the 1820's. They produced two more opere buffe. He died there on February 11. The last of his approximately 80 operas appeared in 1824. to distinguish him from others with the same popular name. quickly becoming aware of the extent of Mayr's talent.P. op. The charge was repeated by critics until Radiciotti discovered that the crescendo had been employed before Mosca's use of it in two operas by Johann Simon Mayr. At the time. Bernardo (1758-1800) . In 1791.Originally from Naples. Florence. Al. It is assumed that he spent much of his life in Northern Italy. Federico (1765-1835) . 25 (French songs with guitar)] Vaudeville du Tableau Parlant * Vaudeville de l'Amant Déguifé * L'Eloge de Babet * Romance * La Fidélité * La Bergère Vaincue * Romance * Le Serment indiscret * L'Indifférent * Le Plaifer * Colin et Colette * Le Galant Ridicule * Le Sorcier * Le bon Confeil * La Fileufe * Le tendre Reproche * Les Moineaux * La Grand Fille * La Bergère Calmée * La Quittance mutuelle * L'Heureux Berger * Lè Trelintintin * L'Histoire de Pierrot * L'Amour Gredadier * La Préférence * Romance * La Guitarre * Robin * L'Eloge de la Boffe * La Mére Confidentè ( Published in facsimile by S. ah perchè mai * Il Giuramento svanito * Ah più dubbio non v'è * Il Disinganno * Qual colpoo inaspettato * La Speranza * E fia ver che il mio bene * Il Delirio * Misero a chi ragiono * La Calma * Dove trascorro mai * La Libertà * Respirpo alfin [35] Moretti.M'aimes-tu bien [2] Monzino.Dodici canzonette op. which on the surface. particularly the device of the crescendo.htm[13/01/2013 12:39:51] . Giuseppe (1737-1802) . Chi vuol la bella rosa * Cavatina del Simone Mayr. Chi dice mal d'amore * Dei vostri accenti al suono [15] . one of the most popular stringed instrument makers and dealers in Milan. was perfomed at the Teatro Nuovo in Rome. .com/mccormick/mccormic.Born in Milan . In 1803 he went to Paris as maestro al cembalo at the Theatre Italien. Non mi lasciar ben mio (2 sopranos & guitar) [32] Little is known about this composer. mainly with guitar accompaniment. Giacomo (1772-1854) .Habitude [2] Millico.?) . He was the son of Antonio Monzino.Volle cogliere uno rosa * Dormia sul margine (Cavatina) * Ho sparso tante lagrime (Cavatina) [15] Moltke. Recueil de romances (1 & 2 voices with guitar [51] Milhès.P. the brother of Federico Moretti. After the success of Rossini's La pietra del paragone . Among his compositions are several Cavatine for voice and guitar.Anima mia consolami * Cavatina. op. performing in concert only twice. his first opera. He was a prolific composer. Venice and elsewhere.Sei cavatine. Giuseppe (1772-1839) . Moretti. Silvia e Nardone. Ferdinando .Âge d'or [4] Mellini. Monzino began a career as an editor and publisher at the beginning of the 19th century.Mosca was born in Naples.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. Francesco . There is also no evidence of any other important guitarists in Rome. 1806) .L'exil de Troubador.E. his birthplace. presenting his operas in Rome. Albert Gottlieb (1786-1869) .Io bramo viver sciolto * Ah che in si bel momento [16] .. Mosca. Giuliani visited Rome around that time and encountered great difficulty in developing much interest in his presence. he spent much of his life in Spain as an officer in the Spanish Army.S. Italy) Methfessel. Carl Melchior Jakob (1783-1831) . Isidore (d. probably in Milan.Se m'abbandoni [40] Merchi. . usually with much success.Dammi nice di sta grasta * Si ti guardu * Nici mia comu si fa * Chi amuri sfurtuna * Forti geniu di simpatia * Com'e possibli lassari [48] Mengozzi. When Spontini assumed directorship of the theater in 1810. Luigi . Naples.An Molly * An Mignon * Mädchen und der Jüngling * Nähe des Geliebten * Einsamkeit * Hirtin Wahl * Abendlied an den Ufren der Ostsee * Freiwillige Krieger[11] Mondonville . Mosca returned to Italy.12 Trofei d'amore (1806) * Dodici canzoni op. His set of 12 Spanish songs represent one of the earliest known song cycles. 4 (8 French Songs and 6 Italian Songs)] Ariette * Brunette * Musette Allemande * Ariette dans le gout Italien * Ariette * Romance * Ariette * Ariette [XXI LIVRE DE GUITARRE op. op. and he contributed significantly to the guitar repertory in competition with other great publishers in Milan. he composer additional music when required.Alte feldherr * Thaddaeus [15] * Kriegers Abschied * Liebestandelei * Lizidas * Sängers Morgenlied * So mancher möcht ihr Blümchen sein [53] Meurger. having written many songs. He apparently lived in Naples. mainly publishing guitar music of local composers. appear to have been very limited. the first few years of his life. Giacomo (1730 .La Spiegazione * Ti vidi o bella fille * Il Desio * Oh ma Felice * La Partenza * Dunque partir degg'io * Il Ricordo * Eccomi lungi dall'amayo mio ben * Il Sospetto * Compagni. He studied there with Fenaroli at the Conservatory of S. Mosca accused Rossini of having plagiarized one of his own operas. he was a skilled guitarist and composer for the guitar. John McCormick be much documentation of his concert activities. since most of what is known of his surviving works were published by Ricordi and other Milanese publishers. but wrote no operas.guitarandluteissues. circulating copies of his music as proof. 24 (Doce canciones) . Méliant .[Raccolta d'ariette francesi ed italiane. Maria di Loreto. For twelve years he composed for various Italian theaters. Rome does not appear to have been a favorable climate for the guitar. Moretti. Moscas style shows a remarkable similarity to http://www. This activity flourished for at least twenty years.21 [41] * Duettino. Ti lo vedi Cate mia * Notte sce bella * E ti gà cuor de venderme * Che non parla mi non parlo * No non quel lampo [15] Pfáhler. Antonio (1787-1840 . most of which were published by Cipriano. In 1817 Mosca went to Palermo as music director of Teatro Carolino.Ne'giorni tuoi felici (2 voices & guitar} [15] * Sei Ariette di Metastasio [37] Orlando. of Joseph Bonaparte and Murat of Naples.56 * Sei ariette.Par che di giubilo (Soprano. W. Louis-Luc Loiseau de. His concert activities took him for a brief period of time to Paris. He was an opera composer in the courts of Ferdinand IV. in which he used a charming simplicity.Lied aus Gabriel * Lied von Clotilde [53] Pacini. . op. Violin and Lute) [44] Nava. August Eberhard (1767-1817) . and presumably Germany around 1812.59 * Sei ariette. W. Johann Gottlieb (1741-1801) . Panseron. but gave up the post after the revolution of 1820. he was the teacher of his child.Furbi alle nozze [15] Osthoff.Veux tu m'aimer [52] Paer. Several of his songs were also set to a guitar accompaniment by Carulli. he wrote numerous songs with guitar. London.S .Hätt ich Flügel könnt ich fliegen [15] Neyts. After several years of touring. Carl Philipp Emanuel (18 th cent. A return to Milan revived his career. A concert performer on the guitar and a teacher of voice. Teneri miei sospir . Like many other opera composers of his time. Natale (1765-1837) .SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. op. Artemio . His major interest. Giovanni (1784-1870) . Ferdinando (1777-1848) . He composed more than 40 operas. Charles-Henri (1764-1839) . was in composition. Antonio Maria (Milan) (1775-1828) . Venga avanti * Romanza. Quel dirmi oh dio * Cavatina.com/mccormick/mccormic.Adelaide [15] [10] Plantade. Ferdinando (1771-1839.htm[13/01/2013 12:39:51] .Lieux paisible verts bocages (2 voices & guitar) [2] * Du printemps de mon âge je vois passer la fleur (2 voices & guitar) * Vien qua Dorina bella [16] * Patrona compati me * Amor contrastato [11] * Mamma