Chick Corea Collection

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PDF generated at: Fri, 25 Feb 2011 20:09:29 UTC Contents Articles Chick Corea Circle (jazz band) Return to Forever Chick Corea discography 1 7 8 13 17 18 18 20 22 25 27 29 31 33 35 37 40 42 44 46 48 50 52 54 57 59 61 63 64 65 66 68 Albums As leader or co-leader Tones for Joan's Bones Now He Sings, Now He Sobs The Complete "Is" Sessions Sundance (album) The Song of Singing Piano Improvisations Vol. 1 Piano Improvisations Vol. 2 Crystal Silence The Leprechaun (Chick Corea album) My Spanish Heart The Mad Hatter (album) An Evening with Herbie Hancock & Chick Corea: In Concert Secret Agent (album) Friends (Chick Corea album) Delphi I CoreaHancock In Concert, Zürich, October 28, 1979 Delphi II & III Tap Step Three Quartets Again and Again (album) Children's Songs Voyage (album) Light Years (Chick Corea album) Eye of the Beholder (album) Chick Corea Akoustic Band Happy Anniversary, Charlie Brown Play (Chick Corea and Bobby McFerrin album) Time Warp (album) Live at the Blue Note (Chick Corea album) Like Minds (album) Change (Chick Corea album) To the Stars (album) The Ultimate Adventure The Enchantment The New Crystal Silence 70 71 73 75 77 79 81 86 89 91 93 93 95 97 97 100 102 105 107 109 111 113 118 121 122 122 124 124 126 129 134 140 143 149 With Circle Circling In Circulus (album) With Return to Forever Return to Forever (album) Light as a Feather Hymn of the Seventh Galaxy Where Have I Known You Before No Mystery Romantic Warrior Musicmagic Live (Return to Forever album) Return to Forever – Returns As sideman With Donald Byrd The Creeper (album) With Miles Davis Water Babies (album) Filles de Kilimanjaro In a Silent Way Bitches Brew A Tribute to Jack Johnson Live-Evil (Miles Davis album) On the Corner Big Fun (Miles Davis album) Black Beauty: Live at the Fillmore West Miles Davis at Fillmore: Live at the Fillmore East 152 158 161 164 164 166 168 168 170 172 172 173 173 175 175 176 176 178 180 182 182 184 184 With Joe Farrell Joe Farrell Quartet Outback (album) With Stan Getz Sweet Rain Captain Marvel (album) With Joe Henderson Big Band (album) With Elvin Jones Merry-Go-Round (album) With Hubert Laws Flute By-Laws With Blue Mitchell The Thing to Do (album) Down with It! Boss Horn With Wayne Shorter Moto Grosso Feio With Sadao Watanabe Round Trip (Sadao Watanabe album) References Article Sources and Contributors Image Sources. Licenses and Contributors 186 189 Article Licenses License 191 . Occupations Instruments Years active Labels Associated acts Return to Forever. which . drums 1966–present ECM.[3] Armando's father. Horace Silver. and Lester Young. he was influenced at an early age by bebop stars such as Dizzy Gillespie. Chaka Khan Website http:/ / www. Jazz Jazz fusion Post bop Latin jazz Classical Music Pianist Keyboardist Composer Bandleader Piano. com Armando Anthony "Chick" Corea (born June 12. he participated in the birth of the electric jazz fusion movement. He is of Sicilian and Spanish descent. Many of his compositions are considered jazz standards. Growing up surrounded by jazz music. 1941)[1] is an American jazz pianist. Synthesizers. In the 1970s he formed Return to Forever. Bud Powell. 1941 Chelsea. Vibraphone. Warner Bros. U. At eight Corea also took up drums. Charlie Parker. keyboardist and composer. Massachusetts. As a member of Miles Davis' band in the 1960s.Chick Corea 1 Chick Corea Chick Corea Chick Corea in 2009 Background information Birth name Born Origin Genres Armando Anthony Corea June 12.[1] Corea continued to pursue other collaborations and to explore various musical styles throughout the 1980s and 1990s. introduced him to the piano at the age of four. Polydor. Stretch. Five Peace Band. chickcorea. Massachusetts. organ. keyboards.S. a jazz trumpet player who had led a Dixieland band in the Boston area in the 1930s and 1940s. He is also known for promoting Scientology.[2] Life and career Youth Corea was born in Chelsea. Keith Jarrett.) His first album as a leader was Tones for Joan's Bones in 1966. He also spent several years as a performer and soloist for The Knights of St. Corea started his professional career in the 1960s playing with trumpeter Blue Mitchell and Latin greats such as Herbie Mann. His avant garde playing can be heard on his solo works of the period. Corea developed his piano skills by exploring music on his own. Jack DeJohnette. his solos in live recordings under the leadership of Miles Davis. This album features his composition "Chick's Tune". One of the earliest recordings of his playing is with Blue Mitchell's quintet on The Thing To Do. In 1971 or 1972 Corea struck out on his own. (Incidentally. Corea's personal style. and Jack DeJohnette combined elements of free jazz improvisation and rock music.[1] He made another sideman appearance with Stan Getz on 1967's Sweet Rain (Verve Records). Willie Bobo and Mongo Santamaría. active between 1970 and 1971. Dave Holland. In a Silent Way. with Roy Haynes on drums and Miroslav Vitouš on bass. including Black Beauty: Live at the Fillmore West and Miles Davis at Fillmore: Live at the Fillmore East. mainly the Fender Rhodes electric piano. . Airto Moreira. This band was documented on Blue Note and ECM. and Bitches Brew. helping spark his interest in musical composition. additional electric piano and organ. the same tune features a drum solo by a very young Al Foster. tenor sax. Now He Sobs. he started doing gigs when in high school. Circle. and his playing on Joe Farrell's Song of the Wind album on CTI Records. who introduced him to classical music. In live performance he often used ring modulation of the electric piano. bass.Chick Corea would later influence his use of the piano as a percussion instrument. drums. He enjoyed listening to Herb Pomeroy's band at the time. a Drum & Bugle Corp based in Chelsea. he appeared on multiple Davis albums. and had a trio which would play Horace Silver's music at a local jazz club. percussion. in part. Rose. but liked the atmosphere of New York where the musical scene became the starting point for his professional career. In concert. Given a black tuxedo by his father. Corea experimented using electric instruments with the Davis band. Aside from soloing in an atonal style. Corea sometimes reached in the body of the piano and plucked the strings. a clever retooling of "You Stepped Out of a Dream" that demonstrates the angular melodies and Latin-and-swing rhythms that characterize. This free jazz group featured multi-reed player Anthony Braxton and drummer Barry Altschul. Using this style. two years before the release of his album Now He Sings. and Miles on trumpet. His live performances with the Miles Davis band continued into 1970. with a great touring band of Steven Grossman. A notable influence was concert pianist Salvatore Sullo from whom Corea started taking lessons at age eight. Davis' rhythm section of Corea. He quit after finding both disappointing.[1] Holland and Corea left to form their own group. 2 Early career Chicks' first major professional gig was with Cab Calloway. 2007 producing overtones reminiscent of Karlheinz Stockhausen. his recordings with Circle. He eventually decided to move to New York where he studied musical education for one month at Columbia University and six months at The Juilliard School. Chick Corea.[1] Avant garde period From 1968 to 1971 Chick Corea had associations with avant garde players and his solo style revealed a dissonant. avant garde orientation. In September 1968 Corea replaced Herbie Hancock in the piano chair in Davis' band and appeared on landmark albums such as Filles de Kilimanjaro. Dave Holland. No one replaced vocalist Purim. (Briefly. The group released its final studio record in 1977. Gayle Moran. . As Ana Mazzotti worked with Brazilian jazz fusion masters Azymuth in her first album. 1969 or so — was because it was a discovery for me. particularly Moogs. The late Ana Mazzotti. Return to Forever featured Flora Purim's vocals. In this second version of Return to Forever. dedicated what is perhaps her last ever recorded track.[4] 3 Jazz fusion In the early 1970s Corea took a profound stylistic turn from avant garde playing to a crossover jazz fusion style that incorporated Latin jazz elements. The reason I was using that concept so much at that point in my life — in 1968. including an arrangement for piano and symphony orchestra that appeared in 1999. I did not even think about a relationship to an audience. This is probably his most popular piece. Corea's Jazz and Heritage Festival in 2008 compositions for this group often had a Brazilian tinge. it was further testament to Chick Corea's influence in the genre. recorded the Columbia label album Captain Marvel under Getz's name. until way later. "Grand Chick". and it has been recorded by a variety of artists.[1] Corea's composition "Spain" first appeared on the 1972 Return to Forever album Light as a Feather. in 1977. In 1972 Corea played many of the early Return to Forever songs in a group he put together for Stan Getz. The song may be found on her "Ao Vivo Guaruja 1982" album. Airto Moreira played drums. This band had a fusion sound and even though it relied on electronic instrumentation it drew more on Brazilian and Spanish-American musical styles than on rock music. In 1976 he issued My Spanish Heart. On its first two records.) In 1974 Al Di Meola joined the band.Chick Corea The concept of communication with an audience became a big thing for me at the time. with Stanley Clarke on bass and Tony Williams on drums. New Orleans and soprano saxophone. which earlier received a jazz orchestration on Miles Davis' and Gil Evans' "Sketches of Spain". the Fender Rhodes electric piano. Corea usually performs "Spain" with a prelude based on Joaquín Rodrigo's Concierto de Aranjuez (1940). Corea extended the use of synthesizers. Thereafter. Bill Connors played electric guitar and Lenny White played drums. He founded Return to Forever in 1971. to Chick Corea. a Brazilian jazz pianist and vocalist. and Joe Farrell's flute Bobby McFerrin and Chick Corea. In the following year the band moved more in the direction of rock music influenced by the Mahavishnu Orchestra. influenced by Latin American music and featuring vocalist Moran and electric violinist Jean-Luc Ponty. Corea focused on solo projects. Only Clarke remained from the group's first lineup. really. served as vocalist in the band. Corea's wife. replacing Connors. and a collaborative piano and voice-as-instrument arrangement with Bobby McFerrin on the 1992 album Play. I grew up kind of only thinking how much fun it was to tinkle on the piano and not noticing that what I did had an effect on others. There are also a variety of subsequent recordings by Corea himself in various contexts. This group. [5] Fleck and Corea toured extensively behind the album in 2007. A new record called The New Crystal Silence (which has received 3 nominations for the 51st Grammy Awards) was issued shortly into 2008. as well as pieces by other composers such as Béla Bartók. He composed his first piano concerto — and an adaptation of his signature piece. Individual or Group. . In 1992 Corea started his own record label. due to be released in August 2009. which features Gary Burton on vibes. In December 2007 Corea recorded a duet album. The Enchantment. with whom he recorded several duet albums on ECM. The package includes a disc of duets and another disc featuring the Sydney Symphony. specifically written for and performed by the highly acclaimed Orion String Quartet on 2004's Summerfest. released the album Past. They reunited in 2006 for a concert tour. bass. drums. the Akoustic Band. Corea embarked on a series of concerts and two albums with Herbie Hancock. In 2008 the second version of Return to Forever (Corea. Recent years have also seen Corea's rising interest in contemporary classical music. The rest of the tunes are Corea originals. keyboards. respectively. A concert DVD recorded during their performance at the Montreux Jazz Festival was released in May 2009. with banjoist Bela Fleck. March 1."[6] In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). Five years later he composed his first work not to feature any keyboards: His String Quartet No. The reunion received positive reviews from most jazz and mainstream publications. with their song The Game Maker. The Akoustic Band released a self-titled album in 1989. guitar) reunited for a worldwide tour. Pat Metheny on guitar.Chick Corea 4 Duet projects In the 1970s Corea started working occasionally with vibraphonist Gary Burton. including 1972's Crystal Silence. Stretch Records. He also participated in 1998's Like Minds.[8] Most of the group's studio recordings were re-released on the compilation Return to Forever: The Anthology to coincide with the tour. and Origin. The latter album won the Grammy Award for Best Jazz Instrumental Album. Stanley Clarke. 2008 In 2001 the Chick Corea New Trio. and featured John Patitucci on bass and Dave Weckl on drums. and performing on Yamaha concert grand pianos. Spain for a full symphony orchestra — and performed it in 1999 with the London Philharmonic Orchestra. Dave Holland on bass and Roy Haynes on drums. The Akoustic Band also provided the music for the 1986 Pixar short Luxo Jr. [1] Corea performs with Béla Fleck. toward the end of the 1970s. 1. Al Di Meola. Later. Corea has continued releasing jazz fusion concept albums such as To the Stars (2004) and Ultimate Adventure (2006). He is recently working on a collaboration CD with the Grammy Award winning jazz vocal group The Manhattan Transfer.[7] Later work Corea's other bands include the Elektric Band. It marked a turn back toward traditional jazz in Corea's career. The duo played a concert at Tokyo's Budokan arena on April 30. and the bulk of his subsequent recordings have been acoustic ones. Lenny White. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle. The two jazz greats traded playing each other's compositions. The 11-song album includes only one standard composition (Fats Waller's "Jitterbug Waltz"). with Avishai Cohen and Jeff Ballard on bass and drums. Present & Futures. These concerts were presented in elegant settings with both pianists formally dressed. group 2000 Best instrumental solo 2001 Best jazz instrumental performance 2002 Best instrumental arrangement 2004 Best jazz instrumental solo 2007 Best jazz instrumental performance. Native Sense (with Gary Burton) Like Minds (with Gary Burton. the Church of Scientology's investigative news journal. and most dates in North America. and Haywood Nelson attended the 30th anniversary of Freedom Magazine. founder of Scientology. Ron Hubbard. Corea. the 5 Peace Band. which features Corea and guitarist John McLaughlin began a world tour in October 2008.[10] Other Beliefs In a recent interview with jazz journalist C. and bassist Christian McBride. Zürich. [9] In 1998 Chick Corea and fellow entertainers Anne Archer. to honor 11 human rights activists. and in the early 1970s developed an interest in Hubbard's science fiction novels. and Corea even had three guest appearances on Hubbard's 1982 album Space Jazz: The Soundtrack of the Book Battlefield Earth. Drummer Vinnie Colaiuta played with the band in Europe and on select North American dates. Joining Corea and McLaughlin in the 5 Peace Band are saxophonist Kenny Garrett.Chick Corea A new group. Hubbard's principal work. "you treat others well and you will be treated well back. 5 Scientology Under the "special thanks" notes. at the National Press Club in Washington. Corea previously worked with McLaughlin in Miles Davis' late-1960s bands." he added. has been a continual source of inspiration.C. Isaac Hayes. group 1982 Best jazz instrumental performance. many things. Brian Blade played all dates in Asia and Australia. group 1977 Best arrangement of an instrumental recording 1977 Best jazz instrumental performance. D. The two exchanged letters until Hubbard's death in 1986. I really want to connect with the world and make my music mean something to people." "I find that if I treat others well. GRP Super Live In Concert (with Elektric Band) Akoustic Band (with Akoustic Band) "Rhumbata". In 1968 Corea discovered Dianetics.[11] Awards Over the years. "[Hubbard] was a great composer and keyboard player as well. including the group that recorded Davis' album Bitches Brew.Concerto "Matrix" "The Ultimate Adventure" . group 1979 Best jazz instrumental performance. which he defined as. group 1980 Best jazz instrumental performance. He was a true Renaissance Man."[2] Corea claimed that Scientology became a profound influence on his musical direction in the early 1970s: I no longer wanted to satisfy myself. noting. 1979 (with Gary Burton) "Light Years". Pat Metheny. Roy Haynes and Dave Holland) "Spain for Sextet & Orchestra". group 1989 Best R&B instrumental performance 1990 Best jazz instrumental performance.B. Corea also emphasized the importance of The Golden Rule. Corea mentions that L. found in all of his later albums.Liddell. October 28. he has been nominated for 51 Grammy Awards out of which he has won 15: Year Award No Mystery (with Return to Forever) "Leprechaun's Dream". group The Leprechaun Friends Duet (with Gary Burton) In Concert. the kindness is returned to me.. The Leprechaun Album/song 1976 Best jazz instrumental performance. He did many. cfm). Nate (August 3. Retrieved 1 January 2009. Levine. "The Return of Return to Forever" (http:/ / www. com/ news/ concord-music-group-garners-28-grammy-nominations/ [7] http:/ / www. 1976. com/ 2008/ 08/ 03/ arts/ music/ 03chin. voanews. Vinnie Colaiuta) 2008 Best jazz instrumental album 2010 Best jazz instrumental album His 1968 album Now He Sings. com/ php/ article. Kenny Garrett.archive. 7355183 External links • • • • Official site (http://www. com/ 2010/ 12/ chick-corea-jazz-pianist.47 [10] Haywood You Remember Garden City Park (http:/ / antonnews.com/articledetails. nme. • An Interview with Chick Corea (http://www. The New York Times. Christian McBride.com/) Official discography (http://www. and isn’t it beautiful. 2007 at the Wayback Machine. Retrieved April 1. p. concordmusicgroup. [6] http:/ / www.jazzreview.vervemusicgroup. In 2010.bobrosenbaum.com/transcripts/corea1. Retrieved 2008-03-24. . Doug (24 April 2007). eu/ ?page_id=6& parent_id=22).aspx?aid=2713) October 13. com/ mineolaamerican/ 1998/ 10/ 23/ news/ ) [11] http:/ / yknow-interviews. allmusic. html [12] http:/ / www. VOA News (Voice of America). allaboutjazz. nytimes. . com/ english/ archive/ 2007-04/ 2007-04-24-voa68. artistinterviews. Now He Sobs was inducted in the Grammy Hall of Fame in 1999.chickcorea.