Licks Rock

June 11, 2018 | Author: Alberto Lopez Ramos | Category: European Musical Instruments, Guitars, Musical Techniques, Necked Lutes, Celtic Musical Instruments


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Description

®1 FIGURE 5 psychedelic/classic rock = 116 (w/light distortion) D 0 2 3 2 0 2 2 2 0 A E 0 2 2 1 0 0 (play 4 times) w/palm muting = 116 0 2 3 2 P.M. D 0 2 2 2 0 A D 0 2 3 2 X X X X X X X X A 0 2 2 2 0 X X X X X X X X 0 2 2 1 0 0 E X X X X X X X X FIGURE 4 roots/Sixties acoustic rock = 126 E 0 2 2 1 0 0 X X X X X X X X sim. A 0 2 2 2 0 X X X X X X X X FIGURE 3 a la the Beatles/R B/early rock ’n’ roll = 112 G 3 2 0 0 0 3 (repeat previous bar) C 3 2 0 1 0 F 3 2 3 1 1 C 3 2 0 1 0 count: quarter notes FIGURE 2 Strum Patterns * = downstroke = upstroke * “1 G 3 2 0 0 0 3 2 (repeat prev. chord) 3 4” “1 3 2 0 0 0 3 G and 2 and 3 and 4 and” eighth notes 16th notes “1 0 0 0 0 0 0 G ee and a 2 ee and a 3 ee and a 4 ee and a” FIGURE 1 open major chords Beginner Rhythm Guitar 231 E 0 2 2 1 0 0 123 A (1 0 2 2 2 0 11) 132 D 0 2 3 2 (3 21 3 G 2 3 2 0 0 0 3 4) 32 1 C 3 2 0 1 0 34211 F 3 2 1 3 1 GUITAR DVD 1 BEGINNER RHYTHM GUITAR 2 GUITAR DVD 2 FIGURE 10 open minor chords 2 3 Em 0 2 2 0 0 0 3 2 1 Am 0 2 2 1 0 2 3 1 Dm 0 2 3 1 3 4 1 1 1 4 fr Fm 3 3 1 1 1 3 4 1 1 1 Gm 5 3 3 3 5 3 4 2 1 Cm 5 5 4 3 FIGURE 9 modern rock/pop w/sus2 chords = 88 C 3 2 0 1 0 G 3 2 0 0 0 3 F 3 3 2 1 1 Fsus2 3 3 0 1 1 C 3 2 0 1 0 FIGURE 8 hard rock = 128 (w/dist.) A 0 2 2 2 0 D 0 2 3 2 G5 3 X 0 0 3 3 D 0 2 3 2 (play 4 times) A 0 2 2 2 0 C 3 2 0 1 0 G 3 2 0 0 3 3 D 0 2 3 2 C 3 2 0 1 0 D 0 2 3 2 G 3 2 0 0 3 2 G 3 2 0 0 0 3 D 0 2 3 2 FIGURE 7 a la the Who, AC/DC, = 128 2 1 3 4 G 3 2 0 0 3 3 Judas Priest E 0 2 2 1 0 0 FIGURE 6 a la Traffic/Allman Bros./Led Zeppelin = 84 D 0 2 3 2 sim. C 3 2 0 1 0 GUITAR DVD 3 3 F|SuPE 1ê classic/modern punk = 192 (w/dist.) ! 5 7 7 6 5 5 P.M. 5 7 7 6 $ 10 12 12 11 10 10 % 12 14 14 13 12 12 (play 3 times) ! 5 7 7 6 5 7 7 6 5 5 $ 10 12 12 11 10 10 ! 5 7 7 6 5 5 % 0 2 2 1 0 0 ! 5 7 7 6 5 5 F|SuPE 15 ALAthe Kinks/Guns `N` Roses/Van Halen = 116 (w/dist.) ! 5 7 7 6 5 7 7 6 5 5 5 7 7 6 ' 3 5 5 4 (play 4 times) 3 5 5 4 3 3 3 5 5 4 $ 10 12 12 11 10 12 12 11 10 10 10 12 12 11 # 8 10 10 9 8 10 10 9 8 8 8 10 10 9 ! 5 7 7 6 ' 3 5 5 4 3 5 5 4 3 3 3 5 5 4 ! 5 7 7 6 F|SuPE 14 sixth-string-root major barre chords Major Barre Chords 3 2 1 % 0 2 2 1 0 0 1 3 4 2 1 1 & 1 3 3 2 1 1 1 3 4 2 1 1 & 2 4 4 3 2 2 1 3 4 2 1 1 ' 3 5 5 4 3 3 1 3 4 2 1 1 4 fr ' 4 6 6 5 4 4 1 3 4 2 1 1 5 fr ! 5 7 7 5 5 5 1 3 4 2 1 1 6 fr " 6 8 8 7 6 6 1 3 4 2 1 1 7 fr " 7 9 9 8 7 7 1 3 4 2 1 1 8 fr # 8 10 10 9 8 8 1 3 4 2 1 1 9 fr # 9 11 11 10 9 9 1 3 4 2 1 1 10 fr $ 10 12 12 11 10 10 1 3 4 2 1 1 11 fr % 11 13 13 12 11 11 1 3 4 2 1 1 12 fr % 12 14 14 13 12 12 F|SuPE 13 ALAthe Cure/Counting Crows = 144 # 3 2 0 1 0 $M 0 2 3 1 !M 0 2 2 1 0 ' 3 2 0 0 0 3 3 2 0 0 0 3 # 3 2 0 1 0 F|SuPE 12 descending bass figures: classic rock (ALALed Zeppelin, the Beatles)/modern rock (ALAJet) = 72 !M 0 2 2 1 0 #' 3 X 2 0 1 0 $& 2 X 0 2 3 2 & 3 3 2 1 1 ' 3 2 0 0 3 3 !M 0 2 2 1 0 F|SuPE 11b = 120 w/distortion %M 0 2 2 0 0 0 X X X X # 3 2 0 1 0 3 2 0 1 0 ' 3 2 0 0 3 3 X X X X $ 0 2 3 2 0 2 3 2 %M 0 2 2 0 0 0 F|SuPE 11a alternative rock (ALASmashing Pumpkins, U2, Nirvana) = 120 0 2 2 0 0 0 %M X X X X 3 2 0 1 0 # 3 2 0 1 0 X X X X 3 2 0 0 3 3 ' 3 2 0 0 3 3 X X X X 0 2 3 2 $ 0 2 3 2 X X X X 0 2 2 0 0 0 %M 4 GUITAR DVD 4 FIGURE 22 a la the Who/the Strokes = 152 C 8 10 10 9 F 8 10 10 10 Gm7 10 12 12 11 10 B 6 8 8 7 (play 4 times) C 8 10 10 9 FIGURE 21 Seventies hard rock/Nineties alternative rock = 104 G 3 5 5 4 3 3 C 8 10 10 9 8 8 Em 7 9 9 8 7 Cm 3 5 5 4 3 (play 4 times) G 3 5 5 4 3 3 a) sixth-string root FIGURE 20 Minor Barre Chords 2 3 Em 0 2 2 0 0 0 1 3 4 1 1 1 Fm 1 3 3 1 1 1 1 3 4 1 1 1 Gm 3 5 5 3 3 3 1 3 4 1 1 1 5 fr Am 5 7 7 5 5 5 b) fifth-string root 2 3 1 Am 0 2 2 1 0 1 3 4 2 1 5 fr Dm 5 7 7 6 5 1 3 4 2 1 1 5 fr A 5 7 7 6 5 5 