mia [12] [16] . Florence Pilz. Gaetano (1802-1875). Giovanni (1740-1816) . ) .Ombre du soir [2] Persichini. .Raccolta di ariette * Sei ariette. Stefano (1779-1850) .Ce matin dans une bruyère * Vous qui loin d'une amante * Voici venir le doux printemps * Que j'aime à voir les hirondelles * Dans cette aimable solitude * Ah s'iil est dans votre village [2] Perucchini. Mosca. of Catherine the Great at St Petersburg and of Napoleon I in Paris. W. Paisiello was born in Taranto and died in Naples. Giuseppe (1762 . op. .Canzonetta. Luigi (1775-1824) . (1769-1819) . Auguste-Mathieu (1796-1859) .la muse lyrique: Requeil d'airs avec guitarre [51] Pavesi. Luigi (1786-1864) Trentasei Ariette Nazionali [34] * Chi sa dimi o mia speranza (Cavatina) * Come dolce all'alma mia (Cavatina nell' opera Aureliano di Rossini) . Mi vien da ridere * Cavatina.According to the Oxford Companion to Music . John McCormick Rossini's in many respects. all were written before 1826.Several volumes of songs with guitar published by Ricordi. op. op.Album * Chant de la nourrice * Eh vogue ma nacelle (2 voices and guitar) * Emmène-moi * Maman me permet de danser [2] Patouart fils .60 (2 voices) * Cavatina. Giovanni (1796-1867) Pacini.Wie der Tag mir schleichet [11] * Souvent l'amour nous prouve son empire [5] [10] [16] * Ah ingrato m'inganni [26] [16 ]* Aure amiche ah non spirate * Fra le querelle il pianto * Già la notte si avvicina * Pastorella al prato * Più che a te penso * Senti il mio caso [18] [16 ]* Voi che il mio cor sapete [18] [11] [16 ]* Chi un si dolce amor condanna * Patorella al prato [16] Naumann.4 Ariette italiane coll'accompagnamento di Chitarra ed un violino [41] Paisiello.guitarandluteissues. O cara memoria * Cavatina. he settled in Messina as director of another theater.22 [32] * Sei ariette. and innovated many structural ideas related to the dramatic plans of his operas.1829) .Senza il tuo dolce amore [27] Motta. Neuland. according to the dictates of the time. He composed 100 operas.Nanna [2] Nicolini. Oh inspettato felice istante [32] Peellaert.Mädchen und der Vogel [15] Mussini. many of which were with guitar accompaniment.39 * Sei ariette. but it would be difficult to decide who influenced whom. He was one of the best known guitarist-composers working in Italy in the first decades of the nineteenth century. however. he was also a prolific composer of songs.A Florentine composer. however.No non quel lampo [15] Persuis.Ecco quel fiero istante [50] Müller .Warnung vor dem wasser [15] Picchianti. Augustin-Philippe de (1793-1876) .Wenn mir dein Auge strahlet (2 voices & guitar) * War's vieleicht um eins (2 voices & guitar) [23] Müller. Pietro (1755-1837) .Bocage que l'aurore embellit * Bonheur * Grand portes heureux http://www. G . especially the comic ones. but rather lengthy instrumental interludes between verses.The lyre-guitarre was an instrument which.[Six Romances nouvelles. Domenico (1772-1815) .This collection contains 14 songs plus two guitar solos. it differed from that of his father so much that he could not complete his father's unfinished Te Deum. a sure sign of the esteem his music enjoyed.Chiamami pur cosi * Arrivo alle donne * Mio ben l'amato oggetto [15] Righini. in 1787. founded by Napoleon's sister Elisa Baciocchi. Violon ou Flute à volonté Op. Vincenzo (1756-1812) . Vincenzo (1778-1861) . even in sacred and vocal chamber music compositions. Marcos (1762-1830) . as well as sacred music and instrumental scores. avec Accompagnement de Guitare ou Lyre. .P.Erinnerung an die Heimat * Pilgerin * Erinnerung an Thoreida [11] Puccini. Italy) Portugal. In addition to writing roughly 200 songs to both Italian and German texts. Louise (1779-1826) . Ignace (1757-1831) . whose individual titles are as follows: Cantique de Venus (Andante) * Canzonetta (Andantino innocente * Romance (Lento sensibile) * Romance (Lento espressivo) * Le besoin d'aimer (Andante graziozetto) * Les sermens oubliés (Andante) . In addition. though unusual in shape. The style is very simple and fluid. Francesco Pasquale (1732-1817) . He established himself as a singing teacher in Vienna in 1780.Johann Reichardt was a well-known literary critic of the time. and later.Reichardt. His style is completely theatrical.. Alexandrine Mal++ * Élégie * Invocation a la Nuit * Musette imitée de l'Espagnol . counterpoint has almost disappeared. had six strings and was tuned like a conventional guitar.6 Ariette e 6 Duettini . became the first Italian-born Kapellmeister in the royal court http://www.Schöne Damen durch Jugend und Reize [11] Preis.E. many of which he wrote with guitar accompaniment. became a famous and important composer. along with the assimilation of styles present in the comic operas of the time. violinist and composer.The second son of Antonio Puccini and grandfather of Giacomo. 34] Le Saule du Malheureux * La Serenade * L'Amour Marchaud de C( * Chant d'une jeune Arabe * Canzonetta * L'Adieu (All of the above collections of music by Porro are published in facsimile by S. Leopold Karl (1775-1813) . he was director of the Cappella di Camera. he reveals an outstanding theatrical sense. he wrote operas. 4 (1784)] . From 18061809.Leggi adorata Nice * Deh non cessate [32] * Isene siedia l'ombra [31] * con accompagnamento Canzone di chitarra Porro. Johann Friedrich (1752-1814) . . some think he was poisoned for political reasons. Reichardt.Abend * Frühlingslied * Hoffnung und Erinnerung * Schiffer * Sehnsucht * Vergiss mein nicht * Nehmt euch in Acht * Tief in der Brust verborgen * Mit zärtlichen Herzen verlangt ihr nach liebe [11 ]* Alls du sagtest ich muss scheiden [15] * Aure amiche. tuning and various technical exercises. op. Domenico appears with Gretry and other important contemporary musicians. the Regent of Lucca. with whom he remained on excellent terms. contains several short guitar solos which are somewhat reminiscent of those found in the appendix to the famous Carcassi Method. he served as Kapellmeister to Frederick the Great. collectively called Six Romances. In his operas.htm[13/01/2013 12:39:51] . and a fresh. A.Mi pizzica mi stimolo (Cavatina) [15] Pozzi . Pucitta. and continued his studies in Bologna under Mattei and in Naples under Paisello.[ Nouvelles Etremmes de guitarre.com/mccormick/mccormic. He was originally a singer in his native Bologna. Florence.Was zieht mir das Herz * Schäfers Klagelied [23] * Klärchens Lied * Es ritt ein Jagersmann über die Flur * Wär ich ein Vögelein [15] * Wir gingen beide Hand in Hand * Lied der Nacht * Ach umsonst auf aller Länder Garten [11] * Aechtes Glück * An den Abenstern * Das Lösegeld * Der Alpenjäger * Lied der Nacht [53] * Gebet während der schlacht * Steile Pfad auf den ich leite * Morgenlied . ah! Non spirate (Canzonetta) * Freudvoll und leidvoll * Nehmt euch in acht * Trinklied * Schönste Rosen knospe dieser Flur [53] Vicenzo Righini was born five days before Mozart. spontaneous inspiration. one of which is a three-movement sonata.Biondina in gondoletta [9] . in addition to instruction in basic music notation.. In addition. Francesco .C. he had his first music lessons from his parents.Lieblich prangt um uns der Blumen Fülle [19] Ricci.