[12] References [1] [2] [3] [4] [5] allmusic Biography (http:/ / www. Bela Fleck Collaborate On New CD" (http:/ / www. October 21. 2010. nrk. 2008). com/ music/ 2007/ 11/ 5/ chick-corea-brazil "Chick Corea Interview on ArtistInterviews" (http:/ / www. .chickcorea. jazz. com/ video/ id/ S2m4Oy9TWmo/ search/ flh [8] Chinen.Chick Corea 6 The New Crystal Silence (with Gary Burton) Five Peace Band — Live (with John McLaughlin. http:/ / www. So what? What does it do to another person? What does it do to your neighborhood?' .com/discography. July 1974 (PDF file) 'You put these notes together and you come out with that sound. he was named doctor honoris causa at Norwegian University of Science and Technology (NTNU). "Chick Corea. com/ artist/ p66463/ biography) "All About Jazz" (http:/ / www. no/ nyheter/ distrikt/ nrk_trondelag/ 1.org/web/20071013193702/http://www. Retrieved 2008-03-28.cfm?ID=498) Verve Records Archived (http://web.pdf) by Bob Rosenbaum. html).com biography (http://www.html) Jazzreview. php?id=15351). blogspot.com/ artist. . [9] Down Beat. originally released under Chick Corea's name in Japan References [1] AllMusic Circle Biography (http:/ / www. 1971) • Circle 2: Gathering (CBS/Sony Japan. These recordings document a period in which Corea's work was steeped in the jazz avant garde.htm) • Complete discography of Chick Corea (http://www.originally released under Chick Corea's name in Japan • Paris Concert (ECM.com/Artists/Corea/circle-disc.jazzdiscography. 1970 [1975]) .artistinterviews. A live double album appeared on the ECM label in 1972.jazzdiscography. 1970) . 2011 External links • Circle discography (http://www.[1] The group arose from pianist Chick Corea's early 1970's trio with Dave Holland on bass and Barry Altschul on drums and percussion with the addition of Anthony Braxton in a leading role on several reed instruments. allmusic.originally released under Chick Corea's name • Circle 1: Live in Germany Concert (CBS/Sony Japan. Discography • Circling In (Blue Note.html) • Chick Corea looks back on Circle in an interview on ArtistInterviews. 1971) .originally released under Chick Corea's name with additional tracks from Corea's earlier recordings. 1970 [1975]) .com/Artists/Corea/index.eu (http://www. prior to his complete shift to the jazz fusion orientation. com/ artist/ circle-p182707/ biography) accessed January 21. The Circle tracks were also released as Early Circle (1992) • Circulus (Blue Note.Circle (jazz band) 7 Circle (jazz band) Circle was an avant garde jazz ensemble active in 1970 and 1971.eu/ ?page_id=6&parent_id=22/) . The group earliest (and only studio) recordings were made in 1970 for the Blue Note label but not released until 1975 under Corea's name. Return to Forever 8 Return to Forever Return to Forever Return to Forever in Rochester. Columbia. including Clarke. the band has cycled through a number of different members. United States Jazz fusion 1972–1977 1983. return2forever. with the only consistent band mate of Corea's being bassist Stanley Clarke. Pugh John Thomas James Tinsley Harold Garrett Ron Moss Return to Forever is a jazz fusion group founded and led by keyboardist Chick Corea. . 2008-present ECM. Flora Purim. Polydor http:/ / www. Return to Forever is often cited as one of the core groups of the jazz-fusion movement of the 1970s. com Members Chick Corea Stanley Clarke Lenny White Frank Gambale Jean-Luc Ponty Past members Al Di Meola Bill Connors Flora Purim Airto Moreira Joe Farrell (deceased) Steve Gadd Mingo Lewis Earl Klugh Gayle Moran Gerry Brown James E. Along with Weather Report and Mahavishnu Orchestra. 1976 Background information Also known as Origin Genres Years active Labels Website Chick Corea New York City. Several musicians. Airto Moreira and Al Di Meola. New York. first came to prominence through their performances on Return to Forever's albums. Through its existence. including some from the first and second Return to Forever albums. New York Photo: Grant Gouldon evolved into a similar vein as to that the Mahavishnu Orchestra. Corea. 9 First group (1972-1973) The first edition of Return to Forever performed primarily Latin-oriented music. Their first album. Lenny White (who had played with Corea in Miles Davis's band) replaced Gadd and Lewis on drums and percussion. Their music was still relatively melodic. which featured Corea's compositions. Al DiMeola. drummer Steve Gadd and percussionist Mingo Lewis were added. was never released and has since disappeared). Return to Forever performing in 1974 at the Onondaga completely changed into jazz-rock. Gadd was unwilling to tour with the band and risk his job as an in-demand session drummer. A replacement on vocals was not hired. Light as a Feather (1973). and some progressive rock bands were also performing at the time. rock oriented approach. Jazz rock era (1973-1976) After the second album. Shortly afterwards. Their second album. distorted guitar had also become prominent in the band's new sound. titled simply Return to Forever. Anthony Braxton and Barry Altschul. which also became quite well-known. However. relying on strong themes. but eventually left the sect in the early 1980s. Spain. featuring Gadd on drums. Corea decided that he wanted to better "communicate" with the audience.though this is not readily apparent to those not involved in Scientology itself. but the traditional jazz element was by this time almost entirely absent. Clarke himself became involved in Scientology through Corea. Corea's longtime musical co-worker Joe Farrell on saxophone and flute. was then rerecorded (the first recording. and had Community College in Syracuse. Lyrics were often written by Corea's friend Neville Potter. The nature of the group's music had by now not visible). after having become a disciple of Scientology. Over-driven. The music was composed by Corea with the exception of the title track of the second album which was written by Stanley Clarke. Clarke played acoustic double bass in addition to electric bass. and were quite often scientology themed. Purim and Moreira left the group to form their own band. Corea's electric piano formed the basis of this group's sound. This initial band consisted of singer (and occasional percussionist) Flora Purim. Chick Corea. Clarke and Tony Williams formed the band for Stan Getz's album Captain Marvel (1972). and the young Stanley Clarke on bass. This album featured Corea's now famous compositions Crystal Silence and La Fiesta. (Drummer Lenny White . Weather Report. and guitarist Bill Connors. This essentially translated into his performing a more popularly accessible style of music. This change did not lead to a L to R: Stanley Clarke. and all the songs were now instrumentals. was recorded for ECM Records in 1972 and was initially released only in Europe. her husband Airto Moreira on drums and percussion. was released by Polydor and included the song. and Clarke had by then switched almost completely to electric bass guitar. Corea formed an avant-garde jazz band called Circle with Dave Holland. While Purim's vocals lent some commercial appeal to the music. Farrell. but Clarke and Farrell were given ample solo space themselves. and the group's third album. many of their compositions were also instrumental and somewhat experimental in nature. However in 1972.Return to Forever After playing on Miles Davis's groundbreaking jazz-fusion albums In a Silent Way and Bitches Brew. since avant-garde jazz enjoyed a relatively small audience. Hymn of the Seventh Galaxy (1973). Airto. Within this first line-up in particular.replaced by a more direct. [1] 10 Final album (1977) The final incarnation of Return to Forever featured a four piece horn section and Corea's wife Gayle singing vocals. White. Al Di Meola commented on the complications of reuniting the Corea/Clarke/Di Meola/White lineup. and Clarke's playing had evolved considerably. After Musicmagic. each member of the group composed at least one of the tracks.now using flange and fuzz-tone effects. return briefly to the stage. Years following the breakup. No Mystery. stating "I think we have a Scientology problem to deal with. Musicmagic (1977). eventually reaching gold disc status. Reunion (2008) The classic Return to Forever line-up of Corea. Their following album.Return to Forever decrease in the band's commercial fortunes however. While the reasons for his doing so are speculative. Stanley Clarke's having left the Church of Scientology is believed to have been a major factor. but recorded only one studio album. Where Have I Known You Before. This album would go on to become the best selling of all Return to Forever's efforts. No Mystery (1975). and Romantic Warrior.[2] To date. was released to coincide with the tour. featuring remixed and digitally remastered tracks from the albums Hymn of the Seventh Galaxy. The final album by this longest-lasting "classic" lineup of the group was Romantic Warrior (1976)."[1] In 1983 this lineup did. That doesn't sit very well with Chick. . "Romantic Warrior" continued their experiments in the realms of jazz-rock and related musical genres. Corea now played synthesizers in addition to electric keyboards (including piano). Where Have I Known You Before. and was lauded by critics for both the technically demanding style of its compositions as well as for its accomplished musicianship. (1974) was similar in style to its immediate predecessor. No Mystery went on to win the Grammy Award for Best Jazz Performance by a Group. Although Earl Klugh played guitar for some of the group's live performances. A special Return to Forever anthology box-set. in fact. and Di Meola reunited for a tour of the United States that began in the summer of 2008. he was soon replaced by the then 19-year-old guitar prodigy Al Di Meola. was recorded with the same line-up as "Where Have I Known You Before". Corea shocked Clarke by deciding to change the lineup of the group and to not include either White or Di Meola. but the style of music had become more varied. While their second jazz rock album. After the release of Romantic Warrior and Return To Forever's subsequent tour in support (as well as having in addition signed a multi-million dollar contract with CBS). while the second side featured Corea's acoustic title track and a long composition with a strong Spanish influence. which had by this time left Polydor for Columbia Records. and with his now signature style beginning to emerge. Clarke. no new material from the group has been announced. the group also hired new guitarists. On this and the following album. Return to Forever's jazz rock albums instead found their way onto US pop album charts. possibly due to Stanley leaving Scientology. Chick Corea officially disbanded the group. The first side of the record consisted primarily of jazz-funk. After Bill Connors left the band to concentrate on his solo career. and rather recorded only one track that was issued on Corea's Touchstone album entitled "Compadres". who had also played on the album recording sessions. but did not record a new album. percussion Chick Corea .keyboards Flora Purim .[3] The line-up. Sony (Columbia)) Return to Forever: The Anthology (2008.percussion Chick Corea .guitar Stanley Clarke . 1999) • Returns (2009.bass Lenny White . redesigned cover. is Chick Corea. Polydor) No Mystery (1975. Frank Gambale and Jean-Luc Ponty [4] .Double bass Airto Moreira .vocals Joe Farrell . Live (full concert. Concord (Polydor)) Personnel Return to Forever Band Members (1972–1973) • • • • • • • • • • • • • • • • • • Chick Corea . Polydor) Where Have I Known You Before (1974.drums Chick Corea .guitar Stanley Clarke .Return to Forever 11 2011 tour From February 2011. the group commences a world tour in Australia. Stanley Clarke.keyboards Bill Connors . Polydor) Hymn of the Seventh Galaxy (1973.keyboards Earl Klugh . 1978).saxophone Stanley Clarke . billed as Return to Forever IV. ECM) Light as a Feather (1972.keyboards Bill Connors . Polydor) Romantic Warrior (1976. 12 (1996.bass Steve Gadd .drums Mingo Lewis . Discography Studio albums • • • • • • • Return to Forever (1972. 4 vinyl. Vol. Lenny White. 1992). Columbia) Live releases • Live (1 vinyl) 1977. Columbia) Musicmagic (1977. Live (re-release of 2CD-edition from 1992 as Live: The Complete Concert. Eagle (Fontana)) Collections • • • • The Best of Return to Forever (1980) Sony (Columbia) Return to the Seventh Galaxy: The Anthology (1996. Live (full concert.guitar Stanley Clarke . 2CD. redesigned cover. Verve (Polydor)) This Is Jazz.drums (1973) (1973) (1974) .bass Lenny White . bass Lenny White .bass Gerry Brown .bass Lenny White .com)) . livedaily. religio. html) Return to Forever reunites for 2008 trek (http:/ / www.trombone Stanley Clarke .keyboards Frank Gambale . voxy. nz/ entertainment/ return-forever-world-tour-kick-feb/ 5/ 71799) http:/ / www.drums (1977) (1977) (1977–1982) (1983) Band split up • • • • Chick Corea .trombone Stanley Clarke .keyboards Gayle Moran . de/ publik/ arsreview/ 150996. keyboards Joe Farrell .drums Chick Corea .html) at MusicBrainz • "In Conversation with Chick Corea" (http://www.com (http://www.saxophone John Thomas .guitar Stanley Clarke .drums Jean-Luc Ponty .vocals.bass Lenny White . keyboards Joe Farrell . html) Voxy. co. ( Jazz.violin References [1] [2] [3] [4] Chick Corea left the group Return to Forever because of Scientology (http:/ / www.guitar Stanley Clarke .drums (2009) (2010-present) Band spilt up • • • • • Chick Corea .org/artist/5f8cce81-1ff5-4cca-9c6e-8d3c58dc0c36.jazz. co.guitar Stanley Clarke .trombone Harold Garrett .vocals.trumpet Jim Pugh .jazz.keyboards Gayle Moran .trombone Ron Moss .guitar Stanley Clarke .com/features-and-interviews/2008/5/30/ in-conversation-with-chick-corea) by Patrick Spurling.trombone Harold Garrett . nz/ Event-Pages/ R/ Return-to-Forever. aspx External links • Return to Forever discography (http://musicbrainz.drums (1984–2007) (2008) Band split up • • • • Chick Corea .trumpet James Tinsley .bass Lenny White .nz (http:/ / www. the-edge.keyboards Al Di Meola .co.Return to Forever 12 (1974–1976) • • • • • • • • • • • • • • • • • • • • • • • Chick Corea .keyboards Al Di Meola .drums Chick Corea .keyboards Al Di Meola .trumpet James Tinsley .trumpet Jim Pugh .saxophone John Thomas .bass Gerry Brown . com/ news/ 13376. jazz. 1 (1971) Piano Improvisations Vol. October 28. conducted by Richard Kapp. with Friedrich Gulda) • Children's Songs (1984) • Fantasy for Two Pianos with Friedrich Gulda (1984) .com/dozens/the-dozens-return-to-forever) by Walter Kolosky. with Nicolas Economou) • The Meeting (Chick Corea and Friedrich Gulda album) (1983. with Gary Burton) Delphi II & III (1980) Tap Step (1980) Greatest Hits of 1790 (1980. (1971) Piano Improvisations Vol. with Gary Burton) Touchstone (1982) Trio Music (1982) Chick Corea Compact Jazz (1987) Again and Again (1983) On two pianos (1983. Discography As leader or co-leader • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Tones for Joan's Bones (1966) Now He Sings. 2 (1971) Inner Space (1972) Crystal Silence (1973. 1979 (1980.com)) 13 Chick Corea discography Discography for jazz pianist Chick Corea.jazz. Now He Sobs (1968) Is (1969) Sundance (1969) The Song of Singing (1970) A.com (http://www. with Gary Burton) In Concert.Return to Forever • "Return to Forever: Twelve Historic Tracks" (http://www. ( Jazz. with Gary Burton) Chick Corea (1975) The Leprechaun (1976) My Spanish Heart (1976) The Mad Hatter (1978) An Evening With Herbie Hancock & Chick Corea: In Concert (1978) Secret Agent (1978) Friends (1978) Delphi I (1979) CoreaHancock (1979) Duet (1979. with Philharmonia Virtuosi of New York. Featured piano soloist on Mozart: "Elvira Madigan" and Beethoven: "Für Elise") Live in Montreux (1981) Three Quartets (1981) Lyric Suite for Sextet (1982.R.C. Zürich. concerto (1999. with Akoustic Band) Chick Corea Featuring Lionel Hampton (1988) Eye of the Beholder (1988. Richie Barshay) (2007) • The New Crystal Silence (2008. with Elektric Band) Alive (1991. with Origin) Like Minds (1998. Charlie Brown (1989) Inside Out (1990.3. Chillin' in Chelan (with Christian McBride.Standards (2000) New Trio: Past. The Boston Three Party (with Eddie Gomez.with Steve Kujala (1984) Septet (1985) Chick Corea Elektric Band (1986. Paris to Clearwater (with Hadrien Feraud. with Origin) corea. Chick Corea. with Bobby McFerrin) Live From Elario's (First Gig) (1996. with Akoustic Band) Happy Anniversary. Jack DeJohnette) (2007) 5trios . with Gary Burton) . with Elektric Band) Rhumba Flamenco (2005) The Ultimate Adventure (2006) The Enchantment (2007. Brooklyn. Joe (with Antonio Sanchez. Dr. Gary Burton. with Origin) A Week at The Blue Note (1998. with Akoustic Band) Play (1992. with ) Live From the Country Club (1996) From Nothing (1996) Remembering Bud Powell (1997) Native Sense . Jeff Ballard) (2007) 5trios . with Bobby McFerrin) Elektric Band II: Paint the World (1993.The New Duets (1997. with Elektric Band) Live from Blue Note Tokyo (1996. Dave Holland) Change (1999. with Origin) Corea Concerto (1999) Solo Piano .live (1987. with Elektric Band) Trio Music Live in Europe (1987) Summer Night . with Béla Fleck) 5trios .2. Airto Moreira) (2007) 14 • 5trios . with Gary Burton) Live at the Blue Note (1998. with Elektric Band) Chick Corea Akoustic Band (1989. Roy Haynes. Present & Futures (2001) Selected Recordings (2002) The Complete "Is" Sessions (2002) Rendezvous in New York (2003) To the Stars (2004. with Elektric Band) Beneath the Mask (1991.Originals (2000) Solo Piano . John Patitucci) (2007) 5trios .1.4.Chick Corea discography • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Voyage .5. Pat Metheny. with Elektric Band) Seabreeze (1993) Expressions (1993) Time Warp (1995) The Mozart Sessions (1996. with Elektric Band) Light Years (1987. From Miles (with Eddie Gomez. recorded 1967-68) Filles de Kilimanjaro (1969) In a Silent Way (1969) Bitches Brew (1970) A Tribute to Jack Johnson (1970) Black Beauty: Live at the Fillmore West (1977.Returns (2009) Return to Forever Returns: Live at Montreux (DVD)(2009) As sideman With Anthony Braxton • The Complete Braxton 1971 (Freedom Records) With Donald Byrd • The Creeper (1967) With Miles Davis • • • • • • • • • • • Water Babies (1976. recorded 1959-70) Live-Evil (1971) On the Corner (1972) Big Fun (1974) With Joe Farrell • Joe Farrell Quartet (1970) • Outback (1971) • Skate Board Park (1979) With Stan Getz • Sweet Rain (1969) .Chick Corea discography • Five Peace Band Live (with John McLaughlin) (2009) • Duet (with Hiromi Uehara) (2009) 15 With Circle • • • • • Circling In (1970) Circulus (1970) Circle 1: Live in Germany Concert (1970) Paris Concert (1971) Circle 2: Gathering (1971) With Return to Forever • • • • • • • • • • Return to Forever (1972) Light as a Feather (1972) Hymn of the Seventh Galaxy (1973) Where Have I Known You Before (1974) No Mystery (1975) Romantic Warrior (1976) Musicmagic (1977) Live (1977) Return to Forever . recorded 1970) Miles Davis at Fillmore: Live at the Fillmore East (1970) Circle in the Round (1979. com/ artist/ Chick+ Corea .Chick Corea discography • Captain Marvel (1972) With Joe Henderson • Big Band (1996) With Elvin Jones • Merry-Go-Round (1971) With Hubert Laws • Flute By-Laws (1966) With Blue Mitchell • The Thing to Do (1964) • Down with It! (1965) • Boss Horn (1966) With Wayne Shorter • Moto Grosso Feio (1970) With Pete La Roca • Turkish Women At The Bath (1967) With Sadao Watanabe • Round Trip (1974) 16 Compilations • 1976: Chick Corea/Herbie Hancock/Keith Jarret/McCoy Tyner • 1993: Best of Chick Corea • 2004: Very Best of Chick Corea External links • Discogs [1] References [1] http:/ / www. discogs. 