for the home vol. 2

3c c ST THE BRANCH LIBRARIES NY PUBLIC LIBRARY ,„LL 3 3333 05859 0262 MU 786.ii-l GANSCHALS FOR THE HOME, BOOK 2 70-1998 ,80 + BNG A 88 MY THE NEW YORK PUBLIC LIBRARY AT LINCOLN CENTER m Amsterdam Avenue New Books circulate ^ H York, N. Y. 10023 for four weeks (28 days) unless stamped otherwise. No renewals are allowed. Books borrowed from returned to this tliis branch. branch must be i i i Mii i M i i iii i ii n iii Mi iiii n M iiiii n ii M ii iiM iii i i ii M ii n iii NML iii ii MMiMii ii nninNn iiiir i L ii i ii n MM MM M M n ii i i i i i i iiiiii nn iii i ii n iiii n ii n i i ir M iiiii i i i iiii i ii M iiiiiiiiiiii i iii i irrnr THE BOSTON MUSIC COMPANY EDITION Jiiiii|ii|miiiiiimiii™ii)iîiiiiimiiiiiiiiiii mil GANSCHALS Home For the Easy Pieces for Piano. four-hands Book II 80/ PRICE i . org/details/forhomebook2easy00gn .Digitized by the Internet Archive in 2008 with funding from IVIicrosoft Corporation http://www.archive. MASS. tôof<. INC./ FOR THE HOME // EASY PIECES FOR PIANO FOU R-H ANDS COMPOSED OR ARRANGED BY Carl Ganschals I 70-/998 A BOSTON. SCHIRMER. THE BOSTON MUSIC COMPANY NEW YORK : G. Z yvi . M. S.Co.— ^1— FOR THE HOME (Book II) N9 26 The little stars (Folk-Song-) CARL GANSCHALS Secondo Moderato i Piano ^ ^ t t t * * Pi sg ^^-^ i i />o^« /vA NO 27 Silvery Moon (Folk-Song-) Secondo ^ Andante Piano ^ in s ^ i^ î/' 22 ^ ^^^ s ^£ ^ffr*I s ^ — ^ '' /»o^«9 r/A ^ • ^ * ''•• 1 B.:i»s9 Copyright. . Printed in U. by The Boston Music Co.A. 19U. S. i ^^ r r ^^^ i P ^ ^^ > CJ ^ ^ B. ^ rrrrr N9 27 Silvery Moon (Folk-Song-) Primo Andante «-5 Piano t^ ^/i ^ #.Hi. 19ii.M.G" (Book 3 II) N9 26 The little stars (Folk-Song-) CARL GANSCHALS Primo Moderato * Piano 8- m fe i ''Z/" w^r-F- F-^-i» e^ • » r £ pnro rif.Co.^ FOR THE HOME •VWt '/^b. 3989 i-y^j i Cofyright. by The Boston Music Co ^ /'Otfo rtf. p p Printed In U. A. . B.— N9 28 Dame Swallow (Folk -Song:) Secondo Allegi etto III 7 91 7 / / / 1 ^^ rf+ -^Û Piano ^^ s :e p 4 ^ s ^-^l Jz _p 1 — ccItt ^ mzmzwL ^ 1 ^.M. LJ 1 __J 411 J——J ± ^ ^ *- 0- N9 29 Long. long ago (Folk-Song) Secondo Andante Piano ^^rt ^^^ S •nf |^*S ^ <=« '^'^ ^cir^cL- pi f^ m • #^ f ^^ ^^ rit.Co. 3988 'cEr^cCr f . ^» fffr^Mftrri|rrrr.N9 28 Dame Swallow (Folk-Song-) M Primo Allegretto __ 4 Piano m ^ 5 :M I _\-_ ._^-^. R 3 - 5 ^ ^ i i ^ m i ^ i » ^ 5 i ^ fiocn tiir ciir i rif. 3989 ^ P â P^^ P^ ^ ### ^ - i^ . .Co. long ago (Folk-Song-) Primo Andante Ifirrrrrr Piano m pp ^«i^ i *=^ ^ i^ e i # ^ ^ ^^ ^^ 6 % ?