Central Saint MartinsMRes Art: Exhibition Studies Course Information Contents Page Facts The College UAL Content Structure The College and its location University of the Arts About the Course Distinctive features of the course Course structure Resources Additional costs Frequently asked questions 1 1 2 2 2 3 7 7 7 7 8 9 9 10 10 10 11 11 12 12 12 12 13 13 13 13 13 13 13 13 13 Careers Entry Developing your professional skills and expertise Future careers and graduate prospects Entry requirements and application process Minimum entry requirements English language requirements What we look for Apply How to apply Further information for International applicants Application and interview advice Deferred entry What happens next Can’t attend the interview? Contact us Open days / prospectus Funding your course Further information Disability access Learning resources Careers advice and guidance Student Services Students’ Union Accommodation This leaflet is intended to provide course information to prospective applicants, parents, guardians and teachers or advisors. Please note that, whilst every care has been taken to ensure accuracy at the time of production, the information contained in this leaflet may be subject to change. In 2013/14. It provides specialist education and research in the fields of fine art. fashion. including specialist courses in product design. 3D design. N/A Alex Schady Home/EU fee International fee Additional costs Study abroad fee Programme Director Pathway Leaders Course location Course Terms Autumn Spring Summer The College The College and its location Pablo Lafuente and Lucy Steeds King’s Cross Tel: +44 (0)20 7514 7023 .Friday 12 December 2014 Monday 12 January 2014 . and performance. Please see the Additional Costs section on page 7 for more information.750 per year but this fee is subject to change for 2014/15 entry. There is no studio fee. Please note that fees for 2nd year of study will be subject to inflationary increase. It offers the opportunity to study from foundation through undergraduate and postgraduate to research degrees across one of the most diverse and comprehensive ranges of art and design courses in the country. however. Central Saint Martins' alumni have a profound impact on our lives. the fee was £8. so we advise you to submit your application as early as possible to avoid disappointment. Fees for 2014/15 entry are still to be set. interdisciplinary art and architecture. graphic and communication design. acting and directing. ceramics and jewellery. as well as theatrical productions like Phantom of the Opera MRes Art: Exhibition Studies – page 1 .Friday 22 May 2015 Central Saint Martins brings together the former St Martin’s School of Art and Central School of Art and Design. textiles. the fee was £3. but you will need to cover the costs of studying and producing work for your course. Successful students have created the iconic designs of London's red Routemaster buses and the chopper bike.Facts Course title Study level Study mode Course length Start date Application route Application deadline MRes Art: Exhibition Studies Level 7 Extended full time Masters: extended full time over 60 weeks September 2014 Direct application Applications should be submitted between 1 January and 30 June. Central Saint Martins has a distinguished international reputation.Friday 27 March 2015 Tuesday 27 April 2015 . In 2013/14.200 per year but this fee is subject to change for 2014/15 entry. Monday 29 September 2014 . plus Drama Centre London and Byam Shaw School of Art. £500 per annum discount available to Home/EU students starting this course in 2014 who have successfully completed an undergraduate. Fees for 2014/15 entry are still to be set. PG Certificate or PG Diploma course at UAL during the preceding three academic years. Places are limited. traditions and experience. or pursue independent research.and exquisite fashion at Dior and Chloé in Paris. MA Art and Science. UAL University of the Arts London University of the Arts London comprises six world-class Colleges situated across London. the University of the Arts London has invested in a landmark building. Debate follows the broad lines of art history's historiography and methodology with the goal to deepen your understanding of important questions of method in the field. the art research and publishing organisation based at Central Saint Martins. critical art history. over 90 different countries and all age groups. The three pathways provide a focus for your study while also enabling you to explore shared ground and questions of disciplinary territories and boundaries. MA Photography. pushing the boundaries of art and design in the UK and internationally. Art history courses don’t systematically tackle the MRes Art: Exhibition Studies – page 2 Content About the course . In its extended full-time mode the course gives you the flexibility to access London’s richly varied opportunities for work and study whi le maximising your personal and professional development. Synergies in our Postgraduate Art Programme – incorporating MA Fine Art. The University and its Colleges are committed to advancing our reputation as an internationally renowned centre for learning. Distinctive features of the course MRes Art enables you to address a specialist area of fine art research and to explore the relationships between your chosen specialism and the broader fine art community. The course benefits from links with relevant professional and academic organisations in London and internationally and from the varied expertise of its research staff. performers. and construct an alternative. is a developing creative centre. Located at the heart of a 64-acre