Group Piano Teaching Materials and Resources

March 24, 2018 | Author: Catherine Bouthillette | Category: Music Education, Jazz, Doctor Of Philosophy, Performing Arts, Musicology


Comments



Description

Group Piano Teaching Materialsand Resources An asterisk (*) indicates an out-of-print title. Textbooks University Music Majors Anderson, Richard. Ensemble: Keyboard Proficiency for the Music Major. Long Grove, IL: Waveland Press, 2001. *Chastek, Winifred Knox. Keyboard Skills: Sight Reading, Transposition, Harmonization, and Improvisation. Belmont, CA: Wadsworth Publishing, 1967. *Duckworth, Guy. Keyboard Musicianship. New York: Free Press, 1970. *Erlings, Billie. Comprehensive Keyboard Skills. Tucson, AZ: Nuove Music, 1975. *Foxley, William M., and Barbara R. Lowe. Piano Study Guide and Workbook. Provo, UT: Brigham Young University Press, 1975. *Garcia, Linda, and Brenda Rager. Acquiring Music Fundamentals. Lebanon, IN: AlexanderMorton, 1980. *Guhl, Louise. Keyboard Proficiency. New York: Harcourt Brace Jovanovich, 1979. Heerema, Elmer. Progressive Class Piano. 2nd ed. Van Nuys, CA: Alfred Publishing, 1984. Hilley, Martha, and Lynn Freeman Olson. Piano for the Developing Musician. 6th ed. Belmont, CA: Schirmer/Thomson Learning, 2006. Lancaster, E. L., and Kenon Renfrow. Group Piano for Adults. Bks. 1 and 2. 2nd ed. Van Nuys, CA: Alfred Publishing, 2008. *Lehmer, Isabel. Keyboard Harmony: A Comprehensive Approach to Musicianship. Belmont, CA: Wadsworth Publishing, 1967. *Lieberman, Maurice. Keyboard Harmony and Improvisation. New York: Norton, 1957. Lindeman, Carolyn A. PianoLab: An Introduction to Class Piano. 6th ed. Belmont, CA: Wadsworth/Thomson Learning, 2008. *Lloyd, Ruth. Creative Keyboard Musicianship: Fundamentals of Music and Keyboard Harmony through Improvisation. New York; Dodd Mead, 1975. *Lowder, Jerry. Basic Piano Skills. Dubuque, IA: Kendall-Hunt Publishing, 1991. W1 W2 TEACHING PIANO IN GROUPS Lyke, James, Tony Caramia, Geoffrey Haydon, Reid Alexander, and Ron Elliston. Keyboard Musicianship. 8th ed. Champaign, IL: Stipes Publishing, 2003. Mach, Elyse. Contemporary Class Piano. 6th ed. New York: Oxford University Press, 2003. *McLain, Margaret Star. Class Piano. Bloomington: Indiana University Press, 1974. Miner, Martha, Lulu Cheney, Julianne Dent, and Kathleen Bauer. Reading Keyboard Music: The Work of C. S. Reid. Rev. ed. Stockton, CA: Demibach Society, 1993. Page, Cleveland. The Laboratory Piano Course. Bks 1 and 2. New York: Harper and Row, 1974–75. Available at www.pianotextbooks.com. *Pelz, William. Basic Keyboard Skills: An Introduction to Accompaniment Improvisation, Transposition and Modulation, with an Appendix on Sight Reading. Reprint. Westport, CT: Greenwood Press, 1981. Pyle, Hershal. The University Piano Series: A Course of Study for the Adult Student. Ann Arbor, MI: Campus Publishers, 1983. *Rezits, Joseph. Source Materials for Keyboard Skills. Bloomington, IN: D. Daniel Publications, 1975. *Rummo, Carmen P. Functional Piano for Class and Individual Instruction. Pittsburgh: Volkwein Bros., 1972. *Sheftel, Paul. Exploring Keyboard Fundamentals. New York: Holt, Rinehart, and Winston, 1970. Squire, Russell N., and Timothy P. Shafer. Class Piano for the Adult Beginner. Englewood Cliffs, NJ: Prentice Hall, 1991. *Starr, William, and Constance Starr. Basic Piano Technique for the Classroom Teacher. Dubuque, IA: Wm. C. Brown, 1971. Starr, William, and Constance Starr. Practical Piano Skills. 5th ed. Dubuque, IA: Wm. C. Brown, 1992. Stecher, Melvin, Norman Horowitz, Claire Gordon, R. Fred Kern, and E. L. Lancaster. Keyboard Strategies: A Piano Series for Group or Private Instruction Created for the Older Beginner. New York: G. Schirmer, 1986. *Vernazza, Marcelle, and Leonora Jeanne Young. Basic Materials for the Piano Student. 2nd ed. Dubuque, IA: William C. Brown, 1972. *Zimmerman, Alex H., Russell Hayton, and Dorothy Priesing. Basic Piano for the College Student. 5th ed. Dubuque, IA: William C. Brown, 1985. Adult Hobby Students/University Non-Music Majors/RMM Aaron, Michael. Michael Aaron Adult Piano Course. Van Nuys, CA: Alfred Publishing, 1985. Agay, Denes. The Joy of First-Year Piano. New York: Yorktown Music Press, , 1972. *Allen, Doris R. Creative Keyboard for Adult Beginners. Englewood Cliffs, NJ: Prentice-Hall, 1983. *Bastien, James. Beginning Piano for Adults. Park Ridge, IL: General Words and Music, 1968. *Bastien, James. Musicianship for the Older Beginner, Levels 1 and 2. San Diego: Kjos West, 1977. Bastien, James. The Older Beginner Piano Course, Levels 1 and 2. San Diego: Kjos West, 1977. Chords in Action. Else. and Roger Grove. Grown-Up Beginners Book. Schirmer. Beginning Piano: An Adult Approach. Sandy. and Paul Harris. *Bishop. Dubuque. and Ernest Schelling. Dorothy. Miami: CPP/Belwin. The Oxford Piano Method. 1 and 2. WA: Puget Music Publications. Nancy. Blake. Buffalo. King of Prussia. Kenmore. Raymond. Books 1–3. Piano for Adults. 1950. Kjos. Bks. 2008. Self-published. Bastien. 1959. Hall. Bradley. and Randall Faber. 1949. Germany: Schott Musik. Class Piano Method. Faber. Adult Explorer at the Piano. Charles Hansen Music Company. Mainz.. Adult Piano Adventures: A Comprehensive Piano Course. 1970. Bernice. 1922. Haake. and Randall Faber. 1947. Feldstein. Invitation to Music: Beginning Piano for Teenage and Adult Students. *Fisk. New York: Bradley Publications. San Diego: Neil A. Jane. *Geissmar. and Lori Bastien. William. 2003. Mathilde. Adult Piano Student. Osbourne McConathy. Lisa Bastien. Eckstein. 1956. 1953. 1972. William Presser. Dillon. Faber. Piano for Adults: A Beginning Piano Course—Lessons. Leila. Adult Piano Book. Sight Reading. Ella Mason Ahearn. 1981. 1 and 2. *Burrows. New York: Carl Fischer. The European Piano Method: Three Progressive Levels. *Fletcher. Louise Goss. San Diego: Kjos Music Press. Jane Smisor. Enjoyable Course to Learning to Play All Keyboard Instruments. New York: G. Frost. *Felton. *Bilbro. *Bergenfeld.Aided Group Piano Course for Adults. 1937. Melodic and Technical Studies for the Adult Beginner on the Piano. Phyllis. Accelerated Piano Adventures. Belwin Complete Adult Keyboard Course: A Practical. John. Gail Martin Haake. 1994. 2000. Piano Series for the Older Beginner. IA: Kendall-Hunt Publishing. Nathan. FL: FJH Music Company. Frank. Alejandro. Beginner’s Book for Older Pupils. 1 and 2. Piano: 2nd Time Around. Fort Lauderdale. 1979. Allen. New York: Acorn Music Press. 1999. Warner Brothers. Nancy. Oxford: Oxford University Press. 1976. Clark. Glover. Keyboard Fundamentals. 1980.Group Piano Teaching Materials and Resources W3 Bastien. and Debra Wanless. 1969. Miami: Summy-Birchard. Theory. FL: FJH Music Company. Creative Piano and Keyboard: An Introductory Computer. Fritz. Dorothy Gaynor. Milton A. New York: Carl Fischer. The Adult at the Piano. *Cremaschi. 