17 Albums . . McCoy Tyner.December 1.. The whole album was also released in the two-LP set Inner Space in early 1970s.. 1966 Jazz 40:02 Atlantic Herbie Mann Professional reviews • Allmusic link [1] Chick Corea chronology Tones for Joan's Bones (1966) Now He Sings. The album features four long tracks. The CD reissue of Inner Space. Now He Sobs (1968) Tones for Joan's Bones is Chick Corea's first album as a leader. however. Keith Jarrett. omits second and third track due to time limitations. and is more commonly found in compilation with Miroslav Vitouš' album Mountain In The Clouds. The album is rare in its original form." and "This Is New") were included on an Atlantic Record compilation. Herbie Hancock.18 As leader or co-leader Tones for Joan's Bones Tones for Joan's Bones Studio album by Chick Corea Released Genre Length Label Producer November 30. Chick Corea. 1966 . Two tracks ("Tones for. "Litha" (Corea) – 13:36 "This Is New" (Gershwin. 4.Trumpet Joe Farrell . 3. allmusic. com/ album/ r164132 .Piano Woody Shaw . 2.Tenor Saxophone. Flute Steve Swallow .Double Bass Joe Chambers .Tones for Joan's Bones 19 Track listing 1.drums References [1] http:/ / www. Weill) – 7:41 "Tones for Joan's Bones" (Corea) – 6:11 "Straight up and Down" (Corea) – 12:34 Personnel • • • • • Chick Corea . In 1999. 1968. Now He Sobs" was given the Grammy Hall of Fame Award. Now He Sobs 20 Now He Sings.Now He Sings. such as "The Law of Falling and Catching Up" or "Fragments"). and Roy Haynes (drums). Now He Sobs (1968) Is (1969) Now He Sings. Blue Note Producer Sonny Lester Professional reviews • Allmusic link [1] Chick Corea chronology Tones for Joan's Bones (1966) Now He Sings. Aside from the jazz standard "My One and Only Love" and Thelonious Monk's "Pannonica". Now He Sobs is a highly influential jazz piano trio album by Chick Corea. Now He Sobs Studio album by Chick Corea Released 1968 Recorded March 14. Miroslav Vitouš (bass). 1968 at A&R Studios. New York City Genre Length Label Jazz 40:24 (Original LP) 68:48 (CD reissue) Solid State. . released March 14. all tracks are original compositions (with some being non-composed free improvisations. Now He Sobs Now He Sings. the single "Now He Sings. The musicians on this album are Corea (piano). 19 and 27. 4. 5. 6. Original release 1. "My One And Only Love" Personnel • Chick Corea – Piano • Roy Haynes – Drums • Miroslav Vitous – Bass References [1] http:/ / www. Now He Sobs" "Now He Beats The Drum. com/ album/ r137066 . 5. 3. 2. 3.What Was" "Matrix" "Now He Sings. 4. Now He Sobs 21 Track listing All tracks are originals by the performers. "Steps . except where noted. allmusic. "Samba Yantra" "Bossa" "I don't Know" "Fragments" "Windows" "Gemini" "Pannonica" (Thelonious Monk) 8. 2.Now He Sings. 7. Now He Stops" "The Law Of Falling And Catching Up" CD release bonus tracks 1. Blue Note has now release the two recordings as a double CD package including the alternate takes. The "Is" sessions came out originally as two albums on different labels. . "Jamala" and "It" were issued as Is on Solid State. whilst the remaining songs were released as Sundance on Groove Merchant. The songs "Is".The Complete "Is" Sessions 22 The Complete "Is" Sessions The Complete "Is" Sessions Studio album by Chick Corea Released Recorded Genre Label Producer October 8. 1969-May 13. 1969 Jazz Blue Note Sonny Lester Professional reviews • Allmusic [1] Chick Corea chronology Selected Recordings (2002) The Complete "Is" Sessions (2002) Rendezvous in New York (2003) The Complete "Is" Sessions is an album by Chick Corea recorded in May 1969 and released in October 2002. 2002 May 11. "This". 2. piccolo flute Bennie Maupin – tenor sax Woody Shaw – trumpet Production • • • • • Malcolm Addey – engineer. 9. 5. drums Chick Corea – piano. 5. Disc one 1. 6. mastering Michael Cuscuna – liner notes. 8. release production Sonny Lester – producer Patrick Roques – artwork Francis Wolff – artwork. "Converge" – 7:59 "Is" – 28:54 "Jamala [alternate take]" (Holland) – 8:57 "Converge [alternate take]" – 7:59 Personnel • • • • • • • Horace Arnold – percussion. 4. 7. photography . "Jamala" (Holland) – 14:07 2. electric piano Jack DeJohnette – drums Dave Holland – bass Hubert Laws – flute.The Complete "Is" Sessions 23 Track listing All tracks composed by Chick Corea unless otherwise noted. 3. 4. "It" – 0:30 "The Brain" – 10:10 "This" – 8:18 "Song of the Wind" – 8:05 "Sundance" – 10:02 "The Brain [alternate take]" – 7:26 "This [alternate take]" – 11:49 "Song of the Wind [alternate take]" – 6:46 "Sundance [alternate take]" – 12:28 Disc two 1. 3. allmusic.com/ Chick-Corea-The-Complete-Is-Sessions/release/2173500).php?id=11181). . www. allmusic.discogs.The Complete "Is" Sessions (2xCD. • "Chick Corea . External links • "Chick Corea.com.allaboutjazz.discogs.The Complete "Is" Sessions 24 References [1] "allmusic ((( The Complete "Is" Sessions > Overview )))" (http:/ / www.com. com/ album/ r609883). Retrieved 2010-06-06.allaboutjazz. RE) at Discogs" (http://www. Retrieved 2010-06-06.com.com/php/article. . Retrieved 2010-06-06. The Complete "Is" Sessions" (http://www. www. drums • Dave Holland – Bass . 2. 4.Sundance (album) 25 Sundance (album) Sundance Studio album by Chick Corea Released Genre Length Label Producer 1969 Jazz 35:42 Groove Merchant Sonny Lester Professional reviews • Allmusic link [1] Chick Corea chronology Is Sundance (1969) (1969) The Song of Singing (1970) Sundance is an album recorded by Chick Corea and released in 1969. "The Brain" (Corea) – 10:04 "Song Of Wind" (Corea) – 7:53 "Converge" (Corea) – 7:56 "Sundance" (Corea) – 9:49 Personnel • Chick Corea – Piano • Hubert Laws – Flute Piccolo • Jack De Johnette – Drum kit. Track listing 1. 3. Sundance (album) • Woody Shaw – Trumpet • Horace Arnold – Drum kit.Tenor Saxophone 26 References [1] http:/ / www. drums • Bennie Maupin . allmusic. com/ album/ r137072 . Wayne Shorter's Nefertiti is now considered a jazz standard. The album features a trio with Barry Altschul on drums and Dave Holland on bass (together with Corea making up three fourths of Circle). The lone piece composed by someone not in the band. 1970 .April 8. .The Song of Singing 27 The Song of Singing The Song of Singing Studio album by Chick Corea Released 1970 Recorded April 7. 1 (1971) The Song of Singing is Chick Corea's fifth solo recording. Post-Bop 28:38 Blue Note Producer Michael Cuscuna Professional reviews • Allmusic link [1] Chick Corea chronology Sundance (1969) The Song of Singing (1970) Piano Improvisations Vol. 1970 A&R Recording New York City Genre Length Label Free Jazz. The setting of the album is free and spontaneous with a few scripted pieces to keep everything on track. released in 1970. 2. Corea. 6.The Song of Singing 28 Track listing 1. Piano • Barry Altschul – drums • Dave Holland – bass References [1] http:/ / www. com/ album/ r137071 . allmusic. 5. "Toy Room" (Holland) – 5:51 "Ballad I" (Altschul. Holland) – 4:17 "Rhymes" (Corea) – 6:50 "Flesh" (Corea) – 6:06 "Ballad III" (Altschul. 3. Corea. Holland) – 5:34 "Nefertiti" (Shorter) – 7:05 Personnel • Chick Corea – keyboards. 4. 1 (1971) Piano Improvisations Vol. Norway Genre Length Label Jazz 42:50 ECM Professional reviews • Allmusic link [1] Chick Corea chronology The Song of Singing (1970) Piano Improvisations Vol." . Oslo. was recorded over the course of two days in Oslo. "This music was created out of the desire to communicate and share the dream of a better life with people everywhere. along with its counterpart Piano Improvisations Vol.Piano Improvisations Vol.April 22. 2. 1970 Ame Bendiksen Studio. Norway. The two albums in the Piano Improvisations series serve as a sort of bridge between Corea's other works in Circle and Return to Forever. On the back cover of the album Corea writes. 1 Studio album by Chick Corea Released 1971 Recorded April 21. 1 29 Piano Improvisations Vol. The only musician featured on the album is Chick Corea on piano. The album. 1 is an album recorded by Chick Corea and released in 1971. 1 Piano Improvisations Vol. 2 (1971) Piano Improvisations Vol. 1971 . "Where Are You Now?: A Suite of Eight Pictures . "Ballad for Anna" (Corea) – 2:31 4. "Song for Sally" (Corea) – 3:50 3. "Song of the Wind" (Corea) – 3:16 5.Picture 5" (Corea) – 0:36 11.Picture 7" (Corea) – 2:02 13. "Where Are You Now?: A Suite of Eight Pictures .Picture 6" (Corea) – 3:57 12. "Where Are You Now?: A Suite of Eight Pictures . "Where Are You Now?: A Suite of Eight Pictures . "Where Are You Now?: A Suite of Eight Pictures .Picture 1" (Corea) – 4:55 7.Picture 4" (Corea) – 2:47 10. "Where Are You Now?: A Suite of Eight Pictures .Picture 8" (Corea) – 1:36 Personnel • Chick Corea – Piano References [1] http:/ / www. Potter) – 8:29 6. com/ album/ r137067 .Picture 3" (Corea) – 2:34 9. allmusic. 1 30 Track listing 1.Picture 2" (Corea) – 2:06 8. "Where Are You Now?: A Suite of Eight Pictures . "Sometime Ago" (Corea.Piano Improvisations Vol. "Where Are You Now?: A Suite of Eight Pictures . "Noon Song" (Corea) – 4:08 2. he interprets Wayne Shorter's Masqualero and Thelonious Monk's Trinkle. 2 (1971) The Leprechaun (1976) Piano Improvisations Vol. 1. 2 31 Piano Improvisations Vol. 1 (1971) Piano Improvisations Vol. was recorded over the course of two days in Oslo. The two albums in the Piano Improvisations series serve as a sort of bridge between Corea's other works in Circle and Return to Forever. along with its counterpart Piano Improvisations Vol. 1971 . The album.April 22. Norway Genre Length Label Jazz 40:12 ECM Professional reviews • Allmusic link [1] Chick Corea chronology Piano Improvisations Vol. In addition to seven original pieces written by Corea. 2 Studio album by Chick Corea Released 1971 Recorded April 21. Tinkle. 1970 Ame Bendiksen Studio.Piano Improvisations Vol. Norway. 2 Piano Improvisations Vol. . 2 is an album recorded by Chick Corea and released in 1971. Oslo. The only musician featured on the album is Chick Corea on piano. allmusic. 2.#33 References [1] http:/ / www. Rest" – 13:19 Personnel • Chick Corea – Piano Charts 1971 . 2 32 Track listing All tracks composed By Chick Corea. 8. com/ album/ r137068 . 9. 4. 7. 6. Scenery. Imps Walk. "After Noon Song" – 2:53 "Song For Lee Lee" – 2:46 "Song For Thad" – 2:05 "Trinkle. except where indicated 1.Billboard Top Jazz Albums . 5.Piano Improvisations Vol. Tinkle" (Thelonious Monk) – 2:07 "Masqualero " (Wayne Shorter) – 5:40 "Preparation 1" – 2:41 "Preparation 2" – 0:58 "Departure From Planet Earth" – 7:41 "A New Place : Arrival. 3. It was recorded in November 1972 and produced by Manfred Eicher for ECM Records[2] . The album was followed up in 2008 with The New Crystal Silence. . 1972 Jazz 44:23 ECM Manfred Eicher Professional reviews • Allmusic link [1] Chick Corea chronology Piano Improvisations Vol.Crystal Silence 33 Crystal Silence Crystal Silence Studio album by Chick Corea Released Recorded Genre Length Label Producer 1973 November 6. 2 (1971) Crystal Silence (1972) Return to Forever (1972) Gary Burton chronology Alone at Last (1971) Crystal Silence (1973) The New Quartet (1973) Crystal Silence is an album by Chick Corea and Gary Burton. com/ album/ r136140 [2] "allmusic ((( Crystal Silence > Overview )))" (http:/ / www.2:42 "Feelings And Things" (M. 2.allmusic.2:11 "What Game Shall We Play Today" (Corea) .Crystal Silence 34 Track listing 1.com. www. . 7.Crystal Silence (LP) at Discogs" (http://www.com. 6. 4.6:20 "Arise. www.5:08 "I'm Your Pal" (Swallow) .3:46 Personnel • Chick Corea – piano • Gary Burton – vibraphone References [1] http:/ / www.4:46 "Children's Song" (Corea) .4:02 "Desert Air" (Corea) . 5.6:26 "Crystal Silence" (Corea) .com/ Gary-Burton-Chic-Corea-Crystal-Silence/release/374649). Gibbs) .9:05 "Falling Grace" (Swallow) . . Her Eyes" (Swallow) . External links • "Gary Burton / Chick Corea . Retrieved 2009-07-17.discogs. 9. 3. Retrieved 2009-07-17.discogs. allmusic. allmusic. com/ album/ r136140). "Señor Mouse" (Corea) . 8. The Leprechaun (Chick Corea album) 35 The Leprechaun (Chick Corea album) The Leprechaun Studio album by Chick Corea Released Genre Length Label Producer 1976 Jazz 37:48 Polydor Chick Corea Professional reviews • Allmusic link [1] Chick Corea chronology Piano Improvisations Vol. 2 (1971) The Leprechaun (1976) My Spanish Heart (1976) The Leprechaun is an album by Chick Corea recorded and released in 1976. The album was recorded during Corea's time with his jazz fusion group Return to Forever. Though the album is more jazz oriented than anything Return to Forever had produced up to that time, the fusion edge still rings through quite clearly. The Leprechaun (Chick Corea album) 36 Track listing All pieces composed by Chick Corea unless otherwise noted. Side one 1. 2. 3. 4. 5. "Imp's Welcome" – 2:56 "Lenore" – 3:26 "Reverie" – 2:01 "Looking at the World" (Lyrics: Neville Potter) – 5:29 "Nite Sprite" – 4:33 Side two 1. 2. 3. 4. "Soft and Gentle" (Gayle Moran) – 5:09 "Pixiland Rag" – 1:11 "Leprechaun's Dream Part 1" – 6:29 "Leprechaun's Dream Part 2" – 6:34 Personnel • • • • • • • • • • • • • • • Chick Corea – Piano, keyboards, Organ, Synthesizer, percussion Danny Cahn – Trumpet John Gatchell – Trumpet Bob Millikan – Trumpet Wayne Andre – Trombone Bill Watrous – Trombone Joe Farrell – Saxophone Ani Kavafian – Violin Ida Kavafian – Violin Louise Shulman – Viola Fred Sherry – Cello Eddie Gomez – Bass Anthony Jackson – Bass Steve Gadd – drums Gayle Moran – vocals External links • "Chick Corea - The Leprechaun (LP) at Discogs" [2]. www.discogs.com. Retrieved 2010-03-28. References [1] http:/ / www. allmusic. com/ album/ r137059 [2] http:/ / www. discogs. com/ Chick-Corea-The-Leprechaun/ release/ 838646 My Spanish Heart 37 My Spanish Heart My Spanish Heart Studio album by Chick Corea Released 1976 Recorded October, 1976 at Kendun Recorders Burbank, California Genre Length Label Jazz 77:03 Polydor Records Verve Records (reissue) Professional reviews • Allmusic link [1] Chick Corea chronology The Leprechaun (1976) My Spanish Heart (1976) The Mad Hatter (1978) My Spanish Heart is an album recorded by Chick Corea and released in 1976. The album combines jazz fusion pieces and more traditional Latin music pieces. The album includes use of full brass and string sections on some tracks. "El Bozo" suite relies heavily on the use of synthesizers while "Spanish Fantasy" suite is mostly acoustic. The first four tracks form a suite as well. My Spanish Heart is among the most successfully received Corea's albums among music critics. It received a five star review from Down Beat magazine. 2. Part 2" – 2:03 "El Bozo. 3. This track is included in recent CD editions (the absolute length of audio CDs has increased over the years due to more efficient designing systems) along with the previously unreleased track "The Clouds". Part 2" – 5:14 "Spanish Fantasy. 3. 3. Part 1 – 2:52 "El Bozo. "Spanish Fantasy. . Part 4" – 5:16 Bonus track 1. Part 3" – 5:03 Side four Spanish Fantasy . 4. Part 3" – 3:06 "Spanish Fantasy. 4. 2.20:42 1. 4. "Armando's Rhumba" – 5:19 El Bozo . "The Clouds" – 4:33 Note: "The Sky" was omitted in CD editions released during 1980s and 1990s due to efforts to make the whole double-LP to fit to one CD. "Night Streets" – 6:08 "The Hilltop" – 6:16 "The Sky" – 4:57 "Wind Danse" – 5:00 Side three 1. Due to consolidation in the record industry over the later part of the 20th century. 2. 4. "Prelude to El Bozo" – 1:34 "El Bozo. 3. Part 1" – 6:06 "Spanish Fantasy. a label that specializes in jazz.12:02: 1. recent issues of the album are now on Verve Records. 2.My Spanish Heart 38 Track listing All tracks composed by Chick Corea Side one 1. "Love Castle" – 4:45 "The Gardens" – 3:12 "Day Danse" – 4:27 "My Spanish Heart" – 1:37 Side two 1. Organ.Trumpet • John Thomas .Viola • David Speltz . Arrangement.My Spanish Heart 39 Personnel • • • • • • • • Chick Corea . Percussion.Percussion Jean-Luc Ponty .Cello • Brass section • Stuart Blumberg .Trumpet • John Rosenburg . com/ album/ r137064 .drums Narada Michael Walden . Synthesizer.Trombone Charts Chart (1976) Peak position 2 55 Billboard Top Jazz Albums Billboard Top Pop Albums References [1] http:/ / www.Violin Gayle Moran .Piano.Violin • Barry Socher . allmusic. Handclaps Don Alias . Production. Bass Guitar Steve Gadd .Violin • Carole Mukogawa . Composer Stanley Clarke .Double bass.Drums. Vocals.Trumpet • Ron Mass .Vocals String quartet • Connie Kupka . . as well as its title.The Mad Hatter (album) 40 The Mad Hatter (album) The Mad Hatter Studio album by Chick Corea Released Recorded Genre Length Label Producer 1978 Kendun Recorders Burbank. The track names for the album. California Jazz 50:03 Polydor Chick Corea Professional reviews • Allmusic link [1] Chick Corea chronology My Spanish Heart (1976) The Mad Hatter (1978) An Evening With Herbie Hancock & Chick Corea: In Concert (1978) The Mad Hatter is an album recorded by Chick Corea and released in 1978. are derived from the children's fairy-tale Alice's Adventures in Wonderland by Lewis Carroll. 7.Trumpet Ron Moss . 3.Cello Charts Year Chart Position 6 61 1978 Billboard Top Jazz Albums 1978 Billboard Top Pop Albums References [1] http:/ / www.drums Harvey Mason .Trombone Joe Farrell . Synthesizer. 1. 2.The Mad Hatter (album) 41 Track listing All pieces composed by Chick Corea.vocals Charles Veal . 9. com/ album/ r137062 .Trumpet • John Rosenburg .Piano. "The Woods" – 4:26 "Tweedle Dee" – 1:08 "The Trial" – 1:40 "Humpty Dumpty" – 6:30 "Prelude to Falling Alice" – 1:19 "Falling Alice" (Gayle Moran) – 8:18 "Tweedle Dum" – 2:51 "Dear Alice" (Gayle Moran) – 13:07 "The Mad Hatter Rhapsody" – 10:44 Personnel • Chick Corea . 