development within easy reach of King’s Cross and St Pancras stations the new building delivers unique opportunities in specialist arts and design education at a time of significant cultural regeneration locally. and MRes Art: Theory and Philosophy – create a dynamic context for exploring practices and issues within contemporary culture. who are practicing artists. the University is the leading centre for art. bringing with them a broad experience of life. To help us ensure an education at Central Saint Martins is a very special experience. MRes Art prepares you to work particularly in the academic and research contexts of professional environments. MRes Art: Exhibition Studies. fashion. theoretical. to which we make the fullest contribution. Tutors are active creative professionals or researchers. This important area in the capital. and to further strengthening our areas of specialisation. in order to analyse their effects on contemporary art practice. communication and performing arts courses in Europe. The pathway is delivered in conjunction with Afterall. Exhibition Studies considers exhibitions and curating inside and outside the museum and gallery. Students come from diverse cultural backgrounds. Drawing upon their heritage. This specific approach to the study of curatorial practice is unique. teaching and research into the arts and creative disciplines. MRes Art: Moving Image. cultural or socio-political developments. to undertake PhD study. as part of the Postgraduate Art Programme. designers. It provides for the first time an opportunity to examine the history of contemporary exhibition practice through the detailed study and analysis of case studies and practical. design. curators and writers in the creative industries. exhibition form. The term ‘exhibition’ covers a variety of forms of public presentation of art. It represents the first comprehensive attempt at writing a history of contemporary exhibition practice Potential student participation in such projects leading to specific public outputs such as publications. Unit 1 (40 credits) and Unit 2 (20 credits) run concurrently and last 15 weeks. exhibitions have played a key role in defining art’s developm ent or opening up new artistic positions. A long-term current project is ‘Exhibition Histories’. two academic years) in its ‘extended full-time mode. All four units must be passed in order to achieve the MRes but the classification of the award of MRes is derived from the marks for units 3 and 4 only. In year one. conferences and symposia Student/staff access to the resources and knowledge already amassed by Afterall. with the support of MUDAM. MRes Art: Exhibition Studies supports and is shaped by: Development of scholarship and research in the history of contemporary art through the history and theory of exhibitions Collaborative work with publishing projects led by Afterall. the possibilities and meaning of modern and MRes Art: Exhibition Studies – page 3 . the Centre for Curatorial Studies at Bard College. Eindhoven.’ MRes Art: Exhibition Studies is credit rated at 180 credits. We have chosen 1955. By documenting and analysing institutional exhibitions. including their staff and archives Structure Course structure The course lasts 60 weeks structured as two consecutive periods of 30 weeks each (i.e. and then continuing to the end of year two. Vienna. the date of the first Documenta in Kassel. Annandale-on-Hudson and Van Abbemuseum. Rationale From the mid nineteenth century onwards. concurrently with Unit 3 to the end of year one. you’re expected to commit an average of 30 hours per week. Luxembourg. as the starting date for the course as marking a moment when the avant-garde moved fully into the public domain and integrated into spectacular culture. and comprises four units. it is possible to write new art narratives that involve artistic. such exhibitions are understood as collective enterprises involving more than one artist or curator. curatorial and public moments of exchange. In year two your study is predominantly self-managed but we expect you to commit an average of 20 hours per week. Unit 3 (40 credits) follows after the completion of Units 1 and 2 and runs for a further 15 weeks up to the end of year one. In general. spectacular public events. we expect you to commit an average of 40 hours per week. artistic manifestoes and counter public gatherings amongst other forms. Across the two years. as well as to its network of contributors and collaborating institutions. realised in partnership with the Academy of Fine Arts. and more notably since 1945. from the physical exhibition and catalogue to websites and independent publications. therefore. and Arts Council England. while curatorial courses tend to have a vocational character and don’t promote a thorough analysis of the history of the mechanisms and implications of display strategies. Since then. Unit 4 (80 credits) runs for 45 weeks. which is the first point of access to art by an audience and therefore shapes the way art is understood. Both large and small-scale exhibitions have offered such alternatives. The pathway asks two core questions: can we tell the story of modern and contemporary art through its exhibitions? What do the histories of exhibitions tell us about the wider cultural field in which art works are produced and made public? The aim is to develop your ability to interpret. Afterall publications include the Afterall journal and website. Outline of the course MRes Art: Exhibition Studies considers recent and important debates about modern and contemporary art in the context of exhibitions and public presentations of art. together with the ‘cultural producer’. you prepare for