1989. Big Three. . Maxwell. Emonts. Miami: CPP/Belwin. KY: Willis Music Company. 2001. NJ: Prentice-Hall. Florence. Brenda. 1935. and Raymond Burrows. 1992. Piano for Fun and Fulfillment. PA: Theodore-Presser. Technic. 1970. Giles. Charles. Fort Lauderdale. Frances. 1991. The Adult Beginner. David Carr. Bks. Pauline. *Brimhall. *Clark. Adult Piano Course: Piano for Pleasure. An Adult Guide to Beginning Piano and Basic Musicianship. Keyboard Musicianship for the Adult Beginner. *Friedman. New York: Oxford University Press. Richard. Bradley’s How to Play Piano. 1978. Englewood Cliffs. Boston: Boston Music Company. Bks. NY: Mayfair Montgomery Music. E. Boston: McLaughlin and Reilly. John Benjamin. Houston. The Adult Piano Method: Play by Choice. New York: Macmillan. *MacLachlan. Carol. Van Nuys. and Lynn Freeman Olson. Alan. Willard A. *Horton. IL: Stipes Publishing. Piano for Adults: A Complete Course for the Adult Beginner. 1983.. Lancaster. and Kenon Renfrow. Play Piano Now! Alfred’s Basic Adult Piano Course. *Mason. Play Piano in a Flash. I Used to Play Piano. Scott. Adult All-in-One Course: Alfred’s Basic Adult Piano Course.W4 TEACHING PIANO IN GROUPS Hilley. Autumn. 2003. CA: Alfred Publishing. Keller. 1994. The Adult Approach to the Piano. Group or Class. CA: Alfred Publishing. 1956. WI: Hal Leonard. *Richter. Robert. 1945. CA: Alfred Publishing. CA: Alfred Publishing. 4th ed. Van Nuys. Perez. New York: M. and Amanda Vick Lethco. Keyboard Fundamentals. Boston: Houghton Mifflin. Martha. Musikgarten (www.musikgarten. Palmer.. Mark. Thomas Robin. New York: Lee Roberts Music. Beginning Piano for Adults. The Ada Richter Piano Course: The Older Student—For Individual or Class Instruction. Champaign. Adult Education Piano Method: Piano Instruction for Individual. Debra and Will Baily. Palmer. New York: E. L. Milwaukee. Belmont. Willard A. New York: Schroeder and Gunther. WI: Hal Leonard. DE: Piano Playhouse. Van Nuys.org). Musikgarten Adults: Enjoying the Piano Together. Bks. and Walter Noona. Morton Manus. The Adult Pianist: Piano Basics for the Older Beginner. 1963. ProArt Publications. *Owyang. L. Pace. Bks 1–3. 1996. B. Van Nuys. Werder-Paul Piano Course: Basic Piano for the Adult. 1935. and Morton Manus. and Denise Edwards. Lyke. Noona. Lancaster. 1985. 1999. Palmer. 2001. Elizabeth. 2008. Mary Bacon. Milwaukee. *Miller. 1993. and Victoria McArthur. *Pederson. E. CA: Schirmer. CA: Alfred Publishing.. Piano for Pleasure: A Basic Course for Adults. Willard A. 1969. Bks 1–3. CA: Alfred Publishing. Palmer. Keyboard for Adult Beginners. 1967. Ada. OH: Heritage Music Press. The MacLachlan Piano Book for the Modern Beginner: A Refresher Course for Adult Beginners. and Richard Harry Werder. 2009. Witmark and Sons. Lancaster. Lily Siao. 1978. Cynthia. Marks. Kern. E. Key to the Keys: The Sound Approach for Teenage and Adult Beginners. Musical Moments: A Recreational Music Making Program. Boston: Oliver Ditson. Alfred’s Basic Adult Piano Course.. Wilmington. Van Nuys. 2004. Alfred’s Self-Teaching Adult Piano Course. and Kenon Renfrow. Willard A. 1977. 1966. Gale. *Paul. Piano 101. 1957. . 1 and 2. Creative Piano: A Modular Approach for Adult Beginners. Piano 101: Short Course. New York: Lee Roberts Music. Piano—Plain and Simple. and Mary Louise Wilson. Fred. Self-published. 1999. 2000. *Nevin. Van Nuys. Pace. and Linda Woodaman Ostrander. Dayton. CA: Alfred Publishing. Van Nuys. James. L. John W. Jane Smisor. *Robinson.. Florence. Florence. Gonzales.. CA: Alfred Publishing. Rinehart and Winston. KY: Willis Music. The Art of Music for the Adult Beginner. Available at http://www. and E. Sing and Play. Pam. 2006. 1–3. 1999. Gertrude. 1985. Pathways: A Conceptual Approach to Music Readiness. *Thompson. Fred Kern. Lancaster. John W. The Music Tree: Time to Begin. Boston: Boston Music Company. and Randall Faber. CA: Alfred Publishing. 2006. Chicago: Rubank. L. Schirmer. 1948. Belmont. Bks. Children Cole. Alfred’s Basic Piano Library: Preparatory Course for the Young Beginner. Van Nuys. Wagness Adult Piano Course: The Chord Approach. CA: Wadsworth Publishing. New York: Oxford University Press. Keyboard Strategies: A Piano Series for Group or Private Instruction Created for the Older Beginner. Van Nuys. 1980. Available at www. 1943. Bastien. It’s Never Too Late to Play Piano. Music for Moppets. 1981. Claire Gordon. and Louise Goss. Palmer. 1967. CA: Alfred Publishing. L. Bernard. The Adult Preparatory Book. Paul. 1960. NJ: Prentice-Hall. Stecher. Thompson. KY: Willis Music Company. Piano for the Classroom Music. Lancaster. *Sheftel. Robert. *Wagness. Helen C. 2005. Pace. 1943. Collins.html. FL: FJH Music Company. John. Pace. Basic Piano for Adults. Schaum Adult Piano Course. John M. Englewood Cliffs. San Diego: Neil A. Amanda Vick Lethco. John Thompson’s Adult Piano Course. and E. Canyon Press. Wedgewood. The Very Young Pianist. Ann. Van Nuys. Mayron. Jane Smisor. . The Keyboard: Exploration and Discoveries. 1935. Christine H. Florence. New York: Belwin Mills. R. Miami: Summy-Birchard. Eric. 1988. 1964. New York: Holt. Harry. My First Piano Adventure for the Young Beginner. 1993. KY: Willis Music. Bastiens’ Invitation to Music. The Persistent Pianist: A Book for the Late Beginner and Adult Re-Starter.Group Piano Teaching Materials and Resources W5 *Robilliard. Norman Horowitz. Alfred’s Music for Little Mozarts. New York: Lee Roberts Music Publications. John M. Bastien. Williams’ First Book for the Adult Beginner: A First Instruction Book for Piano Written for Older Pupils. New York: G. and Lori Bastien. Willard A. San Diego: Neil A. Gayle Kowalchyk. TX: Mayron Cole Music Conservatory.com. Kjos. Eilleen D. CA: Alfred Publishing. The Senior Approach to the Eric Steiner Piano Course. IL: Stipes Publishing. Van Nuys. Precollege The Very Young Beginner Barden. Lisa Bastien. Doris. The Mayron Cole Piano Method.candlepowerpress. Clark. and Morton Manus. Helene. Faber. Kjos Music Company. Melvin. and Linda Clary. Champaign. Schaum.mcpiano. 1971. Nancy. 1970. Frances.com/index. Fort Lauderdale. 1994. *Steiner. John. 1980. *Rosemond. *Williams. 1972. 1981. 1963–64. Palmer. Milwaukee. 2001. CA: Alfred Publishing. Michiko. New York: Muse Eek Publishing. Bruce. 1996. Van Nuys. Guy. Van Nuys. Keyboard Musician. DeKalb. and E. Connors. Rhythm Prime: Music Sight Reading Exercises. Amanda Vick Lethco. Karen. Yurko. Alfred’s Basic Group Piano Course. Music Makers: At the Keyboard. Keyboard Builder. Storms. Gloria Burnett. and Patricia Stemller. IL: MF Company. Ziegler. 2006. Milwaukee. 2003. . 2004. IL: Wurlitzer. Guy. Evanston. Music Matters. 1972. *Duckworth. Creative Rhythmic Reading at the Piano. IL: MF Company. WI: L. Lorna. Musical Games and Activities. Guy. 1994. Jerry. Fingerplays and Rhythmic Activities for Early Childhood. Specimen Sight Reading Tests. CA: Alfred Publishing. 