LVMTA MUSICIANSHIP EXAMSTHEORY EXAM GUIDELINES LEVEL 7 INTERVALS Identify in treble or bass clefs: Major 2nd, 3rd, 6th , 7th Perfect 4th , 5th Minor 2nd, 3rd, 6th, 7th above the notes in the keys of B/Cb F#/Gb C#/Db Draw in treble or bass clefs: Augmented 4th , 5th Diminished 4th, 5th, 7th above the notes in the keys of C F G D A E Bb Eb Ab KEY SIGNATURES Identify in treble or bass clefs: Keys of B F# C# Major Relative minors of D A E Major (b f# c#) 2nd ) in C F G D A E Triads on each note of a major scale.Lev 7 2 Draw in treble or bass clefs: Keys of Db Gb Cb Major Relative minors of C F G Major (a d e) SCALES AND CHORDS Identify in treble or bass clefs: B F# C# Major scales f# c# minor scales (3 forms) Major. diminished. Label with Roman numeral and quality. 1st. Draw in treble or bass clefs: Db Gb Cb scales and their tonic (I) triads Triads and inversions (root. augmented triads in root position built on C F G D A E. Example: . minor. 7/8. Matching 3. Filling in the blank 2. including 5/4. 6/4. Major 7 and Dominant 7 in root position Intervals M2 m2 M 3 m3 P4 P5 M6 M7 P8 Rhythmic and melodic dictation or correction using 3/8. 6/8 time signature and note values In dictation. bar lines. chromatic and whole tone scales. a 'tail' A form in which a principal theme (A) is repeated between several other different themes example (ABACA). trill tr or turn mordent 3 . Major. 12/8 Complete measures by adding notes.) tre corda (t.c. or time signatures. augmented and diminished triads in root position. It is often used as a final movement. Choose from a short list con pedale una corda ( u.) senza (Italian) sans (French) con fuoco coda rondo Use damper pedal Use soft pedal Release soft pedal Without Wwithout With fire A closing statement. True or False 4. rests. some rhythm and notes will be given. Example: Rhythmic / melodic correction VOCABULARY Define the vocabulary words by: 1.Lev 7 RHYTHM Identify: Draw: All note values All time signatures. minor (3 forms). EAR TRAINING Identify: Major. minor.c. Contemporary Period Works: His most important works are the Rhapsody in Blue for piano and orchestra. Filling in blanks 2. especially his Album for the Young. The second theme is almost always in the tonic key. are greatly loved by students. held in Russia every year.Contemporary Period Works: His famous Piano Concerto. Development The second section of Sonata-form. Debussy was a giant of the Impressionistic period. sonata. His solo piano works. a period that also included the famous painters Monet and Degas.Impressionistic Period Works: Most piano students know his Children's Comer Suite. cello and chamber groups. violin concerto. his Gayane Ballet.Lev 7 4 HISTORY Know the information given for each composer. two Arabesques and Clair de Lune. and his Nutcracker Suite.Russian . concerto. concertina.1903-1978 . Khachaturian was a cellist who also wrote for violin. Matching 3. his opera Porgy and Bess. Gershwin . True or False 4. like Embraceable You. or symphony. which has become part of the repertoire of the Metropolitan Opera Company and his many songs. Bb minor Piano Concerto. The famous Tchaikovsky Competition. The "recap' is the third section of the first movement. Matching 3.Romantic Period Works: His most famous works are his six symphonies. Claude . Debussy. Choose from Tchaikovsky. Theme and Variations. used for the purpose of development as in Sonata form. It gives the composer freedom to develop the exposition themes. Gershwin incorporated American Jazz in his compositions.1840-1893 Russian . Khachaturian .1898-1937 American . Answer questions by: 1. Fugues. Filling in the blank 2.1862-1918 French . Exposition First section of Sonata-form which introduces the musical ideas or 'themes' of the first movement in a sonatina. which brought him international acclaim. True or False 4. which includes the popular Sabre Dance and Toccata is a favorite with students. Peter Ilyich . Choose from Theme Chief idea in a composition. Inventions. is named after him. FORM Define the terms by: 1. . Recapitulation Contains all the material of the exposition with one change.