a personally directed programme of study. The first year offers teaching in research skills and engages you at the same time in the specialist subject of your pathway. triennales and mega-shows that have proliferated in recent times. all of which provide relevant discursive materials for study. The consequences for artworks of this supposedly neutral location have been hugely influential. The course is spearheaded by the academic expertise within the Afterall team and benefits from the professional networking opportunities of publishing projects. event sculpture. Recent decades have also been characterised by an expansion of the geographies of contemporary art that call out for more analysis and thoughtful documentation of the biennales. as an exhibition space that became the default curatorial style. and the curatorial has assumed a new significance. the demands of global markets and audiences. Your realised project is the principal assessed work leading to the MRes qualification. expanded cinema and the blurring of art and curatorial roles will all be potential subjects for study. MRes Art: Exhibition Studies – page 4 . are the archetypal positions through which the art world operates. Exhibition Studies will focus on these public artistic phenomena in all their forms as a way to write the history of the last half-century of art. and to develop skills of visual analysis through the examination of works of art as presented in exhibition. The connections to neoliberal economics. the emergence of media and forms that communicate across cultural difference (or don’t) will be the subject of studies based on specific and exemplary exhibitions. but there have always been many alternative proposals that mediate a viewer’s relationship to the art differently. drawing attention to global relations and hierarchies of power. Their interrelationships will be examined in the course. In parallel with this. and monitored through written assignments and presentations. your research project. The course is unique in its relationship with Afterall. Your progress is supported through tutorials and critical discussions. In the second year you pursue and realise your project. It enables you to explore key concepts and critical theories in a variety of fields and focus on significant exhibitions from 1955 to today. the dealer and the corporate patron/collector. The professional curator and the globetrotting artist.contemporary art have been disclosed through exhibitions. The development of installation art. while the modernist paradigm still largely survives in museums. Your understanding of research methodologies and their relationship with exploration of your subject is then developed. and the ‘Exhibition Histories’ series. There will also be opportunities for student involvement in professional practice and relevant contacts for individual research development will be provided. the international art research and publishing organisation based at CSM. analyse and critique a range of methodological positions in curating. One of the key focuses of the course will be the history of the white cube. You’ll develop your learning particularly through the study of the exhibition format. By the end of this unit you’ll have experience of the initial processes. the processes of artistic production. Exhibition types studied typically include some of the following: Documentas. Unit 3 – which is common to all three MRes Art pathways – increases your focus on in-depth understanding of research methods and how they’re applied within the arts and humanities. and ethics. the effect of the exhibition format on artworks and their reception. The focus is on methods of learning. software for use in research and e-resources. and artist-initiated exhibitions. Lectures ask how arts research and discourse is developed. shared and understood. Skills and knowledge areas covered include interviewing. literature search and review. thinking. major international biennales or multisite exhibitions. looking in detail at past or current exhibitions. referencing. This builds knowledge of the exhibition experience in the round. curatorial and artistic intentions and results. components and key issues in exhibition studies and its relation to contemporary art history. Unit 2 introduces the fundamental research skills and methodologies that enable you to make informed decisions about appropriate methods to use in your chosen area of study and your professional future. helping you to make judgments about the effects and possibilities offered by the exhibition framework. archival skills. MA Art & Science. manifesto-like exhibitions organised by art centres and kunsthalles. Unit 2: Thinking as Practice (Research Methodologies 1) This introductory unit helps you engage with the postgraduate and research community at CSM. feasibility studies. MA Fine Art. with particular attention given to the place of practice in research projects. MRes Art: Exhibition Studies – page 5 . the initial curatorial intent. citation and bibliographic conventions. You will engage in writing that addresses specific exhibitions’ historical role or influence. It is a core unit common to the Postgraduate Art Programme. The unit examines specific research skills and different kinds of research. Key considerations are local versus global positions. Seminars and workshops emphasise participation and the building of core research skills through practical exercises and small group projects. and the assessment of historical significance of exhibitions. MRes Art: Exhibition Studies. the mediation by the institution and the reception by the public. Unit 3 Critical Practices (Research Methodologies 2) Building