^ frrfrrr - ^ ii^ ^fri ^ i^ S ? ^mm r/'/".f [ i f] % | i=^ B.M. ^^ 2 I N9 29 Long.. >H ^ i ^ s NO rft. 31 Swiss March Tempo di ' Piano P^ *^ »(/• Secondo Marcia F f ^ f * ^fe^^^ ^ I ^p B. ^ ^ .^ ^ i^ n1 ^ fi fI !_ g f> fg i ** 1 .M.Co.N9 30 Phyllis (Folk-Song) Secondo ^ Piano m -: ^ 1 #- ^m fm^ m ^m ^ ^ 1 1 poco r i ^ ^ ^m ar^ rrr fcrktr ^Xri&r ir^tr -.^ ^^ ^ ^ F * « ^ ^ # fffiirrr ^ ^ wu poco i ^^ ^S rft.1989 M i : : i y f 1 »•• ^4fT^ tt . . t < 1 r i # ^•-—r 2 pi*^ 1— 1 1 tS>- c^ J 1 r 1 [^^ t U^^ -j-j-jî-^. . „--^ .Co.M. 3989 ^ 1 r r ? poco ri'f.NO 30 Phyllis (Folk-Song) Primo S^^ m ^ 1 Piano tp i m ^ I ^ ^ J^^ J !1 % jjji ^S £ j-jjj i ^ I M ^^ J i 1 ^^ •• N9 # F=^ 1 ^ ^ * » P rif ^^ i ^ 4 5 f poco m z 1 i pp^ s^ h ^ ^ £ m ^^ m^ [ ^ • 0- ^ i 5 » • » 81 Swiss March Primo Tempo * F Marcia ^^^ r f If f f rrj^r ''/ Piano -n' :^ P di - J S m ' ^ # i i2 6 8 f B ^ wi^ B. 5± ^ ^ r * .M.8 NO 32 Venetian Carnmil ^ ^ ^ Piano r ^tt ^^ ^ :±: ^^=^ ^ ^ f ^^ ^ ^ f/fX. m^ M ^ Rerondo Andantino ^^ 1 it jooro /"//. ^te yL^ NO 33 Little Ditty Con Secondo spirito t Piano ^ W m^ ">/ * * ^^ IS I f^ Êfe B.Co. 3989 «: 4 ^ f ^ ^P Ê 3^ i^^ i f' i^^ * * ^^ - ^ ^ ^ ^ ^ ^ "f 3 4 IT i ^ ^ poro ^ ^ ^ ^ — :> x g= 1 ri'f. ^1 ^^ ^^ ^ cresc. ts y . .^JL_1_ -m-- ^ p Little Ditty 8 Primo spirito 4 -- ^ J tS Va Piano -_5 S ± -i P ^Pi B.M.? !?. -^ '' 7 ffrrf" r •/ —7 y . a P P^ ^ P ^ ^ ^ •^^ ^^ 2 p^ fe # P P i:^ 3 «l :5: i jDoro r/7. 3989 .: ttf ir- sr-?' \ / ^ ••77 ^ ?5 % -f poco —--^ li^ *? p ' .— 1 N9 32 Venetian Carnival Primo Andant ino 4 " 1^ fe^^ UM m^ li^ ^^ P ^ -mm ^^ f^ 1E Piano S iti "Tr^. J Fî^ "î ^ 5 7 1 M=f=^ N9 33 Con . ? 2 P fei .Co.tf t^ :^ LffCX :JEiEE? i^ l ("y^j". ÊtE / ^ -0 »— i=F Êffffi =1— m^ -7^^ ^ 1 rff. ^ ^ ^ ^?» » 5 ^ I Se^ .10 N9 34 The Trout FRANZ SCHUBERT Arranged by Carl Ganschals Secondo Allegretto * ?pi^ yi 1 45 5 *t* ^^ 5 . I :l 5 E ^ lTlXt ^5 g ^ f . ^^ ^ •-J S ) » n't.y Piano yl ^ ^ t g l: ^ri ^^^ y M Tr ^ f S I ^! I ^ *t4* £^ f * ^! ^ :<989 • ^ ^^ /»«9<?<7 KM. E ^ I ^! ^ ^ f . Co. 11 N9 34 The Trout FRANZ SCHUBERT ^3 ff FF Piano . m r Arranged by Carl Ganschals Primo Allegretto ^^ f f r r i ^ > 3 £ ^ r f f f 4 ^^^ ^P rr ^ ^^ f f r.M. 3889 ^ poeo ^^ P^ P S I ^ rit.. p ^ s S 4 p p f O m It t ^5 ^ M. i-f £ f ^=^ p .f 4 ^ ? Tf r^ ^^ p B.Co.. — —Z ^' / i.f^d by Carl Glinschals Allegro animato f: » y \— " I. 7 * - =a =^=4^ — —f— L ^f if *C ' ^ 3 1 1 1 1 ^ 7 1 i ^9F==E=¥=^?= y 7 -^-^ • .. NO 35 12 Galopp (From "William Tell") G. — ^ . f y 1 1 .