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. He was particularly active as a composer of lieder.Liebe * Nach Sevilla wo die hohen Prachtgebäude * Des Schäfers Klage [11] * Das Machen am Ufer * Spanisches Lied [53] Zu Coblenz auf der Brücken Reinicke. but during his lifetime.Au lever de l'aurore sur un tapis de fleurs [2] Pollini. a journalist.guitarandluteissues. [ Journal de guitarre ] Les Etrénnes des dieux * A l'Amité * A Mlle. and of the municipal chapel from 1811-1815. This volume. In a mid-19th century illustration published by Breitkopf & Hartel. it contains six rather attractive songs set to French texts. Two of the songs have no accompaniment. His death in that year was sudden and mysterious. P. John McCormick * Loin de l'ectat du diadème * Tort de l'absence [4] * Je recontrai nagguère la fille Mathurin [2] Pleyel. while others not only have a guitar accompaniment.Instruction élémentaire de la lyre-guitarre . and some with both. op.) [French Songs] O vous que Mars rend invincible * Il reviendra (Sor also arranged arias by Mozart as well as some Italian songs. Charles (It. though several were written with piano.Born April 23rd in Pavia. op. Romagnesi. 10/5 * In dieser stillen Grufte.Aveux de Lucette [2] Rolla. 1/3 * Mi lagnerò tacendo. John McCormick of Mainz. the guitar and the violin. later adding his two favorite instruments. op. Rollas compositions for the guitar are mainly limited to chamber music with violin. J.These songs are described as Canons for three voices accompanied by Cembalo and/or guitar.) . que vengo * No tocarán campanas * Pajarillo amoroso * Prepárame la tumba * Puede una buena moza * Si a otro cuando me quieras * Si dices que mis ojos * Si mis ojos te dicen * Sin duda que tus ojos * Yo no sé lo que tiene * Yo sembré una mirado * Yo soy el cocinero (These Seguidillas and Boleros were written at various times throughout Sor's lifetime. op. 11/2 * Superbo di me stesso. op. guit) * Ungetreue Witzling * Klage und Ermunterung * Abendlied eines Hausvaters * Lebensgenuss * Wo liebe sich bettet [11] Seidel. His name also shows up as the writer of guitar accompaniments for songs by other composers. 11/3 * Mi lagnerò tacendo. 10/6 * Mille amanti so per prova. played in the orchestra directed by Giambattista Sammartini (1700-1775).Zirana del Tripili (Sop. Nicola . op. 11/6 * Conservati fedele. Jean-Jacques (1712-1778) . op. he wrote some sacred choruses for four voices and guitar.Amant et le nautonnier (2 voices & guitar) * C'est ainsi que l'amour finit * Est-ce l'amour est-ce la peur * Gentille Nonnette (2 voices & guitar) * Heureux sommeil (2 voices & guitar) * Mot de toi [2] * Fi! Que c'ect laid d'etre jaloux! * Sauf le respect que je vous dois [52] Rosquellas . 1814) .guitarandluteissues. a set of five romances and one independent romance.Padrona compatime (Canzonetta Veneziana) [15] * Cinque (5) romanze * Romanza. 11/5 * Alla selva al fonte al prato. op.Ti lascio ben mio. Bone).Lied eines Mädchens * An die Erwählte * Wie der Tag mir schleichet * Mutter bei der Wiege * Betende (v. op. op. In addition. op. The voices are variously specified as three sopranos. fl.Zauberin [11] Signorila.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. 10/1 * Tu sei gelosa è vero. op. Eugène . guit) * Beruhigung (V. 1/5 * Perché mai vezzosi. y la verguenza * No doblarán campanas * No quiero. 12/1 * Caro bell'idol mio. His uncle Giuseppe was a violinist who.Wie der Tag mir dauert [37] * Quand on sait aimer et plaire * Si des galants de la ville [29] Salvati. F.Finche splende in cielo il sole * Ah la mia Clori e tutta bella * Mentre la notte placida * Sorge la bella aurora (Duettino notturno) [51] Sola. 1/1 * Amo te sola.) 1786-?) . Alessandro (1757-1841) . no. op. . op.Canción Civita (various versions) * Chanson relative aux événemnet d'Espagne * [Seguidillas y Boleros] Acuerdate bien mio * Al mediator jugando * Cesa de atormentarmi * Cómo ha de resolverse * Cuantas naves se han visto * De amor en las prisiones * El amor siempre empieza * El que quisiera amando * Las mujeras y cuerdas * Lo que no quieras darmi * Los canónigos. Flute & guitar) [31] Rousseau. 2/3 * Nel mirarvi o boschi amici. 1/2 * Dolce sonno amica quiete. Friedrich Ludwig (1765-1831) . op. C. Giacomo . Bernadino (18 th cent. Siebert . Alexis-André (d.htm[13/01/2013 12:39:51] . Soerensen. op. Rivolta. op. 2/1 * Son confusa pastorella. 12/6 [18] .Se son bella che vi premo * Breve lontananza * Idolo del mio core [15] Savart.Quel caro.Wrote numerous songs in Spanish. 1/6 * È la fede degli amanti. 11/4 * Sei troppo scaltra. op. in 1765. 12/2 * Ti lascio ben mio. Fernando (1778-1839) . although he wrote a few works for voice and guitar..Pauvre petit (Romance) [52] Seelicke.Brulant D'amour (A Troubadour Song) [44] . Rolla began the study of the fortepiano and the viola at a very early age. 12/3 * Dolce sonno amica quiete. http://www. 12/5 * Aure amiche care piante.com/mccormick/mccormic. madre * Me pregunto un amigo * Mis descuidados ojos * Morena de mis ojos * Muchacha y la vergüenza * Muchacho. op. 1/4 * Quanto mai felici siete. e bel visetto (Cavatina Buffa) [32] Roger. op. op. Theodor von (1748-1823) .Wo ich sei und wo mich hingewendet [19] * Romance aus der Trauerspiel: der Leuchthurm [53] Schacht. 12/4 * So che vanti un cor ingrato.. op. 11/1 * Amo te solo. Perche mai it affanni tanto . Johann (1767-1831) . op. op. fl. 2/2 * Giovinette semplicette. Italian and English. Most were written with guitar accompaniment. Op. 10/2 * Perché mai vezzosi rai. three tenors or three equal voices. most of which were published in London (P.Es hann schon nicht immer so bleiben * Sterne * Rückerinnerung an meine Heimat * Sehnsucht * Nach der Mahlzeit * Lobgesang * Gedanken auf einem Kirchhofe * Bei den Gräbern der Freunde * Danklied * Ruhe im Grabe * Abschied * Pilgerlied * Seelenruhe * Loblied * Beruhigung * Abendbilder * Abendlied eines Fremdlings * Trost * Morgenlied [12] Sor. Henri (1781-1850) . 10/4 * Almen se non poss'io. op. working with Johann Friedrich Reichardt. He was then appointed Kapellmeister and director of the Italian Opera in Berlin. I am not altogether sure whether they are http://www.Benedetta sia la madre * Italian Songs for 1 or two voices & guitar [46] .Born in Venice and died in Lisbon. 64.München. 5 * Romanze (no opus)….Prisoner of war during Napoleonic wars. Pierre Jean (1772-1819) .guitarandluteissues. 54.htm[13/01/2013 12:39:51] .Ogni donna che ha gusta * Quel bianco sende latte * Tocco un di dal canto mio canto * Son pratico in amore dono * Canto bassetti su quei o chieti * Terza note e questa ch'il sonno * Quel Augelino che sol canto * Che ingegnoso putte letto * So miglia l'amore [48] * Amore e un guerriero si forte * Son ferito in mezzo al core * Joti saluto alba novella * Incostanza * Occhi stelle mortali [24] * Virtuoso per forza * Nina non dir di no [15] . Carl Maria Von . choral compositions. first performed privately in Verona. 29. specializing in farces and comedies. La Climene was performed at the King's Theater as a vehicle for Angelica Catalani. string quartets. 4 * Zu den armen Minnesanger op. 13. Most of the large number that followed were also written for Venice. Later. piano and orchestra. symphonies. 4 * Die Zeit op. 25. 25.) .Oft lässt die Lieb' uns ihre Macht empfinden [11] Stévens. ballets. From 1791. the castrato. The Triumph of Love which. he was paid 16 testoni for composing the dances. O si. According to Fetis. 13.29. addio * Io far l'amore cosi non so * O si o no (Cavatina) [47] [15] Vacher.Io far l'amore cosi (Cavatina) [15] Verini. 2 * Canzonetta op. was paid 240 testoni for singing 38 performances of the opera.Je t'aime encore [2] Stuber . 54. Filippo .E. Sterkel.43 * Quodlibet op. Barbara navicello.Caro ve to sapesi * Se la pena che provo nel seno * Amabile sigella * Hai gl'acchio fille * Vannes infedele. but in the same year he returned to Venice. and by Verlag F. Vittorio (1761-1833) . After studying under Bertoni at the Conservatorio dei Medicanti in Venice. Trento first attempted opera in 1789 with Orpheo negli Elisi. 