1 3 4 2 1 5 fr Dm 5 7 7 6 5 G 3 5 5 4 D 5 7 7 7 5 7 7 6 A FIGURE 18b (same example w/distortion) FIGURE 18a roots rock to metal = 138 E 7 9 9 9 D 5 7 7 7 A 5 7 7 6 5 (play 3 times) E 7 9 9 9 FIGURE 19 a la David Bowie/ = 116 A 5 7 7 6 the Darkness C 3 5 5 5 FIGURE 17 fifth-string-root major barre chord forms 1 1 1 A 0 2 2 2 0 1 3 3 3 1 B 1 3 3 3 1 (4 4 4) 1 3 3 3 1 1 3 3 3 1 B (4 4 4) 2 4 4 4 2 1 3 3 3 1 C 1 3 3 3 1 C (4 4 4) 3 5 5 5 3 1 3 3 3 1 4 fr C 1 3 3 3 1 C (4 4 4) 4 6 6 6 4 1 3 3 3 1 5 fr D 1 3 3 3 1 D (4 4 4) 5 7 7 7 5 1 3 3 3 1 6 fr E 1 3 3 3 1 E (4 4 4) 6 8 8 8 6 1 3 3 3 1 7 fr E 1 3 3 3 1 E (4 4 4) 7 9 9 9 7 1 3 3 3 1 8 fr F 1 3 3 3 1 F (4 4 4) 8 10 10 10 8 1 3 3 3 1 9 fr F 1 3 3 3 1 F (4 4 4) 9 11 11 11 9 1 3 3 3 1 10 fr G 1 3 3 3 1 G (4 4 4) 10 12 12 12 10 1 3 3 3 1 11 fr G 1 3 3 3 1 11 fr G (4 4 4) 11 13 13 13 11 1 3 3 3 1 12 fr A 1 3 3 3 1 A 12 14 14 14 12 GUITAR DVD 5 5 4 F|SuPE 28 ALAPantera (w/heavy dist.) = 132 05 3 5 0 P.M. 0 3 5 0 P.M. 0 A5 5 7 1.,2.,3. 5 7 0 5 7 0 5 7 65 7 9 05 3 5 0 5 7 (A5) 0 5 7 0 5 7 65 7 9 05 3 5 1/4 |.C.(E5) 0 F|SuPE 2I early Seventies British metal = 76 w/heavy distortion F 5 2 4 4 X X X X X X X X A5 5 7 7 65 7 9 9 A5 5 7 7 65 7 9 9 |.C. 0 F 5 2 4 4 F|SuPE 2ê using vibrato with power chords = 116 w/heavy distortion A5 5 7 7 0 05 3 5 5 F5 1 3 3 3 1 3 (play 4 times) A5 5 7 7 F|SuPE 25b previous example played with three-note power chords = 160 E5 0 2 2 P.M. F5 1 3 3 2 4 4 F 5 05 3 5 5 (play 4 times) E5 0 2 2 dist.) (w/heavy F|SuPE 25a hard rock/thrash metal = 160 E5 0 2 P.M. F5 1 3 2 4 F 5 0 3 5 (play 4 times) E5 0 2 0 `ma = major 2 4 0 2 4 1 2 0 2 F|SuPE 23 sixth-string-root Power Chords degree: scale root 1 E major scale (E F G A B C D ) ` ma2 two-note power chords ma3 4 5 ma6 ma7 (octave) 8 E5 F|SuPE 24 E5 0 2 F5 1 3 F 5 2 4 05 3 5 0 5 4 6 A5 5 7 6 5 6 8 65 7 9 C5 8 10 C 5 9 11 05 10 13 E 5 11 13 E5 12 14 6 GUITAR DVD 6 3 3 3 3 3 3 3 3 3 3 F|SuPE 34 E minor pentatonic scale, ascending, w/hammer-ons Articulation: Incorporating Hammer-ons and Pull-offs 0 3 0 0 0 2 0 2 0 2 0 2 0 2 0 0 0 2 0 2 0 0 0 3 0 3 0 3 0 3 3 3 3 3 3 3 3 3 3 3 descending 0 3 0 3 0 3 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 3 0 3 3 3 3 3 3 3 3 3 3 F|SuPE 33 E minor pentatonic scale in three-note groups Scale Exercises 0 ascending 3 0 3 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 3 0 3 0 3 0 3 F|SuPE 31 classic metal = 120 % 7 9 9 5 7 7 $ ! 5 7 7 $ 5 7 7 (play 4 times) % 7 9 9 0 3 0 2 0 2 0 2 0 3 0 3 F|SuPE 32 E minor pentatonic scale (E G A B D) the minor pentatonic scale Soloing/Riffs/Scales degree: scale (root) 1 1st octave 3 w/open strings 4 5 7 (octave) 8 3 2nd octave 4 5 7 (root) 8 3 power chords three-note ! 0 2 2 " 1 3 3 " 2 4 4 etc. F|SuPE 30 classic metal = 132 w/heavy distortion % 0 2 2 P.M. $ 5 7 7 (play 4 times) ! 5 7 7 % 0 2 2 degree: scale F|SuPE 29 A major scale Fifth-string-root Two-note Power Chords 1 (root) 0 ma2 2 (A B C D E F G ) ma3 4 4 0 5 2 ma6 4 ma7 1 (octave) 8 2 ! 0 2 ! 0 2 1 3 " " 2 4 # 3 5 # 4 6 $ 5 7 % 6 8 % 7 9 & 8 10 & 9 11 ' 10 12 ' 11 13 ! 12 14 GUITAR DVD 7 F|SuPE 3ê fast licks w/hammer-ons and pull-offs Freely descending, w/pull-offs ascending, w/hammer-ons F|SuPE 35 E minor pentatonic scale in four-note groups descending, w/pull-offs 8 GUITAR DVD 8 F|SuPE 40 whole-step bends String Bending full full full full F|SuPE 41b full F|SuPE 41a typical A minor pentatonic licks w/string bending full descending (play w/pull-offs also) ascending (play w/hammer-ons also) F|SuPE 39 A minor pentatonic scale in four-note groups descending ascending F|SuPE 38 A minor pentatonic scale in three-note groups F|SuPE 3I A minor pentatonic scale (A C D E G) w/fretted notes (the ~box¨ position) degree: scale 1 (root) 3 4 5 7 8 (octave) 3 4 5 7 8 (octave) 3 GUITAR DVD 9 9 fret hand: 1 1 1 1 1 1 1 1 2 1 2 1 2 1 2 1 3 1 3 1 3 1 3 1 4 1 4 1 4 1 4 1 fret hand: FIGURE 43 A minor pentatonic scale w/vibrato 1 5 4 8 1 5 3 7 1 5 3 7 