on the introduction to research provided by Unit 2. major group shows of contemporary art organised by museums. evaluation and interpretation as both practice based and theoretical forms of enquiry. and MRes Art: Moving Image.Course Units Unit 1: Exhibition Histories: Contemporary Art & Curatorship in the Public Sphere Unit 1 runs concurrently with Unit 2 and introduces you to the subject of exhibition histories through a series of lectures looking at specific exhibitions (including those covered by Afterall’s ‘Exhibition Histories’ series) in relation to key developments in the history of contemporary art since documenta 1 in 1955. Unit 2 is assessed by workshop assignments. The diversity of research activity at CSM provides a broad range of models and examples. and is shared with fellow students in MA Photography. MRes Art: Theory & Philosophy. data analysis. This event builds your professional skills and provides a discussion forum challenging you to recognise and debate key questions arising from your research project work to date. A symposium shared across the MRes pathways presents and discusses all project proposals. A third event at the end of year two presenting your project outcomes aims to MRes Art: Exhibition Studies – page 6 . You’re expected to relate your learning in this unit to preparation for your research project in the parallel part of Unit 4. are agreed at the outset of year two. In preparation for your research project you’ll prepare seminar presentations on exhibition topics related to your proposed field of study. There will also be throughout the year international seminars or symposia with Afterall’s collaborators and research projects. architectural design. This involves directed reading or viewing of relevant theory and comparative approaches to exhibition studies in group tutorials in order to support the development of your research project. including a commitment to the forms of your submission and appropriate ongoing supervision/tutorial arrangements. the history of the public. and issues of form.The unit aims to demonstrate the dynamic ways in which conceptual and theoretical frameworks can be developed through the application of research methodologies. Part Two is devoted to independent study and the development and completion of your research project in year two. Tutorial and workshop support helps you do this. in conjunction with your studies in Unit 3. are presented for interim (formative) assessment. audience and dissemination. including the literature review. theories of artistic authorship. Your research project proposal will be developed throughout the unit. The process includes discussing texts on some of the following theoretical and political topics: theories of perception. and you receive written feedback confirming your plans and/or advising revisions. You’ll explore issues of purpose. Throughout the second year you lead interim presentations about your research. Further options can be discussed with tutors. aesthetics. Part One is undertaken in parallel with Unit 3 in year one. Part Two All projects. and theories of subjectivity. the history of art institutions. validity and feasibility in methodological and resource terms. discussing progress. A student-directed group event involving invited professionals takes place early in the spring term (prior to the PhD applications point). At the end of year one (weeks 28-30) your seminar paper and draft project proposal. Unit 4 Independent Research Project (IRP) Unit 4 has two parts. Part One Part One focuses on the preparation of your research project proposal and the wider context in which exhibitions are produced. You’ll also produce a literature review with an annotated bibliography or equivalent that supports your project proposal document. challenges and findings. or a broader subject-centred study. exchanges and access arrangements as required. negotiating external links. feminism. Your research project can focus on a single exhibition or group of related exhibitions that afford interesting comparisons. a complete institutional programme. in person and online. artists. purpose built campus at King’s Cross. curators. with wi-fi access throughout. and to generate publication or other professional opportunities. staff profile etc) The Course is located in the new. the largest specialist building of its kind ever created in central London. All courses work to attract sponsorships. At the end of Unit 4 you’re assessed through presentation of your completed research project in the agreed forms. with unique resources such as the Tate Modern. including applying for external funding and seeking sponsorships as necessary. Your marks for Units 3 and 4 determine the classification of your MRes award. researchers and creative entrepreneurs share their thinking and experience with you as visiting lecturers and guest speakers. and the links and opportunities created through research projects. critics. bringing together over 4. The following table shows possible additional costs as set out for 2013/14. artists. writers. There will also be access to reprographic and computing facilities. British Library. a major specialist arts library and archive resources. enhancing understanding of your discipline in a global context Additional costs You will need to cover the costs of studying and producing work for your course. See also ‘Content: About the Course: Distinctive features of the course’ and ‘Rationale’ sections above. curators. and other major national museums and libraries. You’ll need your personal computing equipment and may need your own camera. designers.000 of the world’s most creative students. and a report describing and