^ 1 V^ -^^ *}- -= a 1 / 5 ^): ^ . ^ X 2 W 9 •r •r 7 7 ^ 7 7 ^^=^ 1 _X__| ' i ^ Piano \J % .M. -_Z a—^ ^^-y -^ -Mi ^ ^ * f . Spcondo ROSSINI Arrav.ifl*. J _j •# a 7 1 3 5 ^^-^ •« a 7 ^s f . 1— rtt^n = -Y— J r * ^ ^^ 1 ' 7 ' =.Co. 1 a d — 7 - — a - t_ i ^ m—^f ' 7 7 a 7 #= f: ^ _. % 7 Hi ' y -n^r— ' 7 H f ' IT * i B. 1 a 5- 7 .1 7 m 1 •r * a 7 ^ —Sf.f . m~^ U _Z 1 i..!* f r 7 -* y' M-^ a E "1 d y " n % ~ •? ' — 7 a % =5^ — 7 1: 1.— * ^ 7 — 1 1 .iV J 7 « 7 = / . •« 7 i =M=^ — *( •^ 7 a 7 a — ^ «t V ^-^ —7y—f y ~ f r y— —m~^ — . : •> - ^ t * 7 • % 1 7 . f" —a ' : V y 7 7 7 f -m--^ . ffff ^^ ^ i f ^ . {^ S ^ d d d ^ 5^- «— rr J p^^f ' I cJ LT ru^n ^ .NO 85 13 Galopp (From "William TelP) G. p ^^ m :i» frrr fc=Si>S!Bj^ LLLPI ^m m ^^ ^^ ^ ^ * .Co. ^ ^P^ -^^-^ ? 1 :::^^"~\ li r err r ftftf p 3. Primo Allegro animato — i^ 1 i 3t: ^ p ben Piano m % «J mar cat JJ I 5 Arranged ^ I • m J J J > ROSSINI by Carl G'dnschals 0—0.M. 39S9 3 ^ E_^ ^m ^^ ^^ ^^ ^ i^ £ § poco r i- 2 fff i f rit. l LT ILI |uj ^ B. M. ^ ^ :j9s» t ^ ^m p f i . 1 ^ S ^^mm m ^ B.NO 36 14 Old Folk-SongSecondo Allegretto ^ Piano "If- ^m.Co. ^-- "f ^ iJ i ^ ^=# ^ P ^=4 fffffr g ^ cresc. P j»oco ra//.* NO 36 15 Old Folk'Song Primo A.Co. #g^ i ^. 3989 ^ a tempo ^ i ^ feEhi E^ P <Li''Si ^m ^ ^ ^ ^^ PROPeTY ^ -j. ^^ '± P^^^ ? P m ^ e ^ rtf. r l?Trr :5r P '-.llegretto S Piano< i r fff ^ ^^#=^ ^ "If' ^=4 ^ ^— î î ^5E ^ fc ^ ~7^ ^m ^^ i P^ ^ I i » m ^5Z ^F ^^ =^ B.M. IV YORK i —-i— p . M. ff . ^ p g z?.ff.Co. ^ .^.^ ^ . ^ by Carl Ganschals I^ m #^ Â ^ ^r g ^ f S ^^ s p B. Secondo Adagio > Piano \.# — NO 16 37 Tyrolienne Spcondo Moderate ^m Piano >-^ ^—f:^ u if ^r4 i m s s i^ s S S M % s ^^^" u /vy. 3080 i i5=d ^ mm ^ ^ —» — r I i» nr — r — ^ i^ f . ^ i N9 38 Romance (From "Lucrezia Borgîa") ^ ^ ^ ^^ G. w (ST rXi ^ 'n ri-rrJ ^ ^ ^^ ^ DONIZETTI Arranged Fine. €^ tt ^^ ^ r i^ t t i ^? ^ ^ ^ i^ ^ ** Z?. Co. Piano 4 m a^ 1 m^ —^ .M. ^^ #i^#F ^ fe I ^3X Piano ^ eti G.1 N9 37 17 Tyrolienne Primo M Moderate s. ^ i ^- ««-^ I / ^ 3 ^ ^^ ^ i^#-i» N? 38 Romance (from "Lucrezia Borgia") Adag-io Prime ^^P £ 1 f Z' Ifg-n to sempre «& f fie i i ef f ^ i^ ^ 15.<7. . Arranged by Carl G'dnschals ^ :£ ^ ^ Z'. #i»-^ S — F/ne — ^ m' m 4 r/r.M»N9 ^ ^ ^' m m eeSe i ^ -^-4 /y ^^ ^ ^^^^^r ?• # I X=PE i t I Fine ^M#i^ ^ DONIZETTI P 1.> •- -s rr i[/J r î ^ • . THE GREAT Tempo ^ t t t ^^ Piano< ^ Marcia di fhen ^^ T-G^ ^ t 1 a z: ^ t t s B.Co.— a NO 39 18 Hohenfriedberg March FREDERICK.M. :{»«(» t m i^^ i5^ :£ t^ t^ #W IT ^ £_JLJLM — aiM * «K y a I a ttt -fi i^ t—t^ ^ f f g ^^^ S f: i^^ ^ MJ ^l^T S: Arranged ^ ^ i -»^t =^ t I marcato mzzM ^^ (King of Prussia) by Carl Gansckals Secondo 21 f ~za #: g i B ^ ^ f=l=t M=l ^ ^ i ax=a *: «: i^^ £ f . o<?o rit.