1 5 3 7 1 5 3 8 1 5 3 8 wrist vibrato: shake string 7 7 7 w/stiff wrist 7 7 7 7 7 finger vibrato 9 9 9 9 9 9 9 9 wrist vibrato 9 9 9 9 9 9 9 9 8 full (8) 5 5 10 full (10) 8 10 10 FIGURE 42 finger vibrato: shake string w/finger joint Vibrato 7 7 7 7 7 7 7 7 7 FIGURE 41c 8 full (8) 5 5 5 FIGURE 41d 10 full (10) 8 10 10 FIGURE 41e 7 full (7) 5 7 8 full (8) 5 5 10 GUITAR DVD 10 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 FIGURE 3b four picks per note (play backwards also) 0 0 0 0 3 3 3 3 0 0 0 0 2 2 2 2 0 sim. 0 0 0 2 2 2 2 0 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 FIGURE 3a alternate (down-up) picking 0 eight picks per note 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 0 sim. 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 FIGURE 2 upstrokes 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 0 sim. 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 a) picking exercises FIGURE 1 Intermediate Rhythm Guitar 0 P.M. throughout downstrokes E minor pentatonic scale 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 sim. 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 INTERMEDIATE RHYTHM GUITAR GUITAR DVD 11 11 FIGURE 7 Sixties classic rock Combining Arpeggiated Picking and Strumming = 72 D5 0 w/distortion (w/pick) 2 3 0 2 3 (0) F 3 2 1 C 3 0 1 0 1 G 3 0 0 3 0 0 3 3 0 0 0 2 1 3 X 0 0 0 3 X 0 0 3 0 0 0 0 0 D5 0 2 3 3 3 G 0 0 3 0 0 3 0 0 0 3 0 0 C 3 1 2 0 3 1 2 3 1 2 0 3 1 2 Am 0 1 pick hand: FIGURE 5 Travis picking t m fingerstyle C 3 1 t 2 i 0 t 3 a = ring finger i = index finger m 1 t 0 t = thumb m = middle finger FIGURE 6 classic rock = 92 0 1 let ring throughout fingerstyle Am 2 2 0 1 2 0 1 2 2 0 1 2 0 1 Dm 2 3 0 1 2 0 1 2 3 0 1 2 3 Csus2 3 0 0 (0) 3 0 3 G 3 3 0 3 (3) 3 0 3 D 0 3 2 2 (2) 3 2 3 0 FIGURE 3e one pick per note 0 3 0 2 0 2 0 2 0 3 0 3 0 3 0 2 0 2 0 2 0 3 0 etc. FIGURE 4 classic rock Arpeggiated Picking = 112 (w/chorus effect) let ring throughout 0 D 3 2 2 (2) 3 2 3 3 3 3 3 3 3 3 3 3 3 3 3 FIGURE 3d three picks per note 3 3 3 0 0 0 3 3 3 0 0 0 sim. 2 2 2 0 0 0 2 2 2 0 0 0 2 2 2 0 0 0 3 3 3 0 0 0 0 0 0 0 3 3 3 3 0 0 0 0 3 3 3 3 FIGURE 3c two picks per note (play backwards also) 0 0 3 3 0 0 2 2 0 0 2 2 0 0 2 2 0 sim. 0 3 3 0 0 3 3 12 GUITAR DVD 12 FIGURE 13 classic rock/Emo/metal = 100 let ring Em7 0 2 2 0 0 0 (0) 3 0 2 0 2 2 2 2 0 (0) 3 0 0 0 2 3 D5 3 X 0 3 Csus2 0 2 2 Em7 0 0 (0) 3 0 2 8 10 10 10 F 8 10 10 10 11 F7 (play 4 times) FIGURE 12 sixth-string root Minor 7th Chords 1 Em7 2 0 0 0 0 0 2 3 4 Em7 2 0 2 0 3 0 2 4 Em7 2 0 0 0 3 0 1 3 1 1 1 1 5 fr Am7 7 5 5 5 5 5 1 3 1 1 4 1 5 fr Am7 7 5 5 5 8 5 FIGURE 11a funky classic rock = 92 8 10 8 9 w/slight distortion C7 8 10 8 9 8 8 8 10 8 10 F7 (play 4 times) FIGURE 11b = 92 8 10 8 9 C7 8 10 8 9 11 FIGURE 9a sixth-string root Dominant 7th Chords 2 1 E7 0 2 0 1 0 0 2 3 1 4 E7 0 2 2 1 3 0 2 1 4 E7 0 2 0 1 3 0 FIGURE 9b 1 3 1 2 1 1 5 fr A7 5 7 5 6 5 5 1 3 1 2 1 1 5 fr A7 5 7 5 6 8 5 FIGURE 10a fifth-string root 1 2 A7 0 2 0 2 0 1 1 1 3 A7 0 2 2 2 3 2 3 4 A7 0 2 0 2 3 FIGURE 10b 1 3 1 4 1 5 fr D7 5 7 5 7 5 1 3 3 3 4 5 fr D7 5 7 7 7 8 3 2 3 3 F 9 6 Cadd9 3 2 0 3 3 G 3 2 0 0 3 3 3 3 0 3 (3) 3 0 3 3 0 3 FIGURE 8 Eighties hard rock = 88 let ring throughout G 3 2 0 0 3 3 3 3 0 3 (3) 3 0 3 3 0 3 Cadd9 3 2 0 3 3 3 3 0 3 (3) 3 0 3 3 0 3 G 3 2 0 0 3 3 3 3 0 3 (3) 3 0 3 3 0 3 GUITAR DVD 13 13 Gm7 5 7 6 6 5 7 6 6 A7sus4 7 9 8 10 Am7 7 9 8 8 7 9 8 8 5 7 6 8 G7sus4 Gm7 5 7 6 6 5 7 6 6 0 2 1 3 D7sus4 FIGURE 17 Eighties alternative rock = 108 D7sus4 0 2 1 3 Dm7 0 2 1 1 0 2 1 1 0 D7sus4 0 2 1 3 Dm7 0 2 1 1 0 2 1 1 G7sus4 5 7 6 8 Gm7 5 7 6 6 5 7 6 6 5 7 6 8 G7sus4 0 2 0 1 3 0 2 0 1 3 0 2 0 1 0 2 0 1 3 0 2 0 1 3 0 2 0 1 FIGURE 16 fourth-string root 2 1 1 Dm7 0 2 1 1 1 3 2 2 5 fr Gm7 (1 4 5 7 6 6 2 3) 0 2 0 0 0 0 2 0 0 3 0 2 0 0 3 Dm7 5 7 5 6 5 7 5 6 8 5 7 5 6 8 5 7 5 6 5 7 5 6 8 5 7 5 6 8 Am7 0 2 0 1 FIGURE 15 combining sixth- and-fifth-string-root minor chords = 108 Am7 0 2 0 1 0 2 0 1 3 0 2 