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Fundamentals of the Conservation of PhotographsBIBLIOGRAPHY  = Available online Adelstein, Peter Z. 1995. Paper products as enclosures for photographic images. Alkaline Paper Advocate 8(4): 60. ———. 1999. The preservation of photographic film. In Care of Photographic Moving Image & Sound Collections, ed. Susie Clark, 13-18. Leigh, Worcestershire: Institute of Paper Conservation. ———. 2004. IPI Media Storage Quick Reference Negatives, Prints, Tapes, CDs & DVDs. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Adelstein, Peter Z., J.-L. Bigourdan, and J. M. Reilly. 1997. Moisture relationships of photographic film. Journal of the American Institute for Conservation 36(3): 193-206. Albright, Gary E. [1980] 2010. The conservation of albumen prints (1980). In Issues in the Conservation of Photographs, ed. Debra Hess Norris, and Jennifer Jae Gutierrez, 297305. Readings in Conservation. Los Angeles: Getty Conservation Institute. Previously published in Preprints of Papers Presented at the 8th Annual Meeting, San Francisco, California, 22-25 May 1980, 1-8. Washington, D.C.: American Institute for Conservation of Historic and Artistic Works, 1980. Albright, Gary E., Jiuan-Jiuan Chen, and Kate Jennings. 2003. Treatment options for paper negatives. Topics in Photographic Preservation 10: 19-28. Baas, Valerie, Christopher Foster, and Karen Trentelman. 1999. The effects of four different wet treatments on albumen photographs. Journal of the American Institute for Conservation 38(2): 176-85. ———. [1997] 2010. The effects of multiple wet treatments on cracking in albumen prints (1997). In Issues in the Conservation of Photographs, ed. Debra Hess Norris, and Jennifer Jae Gutierrez, 325-35. Readings in Conservation. Los Angeles: Getty Conservation Institute. Previously published in Topics in Photographic Preservation 7 (1997): 38-42. www.getty.edu/conservation Barger. 1987. Calif. Coming into Focus: A Step-by-Step Guide to Alternative Photographic Printing Processes. Studies in Conservation.: J. M.BIBLIOGRAPHY CONT’D. 1991. S. 31 (1986) 15-28. Stephen. In Preprints: ICOM Committee for Conservation. Paul Getty Museum and London: British Museum Press. 1983. ———. Giri. Storage and Display of Photography. Washington: Smithsonian Institution Press. Susan. Looking at Photographs: A Guide to Technical Terms. Barger. Diana de Froment.. Studies in Conservation 31(1): 15-28. Susan. William B. Susan. The cleaning of daguerreotypes: Comparison of cleaning methods. 9-20. Magnetic and Digital Media. ed. 1983. Messier. 1988. V. London: Museums & Galleries Commission. The Care of Photographic Materials & Related Media: Guidelines on the Care. San Francisco: Chronicle Books. and William F. Barger. Copenhagen. and William B. Studies in Conservation 29(2): 84-86. 1984. Marta. Thiourea and ammonium thiosulfate treatments for the removal of "silvering" from aged negative materials. M. Hill. Barger. Photographic Science and Engineering 27(4): 141-46. M. a new technique. Susie Clark. 84. DC: American Institute for Conservation of Historic and Artistic Works. Evaluation of conservation treatments applied to salted paper prints. P. 26-30 May. Picturescope 31(2): 57-58. Krishnaswamy. Journal of Imaging Technology 14(2): 43-46. In Preprints of Papers Presented at The10th Annual Meeting. The Daguerreotype: Nineteenth-Century Technology and Modern Science.8 to 84. M.12. and William B. 2000. M. Film. Washington. Susan. Susan. Barger. 1991. Daguerreotype: A precautionary discussion of deterioration. Susan. Gilding and sealing daguerreotypes.P.edu/conservation . Messier. and R. Edmondson. www. Russell Messier. ed. White. Edmondson. Susan. White. 1986. cyanotypes and platinotypes. 