evaluating changes and progress. a range of seminar rooms and flexible study areas for group and private study. In order to help you budget for other course costs the table below provides estimates. alongside the professional designers. writers and performers who work at the College. The course capitalises on this rich resource of professional activity. Materials & services Unit 1 Unit 2 Unit 3 Unit 4 £80-120 £50-100 £50-100 £120-200 Equipment Field trips and entry fees £200-300 £75-100 £75-100 £400-600 Presentation and promotion £30-50 £30-50 £30-50 £200-300 £80-120 £30-50 £30-50 £80-120 MRes Art: Exhibition Studies – page 7 . writers and curators. established central London galleries and innumerable alternative spaces and artists’ initiatives. Facilities at King’s Cross include a Research and Innovation Unit. You also benefit from the high research profile of the teaching team comprising professional staff from Afterall. for links with Afterall and other specialist resources. the project proposal document.make visible potential contributions to new research in the area of exhibition studies. but as a postgraduate student you’ll be expected to budget for the costs of production and presentation of your own work. a gallery. 420 seat lecture theatre. directors. performers. The location of the Course in London ensures an international cultural perspective throughout. Artists. please note that these may be subject to change for 2014/15. Resources (accommodation. London is a major centre of the international art world. staffing. Bookable practical facilities include exhibition and project spaces at King’s Cross and Archway. Subject Knowledge. having studied research methods and methodologies on the MRes means that if you do embark on a UAL MPhil/PhD course. Experimentation. as well as individual attention. and in at least three personal tutorials per year. There are eight standard UAL marking criteria: Research. How am I assessed? Informal feedback is given as part of normal seminar and tutorial activity. aside from being better prepared. MRes Art: Exhibition Studies – page 8 . Timetables are provided at the outset of each year that indicate the schedule of specific events that you will need to attend: some of these will be cross pathway and programme whilst others will be pathway specific. Collaborative and/or Independent Professional Working. the number of students accepted to each pathway is flexible within this. Teaching can include supervision in groups. You will have a supervisor who will see you regularly. How many students are accepted onto the course? The MRes Art target number for 2014/15 is approximately 23. as well as time in open access resource areas.Frequently asked questions How often will I see a tutor? Your attendance at College involves contact time with a variety of academic. to help you manage your progress and oversee your independent study. Will I have a better chance of being accepted for a PhD at UAL having undertaken the MRes? Successfully completing the MRes course won’t directly lead to being accepted for a UAL PhD. Across the two years you therefore commit an average of 30 hours per week. which have been developed to help tutors give you clear and helpful written feedback on your work. Personal and Professional Development. At each summative assessment your work will be assessed using the University of the Arts London (UAL) Marking Criteria. Technical Competence. which can include access to bookable project spaces/facilities. for example in research workshops. What is the pattern of attendance? In year one you are expected to be able to commit an average of 40 hours per week. However. research and enterprise staff. In year two your study is predominantly self-managed but you are expected to commit an average of 20 hours per week. Communication and Presentation. for example in assessment. Students in relevant research areas are invited to specific MRes Art events and opportunities are planned that will enable you to engage with MRes students at Chelsea /Camberwell /Wimbledon and London College of Communication. you would normally be exempt from the final two weeks of the introductory period and will usually receive a 10% reduction on the first year fees. Is there any interaction with the PhD students at CSM or MRes students across the University? Yes. Your study also involves considerable self-directed time. Analysis. artist or curator. You’ll be able to analyse the evolution and influence of the curator and the institution in contemporary art practice. businesses.Careers Developing your professional skills and expertise Our Postgraduate Art Programme offers valuable opportunities to build transferable professional knowledge and skills. The focus on proposing and developing a major independent programme of study is supported by a shared professional practice lecture series featuring guest speakers plus opportunities to attend symposia and critique work in progress across subject areas. MRes Art: Exhibition Studies is unique in its relationship with Afterall. You can demonstrate this educational level by: possession of an Honours Degree or an equivalent academic qualification. to examine critically strategies of display (both from an artistic and curatorial perspective). Publications include the Afterall journal and the ‘Exhibition Histories’ series of books – these can provide opportunities for student involvement in professional practice as well as relevant contacts for individual research and career development. and to articulate thought critically. Entry requirements Selection to the course is determined by the quality of the application. and includes opportunities for interaction and networking