Kenny Burrell - Moten Swing

S10 10 10 9 10 H 10 8 8 10 10 9 9 10 9 10 10 7 10 9 10 4 H 7 9 8 10 9 10 11 11 H 12 10 8 9 7 8 9 7 9 10 7 8 8 H 6 9 7 8 9 10 7 8 8 9 7 5 7 8 6 5 8 4 5 6 5 7 5 7 12 S 8 10 9 11 P H 13 10 12 10 11 10 13 10 12 12 10 9 12 10 9 12 10 10 8 9 10 10 15 P 9 10 8 7 10 9 10 7 9 10 8 10 8 H 8 7 10 8 9 H 8 7 8 7 H 10 8 9 9 9 9 10 9 9 10 #$ % #&# 18 H S 11 10 9 9 H P P 11 12 11 10 8 9 9 S H 10 8 ! 12 10 9 9 9 8 ! P P 10 7 10 9 11 10 8 9 7 S 9 7 10 11 21 H 12 10 11 9 11 9 9 11 12 10 11 12 10 8 9 7 9 9 7 8 7 6 7 8 8 7 8 8 7 25 10 7 H 7 8 8 9 9 9 10 8 10 7 7 9 8 7 28 " P P 10 11 10 8 P 11 P P 8 10 8 7 8 P 7 10 10 8 10 8 7 9 10 10 7 9 10 8 10 8 10 10 30 H 11 P P P 7 10 8 9 10 10 9 10 8 7 10 9 10 7 8 9 10 7 7 6 P 5 7 6 8 7 5 . bar 5 : extended chord tone idea bars 6 .22 : key center line switching to minor pentatonic bars 23 .. released by a blues phrase bar 20 : another blues scale flurry bars 21 . 11 ) bars 28 ..8 : key center lines (also extended chord tone flavor) bar 9 : extended chord arpeggio bars 10 .11 : chord scale / arpeggio line with a chromatic note leading to a stock d minor idea bars 12 .31 : blues scale stuff turning into key center bebop ideas bar 32 : extended chord arpeggios (the "charlie christian" -shape) bar 31 : a stock 7 9 -line (harmonic minor) recorded on kenny burrell's "bluesin' around" .#$ % #&# 32 P 4 7 5 5 7 5 3 6 4 4 6 4 3 (end solo) S 6 8 analysis: bars 1 ..15 : stock bebop ideas chained into a long phrase bar 16 : clear modulation with parallel movement bars 17 .4 : chord scale / chromatic line leading to..3 : lines around the key center (c) bars 3 .24 : modulation back through parallel movement bar 25 : extended chord arpeggio bar 26 : chord tone line into.13 : key center or chord line leading into a stock d7 idea bars 14 .19 : key center line (E) with a chromatically moving voice. bar 27 : an extended chord tone idea ( 9.