10-14 September 1984. Nondestructive assessment of daguerreotype image quality by diffuse reflectance spectroscopy. Studies in Conservation 45(3): 162-68. Thomas M. and Thomas T. 1982. and William B. Giri.14. Handling. M. 2000. Milwaukee. Studies in Conservation 32(3): 141-43. White. and Thomas M. Daguerreotype display. and Peter Winsor. Baldwin. The cleaning of daguerreotypes: 1.14. 1982. Cleaning daguerreotypes. Stapp. White. William B. A.getty. M. A. M. 1998. Physical sputter cleaning. Barger. John. Susan. Corrigenda: "Cleaning daguerreotypes" by Barger. Paris: International Council of Museums. Journal of the American Institute for Conservation 22(1): 13-24. M. Barger. Barger. Ball. cleaning and treatment. R. 1984. Barnier. 1982. White. ———. Gordon. Susan. Malibu. Barandiaran. 7th Triennial Meeting.. Wisconsin. : Ayer Co. ICOM Committee for Conservation. Library of Congress. Lisa. Toronto: Toronto Area Archivists Group. 12-16 September 2005: Preprints. ed. Wellheiser . CCI Notes = Notes de l'ICC 16(4). Care of black-and-white photographic glass plate negatives = Le soin des négatifs photographiques en noir et blanc sur plaque de verre.edu/research/publications/electronic_publications/introimages/index . Adelstein. and Linda K.  Besser. National Preservation Program Publication. An Ounce of Prevention: A Handbook on Disaster Contingency Planning for Archives. CCI Notes = Notes de l'ICC 16(1). ed. Peter Z. www. John P.. http://www. 1996. ———. ICOM Committee for Conservation.C.getty. Literature of Photography. N. and London: Trübner & Co. Rev. 1985. and Deborah Lenert. 2003. New York: Hubbard. G. Sally Hubbard. Acetic acid and paper alkaline reserve: Assessment of a practical situation in film preservation. Libraries and Record Centres. 7th ed. Peter C. 1-6 September. Commonly Known As Photography. Janet Bridgland. Isabelle SourbèsVerger. ———. 1995. Washington.. 1996. Kennedy. and Johanna G. London: James & James / Earthscan. Canadian Conservation Institute.H. Topics in Photographic Preservation 7: 43-54 Brown. D. http://www. ———. Margaret R. Burgess & Co. 1982. The Photograph and Ambrotype Manual: A Practical Treatise on the Art of Taking Positive and Negative Photographs on Paper and Glass. Los Angeles: Getty Research Institute. Baro. ———. Howard.. 1861. Research Services. and Nora W. 533-40. and James M. Effect of paper alkaline reserve on the chemical stability of acetate base sheet film. in All Its Branches. Gustave Le Gray's salted paper prints. Reprint ed. 2005.edu/conservation . London: James & James (Science Publishers) Ltd. Don Etherington. Containing Various Recipes Practised by the Most Successful Operators in the United States.archive. CCI Notes = Notes de l'ICC 16(3). Scotland. 1996.org/details/photographambrot00burg. Reilly. Bunnell. ed. 1995. 1996: Preprints.  Burgess. Care of encased photographic images = Le soin des images photographiques présentées en coffret . In 11th Triennial Meeting. Introduction to Imaging. Edinburgh. Salem.: Preservation Office. Care of black-and-white photographic prints = Le soin des épreuves photographiques en noir et blanc. Barton. 1984. N. Care of black-and-white photographic negatives on film = Le soin des négatifs photographiques en noir et blanc sur pellicule.html Bigourdan. 1997.getty. In 14th Triennial Meeting.BIBLIOGRAPHY CONT’D. ed. Ogden. Jean-Louis. CCI Notes = Notes de l'ICC 16(2). The Hague. 573-79. Nonsilver Printing Processes: Four Selections. Boxes for the Protection of Rare Books: Their Design & Construction. 1886-1927. edu/conservation . The Illustrated History of Colour Photography. Ralph Wiegandt. Paris: Association des restaurateurs d'art et d'archéologie de formation universitaire.16 to 84. Preservation of Photographic Material. Leigh. Cartier-Bresson. ———.21. Reversible mounting techniques for the display of large-format contemporary photographs. Anne. www. Vol. 15-16 octobre 1987. Surbiton. 84. New York : Crown Publishers. Clapp. ———. 1993. Care of Photographic Moving Image & Sound Collections. CCI Notes = Notes de l'ICC 16(5). 