54. 4 * Abendsegen op.com/mccormick/mccormic. and songs with guitar. Il pretesto.C.9 Canzoncine (Il Sospiro. Nicola ( 1748-1814) . where his opera. I have the above songs in modern performance editions as published by Thüringer Volksverlag. which were almost all failures. 3 * Alte Weiber op. 2 * Las mich schlummern op. Samuele. 29. 7 * Heimlicher Liebe Pein op. and in his later years his works.Vole doux Zéphyr [2] Terziano. P. when he once more went to Italy and produced his last two operas. who for the most part only wrote music related to the guitar.) * Liebeslied op. Volger. 3 * Betterlied op. where he became maestro al cembalo at the Teatro S. 3 * Gelahrtheit op. From there he returned to Italy in 1818 and produced several new works. 1796) . where he became maestro al cembalo at La Fenice. 2 * Sanftes Licht op. 1 * Uber die Berge mit Ungestum op. A Nice infedele. 1 * Wiegenlied op. 2 * Liebeszauber op. Nice lontano. 1 * Canzonetta op. o no. 13. Having owned them for quite a few years. La Tomba) [33] Thonus. like so many of his contemporaries. 2 (2 V. L'affanno. In 1815 he seems to have been in Munich and then once more in Lisbon.25. Sor also wrote operas.Another celebrated guitar virtuoso of the time and well known today for his guitar compositions. Pietro (1765-1831) . he produced a large number for the public theaters.Gluhen op.. von (18 th or 19th cent. Johann Xaver (1750-1817) . but he sometimes traveled. 64. John McCormick A complete edition of songs with guitar by Fernando Sor is newly published in a modern performance edition by Chantarelle) . At Lucca for the opera season of August to October 1787.Auf der liebe dunklen Meere [10] * Tief unten im einsamen Tale * M'hanno detto [13] Streitwolf. In 1801 came his one great success. 64.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. He returned to Lisbon in 1821 and remained there until 1824. Lo strale di Clori. 54. In 1806 he went to Amsterdam as maestro concertatore of the Italian opera house and in 1809 to Lisbon in the same capacity. 25. 25. 5 * Canzonetta op. his first was Mastino della Scala (1783) . were rendered obsolete by the extraordinary success of the new style of Rossini. Trento never became a major figure in Italian opera. Georg Joseph (1749-1814) . Franz (1766-1803) .Mein Hüttchen * Lebenssinn * Morgenlied eines jungen Ehepaars [11] Sussmayer.Madchen vom Lande [11] Trento. Leuckart . Trignuolo. (Roncaglia. In 1796 he went to London at the invitation of Dragonetti and composed the ballet. with its groups of cupids flying about the stage. Transported to Spain where he escaped and went to England. Johann Heinrich . but without great succes. he began his career there as a composer of ballets that were usually performed between the acts of an opera. 13. which for twenty years was performed all over Europe under a variety of titles and in many forms. the dramma giocoso quanti casi in un sol giorno.Spiegel von Arkadien (This song is listed as #3 in "Sechs Arietten für die Guitarre") [10] Tarchi .March and Variations for voice and lute [22] Weber. Jean-Baptiste ( d. 13. In 1811-12 he was in London. 4 * Weine nur nicht op. Unlike most other famous guitarists of the time.Quatres Ages de la femme * Mon dernier mot [4] Valletta. Gaetano . 3 * Die Zeit op. 5 * Liebe . he turned more often to the opera seria.Weimar.J.Die Schaferstunde op. was highly successful. Sophia (1759-1838) . Volkslied (Mein Schatzerl is Hübsch!). a common practice of the time.Oiseaux en chantant s'eshappent du bocage. Was zieht zu deinem Zauberkreise. In fact.Cos'e mai questo vago animale (Cavatina for Tenor.Glück der Liebe [15] . It is the only work by him I have found thus far which was originally written for voice and guitar (in this case with orchestra). Peter von (1754-1825) .Bella Pescatrice (voice. along with Carl Loewe. Wiegenlied. some of which were transcribed by others to guitar accompaniment from her original piano writing. an effort was made to preserve the forthright qualities of the old folk ballads on which they were modeled. Daniel-François . Mein Verlangen. Nicolas-Marie . Marguerita (2 sop & guitar). Therefore it is not surprising that Zumsteeg would employ the use of the guitar in many of his works of this form. Auber. Gossec. Blvd de l'Empereur 4. Umsonst. François van . Karl August Friedrich (1736-1789) . Laissez-moi le pleurer ma mère. Johann Gottfried (1739-1797) . it was Winter who first persuaded Mayr to try his hand at writing operas. Mathurin-Auguste . 8. Klagefurt 9020 Arcari. Pietro Alessandro .Geliebten Hand berüren (Voice. Ferrari . Schwäbisches.Sechs Gesange mit Begleitung der Guitarre oder Pianoforte Zumsteeg. Il n'est point d'amant Elvire. wenn ich erwachte (Aria) [53] . Westenholz. Das Veilchen im Thale. Zucconi.) [4] * Dolce tesoro (voice. Italy. Volkslied (Weine nur nicht). Klage. Bibliothek. lute & strings) * Schönste Gottheit edler Seelen (from the opera Maria von Montalban ) * Recitativo and Aria from Babylons Pyramiden * Sacrifizio interotto (from Unterbrochene Operfest ) [28] * Die Blumen des Lebens (Canzonetta) * Ich war. However. They are as follows: An den Mond. Bridy Pour toi ma reine l'amour m'enchaîne. Maienblümlein. Edouard .The fame of Zumsteeg rests in his importance as a song composer of his time. This poetic genre involved the use of numerous verses with which to tell a story.Je pense à toi lorsque sous la feuille. Campenhout.En vain de la nature je revois la parure (2 voices & guitar).Soldat. I have found listings of even more songs by Weber in early editions. In most cases. Meine Farben. Amédée de Je ne suis á personne.Que de maux loin de toi. se liete viver bramate (Canzonetta in Italian). Persisches Lied. Miesstelerstr.A votre belle soyez fidèle.Welt ohne sie [11] * Allah gibt Kicht in Nächten * An Leonoren * Una Ballade * Lied aus der ferne * Freuden der Gegenwart * Erscheinung [15] War ich ein muntres Velein * Russisches Brautlied [53] . Guglielmo. Valentino . Mein Lieder. Lied von Clotilde. however. Faux ermite (2 voices & guitar). but I believe they are. Minnelied. Er.guitarandluteissues. meine Sänge. Lied der Hirtin.Tout m'alarme tout excite et ma crainte et mes regrets. Unbefangenheit.The Cavatina by Winter is from one of his operas. Blangini. This form was derived from the popular ballads of England and Scotland and often involves the telling of romantic adventures and supernatural happenings.htm[13/01/2013 12:39:51] . http://www. Barbereau. there are several instances in which either he or someone else arranged some of his arias and other operatic excerpts with guitar accompaniment.Vöglein flog durch Wald und Feld [15] Westenholz. Mailied (2 voices & guitar). flute and guitar) * König Ankäos [10] Winter. Jean Auguste . Dalayrac. Andreozzi . Der arme Minnesänger. Gebet um die Geliebte.Voi lo vol terete (2 voices & guitar) [2] [B Br] Bibliothèque Royale Albert 1. Bruguière.She was married to a musician and earned her living as a singer and pianist. He was among the first to develop the "ballad" form of song writing in the context of the German Lied. one could easily presume that Winter was well acquainted with Mayr.Jenny. Ich sah ein Röschen. first performed in Venice in 1790.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. Schlummerlied.Souvenir. François-Joseph . Die freien Sänger. Bach. Francesco (18 th cent. Guitar and Orch.) . Echo und Kuss. She wrote only 26 songs. Beauplan. Der kleine Fritz an seine jungen Freunde.com/mccormick/mccormic. violin & guitar). Ninfe. Felice . alternating between narration and dialogue. Bruxelles 1000 (Brussels) Andrade. Since these works are in the Johann Simon Mayr collection in Bergamo. John McCormick currently in print. Wunsch und Entsagung [53] Weber. Je te pardonne en t'oubliant.   