1963–64. Evanston. 1997. Activity Maestro: A Piano Teacher’s Resource Book of Activities. Gayle Kowalchyk. Jerry. Robert. 1975. Heyge. 1963–64. Abigail Flesch. Van Nuys. 101 Rhythm Instrument Activities for Young Children. NJ: Parker Publishing. Musical Games. *Athey. 1975. 101 Music Games for Children: Fun and Learning with Rhythm and Song. IL: MF Company. *Duckworth. Verna Stassevtich. Morton Manus. 101 More Music Games for Children: More Fun and Learning with Rhythm and Song. Arnold. Supplementary Textbooks by Topic Activities and Games Alfred’s Musical Adventures Game. Alameda. Keyboard Explorer. Fay Templeton. 1994. Sight Reading ABRSM. Evanston. Stan. Steps to Musicianship through Group Piano. *Frisch. and Mary Louise Wilson. Upper Saddle River. Marian. A Galaxy of Games for the Music Class. Games. and Gwen Hotchkiss. CA: Alfred Publishing. Alameda. CA: Hunter House. Keyboard Performer. Longmont. Guy. 1983.W6 TEACHING PIANO IN GROUPS *Duckworth. Pace. 1989. Keyboard Discoverer. Evanston. Wirth. 1963–64. *Duckworth. L. *Duckworth. CA: Hunter House. Margaret. Guy. London: Associated Board of the Royal Schools of Music. IL: MF Company. Upper Saddle River. *Applebaum. 1963–64. and Reproducible Materials. Roberts/Hal Leonard. Rita Shotwell. Lancaster. Willard. Jill Citro Hannagan. IL: MF Company. Musical Games and Activities: A Collection of Easy-to-Play Games and Activities for the Piano Student or Music Classroom. WI: Hal Leonard. CO: Piacere Press. Storms. Scott. Evanston. New York: Schroeder and Gunther. Lewisville. 1995. Worksheets. 1967. NC: Gryphon House. NJ: Prentice Hall Trade. Music Mind Games. *Sheftel. Jane Smisor. 1972. F. 2006. CA: Alfred Publishing. New York: Associated Music Publishers. Basic Sight Reading: A Practical Course for Everyone. Pertout. Dayton. James. Gayle. 1986. Practical Sight Reading Exercises for Piano Students. and Julie Jordan. Boris. Progressive Sight Reading Exercises: Piano Technique. E. Robert. Leonhard. Van Nuys. David. Lancaster. ON: Frederick Harris Music. 1990. 1988. *Shanaphy. Music Reading for Keyboard: The Complete Method. Berlin. Daphne. 1990. Edward. Sightreading at the Keyboard. Los Angeles: Wimbledon Music. Stuart Isacoff. *Kasschau. Paul. Domville-Fife Press. 2007. Step-by-Step Program for Musical Keyboard Players of All Levels. Sight Reading. and E. and Claude Champagne. Pacific. 1998. and Gayle Kowalchyk with David Carr Glover. NY: Ekay Music. Lancaster. John. Mainz: Schott. Kember. and Carol Noona. Marlais. Noona. Noona Sight Reading. Howard. New York: Schirmer. Keyboard Sight Reading. Ellen. Kjos Music Company. Alfred’s Basic Piano Course: Sight Reading Book. Schirmer. OR: Catholic Press. CA: Alfred Publishing. Bastien. Portland. Hickman. Helen. Super Sight-Reading Secrets: An Innovative. Levels 1–8. Leonhard. CA: Belwin Mills/Alfred Publishing. L. Reading through Intervals. FJH Music Company. 1999. Sight Reading. L. Kowalchyk. 1994. 1986. *Deutsch. Steelman. Paul. MO: Mel Bay Publications.Group Piano Teaching Materials and Resources W7 Bastien. 1991. Milwaukee. Katonah. 2007. Walter. CA: Sound Feelings Publishing. CA: Alfred Publishing. Music Speed Reading. and Joann Carrera. OH: Lorenz Publishing. David Carr Glover Method for Piano: Sight Reading and Ear Training. Speed-Reading at the Keyboard. New York: Heritage Music Publications. Mountain View. San Diego: Kjos West. 1999. Smith. Mel Bay Sight Reading: The Rhythm Book. Van Nuys. 1976. San Diego: Neil A. Van Nuys. and Kevin Olson. CA: Mayfield Publishing.. Boris. Keilmann. 1986. 1986. CA: Alfred Publishing. 1986. Four Star Sight Reading and Ear Tests: Daily Exercises for Piano Students. Van Nuys. Howard. London: Faber Music. London: Oxford University Press. 1995. Peters. Alex. New York: G. Bks. *Spillman. . Help Yourself to Sight Reading. Berlin. WI: Hal Leonard. 1 and 2. 2005. *Brokish. For Sight Reading. 2001. Mississauga. Improve Your Sight Reading Piano. Harris. Levels 1–4. Piano Sight Reading. New York: C. Carole Flatau. 1950. John. Richman. Deutsch. 1987. Sandercock. Sight Reading Folks Songs from Around the World. Introduction to Sight Reading. A Line a Day Sight Reading. Tarzana. Evelyn. Schaum. *Burmeister. Sight Reading and Rhythm Every Day. 1979. Piano: Guided Sight Reading. Wilhelm. Hannah. Van Nuys. Larry. 1968. 2000. Chords in Action: For Class and Individual Instruction in Piano. Church. Patterson. Little Baby Itsy Bitsy Spider Lightly Row . Theory. A Tasket Alouette Chopsticks Clementine Did You Ever See a Lassie? Down in the Valley Farmer in the Dell Go Tell Aunt Rhody He’s Got the Whole World in His Hands Hush. Keyboard Melodies. *Evan. 2nd ed. *Cho.com). Music Education. 1990. IA: Wm. Wilson. Upper Saddle River. Melody List for Harmonization Primary Chords (I–IV) A Tisket. Nanett G. NY: Belwin. *Steiner. 70.W8 TEACHING PIANO IN GROUPS Zagorski. 1983. TN: Walker Publishing. Knoxville. C. Harmonization at the Piano. Milwaukee. Lead Lines and Chord Changes. Patricia Carter. *Smith. *Collins. Rockville Center. 1902. and Martha Baker. Brown Publishers. Dubuque. Transposition for Piano: For the Advancing Student. Lunde. CA: Alfred Publishing. Frankenpohl. and Donald L. *Melcher.harmonysheets. WI: Skyline Publications. 2000. Zagorski Sight Reading Method with Four Keyboard Textures. 1962.. Eau Clair. 1987. Ann. 2002. Christy. WI: Hal Leonard. NJ: Prentice-Hall. Alice. Dubuque. Cincinnati. Music Education. Arthur. OH: J. Private Piano. Van Nuys. Harmonization-Transposition at the Keyboard for the Student and Teacher of Class or Group Piano. 1968. Eric. Op. Harmony Worksheets (www. Gene J. Dorothy. Melody Harmonization at the Keyboard. Transposition Studies for Daily Practice: Composed for the Piano. New York: Carl Fischer. Lee. 1956. 1966. Music for Keyboard Harmony. IA: Kendall/Hunt Publishing. Kern. Warch. 6th ed. Vogt. Harmonization/Transposition *Bishop. CA: Alfred Publishing. Learn to Harmonize and Transpose at the Keyboard. Van Nuys. General Education: Transposition at the Keyboard. 