1978. Patrick Ravines. 1840-1940.14. restauration et reproduction des collections photographiques de la ville de Paris. 1999. Diana de Froment. and Marsha Sirven. Paris: International Council of Museums. 1987. NY: Nick Lyons Books. Cameras: From Daguerreotypes to Instant Pictures. 1978. Synthèse des travaux recueillis dans la littérature sur la restauration des photographies en noir et blanc. England: Fountain Press. Sylvie Pénichon. Brian. 2007. 111-46. Cartier-Bresson. In ICOM Committee for Conservation 7th Triennial Meeting: Copenhagen. Anne. In Les documents graphiques et photographiques. A Guide to Early Photographic Processes. Colour Photography: The First Hundred Years. London: Ash & Grant. Rosina Herrera. ———. Conservation. Coe. 10-14 September 1984: Preprints. analyse et conservation: Travaux du Centre de recherches sur la conservation des documents graphiques 1980-1981. ed. 1981. Coré: Conservation et restauration du patrimoine culturel (22): 35-41. In Journées sur la conservation restauration des biens culturels: Recherches et techniques actuelles: Paris. ed. Coe. ed. London: National Preservation Office. Paris: Editions du Centre national de la recherche scientifique. New York. Chantal Garnier.BIBLIOGRAPHY CONT’D. 70-73. Brian. Jack Howard Roy. Cartier-Bresson. Coote. 1996. Susie. Jiuan-Jiuan. NPO Preservation Guidance. London: Hurtwood Press in association with the Victoria and Albert Museum. Clark. 1999. 1987. Martine Gillet. Chen. ———. and Jean-Philippe Boiteux. Care of colour photographic materials = Le soin des documents photographiques couleur. 2. 2009. 1984. La conservation des photographies: Etat des problèmes. Topics in Photographic Preservation 12: 131-40. Etude expériméntale de la détérioration et de la restauration chimique des épreuves photographiques sur papier salé. Worcestershire: Institute of Paper Conservation. Anne.14. Curatorial Care of Works of Art on Paper: Basic Procedures for Paper Preservation. Anne F. and Françoise Flieder. 1983.getty. and Mark Haworth-Booth. http://www. Nancy. Harvard University Art Museums. Reilly. NY: Graphic Arts Research Center. København. Edward M. Lifetime prediction: Fact or fantasy? In Research Techniques in Photographic Conservation: Proceedings of the Conference in Copenhagen. Monique C.  Fischer. Edge. Fischer. Storage of Microfilms. ed. Photography Through the Microscope. The Ambrotype.nedcc. Michele. Feldvebel. George T. Topics in Photographic Preservation 12: 77-85.getty. Edmondson.Y. Historic Photographic Processes. Anthony. 1980. 13-28. 97-100.Y. In Papers Presented at the Art Conservation Training Programs Conference: May 2-4. New York: Allworth Press. School of Conservation. 14-19 May 1995. Tim Padfield. William. Davis.edu/conservation .. The Care of Prints and Drawings. and Prints (Safety Film Base and Paper Base Materials Only). N. N. 1979. Mass. Sheet Films. Rochester. 1985. Mogens S. Estabrooke.nedcc. Digital photography! But what about our careers! (Or. 1984.  Fischer. 1987. 1951. Monique.The Center. 1894. Topics in Photographic Preservation 6: 11-40.: Eastman Kodak Company. N. Eastman Kodak Company. Margaret Holben. The Ferrotype. 2003.org/resources/leaflets/5Photographs/04InkjetPrints. 2007. NY: Eastman Kodak Co. F-40. Rochester. Rochester. Center for Conservation and Technical Studies. The Keepers of Light: A History & Working Guide to Early Photographic Processes.org/resources/leaflets/5Photographs/01ShortGuide. and Ulla Bøgvad Kejser. A short guide to film-based photographic materials identification. 2005. Nashville. no. Rochester. Cambridge. Kodak Publication. 1st ed. Monique C. 1996.BIBLIOGRAPHY CONT’D. Eaton. 1998. and How to Make It. Ellis. Farber. Koch.: Morgan & Morgan.: AASLH Press. Tenn. New York: E. 1952. www. Cambridge. Massachusetts. 9th ed. Jesper Stub Johnsen. 