LIBRARY ADDRESSES AND COLLECTIONS [1] [A Kk] Kärntner Landeskonservatorium. Johann Rudolf (1760=1802) .Heure du soir. Gyrowetz. Pourquoi. Weltweisen. John McCormick Adalbert . Persuis. Vincenzo .Premier amour. Mondonville .Ce matin dans une bruyère. Champein. Carafa de Colobrano. Henry . Augustin-Philippe de .Tiers.Pauvre Amélie. Roger.Mes adieux Alpes. Lagoanère. Pleyel. Michel . Henrard. Gunst des Augenblickes. Charles-Henri . Joseph . Méliant . Gentille et vive Lisette ne voudroit jamais.com/mccormick/mccormic. Blangini.Fillettes voulez-vous connaître. Emmène-moi. Milhès.An Emma.Prends cette rose nouvelle éclose. Jadin. Genève 1204 Balochi. 24. Keller. Plave Neuve.Prestiges de l'amour (2 voices and guitar).Ah Lucette il fallait nous voir ce matin (2 voices and guitar). Maes.Patrie Absente. Martini . Auguste-Mathieu . Giovanni . Heureux sommeil (2 voices and guitar). Luigi .Agnes Sorel. Louis Emmanuel .Aveu timide. Isidore . Pierre Jean .M'aimes'tu bien. Labarre.Regrets.Weg zum Glück. Bonheur. Eh vogue ma nacelle (2 voices and guitar).guitarandluteissues. Dalayrac. Gaveaux. Hanssens. . Felice .Heimweih. C'est ainsi que l'amour finit. Maman me permet de danser. Hédouin. Burgstein Bornhardt.An Louise [6] [D B] Staatsbibliothek zu Berlin Preussischer Kulturbesitz.Amant et le nautonnier (2 voices and guitar).Aveux de Lucette. Hurka. Amis je voudrais peindre Adelle. Seydlovo nám. Unter den Linden 8.Devais-tu donc me laisser revenir. Pucitta.Romances for voice & guitar [7] [D BAUm] Stadtmuseum. Nicolas-Marie . Vincenzo Biondina in gondoletta [10] [D DO] Fürstlich Fürstenbergische Hofbibliothek.Habitude. Que j'aime à voir las hirondelles. Kormarkt 1. Haydn. Wohinaus zum grünen Hirten dort hiauf.Ah lorsque la mort trop cruelle. Ah s'il est dans votre village. Méhul. Vous qui loin d'une amante. Natale .O dieux qui m'avez tout oté. Mussini. Plantade. Charles Henri . Blangini. Neyts. Haldenstrasse 5.Vole doux Zéphyr [3] [CH AR] Napoleonmuseum. Chevalier de . Antonio . Alessandro Cinque.Souvent l'amour nous prouve son empire. Jean Baptiste .Je t'aime encore. Bautzen 02625 Hertel. Pierre .Mes Souhaits. Potsdamer Str. Donaueschingen 78166 http://www.Speranza al cor mi dice (2 voices & guitar). Loin de l'ctat du diadème. Lemire. Darondeau. Dir kleines Bethlehem erklang.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON.htm[13/01/2013 12:39:51] . Johann Heinrich Carl . Désiré . Sehnsucht. Berton. Karl . Piu che a te penso.Âge d'or. Beroun 266 01 (Czech Republic) Hurka.Bocage que l'aurore embellit. Panseron.Deux familles.De la douceur de voir Adèle.Lieux paisible verts bocage (2 voices and guitar). V. . Mon coeur soupire. Alexis-André . J'voudrais ben comprendre pourquoi (2 voices and guitar). Johann Ludwig . Bibliothèque. Peellaert. Louis-Luc Loiseau de . Theodore . Gentille Nonnette ( 2 voices and guitar). G. Arenenberg 8268 Garcia . Stévens. Friedrich Franz . Paisiello. Voici venir le doux printemps. Tort de l'absence.Nanna.Ombre su soir. Dalvimare. Ignace Au lever de l'aurore sur un tapis de fleurs. Ungestilltes sehnen. Est'ce l'amour est'ce la peur. Martin Pierre . C. Rolla. Stanislas . Friedrich Franz . Jüngling.Jeune indienne.Roxalane [Chansonette] (2 voices & guitar). Tarchi . Plantade. Henri . Felice . No non vo piu rogatoli. Je n'est plus la. Henri-Monton . Dans cette aimable solitude. Berlin 10772 10117 Bianchi. Etienne Nicolas Lorsque de mes parents. Fiocchi. Pierre . 33.Feldflasche [9] [D DO] Pfarrbibliothek Sankt Nikolai. Louis Emmanuel . Glück. Peter Ludwig . Kleine Kirchgasse 1 Döbeln 04720 Baldenecker.Je recontrai nagguère la fille Mathurin.Quatres Ages de la femme. Vacher. Jadin. Chant de la nourrice. . Romagnesi. Mon dernier mot [5] [CZ BER] Okresni archiv.Album.Zitterbuben's Morgenlied. Louis .Amores y dolores guitan el sueño (2 voices & guitar) [4] [CH Gc] Conservatoire de Musique.Lob der blauen Farbe [8] [D BFb] Fürst zu Bentheimsche Musikaliensammlung Burgsteinfurt. Grand portes heureux. Jean-Joseph . Mot de toi. Am meine Lyra.Souvenirs. Johann Andreas Wahrsagenlied. Antonio . from the opera "Le due nozze e un sol marito"). Nach der Mahlzeit. Abendlied an den Ufren der Ostsee. Friedrich Franz . Beruhigung (voice. Zumsteeg. Berger. Ludwig . Seelenruhe.Blümchendas sich zwar nicht mehr. Lied der Nachtwächter in Berlin. Gottfried von . De Lyre ou Guitarre (Mi lagnerò tacendo. 49-40-4123-2256 und -5812 [Musikabteilung].Zauberin. Giuseppe . Liebe lehrt in dunkein Kummertagen. flute & guitar).Agitazion d'amore. Apell. Mussini. Franz . Sterne.Oft lässt die lieb' uns ihre Macht empfinden.An die Geliebten. Numi sei giusti siete. O weine nicht in einem bessern Leben. Lied der Zufriedenhiet.An den schlaff.An den Mond. George Christoph Mädchen aus der Fremde (voice. Keller. O tenere piaceri.Beim Abschied. Fra tanti palpiti d'incerti affetti. Jusdorf. Marpurg. David August von . http://www. Johann Heinrich Carl . Ach umsonst auf aller länder Garten. Paisiello. Jugenliche Frohsinn (voice. Lebensinn. Adend. . Dusik. Hurka. flute & guitar). J.Mein Hüttchen. Von-Melle-Park 3. flute & guitar). Lieblingsplätzchen. J. Eutin 23701 Alt.Waren mir selige Tag (2 versions. E. François-Adrien . Grosheim. Doltzhauer. Voi che il mio cor sapete. Almen se non poss'io. Lied der Nachtwächter. Tief in der brust verborgen. Mussini. Dalberg. Johann Xaver . .Care zittele (2 voices. Sehnsucht. Danzi.Morgenlied. P. Jacquin. Bornhardt. Bei den Gräbern die freunde. M'hanno detto [14] [D Hs] Staats-und Universitätsbibliothek Carl von Ossietsky. Himmel. Johann Heinrich . Johann Heinrich Carl . An die Freude. Fax.Als ich auf meines Bleiche. Joseph . Lied der nacht. Ton der leier.Spiegel von Arkadien [11] [D EU] Eutiner Landesbibliothek.Auf der Liebge dunklen Meere. Charles Philippe . Sehnsucht. Senza parlar fra loro. Languir d'amore crudel mi vede. Erinnerung an Thoreida. Amor che nasce con la speranza.Racolta di Canzonette (7). Adalbert . Natale . Mit zärtlichen Herzen verlangt ihr nach liebe. Schiffer. Andreas . C. Thonus.Sonst und jetzt. Karl Friedrich . Zitauer Strasse 24. Morgenlied eines jungen Ehepaars. Ebers. Conradin . An die Hoffnung. Friedrich Heinrich . Seelicke. Mädchen und der Jüngling. Leiermann. strings & guitar. Mir bluhet kein Frühling. Silve à l'âge de quinze ans.Welt ohne sie [12] [D HER] Brüder-Unität. Hoffnung und Erinnerung.Patrona compati me. the other in D). Schloss Harburg 86655 (Schwaben) Blangini. Loblied. Sterkel. T'intendo si mio cor. Mio ben ricordati. Beruhigung. An die Entfernte. Lobgesang.Holden Blumen bunter Schimmer. Freiwillige Krieger. Abendbilder.Lied eines Mädchens. Lafont. Giovanni . Vergiss mein nicht. Gyrowetz. An Minna. Abendlied eines Hausvaters. Frühlingslied. Pilgerlied. Stuber . Righini. Johann Friedrich . Soerensen. 49-40-4123-3352) Bianchi.Vergessnern Schwur. Mutter bei der Wiege.Es hann schon nicht immer so bleiben.Wir gingen beide Hand in Hand. Carl .Troubadour. Carl Melchior Jakob . Morgenlied [13] [D HR] Fürstlich Öttingen-Wallerstein'sche Bibliothek.Elegie auf die treue ihres Geschlechts. Danklied. Amon.Wie der Tag mir schleichet. Archiv. Nehmt euch in Acht. Schlossplatz 4.guitarandluteissues.com/mccormick/mccormic.So ist mein Wunsch. Friedrich Wilhelm .Alexis und Nettchen. Lebensgenuss. Crescentini. Sentirsi dire). Friedrich Ludwig Ferdinand . Ruhe im Grabe.