1988. Group Piano Teaching Materials and Resources W9 London Bridge Mary Had a Little Lamb Oh Where Has My Little Dog Gone Polly Wolly Doodle Row. Row. Long Ago Love Somebody Marine’s Hymn Mexican Clapping Song Muffin Man My Country ’Tis of Thee . Row Your Boat Skip to My Lou Ten Little Indians Three Blind Mice Yellow Rose of Texas Primary Chords (I–IV–V) Amazing Grace Angels We Have Heard on High Auld Lang Syne Battle Hymn of the Republic Bingo Brahms’ Lullaby The Caissons Go Rolling Along Camptown Races Clementine Ding Dong. Merrily on High Doxology The First Noel For He’s a Jolly Good Fellow Go Tell Aunt Rhody Good King Wenceslas Good Night Ladies Happy Birthday He’s Got the Whole World in His Hands Hickory Dickory Dock If You’re Happy and You Know It Jolly Old St. Nicholas Joy to the World Lavender’s Blue Lightly Row Little Brown Jug Long. W10 TEACHING PIANO IN GROUPS Oh! Susanna Oh Where Has My Little Dog Gone? Old Gray Mare Old MacDonald Had a Farm On Top of Old Smoky Pop! Goes the Weasel Red River Valley Rock-a-bye Baby Rudolf. the Red-Nosed Reindeer Shoo. Fly Silent Night Skip to My Lou This Land Is Your Land This Old Man Three Blind Mice Turkey in the Straw Twinkle. Twinkle Little Star When the Saints Go Marching In Yankee Doodle Secondary Dominants America the Beautiful The Ash Grove Aura Lee Deck the Halls Do Re Mi English Country Gardens Home on the Range Jingle Bells Morning Has Broken My Bonnie Lies Over the Ocean Ode to Joy Over the River and through the Woods Simple Gifts Star-Spangled Banner Yankee Doodle Boy You’re a Grand Old Flag Minor Chim Chim Cher-ee Erie Canal . New York: Oxford University Press. 1968. New York: Edward B. David. Dubuque. Newell. KY: Cengage Learning. 1973. Rev. John. *Lang. ed. WI: Hal Leonard. CA: Alfred Publishing. PA: Ditson. Van Nuys. Kent: Novello and Company. *Daymond. Philip G. 2006.Group Piano Teaching Materials and Resources W11 Greensleeves Joshua Fit the Battle of Jericho Scarborough Fair We Three Kings When Johnny Comes Marching Home Again Score Reading *Barry. An Introduction to Score Reading. O. Peggy Lyman. WI: Hal Leonard. Theodore A. Bryn Mawr. 1961.. *Wilkinson. Lynn. New York: Oxford University Press. M. Arthur. Van Nuys. *Bernstein. 1974. Robert M. and 4 Parts. IL: GIA Publications. Rhythm without the Blues: A Comprehensive Rhythm Program for Musicians. Abramson. NJ: Prentice Hall College Division. New York: M. C. and Charlotte Hale. and John M. Score Reading. Preparatory Exercises in Score Reading. Rev. 1998. S. 1990. Frankenpohl. Score Reading Exercises. Van Nuys. Introductory Musicianship. London: Novello. Constance. Harmonization at the Piano. Milwaukee. 100 Score Reading Exercises. Marks. Frank. 1999. Move It 2! Expressive Movement with Classical Music. Melcher. Novello. *Fiske. Music for Score Reading. and Willard F. 2007. San Diego: Neil A. *Metis. C. Rhythm and Movement: Application of Dalcroze Eurhythmics. Roger. Chicago. Score Reading: A Series of Graded Excerpts. *Schluer. Morris. 1998. Score Reading Exercises in 2. Roger Parker. Milwaukee. Kjos Music Company. CA: Alfred Publishing. Brown Publishers. Rhythm Abramson. 6th ed. R. Emily R. Feierabend. Volumes 1 and 2. Exercises in Rhythm. Warch. London: Oxford University Press. 1958. 1971. Hayes. Book V: Twentieth-Century Music. Rhythm Factory. New York: Hansen. Carl G. with Celia Duffy. Findlay. Preston. Robert A. 1987. Score Reading. 1994. Malcolm. 2008.. and Howard Ferguson. Teaching Rhythm: New Strategies and Techniques for Success. 3. Lavender. 1950. . *Brimhall. Feel It. ed. 2008. . Whitmark and Sons. Florence. Upper Saddle River. Hal Leonard’s Rhythm Flashcard Kit. Elsa. 1947. IA: Wm. Martin. CA: Alfred Publishing. Cheryl. 1968. London: Music Sales Ltd. Robert. Rhythm Games for Perception and Cognition. Milwaukee. Endings. 1979. Rhythm: One on One. Ann. Overland Park. Evans. Amadie. Jerry. Moore. Van Nuys. Jazz Works. Van Nuys. Collins.alanswainmusic. Improvisation at the Piano: A Systematic Approach for the Classically Trained Pianist. WI: Hal Leonard. 1995. CA: Alfred Publishing. Evans. 1984. 1986. *Collins. Dalcroze Activities in the Private Music Lesson. Van Nuys. Learning to Improvise Jazz Accompaniments. 1980. Jazz-Flavored Scale Patterns and Exercises. 1980. *Weissman. Swain. Rottenburg. Alan. 1993. Milwaukee. 1996. Think Jazz! Milwaukee. Evanston. WI: Hal Leonard. Faber. Breaks. *Kahn. Milwaukee. Coker. Dayton. CA: Alfred Publishing. Harmonic Foundation for Jazz and Popular Music. Germany: Advance Music. Julia. Lead Lines and Chord Changes: A Practical How-To Approach for Keyboardists. Duet and Class Performance. Evans. 1991. Lee. CA: Alfred Publishing. CA: Alfred Publishing. Improvise! A Step-by-Step Approach. 1980. Improvisation in the Music Classroom: Sequential Learning. Chicago: GIA Publications. Tommy. FL: FJH Music Company. WI: Hal Leonard. Ensemble Energy: Jam Session. Collins. Crook. Schnebly-Black. Lee.com/improvise. Thornton Publishing. 1982. WI: Hal Leonard. and Randall Faber. 1991. Lee. 2003. Fillers. Pittsburgh: Volkwein. Beginning Jazz Improvisation. Jimmy. Jackie. How to Comp: A Study in Jazz Accompaniment. Jazz Keyboard Harmony. Fort Lauderdale. Mainstream in Improvisation. CA: Alfred Publishing. Boyd. WI: Hal Leonard. Ann. Jazz Keyboard for Pianists and Non-Pianists. Edwin E. Thornton Publishing. Milwaukee. David. Van Nuys. Walter. and Stephen F. The Rhythm Inside: Connecting Body. Nancy. Discover Beginning Improvisation. OH:Heritage Press. Jazz and Blues (Popular Styles) Amadie. Lee. KS: Miss Jackie Music Company. Baker. Hal. Evans. 1981. Van Nuys. Van Nuys. *Ferguson. Improvisation Chung. Brian. 1953. 2004. 2006. Bill. Van Nuys. Milwaukee. Julia. Belwin-Mills. Jimmy. 1994. CA: Alfred Publishing. 2007. . WI: Hal Leonard. 1979. IL: Jasmine Music Publishers. Jazz Improvisation. *Rummo. 1992. *Noona.W12 TEACHING PIANO IN GROUPS Schnebly-Black. Available at http://www. Carmen P. and Dennis Thurmond. Ann. 1988. Gordon. Arnold. Piano Improvisation on Rhythm and Dissonant Chords: For Individual and Class Instruction. WI: Hal Leonard. Intermediate Jazz Chord Voicings for Keyboard. Mind and Spirit through Music.html. Milwaukee. CA: Alfred Publishing. CA: Alfred Publishing. Jazz Improv: How to Play It and Teach It. Boyd. Instant Improvisation: For Individual. Bill. Van Nuys. Moore. and Stephen F. The Great Big Book of Rhythm. 1975. 1984. 2003. Ensemble Literature *Alt. Marvin. New York. Gayle. Kowalchyk. Improvising Blues Piano. Lancaster. Michele. 2001. Bert. Mainz. WI: Hal Leonard. Van Nuys. Jazz Waltz. 1972. WI: Hal Leonard. The Jazz Piano Book. 2005. NY: Belwin-Mills. Weir. *Mehegan. The Jazz Pianist: Left-Hand Voicings and Chord Theory. and Blues Styles. NY: Sam Fox Publishing. Kevern. 1–3. King of Prussia. Duet Classics for Piano. Van Nuys. 1995. Elements of Informal Music. Joy. Fred. 2002. NY: Belwin-Mills. Stefanuk. Konowitz. Richards. CA: Alfred Publishing. CA: Alfred Publishing. 1977. *Kahn. 1950. Carden. University Park. Kowalchyk. Melville. Milwaukee. Germany: Schott. Jazz Piano Handbook. 2001. Richards. 44 Original Piano Duets: Haydn to Stravinsky. Bert. Kowalchyk. 2007. Valerio. CA: Alfred Publishing. 2005. 2003. Books 1 and 2. Milwaukee. Milwaukee. Exploring Jazz Piano. *Konowitz. NY: Lee Roberts. Alfred’s Ensemble Book. Lynn. Hansi. OH: Canyon Press. Van Nuys. Beginners Guide to Popular Piano Playing. L. Harrison. Schwartz. Lancaster. and Martha Baker. PA: Theodore Presser. Hearle. Van Nuys. Alfred’s Basic Adult Jazz/Rock Course. CA: Sher Music. Jazz for Piano. PA: Theodore Presser. Lancaster. 