1995. http://www. 1984.php. Thomas. Kodak Industrial Data Books. News (Northeast Document Conservation Center) 12(1): 4-5. what is photograph conservation?).php. Richard. & T. Tintypes: Preliminary research and testing. Old & New. Dobbs Ferry.Y. Rochester Institute of Technology. Topics in Photographic Preservation 11: 3-5. Crawford. and James M.. Creating long-lasting inkjet prints. Use of passive monitors in film collections. ———. Thomas.: Eastman Kodak Company. Conservation of Photographs. Denmark: Royal Danish Academy of Fine Arts. Morrison. Jens. Paris: General Information Programme and UNISIST. 50 Fast Digital Photo Techniques. ———. Monique C. ———. Leszyk. 9. Louis P. Guidelines for care and identification of film-base photographic materials (1993). ed. A New History of Photography. 1984. 50 Fast Digital Photo Techniques. 1998. ed. Tim Padfield. ed. School of Conservation. Gregory. Readings in Conservation. WO 1984/001228 filed Aug. København.. In Issues in the Conservation of Photographs. [1993] 2010. Roy. 1984. Denmark: Royal Danish Academy of Fine Arts.. Glastrup. The Preservation and Restoration of Photographic Materials in Archives and Libraries: AARAMP Study With Guidelines. In Issues in the Conservation of Photographs. In Research Techniques in Photographic Conservation: Proceedings of the Conference in Copenhagen. Previously published in The American Archivist 46. Scientific. Previously published in Research Techniques in Photographic Conservation: Proceedings of the Conference in Copenhagen. ed. 1984. Los Angeles: Getty Conservation Institute. www. New York: Hungry Minds. Tim Padfield. Fischer. 53-57. and Cultural Organization. Hendriks. ed. Jesper Stub Johnsen. Disaster preparedness and recovery: Photographic materials (1983). and Paint Research Association. Jesper Stub Johnsen. Debra Hess Norris. 62331. Denmark: Royal Danish Academy of Fine Arts. Köln: Könemann. 93-95. 2004. 1993. [1983] 2010. and Brian Lesser. 2001. 401-6. Indianapolis. 14-19 May 1995. and Jennifer Jae Gutierrez. Koch. 1996. and Ulla Bøgvad Kejser. and Ulla Bøgvad Kejser. Koch. 14-19 May 1995. 47-50. Readings in Conservation. Michel. Klaus B. Harasta. Previously published in Topics in Photographic Preservation 5 (1993): 117-23. Gerald M. Hendriks. [1996] 2010. School of Conservation. 1996. inventors. no. (Eastman Kodak Company. assignees). Curatorship and conservation at the Harry Ransom Humanities Research Center: The evolution of a process. In Issues in the Conservation of Photographs. and Jennifer Jae Gutierrez. Coating compositions and their use in the restorative and/or protective treatment of photographic elements. The evaluation of conservation treatments (1996).edu/conservation .BIBLIOGRAPHY CONT’D. and Jennifer Jae Gutierrez. IN: Wiley Pub. Los Angeles: Getty Conservation Institute. Los Angeles: Getty Conservation Institute. Frizot. Topics in Photographic Preservation 5: 73-83. Analysis of gaseous degradation products generated during accelerated ageing of cellulose acetate. Flukinger. and Edward D.getty. and Andrew Robb.1 (1983): 52-68. 1983 and issued March 29. United Nations Educational. 2nd ed. Mogens S.. Debra Hess Norris. Mogens S. Debra Hess Norris. Readings in Conservation. Georges. and Barbara Brown. København. Klaus B. 586-90. Internationalen Kongreß der IADA. Lesser. ———. Toronto. Jesper Stub. Conservation Management and Archival Survival of Photographic Collections. Janet Bridgland. In New Directions in Paper Conservation: 10th Anniversary Conference of the Institute of Paper Conservation. 1-6 September. Klaus B. ———. The Paper Conservator.. Ont. The treatment of discoloured glass plate and cellulose nitrate negatives. 2003. Brian... Vol. Mogens S. September 19-23. Conservation of Photographic Materials: A Basic Reading List = La Conservation des documents photographiques: Liste d'ouvrages de référence de base. In 8th Triennial Meeting: Sydney.BIBLIOGRAPHY CONT’D. 1994. In 11th Triennial Meeting. Copenhagen. Hill. ed. ed. Joe Iraci. Archival processing of black-and-white photographs in preventive conservation. D27D29. Ottawa. Scotland. Leigh: Institute of Paper Conservation. Los Angeles: Getty Conservation Institute. Johnsen. 