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON.Mädchen vom lande. Betende (voice.An Molly. Nähe des Geliebten. . An die Erwähte. Louise . Pozzi . Eberwein. Ungetreue Witzling.Fernandos Lied. Amor contrastato.Schöne Damen durch jugend und Reize. Girolamo Dodici (12) canzonette (Dove rivolgo oh dio. Musikablteilung.Nocturnes à Deux Voix Avec Accomp. Wiedersehn. Franz . Süssmayer . Giuseppe Maria . Natale . Klage und Ermunterung.Gebet während der Schlacht. De tous les pays pour vous. Preis. Johann Rudoph . An Elisen um Mitternacht. Ambrosche. Moltke. Trost.Tief unten im einsamen Tale. Wenn im Schatten wo die Pacht.Souvent l'amour nous prouve son empire. Felice . Justus Johann Friedrich . .C'est une larme. Vincenzo. s'avvien ch'io muora.Charade.Erinnerung an die Heimat.htm[13/01/2013 12:39:51] .Was ich liebe zu vergessen. Nach Sevilla wo die hohen Prachtgebäude. Chi vive amante. John McCormick Bianchi. Karl . Boieldieu. Johann Friedrich von . Johann Xaver . An Mignon. Pilgrin. C. Sterkel. Antonio . Bornhardt. one in C. Hirtin Wahl. flute & guitar). Mai se di lei t'accendi. Des Schäfers Klage. Kreutzer.Fernandos Hochgesang an Clara. Reichhardt. Einsamkeit. Wo liebe sich bettet. Abschied. Per vall per boschi.In des lebens Maientagen. Wie der Tag mir schleichet. Benzon. Reichardt. Johann . Mai l'amor mio verace. Herrhut 02747 Boccomini. Gedanken auf einem Kirchhofe. Siegfied . Jan Ladislav . von .Liebe. An Hebe.Jean Pauls Lieblingslied. Streitwolf. Curci. Abendlied eines Fremdlings. F.Agitazion d'amore. Hin ist hin. A. Kretzschmer.Abschied. Rückerinnerung an meine Heimat.Ich ware recht fröhlicht so gerne. Flotow. Siebert . Hamburg 20146 (Tel. Vittorio . Ferrari. Ah che in si bei momento. Se son bella che vi preme. Se la pena che provo nel seno. An Leonoren. Ecco ridente il cielo. Entfernte. Liebe. Ferdinando . Voi che il mio cor sapete. Pastorella al prato.Feldflasche [15] [D HVs] Stadtbibliothek. W.Ci vuol altro che vantarsi.Sopra una candida (Cavatina).Padrona compatime (Canzonetta Veneziana). Tradito sprezzato da quello che adoro. Mio ben ricordati. Chi dice mal d'amore. Più che a te penso. Baldini . Idolo del mio core.Alte feltherr. Giuseppe . Kiel 24103 (Tel.com/mccormick/mccormic. arr. Himmel.Schiffarth.Non dorma un ora al giorno.Ti lo vedi Cate mia.16. Johann Friedrich .Küsschen das ein Kind mir schenket. Lo far l'amore cosi non so. Se il moi nome saper voi bramata. Sophie . Monzino. Nicolini. Arrivo alle donne. Filippo .Lo bramo viver sciolto. Johann George Christian . Melia. Crudel morir mi vedi (2 voices & guitar). Già la notte si avvicina.Furbi alle nozze. Carlo . Dove soletta o Clori. Giovanni .Lungi da me che fa. Luigi . Johann Simon . Ah ingrato m'inganni.Mutter spricht ich soll's nicht leiden. Karl . Questa è la bella face. Aure amiche ah non spirate.No non quell lampo. Pfähler. Zeffiretti fovieri dal giorno. Giacomo .Catina Bellina grazioso.Virtuoso per forza. Hurka. Bianchi. Mio ben l'amato oggetto. Trignuolo.Quand l'amour nacquit à Cithère. Vien qua Dorina bella. Valletta. Rondinella a cui rapita.In einem Kühlen Grunde. August Eberhard . Praticel di fiori adorno. 49-431-9067-167) Boieldieu. Pilz. Nicola . Chi vuol la bella rosa (Cavatina). Zumsteeg.Una vaga giovinetta (fromMaître de chapelle. .Klärchens Lied. Mayr.Geistesgruss. Gaetano . Portugal.Care zitelle no non sperate (2 voices & guitar) . Johann Gottfried . Verita. Senti il mio caso. Dormia sul margine (Cavatina). Alessandro . Delfante.Vini fagiam ben mio difebo il vivo ardor. Quando miro il tuo sembiante. Quando non so dove il mio bene. O cara immagine del mio tesoro. . Mosca. John McCormick Glück. Chi un si dolce amor condanna. Aprile.guitarandluteissues.Duetto. Mayr.Chiamami pur cosi.Chimi nostra chi m'addita. Johann Heinrich Carl . Apel. 49-511-168-2166. Mamma mia http://www. Carulli. Kallenbach. Hurka. . Se tuti miei pensieri. Friedrich Franz .Gebet während der Schlacht. Orlando. Una Ballade. Corigliano. No non quell lampo.Souvent l'amour nous prouve son empire. Friedrich Franz . Hurka. Persichini. Per te non ho più pace. Johann Simon . Erscheinung [16] [D KII] Schleswig-Holsteinische Landsbibliothek. Sacri orrori amiche selve. Gragnani. O si o no (Cavatina). Paisiello. Kestner. Oslokai.Se perdo l'idol mio. Giacomo Goffredo .S'il est vrai que d'être deux. Amabile sigella. op. Johann Rudolf .SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. An Minna. Invan si lagna questo mio core. Methfessel. Fax. Schiffarth. Domenico .Una Breve lontananza. Lied aus der ferne. Hildesheimer Strasse 12. Thaddaeus. Antonio . 49-431-9067-172 [Auskunft].Warnung vor dem wasser. Fax. Rolla. Millico. Neuland. Notte sce bella. François-Adrien . Hildebrand. Marcos .Glück der Liebe. Parlami pur sincero.Non v'è più barbaro (cavatina).Ne'giorni tuoi felici (2 voices and guitar). 12 Canzonette. Freuden der Gegenwart. Duetto. Grosheim.Mädchen an ihren Geliebten. August .htm[13/01/2013 12:39:51] . Francesco Pasquale . Che non parla mi non parlo. Wilhelm . Mosca. George Christoph . Ecco quell fiero istante. B. O cara di questa anima amabile.Mi pizzica mi stimolo. Giuseppe . Müller.Alls du sagtest ich muss scheiden. Vannes infedele. Trento.Mädchen aus der Fremde. Son lungi e non mi brami. Dei vostri accenti al suono. Grazioli. Lebe wohl o mütterliche Erde. Ferdinando . Ho sparso tante lagrime (Cavatina). W. Fra le querelle il pianto. Pietro . Du kleines braunäugugtes Mädchen. addio. Fortunato . Giuseppe . Sorte mia tiranna. Pretensione ingiusta.Weine Nicht. Fortunato. Musicabteilung. So che pieta non hai. Perucchini. Wär ich ein Vögelein. S. 49-511-168-6410) Accorimboni .Hätt ich Flügel könnt ich fliegen.Anima mia consolami. Righini. Vincenzo .Biano il rosso il palido. Sempre piu t'amo. Albert . Giovanni . Tu mi guardi tu sospiri. Antonio . Chi dice mal d'amore (Cavatina del Simone Mayr). Hai gl'acchio fille.Perche due cori insieme.Mädchen und der Vogel. op. Carl Philipp Emanuel Adelaide. Es ritt ein Jagersmann über die Flur.Du printemps de mon âge je vois passer la fleur (2 voices and guitar). Bornhardt.Vöglein flog durch Wald und Feld. Hannover 30169 (Tel.Senza il tuo dolce amore. Mussini. G. Johann Ludwig . Sia benedetto amore. Giovanni . 15. 49-4319067-160 [Zentrale].Volle cogliere una rosa. An Hebe. Rimprovero di disinganno. Schlossgarten. Pastorella al prato. George Ernst .Allah gibt Kicht in Nächten.Pien di contento. Natale . Ricci. Schloss. Weber. Friedrich Heinrich. Arrivo alle donne. Gabriello . W/ guitar by Bianchi).Mir bluhet kein Frühling. . Reichardt.Frülingsabend. Salvati. Nina non dir di no. Povero cor tu palpiti.Caro ve to sapesi. Westenholz . Non ti sdegnar mia fille.Lo far l'amore cosi (Cavatina). Sei Ariette di Metastasio. friedrich Franz . Bigatti. Cavatine . E ti gà cuor de venderme. Keller. Lieblich prangt um uns der Blumen Fülle.Mirta (2 voices and guitar). 1/1. An Elise [18] [D Rtt] Fürst Thurn und Taxix Hofbibliothek. Trinklied op. Johann Friedrich von . Franz . Pietro Alessandro . Kobenhavn 1124 1814 Bornhardt. Biblioteek & Arkiv. Giovanettesemplicette op.Tutto da voi dipende. Antonio .2/1. Son ferito in mezzo al core. Es kann ja nicht immer so bleiben. Incostanza. August . Amo te sola op.Sie Schwankt dahin. Seidel. 11/2. 1/5. Già la notte si avvicina. Reinicke. 3. Carit Etlarsvej 3. Münster (Westfalen) Harder.Mädel im Tal. Georgio . Olaf . Occhi stele mortali [25] [HR Osm] Muzej Slavonije (zbirke Prandau). Mi lagnerò tacendo op. Bibliothek. Szabadság u. 3. Superbo di me stesso op. Natale . Schäfers Klagelied [24] [HR Dsmb] Samstan Male Brace. Alla selva al fonte al prato op. Son confusa pastorella op2/2. Theodor von . 