8.Violin Denyse Buffum . Marimba. 5. additional lyrics as noted.Bass Eddie Gomez . 6. Arrangement • Stewart Blumberg .drums Gayle Moran . Piccolo Herbie Hancock . percussion.Viola Dennis Karmazyn .Trumpet • • • • • • • • • • • • • • John Thomas .Viola Michael Nowack . 4.Tenor Saxophone. allmusic. vocals. Flute.Bass Steve Gadd .Electric Piano on Falling Alice and The Mad Hatter Rhapsody Jamie Faunt .Violin Kenneth Yerke . .An Evening with Herbie Hancock & Chick Corea: In Concert 42 An Evening with Herbie Hancock & Chick Corea: In Concert An Evening With Herbie Hancock & Chick Corea: In Concert Live album by Herbie Hancock & Chick Corea Released Recorded Genre Length Label 1978 February. The album features just Herbie Hancock and Chick Corea each playing acoustic piano. 1978 Jazz 91:17 Columbia Professional reviews • Allmusic link [1] Herbie Hancock chronology Direct Step (1978) An Evening With Herbie Hancock & Chick Corea: In Concert (1978) The Piano (1979) Chick Corea chronology The Mad Hatter (1978) An Evening With Herbie Hancock & Chick Corea: In Concert (1978) Secret Agent (1978) An Evening With Herbie Hancock & Chick Corea: In Concert is a live album recorded over the course of several live performances in February 1978 and released that same year. The use of only acoustic piano comes as a marked departure from both men's favoring of electric keyboards and a more jazz fusion style at the time. The CD version avoids this issue. and therefore contains a lower sound quality. Morey) – 12:39 2. allmusic. The vinyl's liner notes state that the fourth side of the album's sound had to be compressed to fit the 35 minutes of "Maiden Voyage" and "La Fiesta" on one side. "Maiden Voyage" (Hancock) – 13:31 Side four 1. "February Moment" and its introduction are indexed as one track. released by Polydor. "Someday My Prince Will Come" (Churchill.An Evening with Herbie Hancock & Chick Corea: In Concert Herbie Hancock was credited with this album. Kahn) – 9:00 Side two 1. "Introduction of Herbie Hancock by Chick Corea" (Chick Corea) – 0:41 Side three 1. while Chick Corea was credited with the album CoreaHancock. "La Fiesta" (Corea) – 22:02 On vinyl. "February Moment" (Hancock) – 15:47 2. this was done to preserve the integrity of the performance. "Button Up" (Corea. "Liza (All the Clouds'll Roll Away)" (George Gershwin. another recording from the concert tour with the two artists. Hancock) – 17:37 2. com/ album/ r164342 . Personnel • Herbie Hancock – Piano • Chick Corea – Piano References [1] http:/ / www. 43 Track listing Side one 1. This album is one of three that Corea released in 1978.Secret Agent (album) 44 Secret Agent (album) Secret Agent Studio album by Chick Corea Released Recorded Genre Length Label 1978 1978. CA Jazz 42:58 Polydor Professional reviews • Allmusic link [1] Chick Corea chronology An Evening With Herbie Hancock & Chick Corea: In Concert (1978) Secret Agent (1978) Friends (1978) Secret Agent is an album by Chick Corea recorded and released in 1978. 1978 also featured the release of live albums An Evening With Herbie Hancock & Chick Corea: In Concert and RTF Live with Return to Forever. Producers Workshop Los Angeles. . along with The Mad Hatter and Friends in what was called an "almost impossibly active year"[2] . bass trombone Joe Farrell . 4" (Béla Bartók) – 3:34 "Hot News Blues" – 6:18 "Central Park" – 5:22 Personnel • • • • • • • • • • • • • • Chick Corea . choir Gayle Moran . vocals Allen Vizzutti . 5. allmusic. 3.vocals Al Jarreau . php?id=22225) John Kellman .cello. viola Carol Shive .violin. bass trombone Jim Pugh . percussion.piano. 3.trombone. tenor saxophone. bass flute.fretless bass Tom Brechtlein . 4. synth.trumpet Ron Moss . alto flute.vocals Notes [1] http:/ / www.violin. 2.percussion Charles Veal. com/ album/ r137070 [2] All About Jazz album review (http:/ / www. No. com/ php/ article.Secret Agent (album) 45 Track listing All pieces are composed by Chick Corea unless otherwise noted. "Golden Dawn" – 3:39 "Slinky" – 5:42 "Mirage" – 2:11 "Drifting" – 4:09 "Glebe St. Blues" – 6:58 Side two 1. allaboutjazz. soprano saxophone Bunny Brunel . 4.flute.trombone. "Fickle Funk" – 5:05 "Bagatelle. Side one 1. 2. flugelhorn Bob Zottola .trumpet. choir Paula Hochhalter .drums Airto Moreira . Group. Kendun Recorders Inc. a somewhat rare alternative cover replaces the Smurfs with porcelain animals. instead focusing on a quartet with straight-ahead jazz in mind. The album does away with the string and horn sections of previous albums. along with The Mad Hatter and Secret Agent. and received the 1979 Grammy award for Best Jazz Instrumental Performance. Friends was nominated for. The album cover features the Smurfs. .Friends (Chick Corea album) 46 Friends (Chick Corea album) Friends Studio album by Chick Corea Released 1978 Recorded 1978. 1978 also featured the release of live albums An Evening With Herbie Hancock & Chick Corea: In Concert and RTF Live with Return to Forever. possibly for copyright reasons. This album is one of three that Corea released in 1978. Burbank. CA Genre Length Label Jazz 50:22 Polydor PD-1-6160 (LP) Professional reviews • Allmusic link [1] Chick Corea chronology Secret Agent (1978) Friends Delphi (1978) I (1979) Friends is an album recorded and released by Chick Corea in 1978. Friends (Chick Corea album) 47 Track listing All pieces are composed by Chick Corea Side one 1. com/ album/ r137055 . electric piano. 2. 3. 2. tenor saxophone. arrangement Joe Farrell – soprano saxophone. "The One Step" – 6:05 "Waltse for Dave" – 7:32 "Children's Song No. flute Eddie Gomez – bass Steve Gadd – drums References [1] http:/ / www. 4. 4. 5 – 1:15 "Samba Song" – 10:00 Side two 1. allmusic. 3. "Friends" – 9:26 "Sicily" – 6:15 "Children's Song #15" – 1:10 "Cappucino" – 8:39 Personnel • • • • Chick Corea – piano. . is an album recorded by Chick Corea and released in 1979. Solo Piano Improvisations.Delphi I 48 Delphi I Delphi I Studio album by Chick Corea Released 1979 Recorded October 26 & 27. 1978 at The Delphian Foundation. Sheridan. Oregon Genre Length Label Jazz 44:12 Polydor Producer Chick Corea Professional reviews • Allmusic link [1] Chick Corea chronology Friends Delphi (1978) I (1979) Tap Step (1980) Delphi I. "Delphi VI" – 1:41 7. "Children's Song #20" – 4:53 10. com/ album/ r137051 . 2. T)" – 8:45 Personnel • Chick Corea – Piano References [1] http:/ / www. "Delphi VII" – 2:05 8.Delphi I 49 Track listing All music composed by Chick Corea. "Stride Time II (Soft Stride)" – 5:35 "Stride Time III (Soft Stride)" – 2:52 Stride Time IV (Stride Bop)" – 3:55 Stride Time V (Mr. "Delphi III" – 1:09 4. "Stride Time I" – 1:59 Side two 1. "Delphi V" – 0:54 6. "Delphi VIII" – 1:20 9. 3. "Delphi I" – 3:16 2. Side one 1. "Delphi IV" – 2:43 5. 5. 6. 4. "Delphi II" – 0:42 3. allmusic. T)" – 1:05 Stride Time VI (Stride Out)" – 1:18 Stride Time VII (Rhapsody for Mr. and Hancock was credited for An Evening with Herbie Hancock & Chick Corea: In Concert. It was recorded over the course of several live performances in February 1978 and released in 1979. . Corea has first billing on this album.CoreaHancock 50 CoreaHancock CoreaHancock Live album by Chick Corea and Herbie Hancock Released Recorded Genre Length Label 1979 February 1978 Jazz 71:41 Polydor Professional reviews • Allmusic link [1] Chick Corea chronology Delphi CoreaHancock I (1979) (1979) Delphi II & III (1980) Herbie Hancock chronology VSOP: Live Under the Sky (1979) CoreaHancock Monster (1979) (1980) CoreaHancock is an acoustic live album by Chick Corea and Herbie Hancock. another recording of the same concert tour released by Hancock's label. Four Hands") (Béla Bartók) -.8:26 "La Fiesta" (Corea) -.8:09 Personnel • • • • • • • • • • • • • • • • • • • Chick Corea .CoreaHancock 51 CD Track listing 1.3:02 "The Hook" (Corea. associate producer Les D. CD preparation David Rubinson – producer.19:12 "Ostinato" (from "Mikrokosmos for Two Pianos. Hancock) -. com/ album/ r137048 . 6. 4.13:30 "Bouquet" (Corea) -. digital remastering Ellie Hughes – design Tom Hughes – design Rory Kaplan – engineer Bernie Kirsh – engineer. Cooper – remote recording crew Biff Dawes – remote recording crew Dennis Drake – remixing. mixing Ray Thompson – remote recording crew Billy Youdelman – remote recording crew References [1] http:/ / www.19:22 "Maiden Voyage" (Hancock) -. 2. 5. allmusic. preparation. mixing Tony Cohan – liner notes Jeffrey Cohen – liner notes. "Homecoming" (Corea) -.piano Herbie Hancock .piano (except on "Bouquet") Phill Brown – mastering Fred Catero – remixing. editing Michael Manoogian – design Darryl Pitt – photography Seth Rothstein – liner notes. 3. remixing. It features live versions of tracks that the duo had also played on earlier studio albums (Crystal Silence and Duet). October 28. 1979 In Concert. Zürich. and released in 1980 as a double LP set. October 28. Track listing Track title "Señor Mouse" "Bud Powell" "Crystal Silence" "Tweak" "I'm Your Pal / Hullo. Zürich. 1979 is a Jazz album by Chick Corea (piano) and Gary Burton (vibraphone).In Concert. as the title suggests. 1979 52 In Concert. Mirror" "Song to Gayle" LP CD 9:51 10:17 8:30 8:40 11:52 12:09 5:58 6:58 14:35 5:04 5:26 6:57 6:08 n/a n/a 5:22 5:47 7:16 . Bolinas" (Burton solo) "Love Castle" (Corea solo) "Falling Grace" "Mirror. The album was subsequently reissued on a single CD and in the process shortened to 8 tracks for a length of 61:16. Zürich. 1979 (1980) Native Sense: The New Duets (1997) In Concert. Zürich. Zürich. containg the three albums: 'Crystal Silence' (1973). 1979 Live album (Double) by Chick Corea and Gary Burton Released Recorded Genre Length Label Producer 1980 Limmathaus. The ECM Recordings 1972-79' was released. 1979 Jazz 79:59 (2 LPs) 61:16 (1 CD) ECM Manfred Eicher Professional reviews • Allmusic link [1] Chick Corea and Gary Burton chronology Duet (1979) In Concert. October 28. October 28. October 28. October 28. Technical details In Concert was recorded live. Zürich. In 2009 the 4 CD set 'Crystal Silence. The original release contains 10 tracks with a total length of 79:59. 'Duet' (1979) and the full LP-edition of 'In Concert' (1980). allmusic. Individual or Group. distributed by Warner Bros. OCLC 7289392. Endless Pleasure" 4:48 5:37 Awards In Concert won the 1982 Grammy Award for Best Jazz Instrumental Album. Sources Chick Corea. References [1] http:/ / www. October 28. Records. Burbank. 1979 (LP recording. Zürich. California: ECM. October 28. and Steve Swallow. com/ album/ r137043 . Zürich. In Concert. 1979 53 "Endless Trouble. 1980). Gary Burton.In Concert. Sheridan. is a double album recorded by Chick Corea and released in 1980.Delphi II & III 54 Delphi II & III Delphi 2&3 Studio album by Chick Corea Released 1980 Recorded October 26 & 27. . 1978 at The Delphian Foundation. Solo Piano Improvisations. Oregon Genre Length Label Jazz 93:36 Polydor Producer Chick Corea Professional reviews • Allmusic link [1] Chick Corea chronology CoreaHancock (1979) Delphi 2&3 (1980) Tap Step (1980) Delphi 2&3. 1:48 9. "Ballet VII" . 8.3:53 . "Voices" – 2:41 "Spirits" . 5. 7. "New World I" – 1:02 "New World II" – 0:40 "New World III" – 1:26 "New World IV" – 1:08 "New World V" – 1:25 "New World VI" – 1:01 "Sad Song" – 9:17 "Samba" – 2:36 "North Brazil" – 3:20 Delphi 2 Side two 1. "Ballet V" . "Ballet VI" .0:40 14. "Ballet X" . 6. "Mime I" – 3:58 2. 4.0:32 8. "Mountain Top" – 6:39 2. "Poem I (Home)" . "Ballet IV" .0:38 15. 2.2:37 4. "Ballet XII" . 6.0:53 13. 4.2:59 6.0:20 12. "Ballet III" . "Ballet VIII" . 3.1:08 7. 9. 3. "Ballet I" . "Mime II" – 4:48 3. Delphi 2 Side one 1. 5.7:03 "Waltze for my Folks" – 4:48 "Unicorns I" – 2:17 "Unicorns II" – 2:17 Delphi 3 Side One 1. "Ballet IX" .0:25 11.0:38 5.Delphi II & III 55 Track listing All music composed by Chick Corea. "Ballet XI" . "Ballet II" .0:31 10. 4:46 "Poem V (Remember the Hearts)" .Delphi II & III 56 Delphi 3 Side Two 1.3:11 Personnel • Chick Corea – Piano . 4. 5. 3.11:08 "Poem II (Liana)" .3:17 "Poem III (Thaddeus)" .3:26 "Poem IV (Remember the Hearts)" . 2. "Concerto Flamenco" . A.". . recorded at Oceanway Recording Studio Jazz 40:38 Warner Bros. 1979 . 1980 Los Angeles. except "Samba L.Tap Step 57 Tap Step Tap Step Studio album by Chick Corea Released Recorded Genre Length Label Producer 1980 December. Chick Corea Professional reviews • Allmusic link [1] Chick Corea chronology Delphi I (1979) Tap Step (1980) Live In Montreux (1981) Tap Step is an album recorded by Chick Corea and released in 1980[2] .January. Love Castle Studio. • Shelby Flint . A.Piccolo bass and Talk box on Grandpa Blues • Joe Henderson . "Samba L. www. Moog 55. Retrieved 2009-04-14. .Piccolo bass on The Slide • Stanley Clarke .Trumpets on The Embrace.Snare Drums.. "Magic Carpet" – 6:51 "The Slide" – 6:47 "Grandpa Blues" (Vocoder Lyrics Chick Corea) . Pandero on Samba L.Tenor saxophone on Tap Step and Magic Carpet. Ganza. and Cuica on The Slide' • Laudir Oliveira .discogs. and The Embrace • Flora Purim ." (Lyrics Tony Cohan) – 5:52 2.4:03 "Flamenco" . A. External links • Allmusic Chick Corea Tap Step (http://www. and Agogo on The Slide • Hubert Laws . Retrieved 2009-08-25. Acoustic Piano.com/Chick-Corea-Tap-Step/release/ 832511).allmusic.A. Rhodes. "The Embrace" (Lyrics Tony Cohan) – 5:52 3.Vocals on Samba L. Piano. 3. • Nani Villa Brunel . Album) at Discogs" (http://www.Vocals on Samba L. Tap Step. Yamaha 2000 on The Embrace • Tom Brechtlein .3:34 Personnel • Chick Corea . • Airto Moreira . Tamborim. • Don Alias .Vocals on Samba L.Tap Step 58 Track listing All music composed and arranged by Chick Corea. 4.A.discogs.A.Surdo. Fender Rhodes.Congas on The Embrace.com. 2. OBX.com. Whistle Drums.A. Agogo .A. Magic Carpet and Flugelhorn on The Embrace • Joe Farrell . Minimoog. "Tap Step" – 8:19 Side two 1.Tap Step (LP. Side one 1. Handclaps • Gayle Moran .Fretless Bass on all tracks except Samba L. allmusic. Tamborim on Samba L.allmusic. com/ album/ r137073). allmusic.A. www. com/ album/ r137073 [2] "allmusic ((( Tap Step > Overview )))" (http:/ / www.Tenor saxophone on Flamenco References [1] http:/ / www.com/album/r137073) • "Chick Corea . Soprano saxophone on Flamenco • Jamie Faunt .Drums on all tracks except Samba L. .Clavinet. Vocoder. Magic Carpet and Lya drums on The Slide • Al Vizzutti .Flute on The Embrace and Piccolo on Flamenco • Bunny Brunnel .A.Vocals on Samba L. 2 (Part II) is dedicated to jazz saxophone legend John Coltrane. bassist Eddie Gomez. Classical. and drummer Steve Gadd. "Quartet No. incorporating many of the Western classical harmonies and tensions that Ellington used in much of his playing.Part I (Dedicated to Duke Ellington)" – (7:09) "Quartet No. The second track. he would use jazz instrumentation. and Impressionist periods. 4. 2 . however. These are: • "Folk Song" – (5:51) . 2 (Part I) is a ballad.Part II (Dedicated to John Coltrane)" – (12:01) The CD reissue contains several tracks that were recorded during the same sessions as the original album but not released at the time. 3. Quartet No. Quartet No. 1 uses a 1-chord (G altered) solo vamp over a rock beat in 3/4. Romantic. 3" – (9:41) "Quartet No. and a repeated theme that uses stacked fourths. All compositions are by Corea who wanted to create an album of quartets like the many string quartets of the Baroque. in collaboration with saxophone giant Michael Brecker. California Genre Length Label Jazz 39:03 Stretch Records Professional reviews • Allmusic link [1] Three Quartets is a jazz album released in 1981 by American jazz pianist Chick Corea. Track listing (All compositions by Chick Corea except "Confirmation" by Charlie Parker) 1. 1" – (10:16) "Quartet No. dedicated to jazz pioneer Duke Ellington. 2. Quartet No. 2 .Three Quartets 59 Three Quartets Three Quartets Studio album by Chick Corea Released 1981 Recorded January/February 1981 at Mad Hatter Studios Los Angeles. 60 Personnel • • • • • • • • • • • • • • • Chick Corea .Assistant Engineer References [1] http:/ / www.Graphic Design Andy Baltimore .Double Bass Steve Gadd .Remastering Sonny Mediana .Three Quartets • "Hairy Canary" – (3:43) • "Slippery When Wet" – (6:02) • "Confirmation" – (6:17) Corea plays drums on "Confirmation" instead of Steve Gadd. allmusic.Tenor saxophone Eddie Gomez .drums Stephen Marcussen .Art Producer Duncan Aldrich . com/ album/ r164139 .Creative Director Andy Ruggirello .Post Producer Dan Serrano .Graphic Design Joel Strote .Project Coordinator Richard Veloso .Piano Michael Brecker .Photography Susan Garson .Graphic Design Darryl Pitt .Associate Executive Producer Adam Zelinka . South Africa Genre Length Label Jazz 45:01 Elektra/Musician Producer Chick Corea Professional reviews • • Allmusic Artist direct link [2] link [1] Chick Corea chronology Trio Music (1982) Again and Again (1983) On Two Pianos (1983) Again and Again is an album recorded by Chick Corea in 1982 in the middle of a South African tour and released in 1983. 1982 at the recording studio of the South African Broadcasting Company. .Again and Again (album) 61 Again and Again (album) Again and Again Studio album by Chick Corea Released 1983 Recorded March 23. 3.Percussion • Tom Brechtlein . Minimoog. 5. Soprano Saxophone. 2. 6.Fender Rhodes.Again and Again (album) 62 Track listing All tracks by Chick Corea 1. com/ album/ r157710 [2] http:/ / www. com/ nad/ store/ artist/ album/ 0. html . Hohner Duo.. allmusic. artistdirect. "Quintet #3" – 9:24 "Waltze" – 7:56 "Again and Again" – 4:19 "1-2-1234" – 4:06 "Diddle Diddle" – 8:15 "Twang" . Prime Time digital delay Cowbell and Chinese Cimbal on Twang • Steve Kujala . 4.Flutes.11:01 Personnel • Chick Corea . Yamaha GS-1.00.69218.Drums References [1] http:/ / www. OB-Xa.Electric Bass • Don Alias . Tenor Saxophone • Carles Benavent . Children's Songs 63 Children's Songs Children's Songs Studio album by Chick Corea Released Recorded Genre Length Label Producer 1983 July 1983 Jazz. 2. No.6 No.5 No. 6. No. Classical 36:14 ECM ? Professional reviews • Allmusic link [1] Chick Corea chronology Touchstone (1982) Children's Songs (1983) Septet (1984) Children's Songs is an album by Jazz pianist Chick Corea. 4. Corea began writing the first song in 1971. No. Track listing 1. Children's Songs mainly consists of short songs with simple themes.1 No. 9.10 11. 