1995. www. Hendriks. Tübingen.. Brian Thurgood. ed. Journal of Imaging Science and Technology 36(1): 46-55. and Greg Hill. Further experiments on the restoration of discolored black-and-white photographic images in chemical solutions. Koch. ———. and Lincoln Ross. Theory and Research: Preprints of the Contributions to the Ottawa Congress. and Perry Smith. Topics in Photographic Preservation 10: 74-85. IADA. Oxford. Kirsten Grimstad. Hendriks. vol. 1996. 12-16 September 1994. 14-18 April 1986. Jarry. 1995: IADA Preprints 1995. Surveying large collections of photographs for archival survival. Jesper Stub. London: International Institute for Conservation of Historic and Artistic Works. Klaus B. Ont. The Book & Paper Group Annual 15: 53-59. PhD diss. 1986. Narelle. Greg. Internationale Arbeitsgemeinschaft der Archiv-. ed. Acta Universitatis Gothoburgensis Göteborg University. Accelerated aging: Changes in swelling and melting point of photographic gelatin. Canada.getty. 1987. Ashok Roy. Fundamentals of Photograph Conservation: A Study Guide. Nicholas Pickwoad. New nitrate film storage for library and archives. In Preventive Conservation Practice.: National Archives of Canada. 6-11 September 1987: Preprints. ed. 1996. 123-30.. ICOM Committee for Conservation. Australia. 10-12. Image quality of chemically restored black and white negatives. 202-6. Computer imaging technology: The process of identification.edu/conservation . and Anne Whitehurst. 1996: Preprints.und Graphikrestauratoren. Johnsen. In 8. Canada: Lugus. Klaus B. 1992. London: James & James (Science Publishers) Ltd. and K. Tübingen. 667-69. Bibliotheks. ICOM Committee for Conservation. Jonas Palm . 2. Edinburgh. ed. 19-23 September 1995: IADA Preprints 1995 = 8th International Congress of IADA. ———. 1997. 1991. Denmark: Royal Danish Academy of Fine Arts . 1988. Hendriks. BIBLIOGRAPHY CONT’D. My grandmother has one of those. Hendriks: A Life Remembered. and Dusan Stulik.]: Thomson Course Technology PTR. and Dennis Inch. Research Techniques in Photographic Conservation: Proceedings of the Conference in Copenhagen. and Dusan C. 22-24 May 2002. 691-95. Keefe. ambrotypes. Tim Padfield. Khanjian. Sibylle Monod. In 15th Triennial Conference New Delhi.. Harald. ed. P. Matting. A Guide to the Preventive Conservation of Photograph Collections. School of Conservation. Janet Bridgland. 14-19 May 1995. and Sibylle Monod. Mogens S. Martin C. 2002. and Ulla Bøgvad Kejser. Cooperstown. Herant P. John McElhone. Stulik. April 10-12. 2009 . Boston: Focal.. ICOM Committee for Conservation. Framing. Expanding the barytome database: The GCI Gevaert collection. Johnson. ed.: Getty Conservation Institute. and care. Denmark: Royal Danish Academy of Fine Arts. Bertrand. Mastering Digital Printing. The Life of a Photograph: Archival Processing. Bertrand. 22-26 September 2008: Preprints. Daguerreotypes. processes. and Ulla Bøgvad Kejser. 2009.. Lavédrine. Koch. 195-200. School of Conservation.: American Institute for Conservation of Historic and Artistic Works. København. 2nd ed. New Delhi: Allied Publishers. Storage. Mass. Koch. 2003. Joyce Townsend. Los Angeles: Getty Conservation Institute. Denmark: Royal Danish Academy of Fine Arts. Cooperstown Graduate Programs. Prediction of dark stability of colour chromogenic films using Arrhenius law and comparison after 10 years of natural ageing. 2008. 82-97. 1990. ed. Kaplan. In Conference of Students in Art Conservation. Jürgens. 1978. Jean-Paul Gandolfo. 2003. and Jean-Paul Gandolfo. In Research Techniques in Photographic Conservation: Proceedings of the Conference in Copenhagen. Calif. Jesper Stub Johnsen. Copenhagen: School of Conservation. 