1991. and E. S. Practical Technic for Popular Piano Playing. Chatham. Levine. Jazz Improvisation for Keyboard Players. 1992. Van Nuys. 2003. New York: Shattinger International Music Company. L. How to Play Chord Symbols in Jazz and Popular Music. WI: Hal Leonard. Melville. CA: Alfred Publishing. Jazz Improvisation Made Easier. Mark. Cincinnati. 1968. and E. Mark. The Jazz Pianist. Blues Piano: Hal Leonard Keyboard Style Series. John. Milwaukee. John. Phillip. Keyboard Ensemble. Steinel. Hal Leonard Piano Library: Piano Ensembles. ed. Eckard. Misha. Pacific. Van Nuys. Levels 1–5. Olmstead. L. *Wright. Easy Classical Piano Duets for Teacher and Student. Mike. Bks. Solo Jazz Piano: The Linear Approach. Gayle. Dan. 1997. CA: Alfred Publishing. Neil. Alfred’s Essential Keyboard Duets. CA: Alfred Publishing. 1965. Milwaukee. MO: Mel Bay Publications. Boston: Berklee Press. CA: Alfred Publishing. Germany: Schott. and E. *Kahn. 2000. Mel Bay Jazz Piano Scales and Modes. Van Nuys. Intros. 1948. Mainz. 1995.Group Piano Teaching Materials and Resources W13 Evans. L. Volumes 1–3. . Lancaster. 1995. 1993. Marvin. Tim. CA: Alfred Publishing. Gayle. and E. Bryn Mawr. Kowalchyk. Endings and Turnarounds for Keyboard: Essential Phrases for Swing. Gayle. Van Nuys. Walter. Latin. Lee. 1998. 1951. Building a Jazz Vocabulary. The Cat Sat on a Chair of Gold: Ensemble Music for Children in Group Piano. R. WI: Hal Leonard. Petaluma. Tim. Hughes. WI: Hal Leonard. FL: Stephens Development. 1975. 2008. 1980. 3rd ed. 2005. www. ed. Denton. Tools for Teaching. Van Nuys. Kjos Music Company. Germany: VDM Verlag Dr. Bks. 1980. Ogilvy Piano Multiples. CA: Alfred Publishing. Weekley. Melvin. Recreational Music Making: Handbook for Piano Teachers. *Chapple. Practical Piano Pedagogy. General Words and Music.com. Denis. Ensembles to Empower. and Norman Horowitz. Coats. Stecher. How to Teach Piano Successfully. CA: Alfred Publishing. Keyboard Strategies: Ensemble Repertoire. 2004. Baker-Jordan. Keyboard Strategies: Textures for Multiple Piano. 2009. Clark. San Diego: Neil A. 1969. Van Nuys. Bastien. References Books Agay.com. The Art of Teaching Piano. Milwaukee. and David Carr Glover. Bob L. Nancy O’Neill. Ogilvy. The Class Way to the Keyboard. 1993. A complete listing of Ogilvy ensembles are available at http://sospace. Robert D. 1978. Poldi. Ogilvy. Easy Original Piano Duets. Frances. San Francisco: Jossey-Bass. Teaching Piano in Groups with the David Carr Glover Piano Library: A Manual for Piano Teachers. 1959. and David Goldberger. Neil A. Beulah Varner. Ryan. Bloomington: Indiana University Press. *Bennett. 4th ed. Zeitlin. *Bennett. Vandall. Ogilvy Keyboard Multiples. 1977. Saarbrücken. and Geoffrey Haydon. Thinking as You Play: Teaching Piano in Individual and Group Lessons. TX: Ogilvy Music. 2006. Group Piano Teaching: An Alternative Strategy for the Tertiary Teaching of Piano. James. Müller Akteingesellschaft. Ogilvy. Brian and Brenda Dillon. Susan and Joy Carden. Books One and Two. Cincinnati. Susan. Available at www. Breth. Barbara Gross. Martha. Champaign. New York: Consolidated Music Publishers. Questions and Answers: Practical Advice for Piano Teachers. Schirmer. Schirmer.OgilvyMusic. com/. Volumes 1–3. Susan. James W. 2004. Denton. and Nancy Arganbright. Chung. New York: G. Twice as Nice. Dallas. TX: Ogilvy Music. New York: Yorktown Music Press. Ensemble Music for Group Piano. 1970. Northfield. The Piano Student’s Guide to Effective Practicing. Page. 2002. 1980. New York: G. Sylvia. Piano Classes for Everyone: A Practical Guide for Everyone. New York: Belwin-Mills. Daniel. New York: Belwin-Mills. 1992. .. Davis. IL: Stipes Publishing. Stecher. New York: Philosophical Library. and Norman Horowitz. 1978. 1 and 2. Stanley. The Vandall Piano Ensembles. eds. ed. 1995. Cleveland. Melvin. Kjos Publishing. IL: Instrumentalist Company. Ensemble Music for Group Piano: A Creative Approach to Music Insights and Skills. WI: Hal Leonard.pianotextbooks. Books One and Two.W14 TEACHING PIANO IN GROUPS Lyke. OH: Canyon Press. . WI: Schaum Publications. Doris. 2006. 1978. *Harry. Los Angeles: MTNA National Conference. Champaign. UK: Forsyth. Jeanine. DC: Music Educators National Conference. 1996. ed. The Pianist’s Guide to Standard Teaching and Performance Literature. CA: Alfred Publishing.” Ph. Uszler. 1977. Ogilvy. 2000. New York: Schirmer Books. Jacobsen. National Piano Foundation. and E. Marienne. eds. and Geoffrey Haydon. *Pennington.org. Yvonne Enoch. *Mehr. Group Teaching and the Preschooler. Helene. Keyboard Classes for Ages Four to Seven: Music Mates. Barbara English. Proceedings from Pedagogy Saturday III. Doris. Teaching Piano in Classroom and Studio. Yvonne. 1988. Musical Performance: Learning Theory and Pedagogy. Group Piano Teaching: A Practical Guide. Suzanne. 1992. Jane. Mario. Kohut. Daniel L. Lyke. Professional Piano Teaching. *Robinson. 1965. Class Companion: A Handbook for Teachers of College Piano Classes. Loveland. 1995.OgilvyMusic. Studio Makeover: Technology “Addition. 2004.com. and Richard L. *Hooper. The Well-Tempered Keyboard Teacher. Philadelphia: Theodore Presser Company. Susan and Joy Carden. IL: Stipes Publishing. L. Mary Ann. James. Dissertations and Theses Ajero. University of Oklahoma. Sue. Evanston. Getting Started in Group Teaching (video). London: Oxford University Press. 1983. Plans. Froehlich. Group Teaching and the Master Class. Alfred’s Basic Piano Library: Group Piano Course. Teacher’s Handbook. Mequon. 1981. 3rd ed. Group Piano Teaching. Norman. 1988. *Guy. Michelle. Loveland. March 20. Creative Piano Teaching. Ohio: Baldwin Piano & Organ Company. Manchester.” www. and Advice for Practical Teachers. Van Nuys. Group Piano Studio Operations Manual. Gayle.D. 1988. Kowalchyk. 1999. Jarvis.. 2007. Lancaster.Group Piano Teaching Materials and Resources W15 *Enoch. 2001.mtna. et al. and Elyse Mach. *Thompson. Available at www. Washington. Maris. Loveland. John. Making Music at the Piano: Learning Strategies for Adult Students. Van Nuys.com. Bks 1–2. *Harry. Group Piano Teaching.keys toimagination. 2008. CA: Alfred Publishing. New York: Oxford University Press. Magrath. Champaign. IL: Stipes Publishing Company. CA: Alfred Publishing. Hooper Publishing. Van Nuys. Lee. 1967. IL: Summy-Birchard. 2000. “The Effects of Computer-Assisted Keyboard Technology and MIDI Accompaniments on Group Piano Students’ Performance Accuracy and Attitudes. Miami: Summy-Birchard/Warner Bros. and Michelle Sisler. diss. Successful Group Piano Teaching. 1997. Stewart Gordon. 1932. Gordon. OH: Baldwin Piano and Organ Company. 