^.M. JT •z 1 p ^ P rrrrffr rT^rrr rrrrrfr i ^^ ^ i 3 2 J 3= j!^. THE GREAT Tempo di Marcia -m-if- bffl f Pianc i E^ # ^ m m P^ i r ^M Arranged ^ rr rrffr ben marcato rrrTTr (King of Prussia) by Carl G'dnschals Primo ^P ^ ^ mj^ ^p ^^ ^^ ^ ^ ff iffff fff^f f ff r . i i+Atf 2 B.NO 39 19 Hohenfriedberg March FREDERICK.- r? e^^fTf ! ^ /^ â ^ ^ ^ ^ ^^ ^ ^ ^^ p /. 3989 4 ji:t::r :r :e: i .Co. tx ^ .N9 40 20 Bird as Messenger Secondo Alle gretto W^¥^ Piano< g C i^ i ^ ^^ ^ g^ ^ ^ l-t ii ^ ^ =fe=t ^ ?^fc:*=^=>^=^ "J^ ^^ ^^ ///. 3889 If « t « "If in: * * rs^ -fi-=- ^^ r/y.Co. ^S < < i=t Ê fe=fe ^ ^ ^ ^ ^ ^ NO 41 In the Lowlands Secondo Moderato ^^ ^^ Piano< m gS 4=t *=* S ^ ^ ^ I^ "./ 4=t §s *=t ^^ ^ ^ ^ -* ^ B.M. Co.N9 40 Bird as Messenger Pr imo Alleg^retto Piano M.989 Pr imo ^^ 4 1 ^ < rif. rJr 2 m m . t. ^ ^^ ^^ i ^ o •i =P ^ f ^ : I C/i i i^ ^^ m p ^ ^^ ffr n f ^^^ ^^ ^ rt f .-J * 21 i < . a.M. $ ^P f * i ^ mf P n i i ^ N9 41 In the Lowlands Moderate "5 Piano B. von WEBER Secondo Andante "^'^' ^x^ri Piano< m^ ^^m ilÎl ' t ife ¥^ ^' Arranged by Carl G'dnschals s s ^^^ f -«i-=- ^m wm ^^ "^m ^w 'nf i p ^»-^ a tempo riY. ^ ^ . a989 ^ i ^^ r»Y.M.N9 42 Song of the Mermaids 32 (From "Oberon") ^ ^^ ^ ^m ^ CM. * ^ ^^ ^^ ^^ P^ ^ j^ ' ^l. ^ ^^ ^^ gt P B. Co. UA P B. t —j. von Arranged by Carl G'dnschals Primo Andante i ^ 3.3989 fFf fcfai fe^ ^^ ^S Û i .M.-^ i »-r r/f.Co.- s r-^-f^ i Piano' 3^ ^^ 1 i Ie^ 5"^ i ^ 6 M 2 • • IF P ^^ "^— £ f?f *> * i P i^ ^^ atemjto A ^^ ^^ ffrFif ^ ^ ^m rif.N9 42 Song of the Mermaids 23 (From "Oberon") WEBER CM. J-J^ €- *r* 0:tl y J. H J- -9 -. ^ f4Mh =^ 4fc tt FM-î ^f^J u ^J U -^-0-P-^-9-»-_2_ _J_ 7 - ^ z' ^ Piano 2_ L^-.3!)89 *=* ^ ^ ^ i i ^ ^ ^ poeo rit ^^ :» WL ^ ^ 44 3^ :ni .M. ff ^ B.— ^ 24 d ^ N043 The Shepherdess Secondo Andaiitino 0:}{<'. • • ^ -^ < i' f=r S — 1 • -= «. ft -•Pjf] "tl •< 7 7 1 — ?" 1 *4^— *f 7 sr 7 / ^1 ^ h r 9 JEX. */ 7 7 — -9 • £h l^ . \ 3- J.Co. • juoco r«V- ^ ^ f f ^ * f « i V NO 44 Rhine Song Secondo Vivace ^g V= i i ^ ^ ^ «/ Piano i. Jf • w • 1— ^. S^ p 6 1 1 8 r 6 » N944 Rhine Song Primo ^ ^ ^^ ^ Vivace "/ Piano fe ^ ^ ^ ^P B.NQ43 25 The Shepherdess Primo Andantino 2 1 iff^ 1 ^ Piano ^ m f^ I I fe # * » ^ * r ff J j'j e-- i 1^ J' ^s F'U^ r ^^^ Ml# ^^^^^^ e tt .Co. £ i £ ^ ^ ^ E .M.^ i^ I r ^ ^^ ^ P ^ ^ i ^^ ^^m ^ ^s ^m ^^ ^ £ i J J^J J) ^ poro 5 -\ rtf.a989 ^ ^ ^ />ofo EC ^^ ^^ ^ ni fc s î ! ' r?'/. Co.