according to your personal career direction. The course is spearheaded by academic expertise within the Afterall team and benefits from the professional international networking opportunities created by publishing projects. The exchange of perspectives with others through shared units. cultural and educational backgrounds. Career development opportunities exist in a wide range of roles and directions within contemporary arts institutions. Graduates will be particularly well qualified to engage in professional research and publication activities and to initiate postgraduate research projects for MPhil or PhD. both in London and internationally. MRes Art: Exhibition Studies – page 9 . reading groups and debates helps establish stimulating and productive networks. We are committed to supporting all our students to achieve their potential both during and after their courses. but please note that these qualifications alone won’t be sufficient to secure entry to the course. the highprofile international art publishers based at CSM. museums and collections. Entry Entry requirements and selection process Opportunities for all We are committed to making university education an achievable option for a wider range of people and seek to recruit students from diverse socio-economic. collections and galleries. including indicative Independent Project Proposal and supporting material. See below for the selection criteria and information on how to apply. Minimum entry requirements We consider applicants who have already achieved an educational level equivalent to an Honours degree. The Postgraduate Art Programme has wide-ranging links with professional organisations. Future careers and graduate prospects Exhibition Studies equips you to understand the history of contemporary art practice through a new prism – one that reflects your practice as writer. You’ll also need to meet the minimum entry requirements as indicated below. The interview is used to evaluate the extent to which a candidate demonstrates: the capacity for independent research appropriate background knowledge and critical abilities awareness of the cultural and social context within which their interests /work is situated appropriate communication skills a preparedness to participate collaboratively in debate and presentation MRes Art: Exhibition Studies – page 10 . What we look for We’re seeking imaginative and resourceful individuals who are committed to exploring Exhibition Studies. which taken together can be demonstrated to be equivalent to formal qualifications otherwise required English language requirements All classes are conducted in English. Student selection criteria The application. For further information visit the English Language requirements page.5 with a minimum of 5. prior experiential learning. Applicants who will need a Tier 4 General Student Visa should check the Visa and Immigration page which provides important information about UK Border Agency (UKBA) requirements. indicative Independent Project Proposal and supporting work. If English is not your first language you'll be asked to provide evidence of your English language ability at enrolment.possession of a professional qualification recognised as equivalent to an Honours Degree. The standard English language requirement for entry is IELTS 6. purposes and issues in the proposal the level of contextual awareness and expression of perspective in the project proposal the potential for realisation of the stated objectives within the timeframe of the course and envisaged resources awareness of the range and nature of challenges implied Applicants may be selected for interview following submission of the form.5 in any one paper. the outcome of which can be demonstrated to be equivalent to formal qualifications otherwise required. a combination of formal qualifications and experiential learning. initial project proposal and supporting material will be assessed for: evidence of skills and experience appropriate to the proposed field of enquiry effective communication of the intentions. ac. Granary Building. Please ensure your application is complete. housing. we cannot send confirmation that your application has been received. London N1C 4AA.arts.uk/study-at-ual/international/language-centre/ We also offer a number of short courses that enable students to improve their portfolios and English skills before applying to their chosen course.ac. please contact us. so we advise you to submit your application as early as possible to avoid disappointment. Email: international@csm. London N1C 4AA.ac. 1 Granary Square.uk The University has a dedicated team to help prepare you for your studies. Places are limited. Due to the large number of applications we get.uk/study-at-ual/international/ The Language Centre offers international students quality language training from qualified and experienced teachers. The application form contains detailed information on the application process. We recommend you send your application by recorded mail. University of the Arts London.arts. MRes Art: Exhibition Studies. [email protected] words) two references: at least one should be an academic or professional reference one example of previous written work and/or documentary material relevant to your research interests. MRes Art: Exhibition Studies – page 11 . if you still have unanswered questions about the admissions process. Your application must include: a completed application form copies of your latest qualifications certificates an initial project proposal. For further information visit: http://www. accompanied by a short introductory contextual statement (200-400 words). A template is provided to help structure