2nd ed. King. Tim Padfield. Klaus B. Laurence E. The Digital Print: Identification and Preservation. ed. 1996. Photographs of the Past: Process and Preservation. Jesper Stub Johnsen..edu/conservation . and Annemie Adriaens. [Boston.getty. Scotland. Los Angeles. Bertrand. tintypes: Their problems. Infrared spectroscopic studies of photographic material. Royal Academy of Fine Arts. Los Angeles: Getty Conservation Institute.Y.. Lavédrine. Art. Katherine Eremin. London: Archetype Publications Ltd.. København. www. Lavédrine. Mogens S. Koch. 1978. In Conservation Science 2002: Papers From the Conference Held in Edinburgh. N. Christine. 2005. 71-76. Mogens S. 1996. ed. 14-19 May 1995. 311-15. 1990. Ian. RH and pH. Mark H.. Cracking in albumen photographs: An ESEM investigation. 1st ed.3 (1994): 257-78. New York: Neal-Schuman Publishers in association with Library Association Pub. Ottawa.getty.com/subzero/MMG_Allowable_Temp_and_RH. 1984.C. 1993. ———. and Dusan Stulik. In The Imperfect Image: Photographs. Present and Future: Conference Proceedings: Papers Presented at the Centre for Photographic Conservation's First International Conference at the Low Wood Conference Centre. McCrady. and Timothy Vitale. Their Past. www. Jeffrey. Los Angeles: ICOM Committee for Conservation.pdf. 2007. no. Coatings on Photographs: Materials. 26-31 August. In The Imperfect Image: Photographs. German Democratic Republic. Marilyn E. 262-67. McCormick-Goodhart. 1990: Preprints. 2005. 6th-10th April 1992. 6th-10th April 1992. 21-25 September 1981. Windermere. Readings in Conservation. 2001. 209-35. 1996. Their Past. Centre for Photographic Conservation. Stuart D. Los Angeles: Getty Conservation Institute. The Abbey Newsletter 8(2): 40. McCabe. 6th Triennial Meeting. Albumen photographs: Effects of aqueous treatment and fundamental properties. 1992. Ellen. Messier. Conservation forum: The allowable temperature and relative humidity range for the safe use and storage of photographic materials.: American Institute for Conservation. ed.BIBLIOGRAPHY CONT’D. [1994] 2010. Albumen prints. Paris: International Council of Museums. Constance. 1991. ———. Microscopy Research and Technique 25(5/6): 374-83. and Conservation. Debra Hess Norris.  ———. Preservation of 19th-century negatives in the National Archives. Techniques. London: Centre for Photographic Conservation. London: CPC.edu/conservation . Journal of the American Institute for Conservation 30(1): 41-73. 9. Effects of aqueous treatment on albumen photographs (1994). In Issues in the Conservation of Photographs. and Jennifer Jae Gutierrez. Levin. Windermere. http://www. 1992. Present and Future: Conference Proceedings: Papers Presented at the Centre for Photographic Conservation's First International Conference at the Low Wood Conference Centre. Journal of the Society of Archivists 17(1): 7-21. Research on the conservation of photographs. ed. and Siegfried Rempel. A study of daguerreotype cleaning solutions. Maver. Kirsten Grimstad. ed. Previously published in Journal of the American Institute for Conservation 33. 320-324. Digital Imaging: A Practical Handbook.wilhelm-research. 1981. Laver. Some research into methods of mounting. Washington. The multilayer structure of tintypes. Paul. In 9th Triennial Meeting: Dresden. Lee. Conservation: The GCI Newsletter 22 (3): 16-19. In Preprints: ICOM Committee for Conservation. lining or repairing albumen prints. D. ———. London: Summer Schools Press. 5th ed. Present and Future: Conference Proceedings: Papers Presented at the Centre for Photographic Conservation's First International Conference at the Low Wood Conference Centre. Fredericton. The Paper Conservator: Journal of the Institute of Paper Conservation 2: 36-43.BIBLIOGRAPHY CONT’D. Moor. 3d rev. 1994. Encyclopedia of Printing. An overview of the use of aqueous treatments on photographs. 