— 26 — N945 Spinn! Spinnl Secondo Moderato poco M * t Piano S —— • . ^^S # i^ ^ ^^ N946 The Parting- (Folk-Song) Secondo Andante ^ i:^ Ti^lU^^ziI Piano i / /// ^ BJI. — m~. . •- I S S IS S S lit. . :W8» 1 i ^ . ^- * 2 ^ ZXE '''/ Piano 1 i ^"^ ni ^ a 4 r I r ^m cj I r^ 4 P i ri'f.M. ^ / B.— 37 N945 Spinn! Spinn! Moderato i ^ Primo Piano ^ ^ s ? :s: r I 5 NO 46 The Parting (Folk-Song-) Andante Primo 5 .a9S9 ^ ^ ^ ^ '5 ^ ^ 4 .Co. £ 5 i ^ $$ i f > 4 * 5i=* ^ ^ r » iEEl^ » > I i^ *. Tempo Secondo ^ di Valzcr St 'Hi! i i Vîl > » Arranged by Carl G'dnschals tt u fclE J^ i Piano ^ ^1 g } \ *n ^ û ^^ L I i fei fe£ p t * ^ i ^ ^ ilulce f 1^ i ^=^=^ ^^p^ a .M. ^^ * s zr-r B.eo ^'V.3ii«» # m. i ^^^ r r r t i r .Co. — t^m N947 Fair Girls of Schonbrunn (WALTZ) LANNER J. #- ^ • 4M: • ^ ^ /'/^ ^ g # £ ^^ ^ j»<.Tjw 28 jjfc ji . Co. 3989 P \ dulce ^^ ^ fee # ^^^ ^^ k f i P ^ ^ ^ P P i ^^ .Primo Tempo diValzer ? P Piano ^^^^ P P ?s^ ^P^ ^^ ^^ ^^ ^^ ^ 3 a P^^^ 4 3 p ^ B. LANNER ^^ ^^ ^ ^ ^ ^^ ^ ^ ^^ ^ ^ ^ fe Arranged byCarl G'dnschals .M.29 N947 Fair Girls of Schonbrunn (WALTZ) J. I ? .AUBER Arranged by Carl G'dnschals ^ A ^ i i Piano )-^ 0:i ^ \ I i^ i ^ ^ < ? * * crefiC.E_Jt '"/ g^ ^^ lit V^» I ^^ rA i ^ A i » <i» Jt ^ /.:i9N9 > - t J 1 ^^ ^^^^^ J .F.r~^ J » . Secondo Allef^ro W^ fc=t i-f i E.fe^^ 5^ ^ #•#* i^ ^ ^^ i i^ ^ ^ ^ ^JE . ^^ 4 ii rrfsc. V-« r ? B.«("» ^^ /•//. 'y-^ > ^ i > f.30 N948 Chorus (From"La Muette de Portici") D.Co.M. E.3989 r / i--^» LT^cJ • ^ ^^ ^ f ^ • P ^ vresc. ^ '^'/ .e f i r_ j r f Tpr^rjF t f lf:5f^ f rit. Primo AUBER Arranged byCarlGdnschals Allegro O — m .24 fff ^ ^ f poco >fffrt-f ^M r ' ^ 1 1= :?2i / 2â 42 if .• • ^îrrrrrf 1 i ^ ^ m ^^ Piano ^ s24 ^ ^ ^^ It V^h i f r>^ - E- ?^ 2 f 1? :-:e . F.e ^ i-r-te t- ^ cre-fc.Co.M.f 31 N948 Chorus (From La Muette dePortici") D. ^tf^ l^ B.= =7=P ^= s: ^ .e e » a #i -i f f . r f r m . *L i i ? ^ i Piano V-î^ r ^^^â=^ ^ ^^ '>--h\ J ^^ m fe^ w^ ^ f - i =f J £ ^F^ ^m g• f9 f i j^ « « * t JC ^^ ^ ft ft ^ ^ Êt g $ ^ ^^ ^ ^ i ^ ^ •- ^^ "•/ .M.C.W- ^ ^ ^ ^ ^^ « ^^^^ ^^ B.\a!)8:j.33 NP49 Santa Lucia (Italian Folk-Song) Secondo Andante ^^ t. i ^^ ^ ± . 1 =r=JF ^ J" Vî't ^^ poco rif. ^ ^ "^ ^ -*- ^ i poco B.3989 ^ -0L- »» 4 n't.M.33 N9 49 Santa Lucia (Italian Folk-Song) Primo Andante tn § r r lîi-I F F ^^ r -m a m- Piano »t r T' f f=^ i tl ^ ^ q /^ :- ^ # »'f ^ i^!r P I ^ m —v2 # r ^^f: 2 ^ m i f • ? a T^ 0.Co. ' ta . 