0 1 3 0 2 0 1 0 2 0 1 3 0 2 0 1 3 Em7 0 2 0 0 0 0 2 0 0 3 0 2 0 0 3 0 2 0 0 0 0 0 0 (0) 3 0 2 0 FIGURE 14 fifth-string root 2 1 Am7 0 2 0 1 0 2 3 1 4 Am7 0 2 2 1 3 2 1 4 Am7 0 2 0 1 3 1 3 1 2 1 5 fr Dm7 5 7 5 6 5 1 3 1 2 4 5 fr Dm7 5 7 5 6 8 14 GUITAR DVD 14 E 0 2 2 1 0 0 FIGURE 21 a la U2/Rush/Van Halen = 120 Badd4 7 9 8 0 (0) 0 7 7 Badd4 7 9 9 8 0 0 Amaj7 5 X 6 6 0 0 Cmaj7 3 5 4 5 0 Amaj7 5 X 5 6 5 0 FIGURE 20 open-string common tones = 104 (w/chorus effect) 0 7 9 9 0 0 E5 Dmaj9 5 7 6 7 0 Gmaj7/6 3 X 4 4 3 0 root sixth-string FIGURE 18 Major 7th Chords 1 3 4 2 5 fr Amaj7 5 X 6 6 5 root fifth-string 1 3 2 4 1 5 fr Dmaj7 5 7 6 7 5 1 3 3 3 7 fr Amaj7 root fourth-string 7 9 9 9 4 3 2 1 4 fr Amaj7 7 6 5 4 FIGURE 19 Emo/modern rock = 92 Amaj7 5 X 6 6 5 0 Dm7 3 2 1 1 3 2 1 1 D7sus4 0 2 1 3 Dm7 0 2 1 1 0 2 1 1 GUITAR DVD 15 15 3 7 7 5 7 7 9 7 5 7 FIGURE 25c same riff, two octaves higher (a la Jimi Hendrix/SRV) = 104 N.C.(E5) 14 X 12 X 14 14 14 full 15 14 14 12 15 14 full (14) 12 1/4 14 3 FIGURE 25a a la Led Zeppelin/Rage Against the Machine = 104 (w/dist.) N.C.(E5) 0 0 3 3 5 5 5 7 5 0 0 3 5 5 7 5 3 0 FIGURE 25b = 104 N.C.(E5) 7 same riff, octave higher 7 5 5 7 7 7 9 7 FIGURE 24 A minor pentatonic scale, extended pattern 5 3 5 7 5 7 5 7 9 8 10 8 10 12 15 17 FIGURE 23 E minor pentatonic scale, extended pattern, in ascending four-note groups 0 3 5 7 3 5 7 5 5 7 5 7 7 5 7 5 5 7 5 7 7 5 7 9 5 7 9 7 7 9 7 9 9 7 9 8 7 9 8 10 9 8 10 12 8 10 12 10 10 12 10 12 FIGURE 22 E minor pentatonic scale, extended pattern How to write single-note riffs 0 3 5 7 5 7 5 7 9 7 9 8 10 12 10 12 Add2 5 7 6 0 0 0 0 6 0 7 7 F 7add4 2 4 3 0 0 0 0 3 0 4 2 2 16 GUITAR DVD 16 5 7 8 sim. G5/A 0 0 5 7 8 0 0 5 7 8 0 0 F5/A 0 0 7 5 6 0 0 3 5 6 0 0 G5/A 5 7 8 0 5 7 8 0 P.M. 3 2 5 3 5 FIGURE 31 power rock/pop metal = 132 (w/dist.) A5 0 7 9 10 0 P.M. A7(no3) 0 7 9 8 0 P.M. G5/A 0 5 7 8 0 D/A 7 7 7 7 (play 3 times) 0 P.M. 0 A5 0 7 9 10 FIGURE 32 speed/thrash metal = 160 A5 0 P.M. 0 7 9 10 0 P.M. 0 7 9 10 0 P.M. 0 P.M. 0 2 0 0 3 0 0 C5 3 5 B5 2 4 B 5 1 3 N.C.(E5) 0 Fourth-string-root Power Chords FIGURE 30 1 3 D5 0 2 3 1 3 4 5 fr G5 5 7 8 5 5 5 C/A P.M. 0 0 0 0 0 7 7 7 D/A 7 7 7 P.M. 0 0 0 0 0 0 0 0 7 9 8 A(no3) FIGURE 29 Eighties metal = 138 N.C.(E5) 0 P.M. (w/dist.) 2 0 0 3 0 0 4 0 0 5 0 0 6 0 0 5 7 0 7 5 5 7 5 7 3 1/4 A5 0 2 FIGURE 28 a la AC/DC, ZZ Top, Jet = 120 (w/dist.) A7(no3) 0 7 9 8 0 P.M. 0 0 0 0 7 7 7 7 7 7 D/A 0 P.M. 0 0 0 0 0 FIGURE 26 a la Led Zeppelin/modern hard rock = 88 5 (w/dist.) N.C.(A) 7 5 7 5 7 3 5 3 5 3 5 3 5 7 5 7 5 7 3 5 3 5 3 5 FIGURE 27 classic hard rock Pedal Tones = 88 N.C.(A5) 0 5 7 0 7 5 5 7 0 5 7 7 5 7 7 5 1/4 GUITAR DVD 17 17 Soloing/Riffs/Scales FIGURE 33 string bending w/vibrato w/finger vibrato: w/wrist vibrato: finger vibrato wrist vibrato finger vibrato wrist vibrato finger vibrato wrist vibrato shake string shake string w/finger joint w/stiff wrist full full full full full full full full 7 7 8 8 8 8 10 10 FIGURE 34 bending w/vibrato exercise A (play 4 times) C D E full full full full full full full full 7 5 5 8 5 5 10 8 8 11 8 8 12 10 10 13 10 10 10 12 12 15 12 12 Soloing Building Blocks FIGURE 35a FIGURE 35b FIGURE 35c w/open strings A E E 8 5 5 8 5 5 8 5 5 8 5 5 15 12 12 15 12 12 15 12 12 15 12 12 3 0 0 3 0 0 3 0 0 3 0 0 3 3 3 3 3 3 3 3 3 3 3 3 FIGURE 36a FIGURE 36b FIGURE 36c w/open strings A E E 5 8 5 5 8 5 5 8 5 5 8 5 12 15 12 12 15 12 12 15 12 12 15 12 0 3 0 0 3 0 0 3 0 0 3 0 3 3 3 3 3 3 3 3 3 3 3 3 FIGURE 37a combining shapes FIGURE 37b FIGURE 37c A E E 8 5 5 5 8 5 8 5 5 5 8 5 15 12 12 12 15 12 15 12 12 12 15 12 3 0 0 0 3 0 3 0 0 0 3 0 3 3 3 3 3 3 3 3 3 3 3 3 More Soloing Building Blocks FIGURE 38a FIGURE 38b FIGURE 38c A E E 5 8 5 5 8 5 5 8 5 5 8 5 12 15 12 12 15 12 12 15 12 12 15 12 0 3 0 0 3 0 0 3 0 0 3 0 3 3 3 3 3 3 3 3 3 3 3 3 18 GUITAR DVD 18 C 8 11 full 11 8 full D 10 13 full 13 10 full E 12 15 full 15 12 full G 15 18 full 18 15 full A 17 20 full 20 17 full C 13 15 