12/4. Emmeramsplatz 5.Ah ingrato m'inganno http://www. Almen se non poss'io op. Friedrich Heinrich . Mayr. Bonfichi. Volger. Mille amanti so per prova op. Grosheim. Nel mirarvi o boschi amici op. Conservati fedele op. Quanto mai felici siete op. Smorfiofella. Krauss. Johann Friedrich von .12/3. Vittorio . Danzi. 1/6. Zagreb 41000 Bianchi. 3. 1. 10/1. È la fede degli amanti op. Regensburg 93047 Bianchi. 10/5. Valentino .1/3. Hildebrand. Du I hvars oskuldsfulla blick.2/3. 3.12/2. War's vieleicht um eins (2 voices and guitar).So che l'etá.Amore e un guerriero si forte.3 Bischoffslied op. 11/1. Kraglich. Weyarn [21] [DK Kc] Carl Claudius musikhistoriske Samling. Müller Wenn mir dein Auge strahlet (2 voices and guitar). Sei troppo scaltra op. Più che a te penso. Guglielmo. Krebs. Gewohnt getan op. Krankenhaus-Strasse 1. 11/4. George Christoph .Aure amiche ah non spirate.Wie wohl ist mir im Dunkein.March and Variations for voice and lute [23] [H KE] Helikon Kastélymúzeum Könyvtára. Biskopsgatan 17. 10/6. Dolce sonno amica quiete op. Tu sei gelosa è vero op.Dröj Sol uti din upgangstima (voice and lute). Mussini. Joseph Martin . Sünching 93104 Himmel. Himmel.Slumra du lilla (voice & lute). Friedrich Heinrich . An den Mond 2 voices and guitar). Antonio . So che vanti un cor ingrato op. Johann Simon . 10/2. Caro bell'idol mio op. Georg Joseph . Paolo .SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. Johann Friedrich . Da te lugi idol'amato. Dalberg. Gunduliceva 6.htm[13/01/2013 12:39:51] . Ergo bibamus op.11/3. Dolce sonno amica quiete op. Osijek 54000 [26] [HR Zha] Zbirka Don Nicole Udina Algarotti. 1/2.Wo ich sei und wo mich hingewendet [20] [D WEY] Pfarrkirche. Amo te sola op. Partizanski trg 6.A quanto è mai difficile. 3.Pretensione ingiusta. An die Laute (2 voices and guitar). Fra le querelle il pianto.com/mccormick/mccormic. Sörg ej den gryende dagen. Schloss. Hasche die Zeit op.guitarandluteissues. Franz Xaver . Joti saluto alba novella. Abo 2 (=Turku) Alström. an die Harfe (2 voices and guitar). Johann Carl . Senti il mio caso.Louises Graf. 10/4.Sörg icke mer (voice and lute). Placa 2.Was zieht mir des Herz. Mussini. Reichart. Abenra 32-34. Perchèmai vezzosi rai op. Wilhelm Zerstörte Glück op. Friedrich Ludwig . George Christoph . Aufruf zur Jagd (2 voices and guitar). Trento. John McCormick [17] [D MÜs] Santini-Bibliothek. Aure amiche care piante op. Här vid denna silver bächen (voice and lute).11/6.Liebende. Keszthely 8360 (Hungary) Dalberg. Schacht.Aujourd'hui l'amour commode [22] [FIN A] Sibeliusmuseum Musikvetenskapliga Institutionen vid Abo Academi. 12/6 [19] [D SÜN] Schloss.Dolente e care immagini.Agitazion d'amore.Ti lascio ben mio op. Leopold Karl .11/5. Mi lagnerò tacendo op.Zu einem Tal bei einem Hirten. Grosheim. Napoleon sei solo. Ti lascio ben mio op. Perchè mai vezzosi op.Scolierò le mie Catena. Dubrovnik 50000 Arcari. An den Hesperus (2 voices and guitar.12/5. In dieser stillen Grufte op. 1/4. Natale . Patorella al prato. 12/1.Welt ist nichts als ein Orchester. Goivanni Francesco . Sarti. Gino .12 Ariette per voce di soprano con accompagnamento di Arpa.guitarandluteissues. violin & guitar). Mujer que llego. Barbara navicella. Mayr. Questa rosa porporina. Gia la notte a me ne viene. Johann Simon . Lanza. Antonio Maria . Lanza. A Nice infedele. Pienso en ti solamente.Quel caro. o di Piano-Forte.La Spiegazione:Ti viddi o bella Fille * Il Desio: Oh me felice * La Partenza: Dunque partir degg'io * Il Ricordo: Eccomi lungi dall'amato bene * Il Sospetto: Compagni. Perche se mia tu sei.Non giova il sospirar.Ostiglia. Non temas que te de puisa. Lo strale di Clori.Six ariettes italiennes. Tiene sin su barbero. e bel Visetto (Cavatina buffa). Pietro a Majella. Gino . John McCormick [27] [H SFm] István Király Múzeum.Il mese armonico. Ombre amene. Bergamo 24129 (Italy) Garcia . avec l'accompagnement de guitarre / choisis par Bevilacqua: Musiche di Blangini.Sei arie notturne con recitativo. Luigi . Bevilacqua.Quattro Cavatine * Non t'accostare all'uma (aria) * Quattro duettini * Otto Cavatine * Recueil complet d'airs. Pavesi. ah perche mai * Il Giuramento svanito: Ah piu dubbio non v'e * Il Disinganno: Qual colpo inaspettato * La Seranza: E fia ver che il mio bene * Il Delirio: Misero a chi ragiono [36] [I Pesp] Basilica Benedettina di San Pietro. Biblioteca. Mozart. Salieri. Todos de las mujeres. Francesco . Ah se di te mi privi (2 sopranos. Nava. Giace di quell'avel. violin & guitar). Il pretesto. Gagarin tér 3. Non cerchi innamorarsi.Oh inaspettato felice istante [33] [I MN] Biblioteca musicale Opera Pia Greggiati .SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. Ferdinando . Al entrar en decasa. Via San Pietro a Maiella 35. & guitar) [30] [I FI} Biblioteca del Conservatorio di musica Luigi Cherubini . Un rosal que tenia. Piazza Vecchia 15. violin & guitar).Zirana del Tripili (Sop.Trova un sola mia bella Clori (2 voices & guitar).9 Canzoncine (Il sospiro. Raccolta di ariette. Frainelli. Borgo XX Giugno 74. Deh non cessate Lanza. Italy Terziani.Sei duetti notturni (2 sop. Te dico a su marido. Yome halle. Io dico all'antro addio. violin & guitar). . Flute & Guitar) [32] [I MI] Conservatorio di Musica Giuseppe Verdi. Aurette leggiere. Arietta nazionale (pub. Spettri e larve che volate. Cimarosa. Nella capanna andiamo.htm[13/01/2013 12:39:51] . Giacomo . Weigl. Fuggi dagl'occhi miei (2 sopranos. romances. Michele . Matteo P. Modena Picchianti. Muchos hai que se casan. Bianchi. Sento già in sen che l'alma (2 sopranos. 12.Bologna. Crescentini. Sentirsi dire (2 voices. Milano 20122 (Italy) Pollini. che brama. Pietro . O si. francois et italiens. Stefano . Che chiedi. rondeaux et duos des operas les plus favoris allemande.B. Para campana grande. De los calvos no quieras. Luigi .com/mccormick/mccormic.Leggi adorata Nice. La Tomba [34] [I MO] Biblioteca dell'Istituto musicale pareggiato Orazio Vecchi. guitar and orchestra). Székesfehérvár [28] [I BGc] Biblioteca Civica Angelo Mai. violin & http://www. Bologna) [35] [I NA] Conservatorio di Musica S. Se infida tu mi chiami). Antonio . Con los aficialitos. Italy Giuliani. Luigi . Napoli Fioravanti.Douze chansons italiennes [29] [I BO] Civico museo bibliografico musicale . o no.Suonatore sventurato (Soprano.Trentasei Ariette nazionali (pub. Ah non pianger bell'idol mio (2 sopranos.Firenza. Via Conservatorio 12. Achivio e Museo della Badia.15 Boleri (Un fraile se que. Biblioteca. Gougelet Troisieme Recueil d'airs choisis. Zingarelli . Todos dicen. Moretti. & guitar).Non mi lasciar ben mio (2 sop. Paer. P.Sei arie notturne con recitativo [31] [I Le pastore] Lecce (Italy) Biblioteca Privata Giuseppe Pastore Rosquellas . o di Chitarra Francese (Se un core annodi. Francesco . Nice lontana. che intorno volate. L'affanno. Perugia 06100 (Italy) Caruso. Moretti. Valentino . Italy Bolaffi.2 Arie con recitative per una voce con accompanimento di Violino e chitarra. Rivolta. Firenze).O. Ferdinando . Torino 10123 (Italy) Asiola. O si o no (Cavatina) [48] [US NYp] New York Public Library at Lincoln Center. Amabile sigella.Ah potessi in quella tomba. Piazza San Carlo 183. Moretti. In placido riposo. Idolo del mio core Verini. Valentino .Ariette italiane coll'accompanimento di chitarra ed un violino. Filippo . che intorno volate. 1-212-787-3852) Dottori. Bonafacio . che brama. Questa rosa porporina.Se son bella che vi premo. Luigi . Perche se mia tu sei. Te lo giuro o mio tesoro. Boston. Music Library. Senza l'amabile dio di citera. Nice un parrari. Valentino . Italy Nicolini. Spettri e larve che volate.guitarandluteissues. Amante mi sventurato (duettino with guitar).Cavatine [42] [I Vlevi] Fondazione Ugo e Olga Levi. 1-617-353-3705) Trignuolo. Torsgaten 21. Roma Giroust.com/mccormick/mccormic. Giuseppe . Music Division.