7 1 — tt ^ (S -I-m •b" s a I ^^ ^ ^^ f W M ^ i "^ ^ ^^ ^ 2wr» S s1 B.WAGNER Secondo AJlegretfo leggîero Piano< ^^ S Arranged m u I by Carl Gdnschals i 4 ± P f ^ ^ ^ ^ ir^ m i SE^ ^ S^ y^^ L \ —I ^ 1 ' — % * 7 f .D.M. q^ ^fff f f 1 .Co. t f f HNNuf — 7 _z ^ % 7 1 .f 1 ^s ""1 1 ^ i.NO 34 50 Violets March E. 3983 rjf. WAGNER Primo ^=^ Arranged 1^ 2 ^ J 3^-.Co.NO 50 March Violets Allep^retto leggiero ^m N^^ 5 E. ^Êi ^z: ^^^"1^ / I rj by Carl Ganschals ^ Piano< ^s: 35 ^^^^^ ? ôeo B. rm yORK .D.39R!> PROPEITY Cf m' r"- ^^ r«Y.M. will mrely be helpful to a serious student. and to be used in conjunction with Norris^ Fundamental Piano In Method three grades. both of which factors are. T. or instruction book. Everything is presented extremely well and there xs not a word too much. HAMILTON. recommending practical. Norris has presented a Fundamental Method.75 movement to standardize piano teaching sweeping the country. Norris tion exercises until bad habits have been formed. as each of four lessons is clearly outlined with special reference to "mental" preparation. and most important steps are so provided for that their mastery is made easily possible. if used by a thoroughly competent teacher. so that he may be assisted at home in. With this end in view. COIV. Mr. is to combine with technical knowledge many really necessary things of a theoretical character that often remain enigmas to even those far advanced in piano technic. The first part of this method consists entirely of elementary work: muscular relaxation. Evansmlle (Ind. and the playing by so many m It is concise. I lake great pleasure in work unreservedly. it actually simplifies the work of the teacher. especially with beginners. The first.The Best Method for Beginners N O RRIS' FUNDAMENTAL PIANO METHOD 5 A New 5 and Thorough Course for Beginners on the Pianoforte by ALBERT LOCKE NORRIS net 1. This opinion is also voiced by the piano teachers in my department fyhai ue all found especially salisfaclory is the author's insistence establishing at the outset the right finger and arm control. it takes due cognizance of the mental side of the child's study bf music. strictly GRADED COURSE OF PIANO STUDIES NORRIS' Based on. each. I am especially impressed with the attention paid to accurate phrasing and work with the pedal. he has composed and compiled the "Graded Course of Piano Studies. exercises A. net . Its chief purpose. so as to incite the pupil's interest and to form his musical taste. has very satisfactorily solved the problem of combining such work upon regard tpith musical CLARENCE interest. to meet the present day requirements. It is