full 15 13 full D 15 17 full 17 15 full E 17 19 full 19 17 full FIGURE 46 B and high E A 5 8 full strings 8 5 full Unison Bends FIGURE 44 G and B strings E 5 7 full 5 7 full FIGURE 45 unison bends w/vibrato on G string E 7 5 full 7 5 full G 8 10 full 10 8 full A 10 12 full 10 12 full 3 3 3 3 3 3 3 3 3 3 3 FIGURE 41 A 8 full 5 5 8 full 5 5 8 full 5 5 8 full 5 5 FIGURE 42 A 8 1/2 5 5 8 1/2 5 5 8 1/2 5 5 8 1/2 5 5 FIGURE 43 all three licks together A 7 full 5 5 8 full 5 5 8 (play 4 times) full 5 5 3 3 3 3 3 3 3 3 3 3 3 3 FIGURE 39d A 5 7 5 5 7 5 5 7 5 5 7 5 FIGURE 39e A 5 8 5 5 8 5 5 8 5 5 8 5 Essential Licks FIGURE 40 A 7 full 5 5 7 full 5 5 7 full 5 5 (play 4 times) 7 full 5 5 3 3 3 3 3 3 3 3 3 3 3 3 A Minor Pentatonic Scale in Three-note Groups FIGURE 39a A 8 5 7 8 5 7 8 5 7 8 5 7 FIGURE 39b A 5 7 5 5 7 5 5 7 5 5 7 5 FIGURE 39c A 5 7 5 5 7 5 5 7 5 5 7 5 GUITAR DVD 19 19 F|SuPE 8 ALABlack Sabbath = 138 % 7 6 7 8 0 0 0 0 0 0 ' 5 5 7 $ 5 7 7 5 5 7 ' $ 5 7 7 5 7 7 % 7 6 7 8 5 7 7 sim. 5 5 7 $ 5 7 7 ! 5 5 7 $ 6 6 8 % 6 8 8 " 8 8 10 & 8 8 10 8 10 10 # 5 7 7 ! 5 7 7 F|SuPE I 1 3 4 ' 5 7 8 fifth in the bass 1 1 3 4 5 fr ' 5 5 7 (8) ' 5 5 7 5 7 7 $ # 3 3 5 ' 3 5 5 # 3 3 5 3 3 5 (play three times) ' 3 5 5 ! 5 7 7 P.M. 5 7 7 F|SuPE ê prog rock, ALADream Theater = 152 w/heavy distortion ! 5 7 7 5 7 7 $ 5 5 7 ! 5 7 7 $ 5 5 7 " 1 1 3 & 1 3 3 3 3 5 # 3 3 5 ' 3 5 5 ! 5 7 7 F|SuPE 3 tremolo picking (trem. pick) P.M. gradually increase speed 0 (alternate pick as quickly as possible) 0 0 0 0 0 0 0 0 0 0 0 trem. pick 0 F|SuPE 4 ~Big¨ E5 chord 0 2 2 X 0 0 % F|SuPE 5 ALAPantera/Queens of = 144 P.M. w/heavy distortion 5 7 7 ! the Stone Age 7 7 9 0 $ 5 5 7 5 5 7 0 # 3 3 5 3 3 5 3 3 5 " 1 1 3 1 1 3 % 0 0 2 2 X 0 0 F|SuPE 1 Power Chords: Putting the Fifth in the Bass Advanced Rhythm Guitar root-fifth 1 3 7 fr % 7 9 fifth in the bass 1 1 4 7 fr % 7 7 9 F|SuPE 2 speed metal/progressive rock = 176 7 7 9 (w/heavy dist.) % 0 5 5 7 $ 5 5 7 0 7 7 9 % 7 7 9 0 0 0 0 0 0 0 0 0 0 0 0 ADVANCED RHYTHM GUITAR 20 GUITAR DVD 5 7 0 5 X 7 4 X 6 A5 0 2 2 E5 0 2 2 X 0 0 0 2 2 0 0 0 0 2 X 4 4 X 6 5 X 7 F|SuPE 14 modern rock = 132 |.C. 2 X 4 4 X 6 0 5 X 7 (E7) 0 5 7 0 5 X 7 0 5 X 7 7 X 9 0 11 X 13 11 13 0 11 X 13 0 9 X 11 7 X 9 0 5 X 7 0 X 2 X 4 2 X 6 4 X 7 5 X 9 7 4 X 6 5 X 7 7 X 9 X 9 11 X 11 13 X 12 14 X 14 16 11 14 X 12 15 X 14 17 X F|SuPE 13 E Mixolydian mode in octaves F|SuPE 12 = 132 (w/dist.) 7 X 9 |.C.(E5) 0 7 X 9 0 0 5 X 7 7 X 9 0 7 X 9 7 9 0 7 X 9 0 0 5 X 7 7 X 9 7 X 9 0 0 7 X 9 5 X 7 7 X 9 5 X 7 5 7 3 X 5 0 0 7 9 6 7 9 6 8 9 7 9 F|SuPE 10 Octaves % E major scale (E F G A B C D ) % E octave shape 0 X 2 3 X 5 5 X 7 7 X 9 5 X 7 7 X 9 5 X 8 7 X 10 9 X 12 7 X 10 9 X 12 F|SuPE 11 E minor pentatonic scale in octaves F|SuPE 9 ALAMetallica/Megadeth = 132 A5 7 7 E5 7 9 0 05 5 5 5 5 05 5 7 0 C5 3 5 3 5 65 2 4 E5 0 2 2 X 0 0 0 2 2 0 0 GUITAR DVD 21 21 2 4 2 0 2 2 0 0 F|SuPE 20 fifth-string root Suspended 2nd 1 (root) A ma2 B ma3 2 3 !SUS 3 5 2 0 2 3 0 F|SuPE 21 fourth-string root 1 (root) D ma2 E ma3 1 3 $SUS 2 4 1 4 X 0 0 2 0 F|SuPE 22 sixth-string root 1 (root) E F ma2 ma3 1 4 %SUS F|SuPE 19 classic/modern rock = 104 (w/dist.) $SUS 0 2 3 3 $ 0 2 3 2 0 !SUS 0 2 2 3 ! 0 2 2 2 0 %SUS 0 2 2 2 % 0 2 2 1 1 0 0 1 0 0 0 1 0 0 0 (play 3 times) 0 2 $ 3 2 $SUS 3 w/bar (3) 0 $ 2 3 2 $SUS 3 w/bar (3) 0 ! 2 2 2 !SUS 3 w/bar (3) 0 0 2 2 F|SuPE 18 psychedelic/alternative rock = 112 0 let ring throughout ! 2 2 2 !SUS 3 w/bar (3) 0 ! 