8.4 No.2 No. 5.8 No. 3. including: • • • • • use of the pentatonic scales employment of unusual time signatures and cross-rhythms expressing a complex variety of atmosphere in a relatively short time increasing difficulty and complexity through the sequence intention of creator. No. In the preface of the annotated version Corea stated that he aimed "to convey simplicity as beauty. released in 1983. There are stylistic and structural parallels to the cycle Mikrokosmos. 7. which capture a variety of melodies and moods. as represented in the Spirit of a child".9 10.12 .11 12. by Béla Bartók. There is little development in the pieces.3 No.7 No. 19 No. Track listing 1. 14. This album with just Chick Corea on acoustic piano and Steve Kujala on flute does just that.Piano • Fred Sherry .Children's Songs 13. 15.flute . allmusic. it seems he felt it was time to settle down.Voyage (1984).Cello • Ida Kavafian .15 No. Star Island 4. This album is the epitome of Corea's ECM era (discounting the 'Return to Forever' LP). No.16 & 17 No.18 No. Mallorca 2. cello and piano) 64 Personnel • Chick Corea . com/ album/ r137044 Voyage (album) Chick Corea and Steve Kujala . 20. 18. Hong Kong Personnel 1. 16.(for violin.Violin References [1] http:/ / www. Steve Kujala . Free Fall 5.acoustic piano 2.13 No. Chick Corea . After having been involved in creating one of the 70's best fusion supergroups (RTF). Diversions 3. 17.14 No. 19.20 Addendum . "Time Track" – 5:02 6. "Hymn of the Heart" – 6:40 12. saxophonist Eric Marienthal. "View from the Outside" – 6:33 10. "Kaleidoscope" – 8:03 Tracks 10-12 are omitted from the original release and appear only on CD reissues. "Your Eyes" – 3:56 8.Light Years (Chick Corea album) 65 Light Years (Chick Corea album) Light Years Studio album by Chick Corea Elektric Band Released Genre Length Label Producer 1987 Fusion. "Second Sight" – 4:12 3. "Starlight" – 3:51 7. drummer Dave Weckl and bassist John Patitucci. . It features Chick Corea with guitarist Frank Gambale. Also guitarist Carlos Rios plays on some tracks. Jazz fusion 59:40 GRP Records Chick Corea Chick Corea Elektric Band chronology Chick Corea Elektric Band (1986) Light Years (1987) Eye of the Beholder (1988) Light Years is a 1987 Album by the Chick Corea Elektric Band. "The Dragon" – 5:31 9. "Flamingo" – 4:08 4. "Prism" – 3:29 5. Track listing 1. "Light Years" – 3:51 2. "Smokescreen" – 4:24 11. 2. 8.Eye of the Beholder (album) 66 Eye of the Beholder (album) Eye of the Beholder Studio album by Chick Corea Elektric Band Released Genre Length Label Producer 1988 Fusion. "Ezinda" – 6:54 .Part II" – 5:18 "Trance Dance" – 5:50 9. 6. It features Chick Corea with guitarist Frank Gambale.Part I" – 1:53 "Cascade . Track listing 1. saxophonist Eric Marienthal. 7. 3. "Home Universe" – 2:43 "Eternal Child" – 4:51 "Forgotten Past" – 2:58 "Passage" – 4:55 "Beauty" – 7:55 "Cascade . Jazz fusion 53:21 GRP Records Chick Corea Professional reviews • Allmusic [1] Chick Corea Elektric Band chronology Lightyears (1987) Eye of the Beholder (1988) Inside Out (1990) Eye of the Beholder is a 1988 Album by the Chick Corea Elektric Band. "Eye of the Beholder" – 6:38 10. drummer Dave Weckl and bassist John Patitucci. 5. 4. mixing Ron Moss – producer Mike Reese – mastering Larry Rosen – producer References [1] "allmusic ((( Eye of the Beholder > Overview )))" (http:/ / www. piano. Retrieved 2009-12-20. www.allmusic. mixing Frank Gambale – guitar Eric Marienthal – saxophone John Novello – synthesizer John Patitucci – bass Dave Weckl – drums Other personnel • • • • • • Duncan Aldrich – assistant engineer Dave Grusin – producer Bernie Kirsh – engineer. allmusic.com. "Amnesia" – 3:26 67 Personnel • • • • • • Chick Corea – synthesizer.Eye of the Beholder (album) 11. arranger. . producer. keyboards. . liner notes. com/ album/ r158495). engineer. Chick Corea returned to acoustic jazz with this trio date. featuring Chick Corea with John Patitucci and Dave Weckl. Enlisting Elektric Band sidemen John Patitucci and Dave Weckl. reveling in drama and melodrama. flawlessly executing complicated ideas. Corea swings through ten tracks with noticeably mixed results."[2] . The Allmusic review by Daniel Gioffre states: "After recording a string of fusion records in the late '80s with his Elektric Band. The leader is as romantic as ever. playing with bravado even on ballads.Chick Corea Akoustic Band 68 Chick Corea Akoustic Band Akoustic Band Studio album by Chick Corea's Akoustic Band Released Recorded Genre Length Label Producer 1989 1989 Post-bop 60:29 GRP Records Chick Corea Professional reviews • Chick Corea Akoustic Band [1] at Allmusic Chick Corea's Akoustic Band chronology Summer Night live (1987) Akoustic Band (1989) Live from Blue Note Tokyo (1996) Akoustic Band is a 1989 album by Chick Corea's Akoustic Band. Mills. com/ album/ r164147) accessed 24 March 2010 . Wood) – 4:47 3.piano • John Patitucci . Allmusic Review: Akoustic Band (http:/ / www. allmusic.bass • Dave Weckl .C (Terminal Baggage Claim)" (Corea) – 5:15 9.B. Churchill. Prevert) – 8:16 6.drums References [1] http:/ / www. Mercer. com/ album/ r164147 [2] Gioffre. Morey) – 6:14 7. "Someday My Prince Will Come" (Churchill. "My One and Only Love" (Gershwin. D. allmusic. Mellin. "T. "So in Love" (Porter) – 6:55 4. NYC Personnel • Chick Corea . "Morning Sprite" (Chick Corea) – 6:33 8. "Bessie's Blues" (Coltrane) – 4:57 2. Parish) – 5:07 5.Chick Corea Akoustic Band 69 Track listing 1. "Spain" (Corea) – 5:52 • Recorded at Clinton Recording Studios. "Sophisticated Lady" (Ellington. Gershwin. "Autumn Leaves" (Kosma. "Circles" (Corea) – 6:33 10. Charlie Brown is a TV documentary that celebrates 25 years of the Peanuts comic strip. 1976. Charlie Brown Happy Anniversary. Charlie Brown 70 Happy Anniversary. Charlie Brown Happy Anniversary. Schulz Phil Roman Carl Reiner Duncan Watson Melanie Kohn Liam Martin Lynn Mortensen Greg Felton Bill Meléndez Linda Ercoli Theme music composer Vince Guaraldi Production Executive producer(s) Producer(s) Running time Lee Mendelson Bill Meléndez 60 min. 1976 Chronology Preceded by Followed by Charlie Brown and Charles Schulz Happy Birthday. Broadcast Original channel First shown in CBS January 9. Voice actors • • • • • • • • Duncan Watson: Charlie Brown Lynn Mortensen: Lucy Van Pelt Liam Martin: Linus Van Pelt Bill Melendez: Snoopy & Woodstock Gail M. Charlie Brown Genre Created by Directed by Presented by Voices of Documentary TV Special Charles M. Davis: Sally Brown Greg Felton: Schroeder Stuart Brotman: Peppermint Patty James Ahrens: Marcie . Carl Reiner hosted.Happy Anniversary. The special first aired January 9. 1990 Jun 23. 3. 4. 5. 1990-Jun 27.Play (Chick Corea and Bobby McFerrin album) 71 Play (Chick Corea and Bobby McFerrin album) Play Live album by Bobby McFerrin & Chick Corea Released Recorded Length Label Producer Jun 23. "Spain" – 10:12 "Even From Me" – 6:34 "Autumn Leaves" – 11:41 "Blues Connotation" – 7:13 "'Round Midnight" – 7:59 "Blue Bossa" – 6:14 . 1990 49:53 Blue Note Linda Goldstein Professional reviews • Allmusic link [1] Play is an album by Bobby McFerrin and Chick Corea. Track listing 1. 6. 2. Performer Production • • • • • • • • Adam Pinch – Engineer Patrick Roques – Design Chris Tergesen – Engineer. com/ album/ r159733 .Play (Chick Corea and Bobby McFerrin album) 72 Personnel • Chick Corea – Producer. Mixing Linda Goldstein – Producer John Harris – Engineer Bernie Kirsh – Engineer Greg Calbi – Mastering Cynthia Cochrane – Art Direction References [1] http:/ / www. Performer • Bobby McFerrin – Producer. allmusic. "Terrain" – 6:05 6. "Piano Intro to New Life" – 4:07 10. "Bass Intro to Discovery" – 3:20 8. 1. "New Life" – 11:08 . Track listing All tracks by Chick Corea. "Arndok's Grave" – 4:33 7. 1995 Jazz 57:13 GRP Records Chick Corea Professional reviews • Allmusic [1] Chick Corea chronology Expressions (1994) Time Warp (1995) The Mozart Sessions (1996) Time Warp is an album released by Chick Corea in 1995. "Discovery" – 9:04 9. "The Wish" – 7:39 4. "Tenor Cadenza" – 1:46 5. "Time Warp" – 3:11 3. "One World Over (Prologue)" – 0:51 2.Time Warp (album) 73 Time Warp (album) Time Warp Studio album by Chick Corea Released Genre Length Label Producer August 29. com/ album/ r227676).chickcorea.com/ . External links • Chick Corea .piano John Patitucci . .tenor saxophone Charts Chart (1995) Peak position 17 [2] Billboard Top Jazz Albums References [1] "allmusic ((( Time Warp > Overview )))" (http:/ / www. allmusic. . com/ album/ r227676).Time Warp (album) 11. Retrieved 2010-06-06.Official Website: http://www. allmusic. Retrieved 2010-06-06.bass Gary Novak . [2] "allmusic ((( Time Warp > Charts & Awards > Billboard Albums )))" (http:/ / www. "One World Over" – 5:29 74 Personnel • • • • Chick Corea . allmusic.com.com.drums Bob Berg . allmusic. Live at the Blue Note (Chick Corea album) 75 Live at the Blue Note (Chick Corea album) Live at Blue Note Live album by Chick Corea & Origin Released Recorded Genre Length Label Producer 1998 Dec 1997 Jazz 65:23 Stretch Records Chick Corea Professional reviews • • Allmusic [2] All About Jazz, not rated, Chick Corea & Origin chronology Live at Blue Note (1998) A Week at The Blue Note (1998) [1] Live at Blue Note is the first recording of the acoustic jazz sextet Origin featuring Chick Corea on piano. The album was recorded during a week-long gig in December '97. Live at the Blue Note (Chick Corea album) 76 Track listing 1. 2. 3. 4. 5. 6. 7. "Say It Again, Pt. 1" (Corea) – 1:30 "Say It Again, Pt. 2" (Corea) – 1:29 "Double Image" (Corea) – 17:31 "Dreamless" (Corea) – 10:53 "Molecules" (Corea) – 11:26 "Soul Mates" (Corea) – 9:00 "It Could Happen to You" (Burke, VanHeusen) – 13:34 Personnel • • • • Avishai Cohen – acoustic bass Chick Corea – piano Adam Cruz – drums Bob Sheppard – flute, baritone saxophone, soprano saxophone, tenor saxophone Production • • • • • • • • • • Chick Corea – producer, liner notes, executive producer, artwork, mixing Tom Banghart – assistant engineer Evelyn Brechtlein – project coordinator Jordan d'Alessio – assistant engineer Bernie Kirsh – engineer, mixing Darren Mora – assistant engineer Ron Moss – executive producer, photography Robert Read – assistant engineer Eric Seijo – engineer Alan Yoshida – mastering References [1] "allmusic ((( Origin: Live at Blue Note > Overview )))" (http:/ / www. allmusic. com/ album/ r355317). www.allmusicguide.com. . Retrieved 2010-06-05. [2] "Chick Corea and Origin" (http:/ / www. allaboutjazz. com/ php/ article. php?id=2810). www.allaboutjazz.com. . Retrieved 2010-06-05. Like Minds (album) 77 Like Minds (album) Like Minds Studio album by Gary Burton, Chick Corea, Pat Metheny, Roy Haynes, Dave Holland Released Recorded Genre Length Label Producer 1998 Avatar Studio "A", New York City, Dec 15-17, 1997 Jazz 68:25 Concord Gary Burton Professional reviews • Allmusic link [1] Like Minds is a 1998 jazz album by vibraphonist Gary Burton with Chick Corea, Pat Metheny, Roy Haynes, and Dave Holland. The album won a Grammy Award in 1999 for Best Jazz Instrumental Performance, Individual or Group. Track listing 1. "Question and Answer" (Metheny) – 6:24 2. "Elucidation" (Metheny) – 5:21 3. "Windows" (Corea) – 6:17 4. "Futures" (Corea) – 10:41 5. "Like Minds" (Burton) – 5:50 6. "Country Roads" (Burton) – 6:26 7. "Tears of Rain" (Metheny) – 6:33 8. "Soon" (Gershwin) – 6:24 9. "For a Thousand Years" (Metheny) – 5:23 10. "Straight Up and Down" (Corea) – 9:02 Total time: 68:25 com/ php/ review_center. php?in_album=Like%20Minds [3] http:/ / www. allmusic.com [3] References [1] http:/ / www.Like Minds (album) 78 Personnel • • • • • Gary Burton – vibes Chick Corea – piano Pat Metheny – guitar Roy Haynes – drums Dave Holland – bass Sources and external links • Reviews [2] at allaboutjazz. com . com/ album/ r381371 [2] http:/ / www. allaboutjazz. allaboutjazz. concerto (1999) (1999) [1] Change is the first studio recording of the acoustic jazz sextet Origin featuring Chick Corea on piano. Ron Moss Professional reviews • • Allmusic [2] All About Jazz. The sextet is unchanged except for Jeff Ballard replacing Adam Cruz on drums. The album was released on Rykodisc on June 8. Chick Corea & Origin chronology A Week at The Blue Note (1998) Change corea. 1999 Jazz 69:46 Rykodisc Chick Corea.Change (Chick Corea album) 79 Change (Chick Corea album) Change Studio album by Chick Corea & Origin Released Genre Length Label Producer June 8. . not rated. 1999. allaboutjazz. "Wigwam" (Corea) – 6:56 2.com. External links • "Chick Corea & Origin .Change (Chick Corea album) 80 Track listing 1. . . [2] "Chick Corea & Origin" (http:/ / www. soprano saxophone. Album) at Discogs" (http://www. marimba. mixing Tom Legoff – photography Karen Miller – photography Ron Moss – producer. Retrieved 2010-06-07.discogs. "The Spinner" – 7:56 9. "Awakening" – 6:17 Personnel • Avishai Cohen – acoustic bass • Chick Corea – piano. www.com. "Compassion [Ballad]" – 7:47 10.Change (CD. "Night (Lyla)" (Cohen) – 3:02 11. . "Before Your Eyes" – 5:08 6. Retrieved 2010-06-07.com/ Chick-Corea-Origin-Change/release/1469068). www. "Armando's Tango" – 5:54 3. soprano saxophone Steve Davis – trombone Production • • • • • • • • • • Bob Cetti – assistant engineer Chick Corea – producer. com/ php/ article. Scenes" – 5:36 7. flute. "L. mixing Lourdes Delgado – photography Bernie Kirsh – engineer. "Early Afternoon Blues" – 6:37 5. "Little Flamenco" – 6:42 4. allmusic.discogs. executive producer Eric Seijo – assistant engineer Darren Wong – design Alan Yoshida – mastering References [1] "allmusic ((( Change > Overview )))" (http:/ / www. allaboutjazz. handclapping Bob Sheppard – bass clarinet. handclapping • • • • Jeff Ballard – drums. executive producer. com/ album/ r421142).com. baritone saxophone.A. php?id=4285). allmusic. "Home" – 7:51 8. alto saxophone. Retrieved 2010-06-07. tenor saxophone Steve Wilson – clarinet. flute. post-bop 68:16 Stretch Chick Corea Professional reviews • • • • • Allmusic link The Observer The Star-Ledger The Times [2] All About Jazz link [1] Chick Corea Elektric Band chronology Elektric Band II: Paint the World (2003) To the Stars (2004) The Ultimate Adventure (2006) To the Stars is an album by American jazz fusion group the Chick Corea Elektric Band. 2004 by Stretch Records. Hubbard's book tells the story of an interstellar crew which experiences the effects of time dilation due to traveling at near light speed. Jazz musician Chick Corea. Ron Hubbard's science fiction 1954 novel To the Stars. The Ultimate Adventure. Corea later produced another album. was inspired by Scientology founder L. a longtime member of the Church of Scientology. 2004 2004 Jazz fusion. .To the Stars (album) 81 To the Stars (album) To the Stars Studio album by Chick Corea Elektric Band Released Recorded Genre Length Label Producer August 24. A few days experienced by the ship's crew could amount to hundreds of years for their friends and family back on Earth. and he created the album as a tone poem piece. Scientology-owned Galaxy Press reissued the book at the same time as the album's release as a form of cross-marketing. It was the first time members of his group Chick Corea Elektric Band had gotten together since 1991. also inspired by and named after a work by Hubbard. Corea was influenced in particular by a scene from Hubbard's work where one of the main characters plays the piano. released on August 24. Top Contemporary Jazz charts in September 2004.[11] The album cover utilizes the same design as the novel. and the fact that he's the founder of the Church of Scientology and Dianetics. 10 are directly based on characters or concepts from the book.[4] Of the album's 17 tracks. the thing I loved about Hubbard was the aesthetics of his writing.[5] The protagonist of the book (scientist Alan Corday).[4] "The attraction to me was not only the challenge of writing music portraying characters in a fiction book but the fact that I've had such an intimate connection with L.[8] [10] Corea would go on to compose another album in 2006. It reached number eight on the U. The Ultimate Adventure.[7] and after writing down musical composition based on Hubbard's work the album was created as a tone poem piece. Ron Hubbard as the ideal artist.[15] .[4] Mike Manoogian designed the cover and book design for the 2004 hardcover edition of the novel To the Stars. Ron Hubbard Library. and the Earth experiences hundreds of years while only a few days have passed for members of the ship. my passion for the Elektric Band as a perfect orchestra. Christopher Blagg of the Boston Herald commented: "Somewhere L. and garnered Corea a 2004 Grammy Award nomination for instrumental arrangement for the track "The Long Passage". including bassist John Patitucci.[4] Previous tone poem albums by Corea include The Leprechaun (1975).[4] The crew have no family or friends on Earth due to the time that separates them." said Corea to The San Diego Union-Tribune. 82 Inspiration Hubbard's To the Stars depicts a future where an interstellar ship travelling at near light speed slows down time experienced for its occupants. The novel To the Stars was reissued by Scientology-owned Galaxy Press at the same time as the album as a form of cross-marketing."[4] The album is his "favorite recording" out of his almost one hundred album discography. and the ship's name (Hound of Heaven) are all titles of tracks on the album. Ron Hubbard and his work in Scientology for 40 years now.[10] Production Corea brought together the original members of Chick Corea Elektric Band for the first time since 1991. I've been a fan of his fiction for 25 years. short musical interludes between the larger pieces." and Mike Hobart of the Financial Times described the album as "a fine programme of jazz-fusion".[6] He had read the book eight or nine times. My Spanish Heart (1976). drummer Dave Weckl.S.[9] "Aside from the content in his message.[3] The ship's members are affected by Albert Einstein's time dilation theory.[14] Corea's 2004 piece "The Adventures of Hippocrates" was inspired by a robot like character named "Hippocrates" from Hubbard's science fiction series Ole Doc Methuselah. the ship's captain (Captain Jocelyn). Ron Hubbard was smiling.[8] The piece is Corea's first attempt at musical interpretation from one of Hubbard's works. and the artwork is copyrighted by the L. it had an extra special excitement to me. Corea commented that To the Stars represented a synergy of his three greatest passions: "My passion as a composer/performer.[3] Gambale's electric guitar playing figures prominently in some of the tracks.[5] Corea explains at his website how he was motivated to work on music inspired by To the Stars. also inspired by and named after a book by Hubbard. and once I started into the act of working with his creations.To the Stars (album) The album received mostly positive reviews. and The Mad Hatter (1978).