1987. ———. London: Centre for Photographic Conservation. Moor. 236-44.S. 1986. The History of Photography: From 1839 to the Present. 6th-10th April 1992. ———. N. Luis. Moor. 3rd rev. and Photomechanical Processes: A Comprehensive Reference to Reproduction Technologies. and Angela Moor. ed. 319-22. The Paper Conservator: Journal of the Institute of Paper Conservation 1: 22-25. The ambrotype: Research into its restoration and conservation: Part 2. Canada: Atelier Luis Nadeau. New York: Museum of Modern Art. Ian L. Nadeau. New Brunswick. Committee on Preservation of Historical Records. 2006. Atlantic Silversafe Photostore: A suitable paper for photographic conservation? Library Conservation News (30): 4-6. Exhibiting photographs: The effect of the exhibition environment on photographs. The Daguerreotype in America.: L. and Angela H. Photographic. Their Past. History and Practice of Platinum Printing. ed. Beaumont. 1977. London: Centre for Photographic Conservation. James Black. New York: Dover Publications. Completely Revised and Enlarged Edition. Their Past. Nadeau.. In The Imperfect Image: Photographs. and Angela Moor. 1994. Fire and flood: Criteria for the recovery of photographic materials.: National Academy Press. D. ———. 6th-10th April 1992. 1976. Washington.. Ian. Windermere.getty. Newhall.C. 1991. distributed by Bulfinch Press. National Research Council (U. ed.B. 1992.). Preservation of Historical Records. In Recent Advances in the Conservation and Analysis of Artifacts: Jubilee Conservation Conference Papers. Ian. In The Imperfect Image: Photographs. 1976. www. Containing Invaluable Information on Over 1500 Processes. ———. Present and Future: Conference Proceedings: Papers Presented at the Centre for Photographic Conservation's First International Conference at the Low Wood Conference Centre.edu/conservation . Ian L. 193-201. Moor. Moor. The ambrotype: Research into its restoration and conservation: Part I. 1992. Fredericton. Windermere. Jesper Stub Johnsen. Erland Kolding. The conservation treatment of deteriorated photographic print materials. Reilly. 6th-10th April 1992. 85-92.getty. 67-82. ed. Their Past. Massachusetts: Fogg Art Museum. Koch. Mogens S. Tim Padfield. In Papers Presented by Trainees at the Art Conservation Training Programs Conference: April 30. School of Conservation. Nishimura. Debra Hess Norris. Tim Padfield. Jesper Stub Johnsen. 6 (1991): 245-52 and 9th Triennial Meeting: Dresden. København. 14-19 May 1995. 1979. Norris. Debbie Hess. and Jennifer Jae Gutierrez. Los Angeles: Getty Conservation Institute. and Ulla Bøgvad Kejser. 36166. 96-101. In Research Techniques in Photographic Conservation: Proceedings of the Conference in Copenhagen. 1999. The practical presentation of research studies on film stability. Center for Conservation and Technical Studies. Susie Clark. 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Denmark: Royal Danish Academy of Fine Arts. and Ulla Bøgvad Kejser. Mogens S. and Ulla Bøgvad Kejser. Kirsten Grimstad. ———. ed. In Issues in the Conservation of Photographs.edu/conservation . 1996. ———. Previously published in Care of Photographic Moving Image & Sound Collections.BIBLIOGRAPHY CONT’D. Surface cleaning of damaged photographic materials: Current practice and concerns (1999). ed. 101-5. 2010. København. 1990: Preprints. Present and Future: Conference Proceedings: Papers Presented at the Centre for Photographic Conservation's First International Conference at the Low Wood Conference Centre. Nielsen. James M. 9-12. German Democratic Republic. and Jennifer Jae Gutierrez. 1990. School of Conservation. Nishimura. Readings in Conservation. ed. Norris. 1979. Readings in Conservation. 26-31 August. Fogg Art Museum. Los Angeles: ICOM Committee for Conservation. København. Planning new storage: Standards and reality. Douglas W. Norris. Douglas W. 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