2 2 2 !SUS 3 w/bar (3) 0 % 1 2 2 2 w/bar %SUS (2) 0 % 1 2 2 2 w/bar %SUS (2) 0 2 4 1 2 0 2 2 2 0 0 F|SuPE 15 sixth-string root suspended 4th Suspended Chords: sus4, sus2 1 (root) E ma2 ma3 4 A 2 3 4 %SUS 2 4 2 3 0 2 2 3 0 F|SuPE 1ê fifth-string root 1 (root) A ma2 ma3 4 D 1 1 3 !SUS 3 5 2 3 0 2 3 3 F|SuPE 1I fourth-string root 1 (root) D ma2 ma3 4 G 1 3 4 $SUS 22 GUITAR DVD 22 F|SuPE 30 Sixties power pop = 152 Th 0sus4 10 X 12 12 10 10 0 Th 10 X 12 11 10 10 Asus4 Th 5 X 7 7 5 5 3 0 1 1 Fsus2 F 3 2 1 1 3 0 1 1 Fsus2 Fsus4 3 3 1 1 3 3 1 1 3 0 1 1 Fsus2 F 3 2 1 1 F|SuPE 28 ~Thumbed¨ Chords T 3 2 1 1 A 5 X Th 7 6 5 5 F|SuPE 29 T 3 4 1 1 Asus4 5 X Th 7 7 5 5 F|SuPE 2ê 3 2 1 C 3 2 0 1 3 4 1 Csus4 3 3 0 1 3 1 Csus2 3 0 0 1 3 2 1 1 F 3 2 1 1 3 4 1 1 Fsus4 3 3 1 1 3 1 1 Fsus2 3 0 1 1 F|SuPE 2I country rock = 84 3 0 0 1 Csus2 C 3 2 0 1 3 0 0 1 Csus2 Csus4 3 3 0 1 3 3 0 1 3 0 0 1 Csus2 C 3 2 0 1 3 X 0 0 3 2 0raj7 0b 3 X 0 0 3 0 0raj7 3 X 0 0 3 2 05 3 X 0 0 3 3 0raj7 3 X 0 0 3 2 3 0 0 3 2 0b 3 X 0 0 3 0 0 0 2 3 2 0 2 3 0 0sus2 0 0 2 3 2 0 2 3 3 0sus4 0 0 2 3 2 0 2 3 2 0 2 3 0 0sus2 0 0 2 3 2 F|SuPE 25 classic rock = 80 0 0 2 3 2 0 2 3 0 0sus2 0 2 3 2 0 0sus2 0 2 3 0 0 0 2 3 2 0 2 3 3 0sus4 0 0 2 3 2 0 2 3 2 0 2 3 0 0sus2 Csus2 3 X 0 3 3 X 0 3 2 Csus2 11Csus2 3 X 0 3 0 Csus2 11 3 X 0 3 2 Csus2 3 X 0 3 3 Csus2 11 3 X 0 3 2 3 X 0 3 2 0 3 0 3 X Cadd2 05 3 X 0 0 3 F|SuPE 24 new wave = 132 P.M. throughout 0 2 2 0 Asus2 0 0 0 2 2 2 A 0 0 0 0 2 2 0 Asus2 0 0 0 2 2 2 A 0 0 0 0 2 4 Esus2 0 0 0 2 2 1 E 0 0 0 0 2 4 Esus2 0 0 0 2 2 1 E 0 0 0 0 2 2 0 Asus2 F|SuPE 23 ALAthe Police/the Pretenders/the Beatles/Jet = 120 Asus2 0 2 2 0 0 A 0 2 2 2 0 0 2 2 2 0 Asus2 0 2 2 0 0 A 0 2 2 2 0 0 2 2 2 0 0 2 4 X 0 0 Esus2 E 0 2 2 1 0 0 0 2 2 1 0 0 Esus2 0 2 4 X 0 0 E 0 2 2 1 0 0 0 2 2 1 0 0 Asus2 0 2 2 0 0 GUITAR DVD 23 23 7 9 8 7 7 B7 9 7 X 9 8 10 10 7 Th 10 X 12 11 10 D FIGURE 36 Th B7 9 7 X 9 8 10 10 7 7 7 0 0 0 0 0 0 Detuning Drop-D: tune low E string down one whole step to D D A D G B E FIGURE 35 rock ’n’ roll = 144 Th 10 X 12 11 10 10 D D7 10 X 12 11 13 10 X 12 11 10 D6 10 X 12 11 12 D 10 X 12 11 10 A Th 5 X 7 6 5 5 5 X 7 6 5 5 A7 5 X 7 6 8 5 X 7 6 5 A 5 X 7 6 7 A6 5 X 7 6 5 A Th 12 X 14 13 12 E 12 X 14 13 15 E7 12 X 14 13 12 E 12 X 14 13 14 E6 12 X 14 13 12 E Th 7 X 9 8 7 7 B FIGURE 33 thumbed major-type chords T 3 2 1 1 5 fr A 5 X Th 7 6 5 5 T 3 4 1 1 5 fr Asus4 5 X Th 7 7 5 5 T 3 4 1 1 5 fr A 11 5 X Th 7 8 5 5 T 3 2 4 1 5 fr A6 5 X Th 7 6 7 5 T 3 2 4 1 5 fr A7 5 X Th 7 6 8 5 T 3 2 1 4 5 fr Aadd9 5 X Th 7 6 5 7 T 3 2 1 4 5 fr A 9 5 X Th 7 6 5 8 FIGURE 34 thumbed minor-type chords T 3 1 1 1 5 fr Am 5 X Th 7 5 5 5 T 3 1 1 4 5 fr Am 5 X Th 7 5 5 8 T 3 1 1 4 5 fr Am9 5 X Th 7 5 5 7 T 3 1 4 5 fr Am7 5 X Th 7 5 8 T 3 1 4 5 fr Am6 5 X Th 7 5 7 FIGURE 31 Chord Embellishment w/Thumbed Chords T 3 2 4 1 5 fr A6 Th 5 X 7 6 7 5 T 3 2 1 4 Aadd9 5 X Th 7 6 5 7 3 3 3 3 3 3 FIGURE 32 a la Jimi Hendrix = 80 Th 5 X 7 6 5 5 let ring w/Uni-Vibe A 5 7 5 5 7 5 6 7 6 7 3 Th X 5 4 3 3 G 3 5 3 3 5 3 4 5 4 5 Th Gsus4 3 X 5 5 3 3 G Th 3 X 5 4 3 3 B Th 7 X 9 8 7 7 Th A 5 X 7 6 5 5 Csus4 Th 8 X 10 10 8 8 C Th 8 X 10 9 8 8 24 GUITAR DVD 24 ~Drop-C¨ tuning (drop-D down one whole step) C G C F A D F|SuPE 43 ALAOzzy Osbourne/Zakk Wylde/Pantera = 116 `All notes and chords sound one whole step lower than written (key of C). ` 05 F 05 F5 05 A 5 05 F5 05 F5 05 F5 F|SuPE 42 fast speed metal = 200 |.C.(05) P.M. F5 05 F5 E sus2 05 3 F|SuPE 41 heavy single-note riffs = 104 |.C.(05) 1/4 F|SuPE 39 sus2 chord form 5 fr 05 in Drop-D tuning 5 fr 0sus2 F|SuPE 40 ALAKillswitch Engage/Mudvayne = 120 (w/heavy dist.) Csus2 C5 6 sus2 6 05 0sus2 05 Fsus2 F E 5 3 3 F|SuPE 38 ALAZakk Wylde/Rage Against the Machine = 88 (w/heavy dist.) |.C.(0) (play 3 times) 1/4 1/4 F|SuPE 3I modern hard rock = 126 (w/heavy dist.) 05 F5 05 F5 05 A 5 05 F5 05 F5 05 F5 GUITAR DVD 25 25 3 3 3 3 F|SuPE 4Id 3 3 3 3 F|SuPE 4Ie 3 3 3 3 F|SuPE 4If 3 3 3 3 F|SuPE 4Ia Hammer-ons 3 3 3 3 F|SuPE 4Ib 3 3 3 3 F|SuPE 4Ic 3 3 3 3 F|SuPE 4êe 3 3 3 3 F|SuPE 4êf 3 3 3 3 F|SuPE 4êg 3 3 3 3 3 3 3 3 3 3 3 3 F|SuPE 4êd 3 3 3 3 F|SuPE 4êa Pull-offs (descending) Articulation exercises: pull-offs/hammer-ons Soloing/Riffs/Scales Gradually increase speed for all examples 3 3 3 3 F|SuPE 4êb 3 3 3 3 F|SuPE 4êc F|SuPE 44 ALAAlice in Chains = 144 ` $ P.M. throughout % % & & (play 4 times) ' F|SuPE 45 speed/thrash metal Palm Muting = 144 ` P.M. throughout $ & ! ' $ % 26 GUITAR DVD 26 0 3 0 1 2 0 2 0 2 3 0 3 