101 Ideas for Piano Group Class. www. Teaching Piano in Classes: Expert Opinions. Julia. Gloria. OH: Baldwin Piano and Organ Company.. Susan Lorrainne.” D. California State University–Fullerton.D. Myrna Jean. Chao. “Classroom Behavior of Exemplary Group Piano Teachers in American Colleges and Universities. and General Music Teachers. the Republic of China.. Columbia University Teachers College. 2005. Linda. “An Analytic and Compositional Study of Four-to-Six Staff Class Piano Ensemble Music with One Melodic Line per Staff to Develop Functional Piano Skills. “The Design. 1965. diss. Huei Li. “An Instructional Approach to Piano Study Referenced to Selected Learning Theories. Bozone. Cynthia Ann Stephens. Beeler.” Ph. 1983.” Ph. “Practicum in Group Piano Teaching at San Diego State College. Ohio State University. diss.” Ph. 1990.. diss. Christensen. 1986.Ed. Carney.. 1995.M. Choral. Chen. Karen Rose.M.Mus. 2000.. “A Plan of Instruction for Teaching Music Majors Basic Open Score Reading at the Keyboard in Class Piano Programs. 2002. Juanita Marie.A. Implementation and Evaluation of a Class Piano Program to Improve Coordination in the Older Adult.D. 1983.” D.. thesis. “An Examination of Music Software and Music Videos for College Beginning Class Piano Students.” Ed. diss. diss.M.D.D. diss. “The Organization and Analysis of Selected Repertoire for the Teaching of Comprehensive Musicianship to Non-piano Majors through Group Instruction. Barbara Ann. 1976. Connie Odette. 1983. John Donnelson. Ohio State University. 2000. University of Oklahoma. diss. “The Effects of Interval Prestudy and a Cue for Rhythmic Continuity on Piano Sight Reading Achievement of Group Piano Students.D..D.. Camp.A..” M.” D.. Brown. 1997.” Ph.” D. University of Washington. Ohio State University. University of Memphis.” D. University of Oklahoma. diss. diss. Instructional Practice. Beehler.” Ph. diss.” Ph. Chess. University of Texas at Austin.A. “An Investigation of Piano Training in Higher Education and Suggestions for Preparing Secondary School Music Teachers in Taiwan.” Ed..W16 TEACHING PIANO IN GROUPS Arrau. diss.D.M. “Keyboard Improvisation Characteristics of Freshman and Sophomore Instrumental and Vocal Music Majors. Soon-Eng Lim. 1995. Brightbill.. Max. diss. John Michael. Capp.A.. Orchestra. “Permutations of Standard Piano Works: A Curriculum for the Development of Student Musicianship. diss. Hsiao-Fen.” D.. Chin.A. University of Texas at Austin. 1977. University of Oklahoma. Columbia University Teachers College. and Values Relating to Functional Keyboard Skills.. “A Survey of the Importance of Functional Piano Skills as Reported by Band. Susan Ray. . “Group Piano Instruction for Music Majors in the United States: A Study of Instructor Training.A. diss.D.. University of Illinois–Urbana-Champaign.D. Benson. “The Use of Sight Singing as a Prestudy Aid for the Improvement of the Sight Reading Skill of Second-Semester Class Piano Students. Blyth. University of Arizona. University of Oklahoma. 1998. Christina Jacobs. “The Effects of Instructional Media on Group Piano Student Performance Achievement and Attitude. diss. .M.” Ed. . diss.. diss. Ohio State University. Jane Mary. “A Method of Sight Reading for Piano Ensemble. 1995.D. Jr.D.” Ph.. 2006.. diss.” Ed. University of Oklahoma. Goliger. . 1997. diss. Auburn University. University of Illinois–Urbana-Champaign.A. Graff.D.D. Fast..” D. 1980..A. 1982.D. “The Effects of Playing the Melody by Rote during the Prestudy Procedure upon Sight-Reading Skill Development of Beginning Class Piano Students.. University of Washington. 2003. Carlos Wiik..D. Clinton Dale.. Carleen Ann.M. University of Oklahoma. Davis. “Selected Applications of Cooperative Learning Techniques to the University Group Piano Learning Environment.” D. Columbia University Teachers College. “A Descriptive Analysis of Dynamic (Loudness) Accuracy Test Scores for College Non-keyboard Music Majors in Group Piano Classes Who Practice with Four Types of MIDI Accompaniment. 2004.” Ed.” D.. 2003.” D. diss.M. diss. diss. 2001.. “Teaching Beginning Piano to Adults by Television.” Ph. University of Southern California. diss.A. University of Northern Colorado. “A Design for the Development and Implementation of a Beginning Group Piano Curriculum for Leisure Age Adults. 1983. University of Florida. Diehl. “Factors Associated with Success in Sight Reading Four-Part Chordal Piano Music. Cox. “Implementation of a Program of Cooperative Learning in an Urban Secondary Piano Laboratory. Fincher.D. Covington. 1984.” Ph.D. with Commentary and Preparatory Exercises. Duckworth.Ed. Fjerstad.D. Betty J. New Hampshire). 1975.Group Piano Teaching Materials and Resources W17 Chyu. Curran. diss. Columbia University Teachers College. Yawen Eunice. Florida State University. “A Comparison of Tachistoscopic and Metronomic Training for Developing Sight Reading of Harmonic Notation within Class Piano Instruction.” Ph. 1981.” Ed.” D. “Approaches to Piano Reading in a Selected Sample of Current Instructional Materials for Adult Beginners.. 1960. Goltz. Columbia University. Fisher.. “The Organization of an Integrated Music Course for Piano Majors at the University of Minnesota.M. Barbara Ruth. diss. “Teaching Improvisation to Piano Students of Elementary to Intermediate Levels. diss.M. Buford E.” D.A. “An Investigation of the Relative Effectiveness of Group and Individual Piano Instruction on Young Beginners in an Independent Music Studio Utilizing an Electropiano Laboratory.” Ph. diss. Da Costa. Christopher. University of Oklahoma.A. “Marguerite Miller’s Contributions to Piano Pedagogy. diss. “The Teaching of Secondary Piano Skills in Brazilian Universities.D. Lily Pan.. University of Oklahoma..A. Geronymo. “Functional Piano Skills: A Manual for Undergraduate Non-keyboard Music Education Majors at Plymouth State College (Piano Class Textbook.. Victoria Louise. diss. Indiana University. diss. 2000.M. Peter Lowell.” D.” Ph. diss. Giles.. Allen Lester. Joseph M. Jack Delbert. University of Oklahoma. “A Survey of Class Piano Laboratories.” Ph.M. 1981. Jairo Correa. Guy. 1968. Hermann. Jamie Jung Min.” Ph.. “A Plan for the Development of Education Class Piano Instruction in Utah. University of North Texas. Hines. diss.. thesis. University of Houston.D. 2003. “Class Piano as a Function of an In-Service Music Program in Shreveport. “Promoting Comprehensive Musicianship in Keyboard Harmony Classes: Suggestions for University Piano Instructors of Non-keyboard Music Majors in Korea. diss.. “An Investigative Study on Developing Divergent Thinking Responses in Children Using a Cognitive Approach in Music Education. “The Teaching of Ten Functional Piano Skills to Undergraduate Music Education Majors at Selected West Coast Four-Year Colleges and Universities. “An Exploratory Study Using a Group Piano Approach in an Original Comprehensive Course for the Older Blind Beginner. Kasap.D. Florida State University. . Gordon Whitney.. “A Comparison of Teaching Assistants’ Qualifications on Their Performance in University Group Piano Classes. Rebecca Grooms. Holsclaw. Kim.. Anita Louise. Jackson. Janice Lea. Jamie Jung Min.” M.A. diss. 1993.” Ph.. “Teaching Sight Reading at the Piano: Methodology and Significance. Hunter.” Ph. Hardy. diss.W18 TEACHING PIANO IN GROUPS Hagen.A.” Ph.” Ed.A. University of the Pacific.D. Columbia University Teachers College. LA.” Ph. Yolanda Margaret. 