[9] which earned him two Grammy Awards. commenting that he was inspired by a scene from the book in which Hubbard describes the Captain of the spaceship in the story playing a melody on a piano. and my passion for L. saxophonist Eric Marienthal and guitarist Frank Gambale. Corea's soundtrack to the novel was issued by Galaxy Press to give the company's "enormous marketing muscle" the ability to "tap into the vast Hubbard fan base".[12] [13] According to Publishers Weekly." he said in an interview with The Washington Post. There is a musical wavelength to what he does.[3] The other seven tracks are "Port Views".[3] In a statement in The Harvard Crimson. John Bungey comments that "many of the pieces are straitjacketed into the cosmic concept". "Port View 1" 3.[23] Christopher Blagg of the Boston Herald liked "the dense electrified samba of the joyous 'Mistress Luck ."[5] In his review of Corea's later work The Ultimate Adventure.[3] Mike Joyce of The Washington Post also appreciated the "flamenco-tinged ballad" of the "Alan Corday" track." but he also describes its aesthetics as "cluttered and gaudy". Walters gave the album a negative review in The Guardian. "Alan Corday" 9.. "Port View 4" 10.[20] three and a half stars from The Star-Ledger.[28] Track listing All music composed by Chick Corea.[18] The album received a rating of three stars from Allmusic.[19] three stars from The Observer. then you will be hoping that Corea leaves the space helmet at home next time. very much. "Johnny's Landing" 7. the music's inspirational source was irrelevant as a fine programme of jazz-fusion poured out". Ben Ratliff of The New York Times writes: "I did like the driving.'this album contains dangerously high levels of Scientology'". collective muscle of the band. and calls "Alan Corday" the best piece on the album.[7] James F.[22] In a review of the work in The Washington Post.. "Check Blast" 2. "Port View 3" 8. writing: "To The Stars is a testament to his [Corea's] unflagging creativity and is a proud addition to his already expansive discography.To the Stars (album) 83 Reception The album reached number eight on Billboard magazine's Top Contemporary Jazz charts in September 2004. it's a journey that's too long to take. Title 1.'"[3] Himes highlights Corea's compositions of the seven "Port View" interludes. on the other hand.[21] and four stars from The Times. electronic bubblegum music that sounded like a cheesy video-game soundtrack. "Mistress Luck-A Portrait" 4. though. "Port View 2" 6. through conceptual purgatory". and commented: "Somewhere L. "Hound of Heaven" Length 3:38 0:54 5:31 3:23 1:10 10:39 2:30 7:08 1:38 6:15 . it's a supreme accomplishment with difficult technique passages and broad soundscapes. Geoffrey Himes writes that "Corea occasionally falls into his old bad habits of jazz-rock fusion excess."[26] Writing in The Times. Will Friedwald of The New York Sun writes: "'To the Stars' was trite."[4] Mike Hobart reviewed the album for Financial Times. writing that the album "cries out for warning stickers . and that it "drags some perfectly fine jazz musicians . Ron Hubbard was smiling.[16] [17] and Corea earned a 2004 Grammy Award nomination for instrumental arrangement for the track "The Long Passage". Associate Music Editor Justin Cober-Lake writes: "In many ways. "Mistress Luck-The Party" 5."[27] John L. concluding his review with: "If you prefer hi-fi to sci-fi.[25] In his review of the album.[12] For PopMatters."[24] Bob Young of the Boston Herald described the album as "music that shifts continually from bright.The Party'". commenting that "once the band had delivered its first unison riff. Collins gave the album a positive review in The Harvard Crimson. substituting frenetic virtuosity for melodic content and emotional connection on tunes such as the album-opening 'Check Blast' and 'Hound of Heaven. To the Stars No. aggressive jazz fusion to melodic tranquility and back again". chickcorea. Union-Tribune Publishing Co. The Santa Fe New Mexican: p.Official Website. Archived from the original (http:/ / www. washingtonpost. [8] Weideman. Chick Corea . com/ article. WE10. signonsandiego. shtml). "Elektric Band and Chick Corea Resynergize: Jazz great teams up with old band for tour. The Washington Post. [4] Collins. 2004). The Washington Post Company. Paul (August 13. 2004). allmusic. producer. php?id=14522 [3] Himes. Boston Herald.To the Stars (album) 84 11. html). "Port View 5" 12. "KLASSICAL EKCLECTIC CHICK". [9] Harrington. keyboards. "Chick Corea Elektric Band: To the Stars" (http:/ / www. html).Chick Corea in interstellar overdrive after inspiration from L. Retrieved 2008-06-06. PopMatters Music Review. . "The Long Passage" 13. [10] Gilbert. chickcorea. "Port View 7" 16. www. com/ wp-dyn/ articles/ A60024-2004Nov18. "Corea's Fresh Riff On an Old Refrain" (http:/ / www. The Harvard Crimson. .com. 2004). Inc. Bob (November 20. com/ uniontrib/ 20040812/ news_lz1w12corea1. . The Harvard Crimson. Retrieved 2008-06-06. com/ to_the_stars. html).chickcorea. The San Diego Union-Tribune. 2006). ""To The Stars" . html). com/ to_the_stars. com/ wp-dyn/ content/ article/ 2006/ 04/ 27/ AR2006042700728_pf. "'This is a very big challenge for me' . archive. Richard (April 28. [5] Cober-Lake. com/ php/ article. Geoffrey (November 19. washingtonpost. Ron Hubbard's works". "Captain Jocelyn-Tribute by His Crew" 17. Retrieved 2008-06-05. 2008. popmatters. html) on March 29. com/ album/ r704042 [2] http:/ / www..popmatters. 2004). (December 3.The Chick Corea Elektric Band" (http:/ / web. Retrieved 2008-06-06. www. . org/ web/ 20080329091001/ http:/ / www. aspx?ref=504861). . "Captain Jocelyn-The Pianist" 1:14 10:46 1:35 5:01 2:32 2:02 2:12 Personnel Band members • • • • • Frank Gambale – guitar Chick Corea – piano.com. "Jocelyn-The Commander" 15. Andrew (August 12. Retrieved 2008-06-06. WE07.Chick Corea 'poured a lot of love and energy' into 'The Adventures of Hippocrates'" (http:/ / www. [7] Young. Justin.Sci-fi on the hi-fi . liner notes Eric Marienthal – saxophone John Patitucci – bass Dave Weckl – drums Additional personnel • • • • • • • • • Bernard Alexander – piano tuner Brian Alexander – keyboard technician Bob Cetti – assistant engineer Bernie Grundman – mastering Joe Hesse – equipment manager Bernie Kirsh – engineer Rik Pekkonen – mixing Emanuele Ruffinengo – assistant producer Pernell Saturnino – percussion. "MUSIC . com/ music/ reviews/ c/ coreachick-tothestars. allaboutjazz. [6] Smith. Retrieved 2008-06-06. guest appearance References [1] http:/ / www. "CHICK COREA ELEKTRIC BAND "To the Stars" Stretch/Concord" (http:/ / www. p. thecrimson. 2004). . P27. James F. album with sci-fi literary influence" (http:/ / www. p. . Christopher. The Washington Post. The Washington Post Company. "Port View 6" 14.. Jerusalem Post.chickcorea. Allmusic.html). 12. Retrieved 2008-06-06. [17] Billboard. Ron Hubbard?" (http:/ / fr. that Chick Corea. 2004). Source: Billboard-SoundScan Inc. Chick Corea . "Longtime love of music powers pianist Chick Corea". The New York Sun.1337960. "Corea's reunited Elektric Band leads new releases . . L. nysun. "Warning: may contain bagpipes: Orchestra Macaroon have mixed conga. One. . GT14. Macrovision Corporation. 2004). Retrieved 2008-06-06.com. Hollywood: Galaxy Press. Somehow it works" (http:/ / arts. [15] Scott. Will (April 14.jpost.Corea fans thank their lucky `Stars'". 2004). Ron (2004). and he knows the value of contrast and surprise" (http:/ / www. [25] Hobart. co. Daily News of Los Angeles: p. com/ 2004/ 11/ 11/ arts/ music/ 11core. . • Smith. ISBN 1592121756. 2004). . "Who was L.chickcorea.00. The Observer. Christopher. allmusic. John L. Mike (July 15. (October 29.Official Website. sea samples and pipes. [21] McManus. "Jazz Review . Financial Times (The Financial Times Limited): p. Greensboro News & Record: p.The Chick Corea Elektric Band" (http://www. www. C2. 2004). guardian. [26] Friedwald.chickcorea. 15. com/ album/ r704042). Macrovision Corporation. nytimes. "TOP TENS". www. 2006). [24] Blagg. 2004). www. The New York Sun. [14] Staff (August 30. Guardian News and Media Limited. [22] Shipton. 210.php). Retrieved 2008-06-06. Chick Corea Official Website. London". Alyn (July 15.com. Ben (November 11. "They're Wild About Kanye West . . Boston Herald. "The Observer: Observer Music Monthly: Review: 7: Elektric dreams: Don't be scared of prog-jazz-rock.com © 2006 VNU eMedia. com/ album/ r704042). John (September 4. "POP MUSIC". The Times (Times Newspapers Limited). 2004).Chick Corea Elektric Band: The Cluttered but Valiant Sound of a Space-Age Trip to the Stars" (http:/ / www. [18] Barrera. pp. com/ servlet/ Satellite?pagename=JPost/ JPArticle/ ShowFull& cid=1164881840438). [20] Nicholson. The Times (Times Newspapers Limited): p.The Elektric Band" (http://www.com/album/r704042) at Allmusic • "To the Stars . [27] Bungey. Joe (March 13. . . [13] Eglash. html?fta=y). 2004). Allmusic. 2004). [19] "To the Stars . "Chick Corea Electrik Band Barbican. Mike (November 26. To the Stars. 2004). "To the Stars". allmusic.com/to_the_stars_the_music. Sandra (December 8. Stuart (August 15. The Eye 17. Retrieved 2008-06-05. [28] Walters. The Star-Ledger: p. Retrieved 2008-06-05. [23] Joyce.com/ to_the_stars. LLC. The Washington Post (The Washington Post Company): p. Christopher (November 23. 85 External links • To the Stars (http://www. html). 3. SL.JAZZ GROOVES". 2008).Billboard Albums" (http:/ / www. "Chick Corea . 2004). Publishers Weekly (Reed Business Information) 251 (35): 37.allmusic. [12] Ratliff.To the Stars (album) [11] Hubbard.12830. ""To The Stars" . The New York Times. piano. "MUSIC REVIEW .Winless at Amas. The Guardian. 2004). Inc. (2006). The New York Times Company. "Chick Corea Elektric Band .com. Jill (August 29. [16] Staff.Overview" (http:/ / www.Jazz". U4. (September 24. begs Stuart Nicholson". 2006).Jazz". Retrieved 2008-06-06. Now on Top With 10 Grammy Noms". "Back to Forever: He's a wily man. The Orlando Sentinel: p. "To the Stars . Ruth (December 6.Charts & Awards . com/ arts/ back-to-forever/ 31000/ ).chickcorea. jpost. uk/ ontheedge/ story/ 0. [3] The album draws heavily upon the rhythmic and melodic traditions of African. World fusion.[4] The Ultimate Adventure won two Grammy awards in 2007 for Best Jazz Instrumental Performance (Individual or Group) and Best Instrumental Arrangement. The Ultimate Adventure is a musical tribute to the work of science fiction author and Scientology founder L. Like its predecessor. Spanish and Arabian musics.[5] . 2006 2005 Jazz. Jazz fusion 73:01 Stretch Professional reviews • • Allmusic link [2] All About Jazz link Chick Corea chronology To the Stars (2004) The Ultimate Adventure (2006) [1] The Ultimate Adventure is an album recorded by Chick Corea and released in 2006.The Ultimate Adventure 86 The Ultimate Adventure The Ultimate Adventure Studio album by Chick Corea Released Recorded Genre Length Label February 7. Ron Hubbard. 3:11 4.2:50 Personnel • • • • • • • • • • • • • • • • Chick Corea – Piano. "City of Brass" . 1" . "Moseb The Executioner".1:39 10. acoustic and electronic percussion. "Planes of Existence. palmas (on "King & Queen". "Arabian Nights") Vinnie Colaiuta – Drums (on "Queen Tedmur". 2" . Pt. Pt. "Arabian Nights. "Planes of Existence. Pt. "Three Ghouls. synthesizers Steve Gadd – Drums. "North Africa" . "Flight from Karoof.5:15 6. "Arabian Nights") Tim Garland – Bass Clarinet (on "Queen Tedmur"). 2" . Pt. palmas (all tracks except "Three Ghouls". percussion (on "Three Ghouls". 1" . 2" . "El Stephen. "Planes Of Existence") Frank Gambale – Acoustic guitar (on "Arabian Nights") Bernie Kirsh – Recording engineer Al Schmidt – Mixing engineer Buck Snow – Mixing engineer Doug Sax – Mastering engineer .4:30 17. Pt.1:47 8. "Queen Tedmur" . "Arabian Nights. "Flight From Karoof") Jorge Pardo – Flute. 1" – 1:38 2.2:15 19. Pt. "Moseb the Executioner.4:02 3. "Moseb The Executioner". Pt. 3" . "North Africa". "Moseb The Executioner". "Moseb the Executioner. "Three Ghouls. "King & Queen" . 1" . "El Stephen. "Moseb the Executioner. 2" . 3" .2:20 11. "Three Ghouls. Pt. saxophone. "El Stephen". Pt. palmas Hubert Laws – Flute (on "Three Ghouls". "North Africa") Carles Benavent – Electric bass. 2" . "Flight From Karoof") Airto Moreira – Vocals. "Planes Of Existence".1:54 12. palmas (on "Three Ghouls". "Gods & Devils" .The Ultimate Adventure 87 Track listing 1. tenor saxophone (on "Moseb The Executioner") Rubem Dantas (Spanish) – Percussion. 1" . Pt. Pt.6:38 5.6:06 9.2:38 18. "Moseb The Executioner".1:36 15. Pt. 1" . "Queen Tedmur".6:39 7. palmas (on "King & Queen". Pt.6:24 13. Pt. "Flight from Karoof.5:25 16. "Arabian Nights". "Queen Tedmur") Hossam Ramzy – Percussion (on "City Of Brass". 2" . "Gods & Devils") Tom Brechtlein – Drums. Rhodes piano. "North Africa".6:11 14. com/ album/ r815807 [2] http:/ / www. com/ grammy_awards/ 49th_show/ list. php?id=20517 [3] Associated Press. April 24. grammy. com/ php/ article. "Chick Corea takes his 'Ultimate Adventure'". 2006 (http:/ / www. aspx#10) . goldminemag. allmusic. 49th Annual Grammy Awards Winners List (Categories 48 and 84) (http:/ / www2. "10 Questions for Chick Corea and review of The Ultimate Adventure".The Ultimate Adventure 88 References [1] http:/ / www. allaboutjazz. com/ p/ news-articles/ maryland-gazette/ mi_8145/ is_20060401/ chick-corea-takes-ultimate-adventure/ ai_n51387174/ ) [4] Goldmine. April 1. 2006 (http:/ / findarticles. com/ article/ 10-questions-for-chick-corea-and-review-of-the-ultimate-adventure) [5] The Recording Academy. Bela Fleck Released Label 2007 Concord Professional reviews • Allmusic link [1] The Enchantment is a 2007 album released on the Concord label by pianist Chick Corea and banjo virtuoso Béla Fleck. "Children’s Song #6" (Corea) – 4:02 6.The Enchantment 89 The Enchantment The Enchantment Studio album by Chick Corea. The album was released to favorable reviews. "The Enchantment" (Corea) – 5:39 11. "Sunset Road" (Fleck) – 4:36 . "Menagerie" (Fleck) – 5:53 8. "Senorita" (Chick Corea) – 5:20 2.[3] Track listing 1. "Mountain" (Fleck) – 3:53 5. "Brazil" (Ary Barroso.[2] Fleck was also nominated that year for a Grammy award for the song "Spectacle" in the Best Instrumental Composition category. Sidney Russell) – 5:58 10. "A Strange Romance" (Fleck) – 4:46 7. "Joban Dna Nopia" (Corea) – 6:28 4. "Waltse for Abby" (Fleck)– 3:02 9. "Spectacle" (Bela Fleck) – 4:40 3. ." wiresmash.. "Grammy Winners. com/ album/ r1031143 [2] http:/ / www. allmusic.com (http:/ / wiresmash.The Enchantment 90 References [1] http:/ / www. net/ news/ article/ ?id=1100). com/ music/ grammy-winners-of-2008/ ) . php?p=product& id=53& parent=4 [3] "50th Annual Grammy Award Nominees Announced" soundtrack. soundtrack. com/ cart/ index. chickcorea.net (http:/ / www. except for the track "Señor Mouse".The New Crystal Silence 91 The New Crystal Silence Crystal Silence Live album by Chick Corea Released Recorded Genre Length Label Producer February 5. 2007 at the Sydney Opera House Concert Hall. Spain. which was recorded July 13.5. The first disc was recorded May 10 & 12. 2007 at the Auditorio de Tenerife in Canary Island. Paris to Clearwater (2007) The New Crystal Silence (2008) Five Peace Band Live (2009) Gary Burton chronology L'Hymne a l'Amour (2007) The New Crystal Silence (2008) Quartet Live (2009) The New Crystal Silence is a 2008 live Jazz album by Chick Corea and Gary Burton. It was released in a 2-disc set. 2007 at Bjornsonhuset in Molde. . Norway. The second disc was recorded on July 7. Brooklyn. 2008 [1] May & July. 2007 Jazz 2:02:58 Concord Chick Corea & Gary Burton Professional reviews • • Allmusic [3] BBC Review [2] Chick Corea chronology 5trios . Review of Chick Corea & Gary Burton . 2. 5. Retrieved 2010-03-28. bbc. co. 6. Ira Gershwin & DuBose Heyward) – 4:09 8. Retrieved 2010-03-28. 4. www. uk/ music/ reviews/ wndp). "Duende" (Corea) – 10:54 "Love Castle" (Corea) – 12:41 "Brasilia" (Corea) – 9:38 "Crystal Silence" (Corea) – 14:09 "La Fiesta" (Corea) – 13:35 Disc two 1. com/ album/ r1312611). 4. 5. com/ releases/ The-New-Crystal-Silence/ [2] "allmusic ((( The New Crystal Silence > Overview )))" (http:/ / www.New Crystal Silence" (http:/ / www. Harry Tobias) – 6:56 "I Love Porgy" (George Gershwin. . 7. 3. "Bud Powell" (Corea) – 7:55 "Waltz for Debby" (Bill Evans) – 8:03 "Alegria" (Corea) – 5:49 "No Mystery" (Corea) – 9:12 "Señor Mouse" (Corea) – 9:10 "Sweet and Lonely" (Gus Arnheim.allmusic. [3] "BBC . www.uk.bbc.com. Charles Daniels. allmusic. 3.Music .co. . "La Fiesta" (Corea) – 10:41 Personnel • Chick Corea – piano • Gary Burton – vibraphone • Sydney Symphony Orchestra References [1] http:/ / concordmusicpress.The New Crystal Silence 92 Track listing Disc one 1. 2. . and Roy Haynes recorded in March 1968. August 13 & 19. .[1] It contains trio performances by Corea with Miroslav Vitous. 1970 Genre Label Jazz Blue Note Chick Corea chronology Now He Sings. which were later added to the CD reissue of Now He Sings. and performances by permutations of the band Circle recorded in April and and July 1970 some of which were later released as Early Circle. Now He Sobs as bonus tracks. 19 & 27. which was first released on the Blue Note label in 1975.93 With Circle Circling In Circling In Studio album by Chick Corea Released 1975 Recorded March 14. including the first recordings by the group Circle. Now He Sobs (1968) Circling Circulus In (1970) (1968-70) Circling In is a double LP by jazz pianist Chick Corea featuring performances recorded between 1968 and 1970. 1968 and April 7. 2:38 2.drums (Side One and Side Two. tracks 1-3) -bass • Barry Altschul .piano. tracks 2 & 4). "Starp" (Holland) .6:41 • Recorded at A&R Studios in New York City on March 14. "Duet For Bass And Piano No.3:33 "Fragments" .2" (Corea.6:40 Side Four 1. 1968 (Side One. "I Don't Know" . tracks 5 & 6 and Side Three).3:08 Side Two 1.3:28 6.2:58 4.4:45 "Gemini" . 4. 1968 (Side One. "Ballad" (Barry Altschul. tracks 4-6 and Side Four) • Roy Haynes . Holland) . percussion • Anthony Braxton . track 5 and Side Two. March 27. "Bossa" .4:17 "My One and Only Love" (Guy Wood. Braxton.2" (Corea. Holland) . clarinet. 1970 (Side Two. 1968 (Side One.1:40 Side Three 1. "Samba Yanta" . March 19. "Duet For Bass And Piano No.1" (Chick Corea. "Danse For Clarinet And Piano No. 2.1" (Corea. Holland) . Anthony Braxton) . contrabass clarinet. 1970 (Side Two.Circling In 94 Reception The Allmusic review by Scott Yanow awarded the album 4½ stars stating it "gives one a clear picture into the evolution of pianist Chick Corea during the 1968-70 period". Braxton.2:32 "Chimes Part 1" (Corea.4:01 "Windows" . vibes. tracks 1-3). 