thoroughly modern in spirit and method. while forming a technical foundation. Norris conTHE grades and work tends that standardization should divide the is pupil's into establish ground each one is to cover. We it as a serious mistake to delay relaxation and concentraMr. and. Care has been taken in the selection of suitable study material and pieces. Fassar College: The Norris Fundamental Piano Method covers the ground admirably. SMITH. emphasited from the beginning. and studies as well as the pieces are carefully prepared. GEORGE COLEMAN CONSTANTIN VON STERNBERG. definitely the THE BOSTON MUSIC COMPANY [iiMM3t5uai5ua[5Tigi5p [5Tfa[sue:sna • BOSTON .00 THIS method has been written primarily to make easier the task of the young pupil. the little 1 am glad to say that I think tht Norris Fundamental Piano Method contains many good things. as they should be.) Conservatory of Music: Mr. at least. definite and accordance with the principles used in of the world's best players. outside of the technical." and it is the aim of this work to make the theoretical and technical education go hand in hand. the mental preparation of his first lessons At the same time. OPINIONS OF PROMINENT EDUCATORS FANNIE BLOOMFIELD ZEISLER course of instruction. and. Wellesley Cottege: I find the Norris Fundamental Piano Method a very useful and sensible G. Philadelphia: The Fundamental Piano Method by Albert Locke Norris deserves great praise. technical and mental application. price. 7 1 9 » 8 . Pantschenko. Manzanares. (Transcribed). MENDELSSOHN WHELPLEY Variations Serieuses. Cui. 6b> {Compositions by Arensky. Hoeberg. Rebikoff. 75 cents HOPEKIRK Musical Pictures for Little Pianists. SCHYTT6 2a Joys of Youth.) 75 cents FRANCK saint-saEns Prelude.): Ic. Cui.) Carnaval Mignon. Noguera.) 75 cents DEBUSSY of Five Pieces Grade: 4c. Grade: 4abc. Op. Nineteen easy original pieces. Crescentini. Spendiarow. Victor PALMGREN Herbert. 60 cents 75 cents Send 10.) 75 cents Grade 4abc. Album of Twelve Pieces. Nardis. Grade: 4abc. Twenty-five Pieces. Twenty-five Pieces. $1. Del Valle Gomez. 418. Hermandez. Grade: 3a b. Glatonow. Rachmaninoff.00 AMERICAN COMPOSERS Sjogren. Grade 3c. Pirani. Aria and Finale. Whelpley. Floridia. Grade 3c. Sa. 5a. Grade: 3abc. Grade: 4bc. Karganoff. Mineo. Puccini. Compositions by Cranados.) by F. Ten Pieces. Borodin. 94. Op. . Smith. 4abc. 5b. Cilia. Kvostchinsky. Palmgren. 60 cents Album III. Gliere. Scridbin. 