2005. University of Oklahoma. Chester W. West Virginia University. University of Southern California. Robert John.” D. Brigham Young University. “The Benefits of Adult Piano Study as Self-Reported by Selected Adult Piano Students. 1975. Northwestern University. diss.” Ph. 1999. Dianne Blaine. “The Effects of Computer-Assisted Instruction and Cognitive Style on Sight Playing among University Group Piano Students. 1997.” Ph. Columbia University. Kyunghee.D. diss. 2001. Holliger.D. University of Southern California. Sara L. thesis. Johnson. “Preparation of Teaching Assistants for Class Piano at the University Level.D.D.M.” M. Belir T. 1987.” M. California State University–Fullerton. diss.M.. “An Investigation of the Initiating Interest of Two Sub-groups of Adult Beginning Pianists Participating in a Class Piano Teaching Environment.D. “The Status of Undergraduate Secondary Piano Instruction in Selected Departments of Music Education in Turkey with Recommendations for Teaching Functional Piano Skills in Groups. Jutras. “Group Piano Instructional Priorities for Music Majors in Higher Education Settings in the United States. 1973. Kim. 1953. Kim.M. Jung. Edward J. diss.” Ph. Ohio State University. Johnson. Betsy Burleson. “An Analysis of the Instructional Techniques Relative to Class Piano in Selected Institutions of Higher Education in California.. Southwestern Oklahoma State University.. 1992. 1982.” D. 1956. 1994. diss.. diss. “The Relationship between Teaching Style and Personality Characteristic of Group Piano Teachers. diss.M. diss. 1987.A.. thesis. Boston University.D. Hill.” Ed. 2004. 1969..” D. Peter J... diss. Eun Suk.M. “Post-proficiency Examination of Keyboard Skill Retention of Undergraduate Students. Columbia University.D.” Ph.D. diss. diss. diss.Group Piano Teaching Materials and Resources W19 Kim. Louisiana State University and Agricultural and Mechanical College.M. diss..” Ph. and Tennessee. Florida State University. thesis. Lancaster.” D.. Wendy. McDonald.M. 1984.” Ph. 2002. “The Status of Keyboard Harmony in NASM-Approved Colleges in the Southeastern United States..D.D. diss..D. diss. 1976. Louisiana. University of Oregon. Kou.” Ed. Laughlin. Lyke. “Secondary Piano Instruction in the Colleges and Universities of the Republic of China with Recommendations for Incorporating American Group Piano Instructional Methods into the Curricula (Pedagogy. Indiana University.” D. “The Implications of Using Improvisation in Undergraduate Class Piano Curricula. Lindsay. 1989. diss. Lo. Survey. McCalla.D. “A Survey of the Curricular Content of Functional Keyboard Skills Classes Designed for Undergraduate Piano Majors. David Calvin.. Dona Sanders. “The Development and Evaluation of a Hypothetical Model Program for the Education of the College and University Group Piano Instructor.A.” Ph. Magrath. Lawrence Naai-Lei. 1988.” Ph..Ed. 1986.D. diss. “The Use of Keyboard Improvisation to Reconcile Variations in Keyboard Approaches between Music Theory and Class Piano Curricula. Charise A.D. 2000. diss. University of South Carolina. Program Development. Mississippi. diss.” M. “Putting Research into Practice: Creative Activities for College-Level Group Piano. University of Oklahoma. Larsen. diss. James Brown. Northwestern University.. Shin Young. “The Effect of Visual Memory Training on the Ability to Memorize Music within Class Piano Instruction. diss.D.” Ph.D. Yuko.” Ph. 1978. “A Study of Piano Proficiency Requirements at Institutions of Higher Education in the State of Oregon as Related to the Needs and Requirements of Public School Music Teachers.” D. 2007. “The College Piano Class: Status and Practices of Group Piano Instruction at Selected Universities in Arkansas. Comparative Music Education). Columbia University Teachers College. Northwestern University. diss. University of South Carolina. Emanuel Leo. 2004.. diss. “Development of Materials and Teaching Strategies for Comprehensive Musicianship in Group Piano Instruction for College-Level Piano Majors.D.. “Survey of Improvisation in Group Piano Curricula in Colleges and Universities Accredited by the National Association of Schools of Music. University of Northern Colorado.. Steven Ray. 1985.M. diss. Lusted. “The Status of Class Piano Instruction in the Public Secondary Schools of Florida.” D. Barbara Ann. March.M. 1968. 2006. Mei-Ling Lai. “An Investigation of Class Piano Programs in the Six State Universities of Illinois and Recommendations for Their Improvement.” D.A. Dorothy Jane. 1989. Locke. Michigan State University.. University of Southern Mississippi.. 1982. .M.A.” Ed. University of Oklahoma. Laurel. Oklahoma... Eric Mark. “An Approach to the Teaching of Theory/Musicianship Classes for the Pre-college Pianist as a Supplement to the Private Lesson. University of Miami.” Ph. Kishimoto.M. Ball State University. William Forrest. “A Survey and Evaluation of Piano Requirements for Students Enrolled in Programs of Teacher-Training in Elementary Education at Selected Colleges and Universities in the State of Illinois. University of Missouri–Kansas City..” D.A. University of Oklahoma. University of Miami.A. diss..D. diss. McWhirter. E. California State University–Long Beach. Nelson. diss. Northwestern University.” Ed.M. diss. 1965.D. Osadchuk. Lynne Howe.D. “Analysis of Class Piano Books for Beginning Adults.. Shender. University of Michigan. 1960. diss.A.” Ed..D.. Columbia University. “Trends of Piano Class Instruction. “An Investigation to Observe the Effects of Learning Style on Memorization Approaches Used by University Group Piano Students When Memorizing Piano Literature.M.D.Ed. Montano.” D. “A Survey of Secondary Choral Educators Regarding Piano Skills Utilized in the Classroom and Piano Skills Expectations of Student Teaching Interns. 1983.D.. Naudzius. Aldona Kanauka. “An Evaluation of the Effectiveness of a Group Piano Program Using Electronic Keyboard and Computer Technology.” M.” D.” M. diss.. diss. Rogers. Jamila L. Rickey. David Ricardo. 1998. Michigan State University.D. Bret. “An Investigation into the Middle-School Class-Piano Programs of the Los Angeles Unified School District.” D. Richards. 