3. percussion (Side Two. Corea. 1970 (Side Four).A Kelvin" (Braxton) .2:14 "Danse For Clarinet And Piano No.alto saxophone. soprano saxophone. celeste.2:38 3. 3. Robert Mellin) .7:17 5. "73º . Personnel • Chick Corea . Side Three and Side Four). "Blues Connotation" .[2] Track listing All compositions by Chick Corea except as indicated Side One 1.5:20 2. tracks 4-6. April 7. percussion (Side Three and Side Four) • Dave Holland (Side Two. Miroslav Vitous (Side One and Side Two.drums. flute. Dave Holland) . and August 19.9:09 3. tracks 1-3) . 4. Braxton) . August 13. 5.10:20 "Chimes Part 2" (Corea. 2. track 4). Holland) . Braxton. "Pannonica" (Thelonious Monk) . tracks 1 & 3). Circling In 95 References [1] Chick Corea discography (http:/ / www. com/ album/ circling-in-r137045) accessed January 21. 2011 Circulus (album) Circulus Studio album by Chick Corea Released Recorded Genre Length Label 1978 April 8 and August 19 & 21. [2] Yanow.[1] Reception The Allmusic review by Scott Yanow awarded the album 4½ stars stating "The music is generally quite difficult with sound explorations emphasized over melodic development. featuring performances recorded in 1970 by what would become known as the group Circle. jazzdisco. 2011. accessed January 21. 1970 Jazz 74:28 Blue Note Circle chronology Circling In (1970) Circulus (1970) Paris Concert (1971) Circulus is a double LP by jazz pianist Chick Corea. and is much closer to the direction that Braxton would explore than what Corea would be playing two years later. S. org/ chick-corea/ catalog/ #blue-note-bn-la-472-h2). But open-eared listeners who enjoy avant-garde jazz will find much to savor during these fascinating performances from one of the new music's top (if short-lived) regular groups".[2] . Allmusic Review (http:/ / www. which was first released on the Blue Note label in 1978. allmusic. 3" .bass. com/ album/ circulus-r137046) accessed January 21.5:52 • Recorded at A&R Studios in New York City on April 8. Anthony Braxton. Altschul) . 1" . flute. "Quartet Piece No. track 2). 2011. 2011 . and August 21. clarinet. cello. 2" . Barry Altschul except as indicated Side One 1.17:33 Side Four 1. allmusic. Allmusic Review (http:/ / www. 1970 (Side Four. 1970 (Side One). Holland. track 1).Circulus (album) 96 Track listing All compositions by Chick Corea. percussion • Anthony Braxton .drums. Side Three & Side Four. celeste.piano. percussion (Side Two.22:25 Side Two 1. jazzdisco. "Quartet Piece No. 1970 (Side Two. percussion • Barry Altschul .alto saxophone. guitar. accessed January 21. "Percussion Piece" . Personnel • Chick Corea . percussion References [1] Chick Corea discography (http:/ / www. S. vibes. soprano saxophone. org/ chick-corea/ catalog/ #blue-note-bn-la-882-j2).16:13 Side Three 1. Dave Holland.12:25 2. Side Three and Side Four) • Dave Holland . "Quartet Piece No. "Drone" (Corea. August 19. contrabass clarinet. [2] Yanow. simultaneously functioning as the debut album by the band of the same name. Post-bop 46:48 ECM Producer Manfred Eicher Professional reviews • Allmusic link [1] Chick Corea / Return to Forever chronology Return to Forever (1972) Light as a Feather (1972) Return to Forever is a jazz fusion album by Chick Corea.NY Genre Length Label Jazz fusion. Latin Jazz. Stanley Clarke is the bassist of the group (playing electric bass on A-side and double bass on B-side) and Joe Farrell plays flute and saxophone. The album was not released in the USA until 1975. This first line-up of Return to Forever consists of . At this stage Corea's approach to jazz fusion was very different compared to other early fusion artists. 1972 at A&R Studios. Adventurous electric piano solos are backed with South American oriented rhythms of drummer Airto Moreira and the vocals and percussion of his wife Flora Purim. Unlike later albums by the group.97 With Return to Forever Return to Forever (album) Return to Forever Studio album by Chick Corea / Return to Forever Released 1972 Recorded February 2-3. New York City. The record is often considered one of the classic albums in electric jazz. it was released by the ECM label and produced by Manfred Eicher. percussion Joe Farrell – Flute. is Corea's song. Farrell plays a flute solo over the first main part and Corea plays solo over the second. is another of Corea's songs. "Return to Forever" – 12:06 "Crystal Silence" – 6:59 "What Game Shall We Play Today" – 4:30 "Sometime Ago . Corea and Farrell give short solos between the second and the third verse. The overall mood of the composition is mysterious. "What Game Shall We Play Today?". The first seven minutes of the track consist of an improvised introduction featuring Corea. Corea has written that most Spanish songs deal with matters such as misery or torture but "La Fiesta". however.Return to Forever (album) musicians (excluding Joe Farrell) that were also playing on Stan Getz's album Captain Marvel that was released in the same year. The track is played just by Corea and Farrell with some soft percussion in the background. 1. Moreira's drum pattern gives the composition an airy feeling of its own. Farrell performs a long saxophone solo. screaming a bit towards the end. 98 Track listing All tracks are composed by Corea (except the long improvisation that opens "Sometime Ago"). The B-side of the album has only one track which consists of three different pieces of music. haunting melodies with Purim doubling them with her voice. slow-paced and feeling akin to a Chinese landscape painting. saxophone Airto Moreira – Drums Manfred Eicher . 4. The song is an instrumental piece that relies on flamenco modes. The first track can be divided into five parts.engineer . As this section closes the piece moves into Sometime Ago. one of Corea's jazz standards. Lyrics on (3) and (4) by Neville Porter. the bass lines skilfully link them together as well. The second track. There are three short parts in which Corea plays simple. 3.La Fiesta" – 23:13 Personnel • • • • • • Chick Corea – Electric piano Stanley Clarke – Acoustic bass. It is a Latin flavored song with Purim's vocals and Farrell soloing on flute. Between these three parts there are two longer parts in which the whole band plays. Probably they have been recorded without breaks and this is the main reason why they are not separated on three individual tracks. though the song did not make it to the album. Purim sings along with riffs. Farrell is now playing the flute. Farrell and Clarke. 2. These main parts are both based on their own riffs. Third track. all the takes appeared on the expanded edition of Light as a Feather. The band would return to this song during the Light as a Feather sessions later in 1972. electric bass Flora Purim – Vocals. It has a very affectionate melody and Purim singing vocals. is about celebration. when they made four attempts with it. After that song Farrell switches to a saxophone and the band plays "La Fiesta". "Crystal Silence". allmusic. discogs.Return to Forever (album) 99 External links • Return to Forever (album) [2] at Discogs (list of releases) References [1] http:/ / www. com/ master/ 123528 . com/ album/ r137069 [2] http:/ / www. C. London. "You're Everything". Stanley Clarke's first major composition and the only track on the album not written by Corea. The style of the music remains mostly the same though vocal tracks have now a bit larger role than on the first album. The track begins with Purim singing verses slowly. Since the debut album was not released in the USA before 1975. the rest of the band joining in later to create a light groove.B. "Captain Marvel". . led by keyboardist Chick Corea.though this has not led in any essential change in sound. 1972 at I. This time the recording company is Polydor (under which most of later Return to Forever albums are released) and Corea himself has produced the album . The second and last album by the first line-up of Return to Forever was recorded in the same year eight months later. The short solo is played by Joe Farrell on flute. it is notable that this time Stanley Clarke plays only an acoustic bass. Sound Recording Studios. Post-bop 45:28 Polydor Producer Chick Corea Professional reviews • Allmusic link [1] Return to Forever chronology Return to Forever (1972) Light as a Feather (1972) Hymn of the Seventh Galaxy (1973) Light as a Feather (1972) is the second studio album of fusion band Return to Forever. Corea has claimed that this is his favorite among the vocal songs he has written. To point out some minor changes. this was the first Return to Forever album for many listeners.Light as a Feather 100 Light as a Feather Light as a Feather Studio album by Return to Forever Released November 1972 Recorded October 8 and October 15. a fast Latin piece. Latin Jazz. This album has equal classic status among the listeners of electric jazz music as the first album. The second track is the title track. England Genre Length Label Jazz fusion. The first track is Corea's song. Purim plays percussion and sings without words during the song's main riff. percussion Airto Moreira – drums References [1] http:/ / www. Bonus Disc 1. "Light as a Feather" (Alternative Take) – 10:46 3. Corea has claimed that the title of the song does not refer to drug experience but to a "spirit flying high". "Children's Song" (Alternative Take) – 3:58 5.Light as a Feather that provided the name for Stan Getz's album released in the same year. "Spain" (Composite Alternative Take) – 5:33 6. 6. allmusic. "You're Everything" – 5:11 "Light as a Feather" – 10:57 "Captain Marvel" – 4:53 "500 Miles High" – 9:07 "Children's Song" – 2:47 "Spain" – 9:51 All tracks composed by Corea with lyrics by Neville Porter. The percussion plays a tick-tock pattern that resembles the sound of a clock. The track is followed by "Children's Song". 5. The albums ends with Corea's famous jazz standard. Flute Flora Purim – vocals. 4. 101 Track listing 1. one of many "Children's Songs" Corea has written. The song has been recorded many times. Spain. 2. 3. "What Games Shall We Play Today?" (Alternative Take 3) – 3:49 Personnel • • • • • Chick Corea – Fender Rhodes. "What Games Shall We Play Today?" – 3:52 8. "500 Miles High" (Alternative Take) – 10:32 4. but this is probably its most famous appearance. They are all short pieces with minimalistic melody. except "Light as a Feather" composed by Clarke with lyrics by Purim. "Spain" (Alternative Take) – 9:02 7. Both DC Comics and Marvel Comics have a superhero called "Captain Marvel". com/ album/ r708002 . "What Games Shall We Play Today?" (Alternative Take 2) – 3:46 10. Electric piano Stanley Clarke – Acoustic bass Joe Farrell – Saxophone. "What Games Shall We Play Today?" (Alternative Take 1) – 4:06 9. The B-side begins with a song called "500 Miles High". "Matrix" – 8:10 2. 1973.Hymn of the Seventh Galaxy 102 Hymn of the Seventh Galaxy Hymn of the Seventh Galaxy Studio album by Return to Forever Released Recorded Genre Length Label Producer 1973 August. Jazz-rock fusion 40:36 Polydor Chick Corea Professional reviews • Allmusic link [1] Return to Forever chronology Light as a Feather (1972) Hymn of the Seventh Galaxy (1973) Where Have I Known You Before (1974) Alternative cover . N.Y. at Record Plant Studios. The album was originally recorded with drummer Steve Gadd but when Gadd did not want to tour with the band. stating that he wanted to concentrate on acoustic music. Corea and Connors play improvised solos in a call-and-response style. Bill Connors does not have the same reputation for technical wizardry as his successor Al Di Meola. Joe Farrell and Airto Moreira were replaced by drummer Lenny White and guitarist Bill Connors. "After the Cosmic Rain".Hymn of the Seventh Galaxy 103 Non-US version of cover Hymn of the Seventh Galaxy (1973) is Return to Forever's third studio album. The first track. After a melodically strong theme. The second track. Connors plays a solo over one long repeating riff. Al Di Meola recorded his own version of this song for his album Casino (1978). airy theme that suddenly turns into another theme that sounds like Latin music. The version featuring Gadd was never released and the whole recording is said to be lost. the title track. a new version was recorded with Lenny White. Also. Side 2 of the original vinyl version starts with "Theme to the Mothership". The review of the album on Allmusic notes that "it is the quality of the compositions that marks Hymn of the Seventh Galaxy as an indispensable disc of '70s fusion". Lenny White has also some extensive drum breaks on the track. . This time Corea leaves solo space solely for Connors. This composition shows a humorous side of Corea. He was replaced by Al Di Meola. funk. who has claimed that the song was written about a mouse that he saw in a house while visiting Switzerland. is Corea's short space rock anthem that sets the mood for the rest of the album. but his heavily distorted guitar sound and fiery licks have received positive comments from reviewers. Connors left the group for a solo career. including Latin jazz. This was the group's first album with a rock influenced sound and without any vocals. Corea switches distortion on during his own solo. After touring for a while following the album's release. which is another space-rock anthem. "Captain Señor Mouse" is a piece that has a fast. and avant-garde jazz. Former members Flora Purim. The music draws upon elements from various genres. psychedelic rock. Clarke contributed one song for the album and Corea wrote the rest of the material. Corea relies mostly on electric pianos and organs. Long solos following themes are played by Corea and Connors. "Game Maker" has also a slow intro after which an avant-garde-like theme comes in. Clarke has not developed his famous electric bass sound yet and plays his one solo on the album through a fuzzbox. "Space Circus" features Corea's "Children Song" as a spooky intro that is followed by a piece that is based on a funk riff. and it features a long bass solo played through a fuzzbox followed by Corea's fiery electric piano solo. The last track. is Clarke's sole composition on the album. allmusic.allmusic.com (http://www. gongs Stanley Clarke – electric bass. com/ album/ r137056 • Gioffre. acoustic guitar References [1] http:/ / www. organ. 3. "Hymn of the Seventh Galaxy" (Corea) – 3:31 "After the Cosmic Rain" (Clarke) – 8:25 "Captain Señor Mouse" (Corea) – 9:01 "Theme to the Mothership" (Corea) – 8:49 "Space Circus.com/album/ r137056) . acoustic piano. Daniel. 6.Hymn of the Seventh Galaxy 104 Track listing 1. bell tree Lenny White – drums. 5. percussion Bill Connors – electric guitar. 4. Pts. harpsichord. 2. 1 & 2" (Corea) – 5:42 "The Game Maker" (Corea) – 6:46 Personnel • • • • Chick Corea – electric piano. Hymn of the Seventh Galaxy review at Allmusic. Di Meola's playing is not yet as adventurous and intense as it would become on later albums. 1974. N. Hymn of the Seventh Galaxy. Connors left the band before the recording of this album to concentrate on his acoustic solo career. . Corea has started to use synthesizers (most notably the Moog Minimoog and ARP Odyssey synthesizers) and has developed his own distinctive sound and approach to them. more focused sound and style. Overall.Y. but it is also a product of more careful recording and production in the studio. This is due in part to the personnel changes.Where Have I Known You Before 105 Where Have I Known You Before Where Have I Known You Before Studio album by Return to Forever Released Recorded Genre Length Label Producer 1974 July-August. and new playing techniques. but he has already been given lots of solo space to display his talent. the band have developed a clearer. Both keyboardist Chick Corea and bassist Stanley Clarke have now found their own well known trademark sounds. important changes have taken place in the band's sound and line-up. at Record Plant Studios. While the style of music has not changed much since the previous album. the implementation of new technology. Clarke's bass playing now has the sound and feel which has cemented his position as one of the most world's most influential bass players. Jazz-rock fusion 41:27 Polydor Chick Corea Professional reviews • Allmusic link [1] Return to Forever chronology Hymn of the Seventh Galaxy (1973) Where have I Known you Before (1974) No Mystery (1975) Where Have I Known You Before is the fourth album by Jazz-Rock Fusion band Return to Forever. Similarly. An equally important change in the band is the replacement of guitarist Bill Connors with the then 19-year-old "boy wonder" Al Di Meola. . Acoustic piano. 5. White. Each player except for drummer Lenny White takes long solos. Percussion. "Song to the Pharaoh Kings" (Corea)* – 14:21 • *There is a typo on all original releases: Pharoah . which features some melodic motives that would also appear on Clarke's self titled solo album the same year. Acoustic twelve-string guitar with • Shelly Yakus – Engineer • Tom Rabstenek – Mastering • Herb Dreiwitz – Front cover photography References [1] http:/ / www. Chimes Lenny White – Drums. Yamaha organ. The track has a long keyboard intro.. "Where Have I Known You Before" (Corea) – 2:20 8. Bell tree. Synthesizers. 106 Track listing 1. com/ album/ r137078 . The last track on Side A is Corea's "Beyond the Seventh Galaxy" which is clearly a sequel to his "Hymn of the Seventh Galaxy". a complex piece with many changes in mood. Di Meola) – 3:46 7.corrected on the 2008 Anthology: Pharaoh Personnel • • • • Chick Corea – Electric piano.". the title track from the group's previous album. and an "eastern" theme appears. Yamaha organ. The first track is Stanley Clarke's "Vulcan Worlds". 4.Where Have I Known You Before Between the album's longer tracks are three of Corea's short piano improvisations that all bear a title that begins "Where Have I. after which Chick Corea is joined by the full band. 3. "Vulcan Worlds" (Clarke) – 7:51 "Where Have I Loved You Before" (Corea) – 1:02 "The Shadow of Lo" (White) – 7:32 "Where Have I Danced with You Before" (Corea) – 1:14 "Beyond the Seventh Galaxy" (Corea) – 3:13 "Earth Juice" (Corea. Side B begins with the collective jam "Earth Juice". The next long track is Lenny White's composition "The Shadow of Lo". Most of Side B is taken up by Corea's 14-minute epic "Song to the Pharaoh Kings". 2. congas & bongos Al Di Meola – Electric guitar. allmusic. 