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON.Placida campagna (2 voices. Francois . 1-512-495-4475) [46] [US Bem] University of California. Marchesi. John McCormick guitar [37] [I PR] Biblioteca Palatina. Johann Simon .Mio ben ricordati. Stockholm 103 26 Fioravante. io solo inondo. San Marco 2893. Aurette leggiere. Vicino al segreto Dorindo. Johann Simon .Fax. 1-212-870-1650 . 1-510-642-8237) Interlandi. Ombre amene. Che chiedi. Antonio Bianchi Douze chansons italiennes [38] [I Rc] Biblioteca Casanatensa. Mass. (Tel. o di Chitarra Francese (Se un core annodi. Stockholm. Austin TX 78712 (Tel. E che soffrir mi resta. Berkley CA (Tel. Giuseppe . Bernardo . Breve lontananza. Luigi . Mayr. Io dico all'antro addio. Non le scherza te intorno.Caro ve to sapesi. bass & guitar) [44] [S Smf] Stiftelsen musikkulturens främjande.Se m'abbandoni [41] [I VE] Biblioteca del conservatorio statale di musica Benedetto Marcello .. Johann Gottlieb . Non vi fidate agl'uomini. Box 16326.htm[13/01/2013 12:39:51] . se vuoi ch'io canti. Farinelli. Giace di quell'avel. Bernadino .12 Ariette per voce di soprano con accompagnamento di Arpa.. un ridiri. Vannes infedele. Music Library. Se la pena che provo nel seno. Fax. Se io t'amo http://www. Son le donne sul principio. Nice.Parma.Non giova il sospirar. New York NY 10023 (Tel. addio. Se infida tu mi chiami) [45] [US AUS] University of Texas at Austin. Amor perche m'accende [39] [I RM] Biblioteca musicale governativa del conservatorio di musica S.Sei ariette italiane. Non cerchi innamorarsi. Mengozzi. Fioravanti.Hymne des Versaillois [40] [I Tf] Academia Filarmonica. Biblioteca.Sei Ariette di Metastasio.Venezia Paer. 1-510-642-2623.Per che di giubilo. Roma 00186 (Italy) Mayr.. bella Nice ingrata. Vito . Oh come scorrono.Untitled. Sezione Musicale . Ignazio 52. Gaetano . Sweden Naumann. un it scantari. Mugar Memorial Library. Daniel . Bedda Clori. Venezia 30124 [43] [S Skma] Statens Muskbibliotek. 111 Amsterdam Ave. Se lontan ben mio tu sie. 240 Morrison Hall.Benedetta sia la madre [47] [US Bu] Boston University.Non mi sprezzar Fileno. Cecilia.Eight Airs with guitar (Mi giuri che m'ami mi chiami. Via di S.Nice dorme. Cara. Department of Special Collections. o di Piano-Forte. Hai gl'acchio fille. Salvati. Lo far l'amore cosi non so. Achivio. Marani.Psalm LXXXVI. Garcia. Washington DC 20540 (Tel.Romance aus der Trauerspiel. Mellini. Ich http://www. Eisenhofer .Dammi nice di sta grasti. kleiner Blätter.Weine nicht. Kallenbach.L'amour et la gloire. Etienne Nicolas . Seidel. Die Schiffahrt. Gaetano . Com'e possibli lassari. wer die Geliebte findet. Wunsch und Entsagung. Manuel Vicente .La smorfia sella. Freudvoll und leidvoll.Das Machen am Ufer.Drei deutsche Lieder. Kretzschmer. Lascia diletta fillida.An den Mond. Das Veilchen im Thale. Wiegenlied. Spanisches Lied: Righini. Rondo (Tempo di Bolero). Harder. ah! Non spirate (Canzonetta). Sorge la bella aurora (Duettino notturno). Quel Angelino che sol canto. Diabelli.Die jumge Schäferin. Friedrich Franz . Reichardt. Meurger.Aure amiche. George Ernst . Mr.Ogni donna che ha gusta. Volkslied. Osthoff Lied aus Gabriel.Flatter . An den Abenstern.Na cest alle pene mi povero. Friedrich Ludwig . Keller. flatter kleiner Vogel.htm[13/01/2013 12:39:51] . Der arme Minnesänger. Legros . Vincenzo . Umsonst. Sehnstucht nach dem Vaterlande. Helwig . Nehmt euch in acht. Antoine-Charles . Fort. Patouart fils . Ich sah ein Röschen. Reichardt.Die Propheten der Natur. Carl Maria von Weber . Die Wiederkehr in mein Vaterland.Finche splende in cielo il sole. Carafa . Lindpainter . Frank V. University of Rochester.Schwäbisches Tanzlied. Ninfe. Stille Liebe. Andreas .Fi! Que c'est laid d'etre jaloux. dass die Leyer klinge.Ruhe.Die Laute. Carl . Forti geniu di simpatia. Anton .Amanda. Antonio .Se resto sul Lido (Canzonetta). Gebet um die Geliebte.Holde Leibe sanfte freuden: Ferrari .SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. Che ingegnoso putte letto. Bianchi. Lied von Clotilde. Der Alpenjäger. Herzenswechel.guitarandluteissues.Beglückt.L'Exil de Troubadour. Vittorio . Henri . Ida an Lexis. Blum. Terza note e questa ch'il sonno. Was zieht zu deinem Zauberkreise. Louise . meine Sänge.Le doux mal. Nynäshamn. Chi amuri sfurtuna. Glachant. Romanzen und Lieder. Care Nice.Lob der weissen Farbe. La gitanilla zelosa (cancion andaluza). Liebestandelei. Giuliani. Persisches Lied. Sauf le respect que je vous dois. Conradin . Lied von Clotilde.Schwäne kommen gezogen (2 voices & guitar).Coleccion de canciones españolas. bei Sendung einer Rose. Die freien Sänger. Minnelied. Savart. So mancher möcht ihr Blümchen sein. Tocco un di dal canto mio canto. Maienblümlein. Volkskied. Mauro . Trento. Schlummerlied. Kennst du der liebe Sehnen?. Nicola . Eugène .Aechtes Glück. In der ferne. se liete viver bramate. Fabricatoriello.La muse lyrique: Requeil d'airs avec guitarre [52] Kenneth Sparr Collection. Klage. Bach. 1-202-287-5504. 1630 Holloway Ave.Balladen. Carl . Antonio . Eccomi non ferir numi pieta. Der kleine Fritz an seine jungen Freude.Veux tu m'aimer. Mentre la notte placida. Meine Farben. Music Division. Mein Lieder. Lebewohl. Me vogli anzurare dinto fratta. ingrata sei gia loso.. Son pratico in amore dono. Mehul. Sängers Morgenlied. Canto bassetti su quei o chieti. Nici mia comu si fa. Lied der Hirtin. Methfessel. de Bellis Collection. 1-202-2875505. Adalbert . Albert Gottlieb . Romagnesi. Al. Lied der Nacht.Di Blumen des Lebens (Canzonetta). Timor mi scaccia (Canzonetta).Ihr Wuchs ist Nympfenhalt und schlanck. Recueil de romances (1 & 2 voices with guitar). P. Friedrich Heinrich .El bajelito nuevo. Gebet während der Schlacht. Das Lösegeld. Mailied (2 voices & guitar). Si ti guardu. Kleine Blumen.Frühlings . Schönste Rosen knospe dieser Flur. 1-202-287-5506) [50] [US SFsc] San Francisco State University. So miglia l'amore [49] [US Wc] Library of Congress. Himmel. Land meiner soligsten Gefuhle.Ecco quel fiero istante [51] [US R] Sibley Music Library.Sophie (Romance). Eastman School of Music. W. Morgenlied.Cavatine aus der Oper: der Augenarzt. Friedrich Heinrich . John McCormick s'io t'amo. Sweden Colomer. José Melchor Gomis . Morgenandacht im Freien an einem Sonntage. beglückt. Scheiden und meiden. Kreutzer. Johann Friedrich . Cuco (Canon for three voices). Artemio . Himmel. Quel bianco sende latte. Gyrowetz. Flora . Piccere si m'ave nattanno bella cosa.E la bella m'a cercato. Chi t'a fatta sta bella. August . Pacini. Blum. E it gha cor de vedermi.Sempre più t'amo.Lizidas. Preghiera. Wellen rauchen (Lied). Der ritterliche Sänger.El chacho moreno (cançion andaluza). Winter . Trinklied. Bonafacio . Mein Verlangen. Francesco .Pauvre petit (romance) [53] Matanya Ophee Collection Asioli. Carl . Giuseppe . der Leuchthurm. Unbefangenheit. Hurka. Rocester NY Signorila.Kriegers Abschied. Ah la mia Clori e tutta bella. .com/mccormick/mccormic. echo und Kuss. Col. San Francisco CA 94132 Motta. Neben dir ist das liebste Plätzchen mir (Lied).L'agnellina e la cornacchia. All Rights Reserved. N. Russisches Brautlied. John McCormick war. 2007 05:40 PM   http://www. Table of contents HOME PAGE Editions Orphée.L. CATALOG G.War ich ein muntres Vögelein.htm[13/01/2013 12:39:51] . wenn ich erwachte (Aria). Copyright © 2003 by John R. Inc.I. February 28.com/mccormick/mccormic. 1240 Clubview Blvd.com Last Modified: Wednesday.SONGS WITH GUITAR FROM THE AGE OF NAPOLEON. OH 43235-1226 TELEPHONE: (614) 846-9517 FAX: (614) 846-9794 EMAIL: [email protected]. Zumsteeg .. Columbus. McCormick.