4abc. Op. Ok Bull. Twelve Pieces.) Album 60 cents of Ten Pieces. (Compositions by Backer-Grondahl. lb. (Compositions by Buzzi-Peccia. Statkowsky. Catalani. Op. (Compositions by Sibelius. Rachmaninoff. 54 Five Characteristic Pieces. 50 cents 3a. Six Etudes. Twelve easy and instructive pieces. Six compositions. Sa. 6a. Ethelbert Nevin. Ten Pieces. (Fingered by F61ix Fox. Sibelius. Grade: 4abc. 4abc. Dmitrieff. Op. 6. Grade: 3bc. Crescentini. Grade: 3c. Arthur Whiting. Luzzali. GANSCHALS For the Home. First Album of Twelve Pieces. Henriques. del Paz. Grade: 4abc. (5c. Op. Five Pieces. Kjerulf. Sab. Book I. Levin. Cabanas. 4abc. 5b. C. Kopylow. Rebikoff.) Grade: 2bc. Jeffery. 48.Grade: lb. Wihlol. MacDowell. (Compositions by Busoni. Easy Pieces 52. IV. Glazonow.) 6U cents 75 cents Book II. Palmgren and others. Ciough-Leighter. Giordano. Grade: 2bc. Erotikon. (Revised and edited by Harold Bau^r. (Compositions by Cadman. Floridia. Albeniz. (Pr. 97. Fox. II. Grade: 3b. Sgambati.) Album 60 cents RUSSIAN COMPOSERS BACH Album 75 cents I. 2a (Sec. Cilea.) 75 cents Steps in Bach. 75 cents MODERN ITALIAN COMPOSERS scriabin Album I. Album II. Moreau. Rachmaninoff. Sab. Heise. Grade: 4abc. SPANISH COMPOSERS of Ten Pieces. 2a (Sec:) 7S cents Thirteen pieces. Grieg.) Grade: 5c. Gliere. d'Orso. Rimsky. of Eight Pieces. Op. Grade: 4a. 60 cents 75 cents schCtt for Piano. (Compositions by Arensky. Marlucci. 4bc. 5a. (The Clavecin Book of Anna Magdalena Bach. $1. 75 cents for descriptive catalog of the complete Boston Music Company Edition.00 FINNISH COMPOSERS Album Twelve Pieces. Seeboeck. Ten Pieces. 4 ab. Castro. Tscherepnin. Wihtol.Korsakoff.dited 75 cents II. Sa. Maykapar. Etude en Forme de Valse.) Grade: 4c. Kopylow. No.) 75 cents of Ten Pieces. (Compositions by Arensky. 6b Valle de JUON Four Miniatures. Five Scottish Folk-songs. Grade: lab (Pr. Boston Music Company • • • boston. Album 60 cents 3M>4 Grade: Sac. 3abc.) 75 cents Grade 4ab.i i i iii i iii iM iiiiiiiiiii N iiiii M iiir n iiiiiiii i iiii i iii n iii i ii i ii i iii M ii i iiiiii MM ii nn iii n iri i iiirriii M iiii N iiiiiiii iiiiii i i i iiiii n iii i ii M ii i iiiiiiiiiiii i iiiii ii iiiiiiii M riiiii n iiiiiiiiiiri i ii i iii THE BOSTON MUSIC COMPANY EDITION ffiiniiiiiiii||iiiriiin] iiiiiiiiiiiiiiiiMiiiiifiiiiiMiiiiiiiiiiiiiiiiiiMiiiuiiiiiiiil^ Piano Solo ALBENIZ Album Album NORTHERN COMPOSERS of Ten Pieces. 60 cents Grade: Sab. : SJOGREN Album Martucci. Easy pictures and moods. Moussorgsky.) 75 cents (F. Op. Grade: ic. four-hands. Karganoff. mass. 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