Latin American Nationalism

March 29, 2018 | Author: Luis Francisco Venegas Escovar | Category: Music Of The United States, Pop Culture, Nationalism, Latin America, Performing Arts


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MODERNISM IN LATIN AMERICAN MUSIC: FOLKLORE, TRADITION, AND NATIONALISMg. Bartok. .g. landmark musical idiom. Russian five. German-French dances.  Uniformity in music crafting.  Craft of an original.  Romanticism: Awareness of the idiosyncratic features/national music idiom e.NATIONALISM IN WESTERN MUSIC  Homogeneous understanding of styles: e.  Percussion and wind instruments. and Inca.  Very few known regarding pre-Columbian music practice/craft. Mayan. monody.  Pentatonic collections.  Religious rituals – banned by the catholic church. monotonous rhythms. .pre-Columbian traditions  Three main civilizations: Aztec. Colonialism  Music of the colonies was mainly European.  Mutual influence and adaptation between Spanish. .  Reinterpretation of their musical traditions. Natives and African cultures. . and its resultant offspring.Mestizaje and Syncretism •“De espanol y de India.” – Miguel Cabrera (1763) •Graphic representation of the racial mixture. •Majority of the population by the independence. Mestiza. characteristic of Latin American music.  Aesthetical blend: creation of new genres. . ensembles.” – Brill.Colonialism  Integration of the African culture to the “ethnic mixing” = Rhythmic element. adaptation of new instruments. The roots of modern Latin American music.  “…complementing the technical and aesthetic elements of each into novel and wholly original syncretic styles.  Completion of the process. (forms remained the same).  Strive for identity.  Adaptation of indigenous elements to express their culture (The resultant of Mestizaje).Latin American Nationalism  Independence from the Spanish rule.  Result = Latin American nationalist sentiment .  Awareness of the social reality. Latin American Nationalism Carlos Chavez Alberto Ginastera Heitor VillaLobos .  extensive use of Aztec instruments in combination with the standard instruments. and melodic material (mainly pentatonic).” – King.  neo-African polyrhythmic structures  “elegiac and melancholic tones.Carlos Chavez  Sinfonia India  very simple in texture. harmony. straightforward idiom.  energetic up-beat accented percussion. Brill . Parallel – Stravinsky. Chavez . Parallel – Stravinsky. Chavez . Conclusion  Civilizations developed enough to create a sense of culture in the pre-Columbian American continent.  Nationalism in the field of music.  Colonial period served as the canvas for the creation of a hybrid culture. revival of traditional music. .  Such culture strived for identity after the independence. 2011. Guadalajara. 1945. Marion. Boston.  Brill.Putnam’s Sons.P. sociedades y relaciones de poder en América Latina. 2000. Músicas.  Borras. MA: Prentice Hall. México: Universidad de Guadalajara. New York: G. Gilbert. Twentieth Century Music. Gérard. [Washington]: Library of Congress.Bibliography  Bauer. Music of Latin America and the Caribbean. 1947. Music Div. . Mark.  Chase. A Guide to Latin American Music. Jalisco. Los Angeles. 1975. John. 1950. New York: G. Cambridge. United Kingdom: University Press. Loza.2 (Sinfonia India). Schimer. Carlos. Euba. Symphony No. of Ethnomusicology and Systematic Musicology. Los Angeles: Dept. King. Steven Joseph. Forster. United States: University of Illinois Press.Bibliography   Chavez. May 28-30.    . “Intercultural Music in Africa and Latin America: A Comparative View of Fela Sowande and Carlos Chávez. University of California. Tradition and Renewal: Essays on TwentiethCentury Latin American Literature and Culture. past and present: proceedings of an international conference. Musical cultures of Latin America: global effects. and Jack Bishop.” Musical Cultures of Latin America (2003): 309-320. 2003. 2004. 1999. University of California. score. Akin. Merlin H. The Cambridge Companion to Modern Latin American Culture. . 2013). ca. Emilio.handle.” Artes . http://hdl. http://www.com (accessed November 02.oxfordmusiconline. N9. 2013). 2 (1935). Igor. http://imslp.Vol 5 (January-June 2005). Andres.musicsalesclassical." (by Robert Parker).org. The Rite of spring. IMSLP/Petrucci Music Library. Nicolas Slonimsky (1894-1995) y sus Escritos Sobre Música en Latinoamérica: Reivindicación de un ‘Fishing Trip’. http://www. G Schirmer Inc. s. "Carlos Chávez. “La Proyeccion de la Nueva Musica en America Latina: Globalizacion y Periferia.   The Music Sales Group. Posada. Sinfonia India op.La Revista.1980. Kiev: Musytschna Ukrania.com/composer/work/26826 (Accessed October 27.net/10261/57955Search (Accessed September 10. 2013).Bibliography    Grove Music Online.” Universidad de Granada (2007). Complete Score.v. Ros-Fábregas. Stravinsky.
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