1989. University of Illinois–Urbana-Champaign. William H. Marilyn Dalgliesh. University of Houston. Indiana University. Sabry..A. “The Effect of Tonal Keyboard Pattern Instruction on Sight Reading Achievement of College Class Piano Students.D.. “The Relative Effectiveness of the Use of Ideation Techniques in the Teaching of Beginning Piano to Undergraduate Non-music Majors. “Class Piano Instruction in Junior Colleges Accredited by the North Central Association of Colleges and Schools. 1964. University of Missouri–Columbia. diss. 1984. 2002. Debra K.W20 TEACHING PIANO IN GROUPS McRae.. thesis. diss. Rast. Columbia University Teachers College. 1980. 2004. 1982.” Ed. “The Establishment and Early Development of Beginning Piano Classes in the Public Schools. “An Assessment of the Vertical Method and the Ensemble Approach for Teaching Sight Reading to Secondary Class Piano Students. “The Adaptation of Class Piano Methods as Used in the United States of America for Use in the Egyptian Educational System.M. University of Oklahoma. 2005.. “The Effect of Group and Individual Piano Instruction on Selected Aspects of Musical Achievement. 1915–1930. . Grace.” Ph. 1993.” Ph.” D. “The Development of a Series of Instructional Units for Teaching Improvisational Principles to Pianists.M. Rosfeld. diss. 2004. Lawrence.” Ph. Jeane White. diss.” Ph. 1974. thesis. 1962. Marie. Sally. diss. Monsour..M..” Ed. Eunice L. Hoda Nicola.D. “The Effect of Improvisation in Given Rhythms on Rhythmic Accuracy in Sight Reading Achievement by College Elementary Group Piano Students. Pajtas.. diss. Micheletti. 1815–1962. diss. University of Missouri–Kansas City.” Ed.A. Group Piano Teaching Materials and Resources W21 Skiba. Tsai. University of Oklahoma.” Ph.. diss. Woodman. Shang-Ying. diss.D. 2000. thesis. Music Achievement.” Ph.A. Marian Kay. Zhukov. Catholic University of America.A. Vorce. 1991.. diss. Sonntag.” Ph..A.D. University of Michigan. Jr. Widen. 1996.D.D. Texas Tech University. Roderick Rockhill.. 1988.” M. Northeastern Illinois University.” Ph. University of Oklahoma.D. “A Survey of Secondary Keyboard Training Practices in the National Teachers Colleges in the Republic of Korea with Recommendations for Implementation of a Class Piano Program. 1980.” Ed.” Ph. “An Analysis of Contemporary Class Piano Methods and the Establishment of Norms for Their Evaluation. “A Study of the Status of Class Piano in Selected North Central Association Member Schools in Nebraska and Wyoming. “Foundations of Group Piano for the Independent Teacher. “The Effects of Solmization and Rhythmic Movement Training on the Achievement of Beginning Group Piano Students at the Elementary School Level. University of Wyoming. “A Descriptive and Interpretive Study of Class Piano Instruction in Four-Year Colleges and Universities Accredited by the National Association of Schools of Music with a Profile of the Class Piano Instructor. Sung. diss. Columbia Pacific University. Fredric William. Alice Jan. and Socialization of First-Year Music Majors. Wells. Gladys Manigault. thesis. diss.” M. diss. Watkins. Marlene.” Ph. diss. diss. Weaver. 1994. Dennis C. Diana.. University of Wyoming. Columbia University Teachers College.D. Katie. Ohio State University. thesis. Yu-Jane.” M.” D. University of Michigan. “A Survey of Class Piano Methods and Techniques at the College Level.. “An Investigation of the Relationships between Performance-Based Aural Musicianship. Williams. University of Oklahoma. Claremont Graduate College. “An Ethnographic Study of Dyad and Small Group Piano Instruction in the Pre-college Level. “Group Piano Instruction: Its Relationship to Private Piano Teaching. diss.” Ph.. Jin He. James W. “Field-Dependent/Independent Learner Responses to Instructional Technologies Used in College Group Piano Classes.. 2005.D.” Ed. “The Status and Practices of Class Piano Programs in Selected Colleges and Universities of the State of Ohio. diss.” D.” Ph. 1984.. diss. 1990.” Ph.M.M. Milan.A. 1979. diss. 2007. 1999. 1972..D. Werner.D.A.. 1986.D. University of New South Wales (Australia). University of North Carolina–Greensboro. Yang. “Group Piano in the 21st Century: The Beginning Class at the College Level..” Ph. “Teaching Styles and Student Behaviour in Instrumental Music Lessons in Australian Conservatoriums. 2001. Williams. . 1956. Ohio State University.D. Skroch. Anna W. “An Alternative Class Piano Approach Based on Selected Suzuki Principles.D. Molly Ann.. “The Effect of the Use of a Recorded Soloist as an Aid to the Teaching of Sight Reading Accompaniments at the Piano (Keyboard). 1984. “The Importance and Usage of Keyboard Skills in Public Music Teaching According to Public School Music Teachers and College or University Music Teachers.. diss. diss. Watkins. Yim. grouppianoteacher.edu/totw Software Adventures in Musicland Alfred’s Interactive Musician Alfred’s Theory GamesAllegro 2000 Auralia Autoscore Band in a Box Beethoven Lives Upstairs Composer’s Mosaic Ear Training by Schott Music Early Keyboard Skills Early Music Skills Encore Music Notation Essentials of Music Theory Finale and Finale Allegro Music Notation Groovy Shapes Home Concert Extreme Jazz Piano Masterclass Juilliard Music Adventure MacGAMUT Maestro Music MiBAC Music Lessons MIDIsaurus Morton Subotink’s Making Music Music Ace I and II Music Conservatory (Voyetra) Music Games by Alfred Music Goals by Eye and Ear Music Mouse Musition (Rising Software) Notespeller Novinotes (ComposerNotes) Overture .com www.musiclearningcommunity.com www.sc.music.practicespot.edu/ea/Keyboard/PPF www.smu.net www.com www.musictheory.W22 TEACHING PIANO IN GROUPS Online Resources www. Raymond H. Learning Patterns and Temperament Styles: A Systematic Guide to Maximizing Student Achievement. “Learning Styles: Theory. Kiersey. Press. Rita.” National Forum of Applied Research Journal 13. Dunn. The Myers-Briggs Type Indicator: A Critical Review and Practical Guide. Bruckner. Golay. Santa Cruz. Teaching through Modality Strengths: Concepts and Practices. CA: Manas Systems. Fullerton. 1995. Susan. Dunn. Boston: Little Brown & Co. OH: Zaner-Bloser. Del Mar. CA: Gnosolo Books. The Whole Musician: A Multi-sensory Guide to Practice. 1984. no. 1998. Kenneth. and Practice. Rita. Marilyn. VA: Reston. David.UK: Nelson Thornes.Group Piano Teaching Materials and Resources W23 PBJ Music Theory Personal Composer Piano Discovery Piano Wizard Premier PianoMouse Meets the Great Composers PianoMouse Music Theory Fundamentals Practica Musica Print Music 2001 Rhythm Tutor Sibelius Symbol Simon Learning Styles Resources Barbe.. Performance. 1982. W. 1979. and Dunn. B. Teaching Students through Their Individual Learning Styles: A Practical Approach.. Rowan. . Columbus. Reston. Do What You Are. and Swassing. Research. Tieger. 1 (2000): 3–22. 1978. and Pedagogy. and Bates. Please Understand Me: Character and Temperament Types. Cheltenham. 1997. Paul. Bayne. CA: Effey St. Keith.
Copyright © 2024 DOKUMEN.SITE Inc.