0 0 3 5 6 7 5 7 5 7 8 9 7 9 8 10 11 12 10 12 FIGURE 49 E blues scale (E G A B B D) The Blues Scale degree: scale 1st octave (root) 1 3 4 5 5 7 (octave) 8 2nd octave 3 4 5 5 7 8 (octave) E blues scale, extended pattern 1st octave 2nd octave 3rd octave 3 3 3 3 3 3 3 3 2 5 3 5 3 5 2 5 3 5 3 5 5 7 5 8 5 7 5 7 5 8 5 7 3 3 3 3 3 3 3 3 7 10 7 10 7 10 7 10 7 10 7 10 5 7 5 7 5 7 5 7 5 7 5 7 3 3 3 3 3 3 3 3 FIGURE 48e 5 7 5 7 5 7 5 7 5 7 5 7 2 5 2 5 2 5 2 5 2 5 2 5 3 3 3 3 FIGURE 48c 5 8 5 7 5 8 5 8 5 8 5 8 3 3 3 3 FIGURE 48d 3 5 2 5 2 5 3 5 2 5 2 3 3 3 3 0 2 4 0 2 4 0 2 4 0 3 3 3 3 FIGURE 48a Gradually increase speed for all examples Hammer-ons and Pull-offs together 0 3 5 3 5 3 0 3 5 3 5 3 3 3 3 3 FIGURE 48b 3 5 3 5 3 5 3 5 3 5 3 5 3 3 3 3 FIGURE 47g 0 2 4 0 2 4 0 2 4 0 2 4 3 3 3 3 3 3 3 3 0 2 4 0 2 4 0 2 4 0 2 4 0 3 5 0 3 5 0 3 5 0 2 4 GUITAR DVD 27 27 3 3 3 3 3 3 3 3 3 F|SuPE 55 ! 5 8 8 7 5 7 5 8 8 7 5 7 5 8 8 7 5 7 5 8 8 7 5 7 5 F|SuPE 5ê ALAJimi Hendrix = 92 ! 8 full 8 1/2 8 7 5 7 5 7 (play 3 times) 6 5 8 1/2 5 ! 5 8 5 8 7 5 7 5 5 1/4 7 5 8 5 8 7 5 7 5 7 5 1/4 7 F|SuPE 54 ! 7 full 5 5 8 5 8 7 5 7 7 7 (play 4 times) 5 F|SuPE 53 Soloing with the Blues Scale = 92 ! 5 8 5 8 7 5 7 5 5 1/4 7 # 8 11 8 11 10 8 10 8 8 1/4 10 $ 10 13 10 13 12 10 12 10 10 1/4 12 3 3 3 3 3 3 3 3 3 3 3 3 ascending three-note groups (play descending also) F|SuPE 52a A blues scale 5 8 5 8 5 6 5 6 7 6 7 5 7 5 7 5 7 5 7 5 7 5 7 8 7 8 5 8 5 8 5 8 5 8 5 8 3 3 3 3 3 3 3 3 3 3 3 3 ascending three-note groups (play descending also) F|SuPE 51 E blues scale 0 3 0 3 0 1 0 1 2 1 2 0 2 0 2 0 2 0 2 0 2 0 2 3 2 3 0 3 0 3 0 3 0 3 0 3 5 8 5 6 7 5 7 5 7 8 5 8 5 8 5 3 5 6 7 5 7 5 7 8 9 8 10 8 10 11 12 15 17 F|SuPE 50 A blues scale (A C D E E G) Blues Scale Exercises degree: scale 1 (root) 1st octave 3 4 5 5 7 8 (octave) 2nd octave 3 4 5 5 7 8 (octave) 3 A blues scale, extended pattern 28 GUITAR DVD 3 3 3 3 7 5 8 5 7 5 8 5 7 5 8 5 7 5 8 5 3 3 3 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 3 3 3 3 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3 3 3 3 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 3 3 3 3 7 5 7 5 7 5 7 5 7 5 7 5 7 5 7 5 3 3 3 3 5 7 5 8 5 7 5 8 5 7 5 8 5 7 5 8 3 3 3 3 8 5 7 5 8 5 7 5 8 5 7 5 8 5 7 5 3 3 3 3 5 7 5 7 5 7 5 7 5 7 5 7 5 7 5 7 3 3 3 3 7 5 7 5 7 5 7 5 7 5 7 5 7 5 7 5 3 3 3 3 F|SuPE ê1 More Essential Licks 8 5 8 5 8 5 8 5 8 5 8 5 8 5 8 5 3 3 3 3 F|SuPE ê2 8 5 8 5 8 5 8 5 8 5 8 5 8 5 8 5 3 3 3 3 F|SuPE ê3 5 8 5 7 5 8 5 7 5 8 5 7 5 8 5 7 F|SuPE ê0 A minor pentatonic Trills 3 (5) 5 (8) 3 (5) 5 (7) 7 (10) 5 (7) 5 (7) 7 (9) 5 (8) 8 (10) 5 (8) 5 5 5 5 F|SuPE 58 ALAStevie Ray Vaughan % 0 1 2 0 2 1 0 3 0 1 2 0 2 1 0 3 0 1 2 0 2 1 0 3 0 1 2 0 2 1 0 3 0 F|SuPE 59 ALASRV % 2 3 2 0 2 2 3 2 0 2 2 3 2 0 2 2 3 2 0 2 A blues scale, 10th position F|SuPE 5I the ~B.B box¨ 12 10 13 10 11 12 12 Slowly 12 ! 12 11 10 13 10 12 13 10 in time = 92 ! 12 12 11 10 13 10 12 13 10 (play 4 times) 10 GUITAR DVD 29 29 scale degree: N.H. pitch: F|SuPE êê sixth string E (root) 5 N.H. G (ma3) 4 B 3 (5) 2.6 D ( 7) 2.4 E (root) F 2 (ma2) 1.8 G (ma3) 1.6 A ( 4) 1.5 B (5) 1.4 C (ma6) F|SuPE êIa fifth string A (root) 5 N.H. C (ma3) 4 E 3 (5) 2.6 G ( 7) 2.4 A (root) B 2 (ma2) 1.8 C (ma3) 1.6 D ( 4) 1.5 E (5) 1.4 F (ma6) N.H. pitch: fourth string D N.H. 12 F 9 A 7 D 5 third string G 12 N.H. B 9 D 7 w/bar G 5 second string B 12 N.H. D 9 F 7 B 5 first string E 12 N.H. G 9 B 7 E 5 F|SuPE ê4 Natural Harmonics (N.H.) Harmonics ¯Lightly rest fret-hand finger on string *N.H. 5 directly above fifth fret, then pick string. N.H. pitch: F|SuPE ê5 scale degree: sixth string E N.H. 12 (root) G (ma3) 9 B 7 (5) E 5 (root) fifth string A 12 N.H. C 9 E 7 A 5 F|SuPE ê8 riffs w/natural harmonics 5 %M N.H. 7 w/bar 12 12 7 12 7 12 7 12 7 12 0 12 w/bar F|SuPE ê9 natural harmonics 12 12 12 12 12 12 w/bar w/whammy bar 7 7 7 7 7 7 5 5 5 5 5 5 4 4 4 4 4 4 9 9 9 9 9 9 F|SuPE êId second string B (root) 5 N.H. D (ma3) 4 F (5) 3 2.6 A ( 7) 2.4 B (root) C (ma2) 2 1.8 D (ma3) 1.6 E ( 4) 1.5 F (5) 1.4 G (ma6) F|SuPE êIe first string E (root) 5 N.H. G (ma3) 4 B (5) 3 2.6 D ( 7) 2.4 E (root) F (ma2) 2 1.8 G (ma3) 1.6 A ( 4) 1.5 B (5) 1.4 C (ma6) F|SuPE êIb fourth string D (root) 5 N.H. F (ma3) 4 A (5) 3 2.6 C ( 7) 2.4 D (root) E (ma2) 2 1.8 F (ma3) 1.6 G ( 4) 1.5 A (5) 1.4 B (ma6) F|SuPE êIc third string G (root) 5 N.H. B (ma3) 4 D (5) 3 2.6 F ( 7) 2.4 G (root) A (ma2) 2 1.8 B (ma3) 1.6 C ( 4) 1.5 D (5) 1.4 E (ma6) 30 GUITAR DVD 30 6 6 6 6 F|SuPE II (12) T %M 0 7 10 12 T 7 10 0 7 10 12 T 7 10 0 7 10 12 T 7 10 0 7 10 12 T 7 10 6 6 6 6 F|SuPE I8 Tapping on Two Strings 10 T !M 5 8 10 T 5 8 10 T 5 8 10 T 5 8 10 T 5 8 10 T 5 8 10 T 5 8 10 T 5 8 10 T 6 6 6 6 F|SuPE I5 T %M (7) 0 3 5 7 T 5 3 0 3 5 7 T 5 3 0 3 5 7 T 5 3 0 3 5 7 T 5 3 6 6 6 6 F|SuPE Iê (10) T %M 0 5 7 10 T 7 5 0 5 7 10 T 7 5 0 5 7 10 T 7 5 0 5 7 10 T 7 5 F|SuPE I3 7 T %M 0 3 0 7 T 0 3 0 7 T 0 3 0 7 T 0 3 0 F|SuPE I4 (7) T 0 %M 3 5 7 T 0 3 5 7 T 0 3 5 7 T 0 3 5 7 second string 10 P.H. (39.4) 10(39) 10(38) 10(34) 10(30) first string 12 P.H. (41.4) 12(41) 12(40) 12 (36) 12 (32) 3 3 3 3 F|SuPE I2 Gradually increase speed for each example Fretboard Tapping `silent tap *T (7) 0 %M 3 T 7 0 3 T 7 0 3 T 7 0 3 7 T F|SuPE I1 pinch harmonics fifth string 2 P.H. (36.4) 7(36) 7(35) 7(31) 7(26) fourth string 2 P.H. (36.4) 7(36) 7(35) 7(31) 7(26) third string 9 P.H. (38.4) 9(38) 9(37) 9(33) 9(28) N.H. (4) -8 (4) `pull up on bar ` +1 (4) 1/2 (4) (slack) scale degree: T.H. pitch: F|SuPE I0 Artificial ~Pinch¨ and ~Touch¨ Harmonics `While fretting A, 6th stg./5th fret, pick string w/thumb while location indicated in parentheses. lightly touching it w/index finger above theoretical fret touch harmonic *T.H. G ( 7) 5 (34.4) (5) E 5 (34) (ma3) C 5(33) (root) A 5(29) (5) E 5(24) ``graze string w/thumb of picking hand (while using a `` pinch harmonic in parentheses. pick) directly over theoretical fret location indicated 5 P.H. (34.4) 5(34) 5(33) 5(29) 5(24) GUITAR DVD 31 7 ! FULL 15 4 7 FULL 15 4 7 ! FULL 17 4 7 FULL 17 4 7 ! FULL 19 4 7 FULL 19 4 6 6 6 6 2 ! 5 10 4 2 5 10 4 2 5 10 4 2 5 10 4 2 5 10 4 2 5 10 4 2 5 10 4 2 5 10 4 F|SuPE 81 Tapped Bends 7 ! FULL 10 4 7 (7) 5 F|SuPE 82 7 ! FULL 12 4 (7) FULL 12 4 6 6 6 6 6 6 6 6 4 "$ 7 12 4 4 7 12 4 4 7 12 4 4 7 12 4 4 7 12 4 4 7 12 4 4 7 12 4 4 7 12 4 3 " 6 12 4 3 6 12 4 3 6 12 4 3 6 12 4 3 6 12 4 3 6 12 4 3 6 12 4 3 6 12 4 6 6 6 6 7 10 12 4 7 10 12 4 7 10 12 4 7 10 12 4 7 10 12 4 7 10 12 4 7 10 12 4 7 10 12 4 6 6 6 6 F|SuPE 80 12 4 5 %M 8 12 4 5 8 12 4 5 8 12 4 5 8 12 4 5 8 12 4 5 8 12 4 5 8 12 4 5 8 12 4 6 6 6 6 6 6 6 6 7 10 12 4 7 10 12 4 7 10 12 4 7 10 12 4 7 10 12 4 7 10 12 4 7 10 12 4 7 10 13 4 8 11 13 4 8 11 13 4 8 11 13 4 8 11 13 4 8 11 13 4 8 11 13 4 8 11 13 4 8 11 14 4 6 6 6 6 6 6 6 6 F|SuPE I9 10 4 5 8 10 4 5 8 10 4 5 8 10 4 5 8 10 4 5 8 10 4 5 8 10 4 5 8 10 4 5 8 `move figure up one fret. ` 11 4 6 9 11 4 6 9 11 4 6 9 11 4 6 9 11 4 6 9 11 4 6 9 11 4 6 9 11 4 6 9 ` 12 4 32 GUITAR DVD 32 3 5 7 5 (5) 3 5 3 0 5 3 3 3 3 5 7 5 7 7 9 7 9 9 12 9 12 12 14 12 9 12 9 7 9 7 5 7 5 7 F|SuPEP 8I hammered ~scoops¨/~dips¨ 5 A minor pentatonic 3 5 3 5 3 5 3 5 3 5 5 7 5 7 5 7 5 7 5 7 5 7 5 7 5 7 F|SuPE 8ê raising the pitch w/bar 0 `pull up on bar ` +1 (0) 1/2 (0) 0 ` +1 (0) 1/2 (0) 7 N.H. (7) ` +2 1/2 (7) (slack) 5 N.H. +2 5 1/2 +2 4 4 F|SuPE 85 ~Boinging¨ Whammy Bar `Flick Floyd Rose-style tremolo bar upward in order to ¨bounce' tremolo unit. * 7 (7) (7) (7) 5 (5) (5) 7 9 (9) 12 (12) 12 9 7 5 7 5 7 5 6 6 6 6 9 T 5 7 8 T 5 7 9 T 5 7 8 T 5 7 9 T 5 7 8 T 5 7 9 T 5 7 8 T 5 7 6 6 F|SuPE 84 Sweep Picking 12 Am 15 14 14 13 12 17 T 12 13 14 14 15 6 6 6 6 6 6 6 6 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 9 T 5 7 6 6 6 6 6 6 6 6 F|SuPE 83 A Dorian mode (A B C D E F G) 8 T 5 7 8 T 5 7 8 T 5 7 8 T 5 7 8 T 5 7 8 T 5 7 8 T 5 7 8 T 5 7 8 T 5 7 9 T 5 7 8 T 5 7 9 T 5 7 8 T 5 7 9 T 5 7 8 T 5 7 9 T 5 7
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