this (800 . However.ac. Central Saint Martins.uk/csm/courses/short-courses/ Home/EU applicants please send your completed application to: Student Administration. however. When to apply Applications should be submitted from 1 January to 30 June. Further information for International applicants Our website includes all the information you need to successfully apply. Central Saint Martins. tuition fees and language requirements visit: http://www. International applicants please send your completed application to: International Office. University of the Arts London.arts. This is an initial outline proposal of your intentions for the course. If you’re sending references separately.arts. For further information visit: http://www. For help on visa requirements.Apply Application process How to apply Home/EU and International applicants Download the application form from the course web page or request an application form from our Information Office +44 (0)20 7514 7023.arts. 1 Granary Square. The Pre-sessional Academic English Programme is available to all international (non-EU) students who have been offered a place on a full time course at the University of the Arts. Granary Building.uk. please state this clearly.ac. MRes Art: Exhibition Studies. We keep notes about decisions made following the initial application review and the interview process. In the case of applicants unable to attend for interview and unable to discuss their application by telephone. 1 Granary Square. Granary Building. preliminary selection is based on your project proposal and documentation of work and supporting information.ac. For candidates applying for external funding. Applicants are informed of the decision via either the Student Administration or the International Office. London N1C 4AA tel: +44 (0)20 7514 7023 fax: +44 (0)20 7514 7254 email: info@csm. The course welcomes discussion with potential applicants about the appropriateness of their initial proposals. Selection is by two members of staff (normally the pathway leader and one other).uk International Office Central Saint Martins. We encourage applicants to use every opportunity to make contact with us before applying. Please contact us before submitting your application if you’re considering applying for deferred entry. Subject to your meeting the entry requirements and consideration of your application form. Can’t attend the interview? If you’re a home/EU or international applicant unable to attend for interview. Granary Building. 1 Granary Square. What happens next? We read and consider all application forms and personal references. The interview also gives you an opportunity to demonstrate an objective. University of the Arts London. the pathway leader would hope to discuss your application by telephone. University of the Arts London. London N1C 4AA tel: +44 (0)20 7514 7027 fax: +44 (0)20 7514 8013 MRes Art: Exhibition Studies – page 12 . Deferred entry Entry can only be deferred in exceptional circumstances.arts. critical and reflective relationship to your work. a decision regarding the offer of a place on the course will be made on the basis of a review of the application materials. Contact us Information Office Central Saint Martins. and offers of places are made on the basis of our selection criteria. Please note we give particular attention to your initial project proposal and references. You may then be invited to attend an interview. interviews will be scheduled prior to funding body deadlines.Application and interview advice References and interviews help determine whether your personal and professional aspirations are compatible with the aims and outcomes of the course. ac. For detailed information of the resources available across the University of the Arts.ac.org Further information Please follow the links below for further information: Disability access At University of the Arts London.arts. we aim to provide equal opportunities for all our students.uk/study-at-ual/accommodation/ MRes Art: Exhibition Studies – page 13 . For details of these.email: [email protected] http://www.uk/study-at-ual/financial-advice/# If you live outside the UK you can get advice on funding your course from your local British Council office: www.ac.uk/csm/courses/ Funding your course External funding agencies There are a number of publications and sources of information on obtaining funding for your [email protected]. Bookings can only be made online – to book and find dates.arts. please follow the link . http://www. times and locations please visit: http://www.ac.arts.ac.uk/study-at-ual/student-support/disability/ Learning resources Central Saint Martins will have an extensive library at King’s Cross.arts. We are committed to break down any barriers that prevent fulfilling learning.arts. email: general.org tel: +44 (0)161 957 7755. We encourage applications from disabled people.ac.uk/study-at-ual/student-support/student-advice-service/ Students’ Union www. please visit: http://www.arts.arts.uk/study-at-ual/library-services/ Careers advice and guidance http://www.ac.arts. teaching and student life.arts.uk/study-at-ual/open-days/ Prospectus To view the Central Saint Martins’ prospectus web pages please visit http://www.ac.uk Open days Open days are a great opportunity to meet staff and students and to find out at first hand about courses.http://www.ac.uk/student-jobs-and-careers/ Student Services http://www.org/ Accommodation Housing Services University of the Arts London 272 High Holborn London WC1V 7EY tel: +44(0)20 7514 6240 fax: +44(0)20 7514 6247 email: [email protected]. and aim to respond positively to the needs of disabled students.
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