6. percussion Stanley Clarke – Electric bass. Clarke. During the piece each member of the band plays a long solo. which is in the jazz-funk vein that he would explore further on his solo recordings. Jazz fusion 42:57 Polydor Chick Corea. swaggering groove. Where Have I Known You Before. beginning with the acoustic title track and ending with the epic "Celebration Suite". All members of the group contributed compositions to this album. entitled "Flight of the Newborn". with a laid-back. It is a longer song. was co-composed by Corea and Clarke. Side A contains heavily funk-influenced material composed by each member of the group. 1975 at Record Plant Studios. The fourth track is Lenny White's "Sofistifunk". and ample space for solos. Di Meola's solos are possibly some of the first examples of true shredding recorded with electric guitar . Shelly Yakus Professional reviews • Allmusic link [1] Return to Forever chronology Where Have I Known You Before (1974) No Mystery (1975) Romantic Warrior (1976) No Mystery (1975) is the fifth studio album by influential jazz-rock fusion band Return to Forever. it is a funky piece with a strong melody. While the production is similar to the album's predecessor.No Mystery 107 No Mystery No Mystery Studio album by Return to Forever Released Recorded Genre Length Label Producer 1975 January. The group won the Best Jazz Performance by a Group Grammy Award in 1975 for this album. N. The album begins with the Stanley Clarke composition "Dayride". "Jungle Waterfall". Like "Dayride". which seems to be based . The next track. The third song is Di Meola's first recorded composition. Return to Forever's fifth album is their most varied.Y. whereas Side B is filled by Chick Corea compositions. the sheer variety of compositions gives this record a distinctly different feel.an approach he would expand on in later albums. synthesizers. clavinet. percussion. Di Meola) – 2:45 "No Mystery" (Corea) – 6:10 "Interplay" (Corea. while the bass and drums build syncopated rhythms around it. Yamaha organ.No Mystery around a synthesizer's "sample and hold" function. "Dayride" (Clarke) – 3:25 "Jungle Waterfall" (Corea. lyrical moments. Slow. bookended by Chick Corea's raucous. com/ album/ r205292 . synthesizer. vocals Lenny White – drums. allmusic. triggering random sequences of notes. 4. The following track is the short "Interplay" . While certainly not heavy metal. marimba Al Di Meola – electric guitar. acoustic bass. This composition can be seen as the predecessor of the equally celebratory "Spanish Fantasy" from Corea's acclaimed solo album My Spanish Heart. acoustic guitar with • Shelly Yakus – engineer • Tom Rabstenek – mastering • Bill Levy – cover art direction References [1] http:/ / www. The last song on Side A bears the unusual title "Excerpt from the First Movement of Heavy Metal". 9. marimba. congas. 7. Clarke) – 2:15 "Celebration Suite part I" (Corea) – 8:27 "Celebration Suite part II" (Corea) – 5:32 Personnel • • • • Chick Corea – acoustic piano. 5. Yamaha organ. which features a strong Spanish feel in its melody. Clarke. The last 14 minutes of the album are taken by Corea's "Celebration Suite".an acoustic "conversation" between Corea's piano and Clarke's bass. electric piano. Clarke) – 3:03 "Flight of the Newborn" (Di Meola) – 7:23 "Sofistifunk" (White) – 3:51 "Excerpt from the First Movement of Heavy Metal" (Corea. in which Clarke plays with a bow. Side B begins with the title track. Track listing 1. snare drum. It has a very strong melody and features only few bars of improvisation. 2. classically-influenced unaccompanied piano solo. the track features the band in a high-energy in-studio jam. The intro of the song features Corea on solo Yamaha organ. followed by marching-style snare drums played by Corea and Lenny White. are followed by parts with rapid unison lines played by Corea and Di Meola. which is an acoustic Chick Corea composition. vocals Stanley Clarke – electric bass. 6. White. 8. 3. 108 Trivia Stanley Clarke would later re-record "Dayride" with background vocals for his solo album Modern Man released in 1978. It was the group's first album made for Columbia Records. Chick Corea contributed the longest compositions and the other members each composed one piece. Lenny . which may have had a positive effect on sales. Corea's "Medieval Overture". Fast. as well as the first to be credited solely to Return to Forever. unison lines can be heard on many tracks. The album is more avant-garde and less funky than the band's previous album. removing the "featuring Chick Corea" moniker. The first track. 1976 at Caribou Ranch. Colorado Genre Length Label Jazz fusion 45:28 Columbia Producer Return to Forever Professional reviews • Allmusic link [1] Return to Forever chronology No Mystery (1975) Romantic Warrior (1976) Musicmagic (1977) Romantic Warrior (1976) is the sixth studio album of fusion band Return to Forever. The medieval theme of the album was perhaps inspired by similar themes being used by some leading progressive rock bands of the time. The album is famous for its technically demanding playing.Romantic Warrior 109 Romantic Warrior Romantic Warrior Studio album by Return to Forever Released 1976 Recorded February. Romantic Warrior is the band's best selling record reaching eventually sales of 500. with its distinctive melodic motifs.000 copies. This is also the first jazz-rock album by Return to Forever that was not recorded at New York's Record Plant Studios (instead it was recorded entirely at Caribou Ranch). No Mystery. sets the mood for the rest of the album. After this album Corea decided that the group's time had come to an end and he continued with another wholly new Return to Forever line-up with Clarke. during which fast unison patterns are heard. featuring playful melodies. Clarke's "The Magician" is a very complex composition. "The Romantic Warrior" (Corea) – 10:52 "Majestic Dance" (Di Meola) – 5:01 "The Magician" (Clarke) – 5:29 "Duel of the Jester and the Tyrant" (Part I & Part II) (Corea) – 11:26 Personnel • • • • Chick Corea – Keyboards Stanley Clarke – Electric bass. but otherwise it follows the style of previous tracks. Acoustic guitar with • Dennis MacKay – Engineer & Remixing • Wilson McLean – Cover art References [1] http:/ / www. Notable is the intense keyboard solo showcasing Corea.Romantic Warrior White's "Sorceress" starts with a funky riff and is distinguished by Corea's synthesizers. rapid unison lines. Each group member (excluding White) plays a long solo. In the end. Acoustic bass Lenny White – Drums. 6. relies on rock riffs and distorted lead guitar sound. Al Di Meola's and Stanley Clarke's songs on side two are notable for their humorous qualities. and again. "Majestic Dance". which is the longest song of the album. Percussion Al Di Meola – Electric guitar. "Sorceress" (White) – 7:34 3. The last track of the album is Corea's "Duel of the Jester and the Tyrant". It has a more conventional melody as a main theme. It has a long intro. 5. but features also fast harpsichord-like synth figures. The title track is fully acoustic. Corea dedicated the album to the founder of the Church of Scientology. Al Di Meola's song. Ron Hubbard. 110 Track listing 1. allmusic. com/ album/ r146213 . an extended outro follows. which is followed by a short theme consisting of one riff. "Medieval Overture" (Corea) – 5:14 2. L. 4. This is the first album since Light as a Feather to contain vocals. along with several new members making up a five-piece horn section. With the addition of trombonist Ron Moss. This album also marks the return of original member Joe Farrell on saxophone. This album contains the final line-up of the band. with only founders Chick Corea and Stanley Clarke returning from the previous album. .Musicmagic 111 Musicmagic Musicmagic Studio album by Return to Forever Released Genre Length Label Producer January 1977 Jazz-rock fusion 41:51 Columbia Return to Forever Professional reviews • Allmusic link [1] Return to Forever chronology Romantic Warrior (1976) Musicmagic Live (1977) (1977) Musicmagic is the seventh and final studio album of fusion band Return to Forever. featuring Corea's wife Gayle Moran. this lineup toured and recorded the live album Live. trumpet. com/ album/ r146211 . flute John Thomas .trombone • Stanley Clarke .saxophone.trombone Jim Pugh . "The Musician" (Corea) – 7:12 "Hello Again" (Clarke) – 3:49 "Musicmagic" (Corea. allmusic.vocals. Moran) – 9:41 Personnel • • • • • • • Chick Corea .Musicmagic 112 Track listing 1. flugelhorn James Tinsley . 5.keyboards Gayle Moran . organ Joe Farrell . Acoustic bass • Gerry Brown .trumpet. 3. 4.Electric bass.drums References [1] http:/ / www. piano. piccolo Harold Garret . 6. Moran) – 11:00 "So Long Mickey Mouse" (Clarke) – 6:09 "Do You Ever" (Moran) – 3:59 "The Endless Night" (Corea. 2. 11 (4LP/3CD) 151:46 (2CD) Columbia Records Return to Forever Professional reviews • Label Producer Allmusic link [1] Return to Forever chronology Musicmagic Live (1977) (1977) Best of Return to Forever (1980) Alternative covers .Live (Return to Forever album) 113 Live (Return to Forever album) Live Live album by Return to Forever Recorded Genre Length May 21. 1977 Jazz-rock fusion 49:12 (LP) 168. and Joe Farrell. A greatly expanded version of the album was released in 1978 on 4 LPs (and later.Live (Return to Forever album) 114 Original Live CD cover (1992)..Complete. in Japan. the intro to which was released as "Chick's Piano" originally." concert. including an epic version of "Spanish Fantasy". Live (also known as Return to Forever Live) is the final album by fusion band Return to Forever. This was the only tour to feature the Musicmagic lineup. . Stanley Clarke. A 2CD version released in the USA in 1992 and reissued in 2000 contains most (but not all) of the material from the ".. on 3 compact discs) as Live: The Complete Concert. showcasing the entire two-and-a-half hour plus concert. It was recorded live at the Palladium in New York City on May 20 and 21 1977 as part of the Musicmagic tour to support the album of the same name. This Complete Concert release contains the entireties of pieces that had been edited down for the original one LP release. The original release was a single LP with a cover featuring Picasso's Three Musicians. Redesigned cover for Live: The Complete Concert.. Also included are spoken introductions to songs by Clarke. including one in which he is heckled by the audience for announcing the concert's final piece. which included original members Chick Corea.. along with newly added member Gayle Moran on piano and a six-piece horn section. Washington) . Moran) Side two 1. "The Endless Night" (Part 2) 2. "On Green Dolphin Street" (Kaper. "The Musician" (Corea) Side three 1. 2. 3. Moran) – 8:00 "The Endless Night (Part II)" (Corea. Moran) – 7:14 Live: The Complete Concert Vinyl release Side one 1. "Chick's Piano Solo" (Corea) Side eight 1. 4. "Serenade" (Corea) Side six 1. Arlen) 2. Introduction) (Corea. 2. Moran) Side four 1. 3. Johnny Mercer) – 3:19 "The Endless Night (Part I)" (Corea. "Come Rain or Come Shine" (Mercer. "Musicmagic" (Part 2) (Corea) Side five 1. "So Long Mickey Mouse" (Clarke) 3. "So Long Mickey Mouse" (Stanley Clarke) – 6:53 "The Musician" (Chick Corea) – 7:03 "Chick's Piano" (Corea) – 4:35 "Musicmagic" (Corea. "Musicmagic" (Part 1. Gayle Moran) – 6:29 Side two 1.Live (Return to Forever album) 115 Track listing Original vinyl release Side one 1. "Opening '77" (Corea) 2. 4. "The Moorish Warrior And Spanish Princess" (Clarke) Side seven 1. "Spanish Fantasy" (Corea) 2. "Hello Again" (Clarke) 2. "The Endless Night" (Part 1) (Corea. "The Moorish Warrior and Spanish Princess" (Clarke) – 6:39 "Come Rain or Come Shine" (Harold Arlen. "The Musician" (Corea) – 6:58 / 7:03 4. "Hello Again" (Clarke) – 7:42 "So Long Mickey Mouse" (Clarke) – 10:53 "Musicmagic. 3. "Opening '77" (Corea) – 7:08 "The Endless Night. 7. "Opening '77" (Corea) – 7:10 / 7:10 2. part 1" (Corea. US Version . The Japanese CD version contains the complete recording exactly as found on the 4LP version with no remastering. Moran) – 20:23 / 20:23 3. Johnny Mercer) – 3:56 2. "The Moorish Warrior and Spanish Princess" (Clarke) – 19:39 4. part 2" (Corea. Ned Washington) – 9:35 / 8:58 Japanese version Disc one 1. part 2" (Corea. as a 2CD set and once in Japan as a 3CD set. "Stanley's Introduction" (Corea) – 1:24 / 1:17 "Hello Again" (Clarke) – 6:02 / 6:02 "So Long Mickey Mouse" (Clarke) – 6:43 / 6:42 "Musicmagic" (Corea. Moran) – 12:15 "The Endless Night. 2. Both issues contain the edited versions of "The Musician" and "So Long Mickey Mouse" that were to be found on the single LP release and are missing Chick's introduction of the musicians after "The Endless Night". The 1992 edition has Chick's introductions at the start of each track whereas the 2000 version has them at the end of the previous track. The two US versions have identical content but a slightly different tracking. 7.times : 1992 / 2000 Disc one 1. Moran) – 23:50 Disc three 1. 4. 2. 4. 6. Johnny Mercer) – 3:55 / 4:53 "Serenade" (Corea) – 14:53 / 15:00 "The Moorish Warrior and Spanish Princess" (Clarke) – 19:20 / 18:54 "Stanley's Introduction" (Corea) – 2:02 / 1:21 "Spanish Fantasy" (Corea) – 24:46 / 24:46 "Chick's Closing Introductions" (Corea) – 1:09 / 1:47 "On Green Dolphin Street" (Bronisław Kaper. "The Endless Night" (Corea. 6. Both versions have been digitally remastered directly from the original master tapes to restore the low frequencies which were rolled off on the vinyl version to minimise tracking problems. Moran) – 3:47 "Musicmagic. 4. The first US CD version was released by Columbia Legacy (C2K 47479) in 1992 with a red cover and was subsequently reissued with a blue cover in 2000 (468923 2). "Come Rain or Come Shine" (Harold Arlen.twice in the U. "Chick's Piano Solo" (Corea) – 17:08 .A. Moran) – 12:02 "The Musician" (Corea) – 14:06 Disc two 1.Live (Return to Forever album) CD releases The Complete Concert has been released on CD three times . 3. Moran) – 27:26 / 27:26 116 Disc two 1. "Come Rain or Come Shine" (Harold Arlen. 2. part 1" (Corea. 3. 5. 5. "Serenade" (Corea) – 15:03 3.S. Acoustic bass. organ John Thomas – trumpet. flugelhorn James Tinsley – trumpet. "On Green Dolphin Street" (Bronisław Kaper. vocals Stanley Clarke – Electric bass. allmusic. Ned Washington) – 8:49 117 Personnel • • • • • • • • • • Chick Corea – keyboards. vocals Joe Farrell – saxophone. piccolo Harold Garret – trombone Jim Pugh – trombone Ron Moss – trombone Gerry Brown – drums References [1] http:/ / www. flute Gayle Moran – vocals. com/ album/ r164142 • • • • • Columbia 35281 (1 LP) Columbia C4X 35350 (4 LPs) Columbia/Legacy C2K 47479 (2 CDs) Columbia 468923 2 (2 CDs) Sony Records (J) SRCS 7142 2 .Live (Return to Forever album) 5. piano. "Spanish Fantasy" (Corea) – 11:53 6. 2008-Sep 6. 2009 Jul 18. 2008 Jazz fusion Eagle Terry Shand. Claude Nobs Professional reviews • • Allmusic link [2] All About Jazz link [1] Return to Forever chronology Live Returns (1977) (2009) Return to Forever Returns: Live at Montreux(DVD) (2009) Returns is a live album by the fusion band Return to Forever. it is the first recording by the band after a hiatus of 32 years. . Released in 2009.Return to Forever – Returns 118 Return to Forever – Returns Returns Live album by Return to Forever Released Recorded Genre Label Producer Mar 17. including a performance of 'Romantic Warrior'" – 8:20 Personnel • • • • Stanley Clarke – Electric Bass.Lenny's Solo" (White) – 7:39 "Romantic Warrior (continued)" (Corea) – 3:03 "Duel of the Jester and the Tyrant" – (Corea) – 14:03 Bonus tracks • "500 Miles High" – (Corea) – 12:48 2. 2.duet with Chick Corea" • "Passion Grace & Fire" • "Mediterranean Sundance" • "Café 1930" • "Spain . Fender Rhodes. 5.Chick's Solo.duet with Chick Corea" 7. Electric Guitar Lenny White – Drums Recording credits • • • • • • • • Artist Coordination: Julie Rooney Consultant: Bob Belden Cover Design: Marc Bessant Drum Technician: Gary Grimm Engineer: Bernie Kirsh Executive Producer: Terry Shand. "No Mystery" (Corea) – 8:52 Disc two 1. 2. 3. Piazzolla) – 8:54 • "Children's Song #3 .Return to Forever – Returns 119 Track listing Disc one 1. including" (Corea. Acoustic Bass Chick Corea – Moog Synthesizer. "Friendship . "Opening Prayer" (Corea) – 2:03 "Hymn of the Seventh Galaxy" (Corea) – 3:43 "Vulcan Worlds" (Clarke) – 13:45 "Sorceress" (White) – 11:22 "Song to the Pharaoh Kings" (Corea) – 27:13 "Al's Solo. 4. including 'Sonar'" (Corea. 6. 5. 4. "BBC Lifetime Achievement Award to RTF as presented by Sir George Martin. DiMeola. 3. 6. Claude Nobs Guitar Technician: Andy Brauer Keyboard Technician: Brian Alexander • Liner Notes: Russell Davis • Management: Bill Rooney . Prophet 5 Al di Meola – Acoustic Guitar. Grand Piano. Davis) – 8:52 "Romantic Warrior" – (Corea) – 7:19 "El Bayo de Negro .Stanley's Solo" – (Clarke) – 11:25 "Lineage . com/ Return-To-Forever-Returns/ release/ 1818762 . www.Return to Forever – Returns • Poetry: Neville Potter • Production Coordination: Terry Cooley • Wardrobe Design: Claudio Lugli 120 External links • "Return To Forever . allaboutjazz.Returns (2xCD) at Discogs" [3].discogs. allmusic. com/ php/ article. php?id=33131 [3] http:/ / www. References [1] http:/ / www. discogs. com/ album/ r1450377 [2] http:/ / www. Retrieved 2009-07-17.com. 121 As sideman . and Mickey Roker recorded in 1967 but not released on the Blue Note label until 1981. Pepper Adams. Miroslav Vitous. 1967 Jazz Blue Note Donald Byrd chronology Slow Drag (1967) The Creeper (1967) Fancy Free (1968) The Creeper is an album by American trumpeter Donald Byrd featuring performances by Byrd with Sonny Red.122 With Donald Byrd The Creeper (album) The Creeper Studio album by Donald Byrd Released Recorded Genre Label 1981 October 5. Chick Corea.[1] . 2010 [2] Yanow. Allmusic Review (http:/ / www.9:05 "Blues Medium Rare" . 2.4:38 "Chico-San" (Corea) .alto saxophone (tracks 1 & 3-7) Pepper Adams .The Creeper (album) 123 Reception The Allmusic review by Scott Yanow awarded the album 2½ stars and stated "For the last time. together as a whole they give one a lot of variety in the then-modern hard bop field. S.bass Mickey Roker . Pity that this album has been out of print since the mid-'80s".piano Miroslav Vitous . 4. org/ donald-byrd/ catalog/ #blue-note-lt-1096) accessed September 3. 6. Michel Legrand) .6:24 • Recorded at Rudy Van Gelder Studio.6:06 "The Creeper" (Sonny Red Kyner) . Jacques Demy. NJ on October 5.. 7. 1967.. 5.6:43 "Early Sunday Morning" . Personnel • • • • • • Donald Byrd . Byrd was heard in prime form in an acoustic format.[2] Track listing All compositions by Donald Byrd except as indicated 1.6:18 "Blues Well Done" .trumpet Sonny Red . com/ album/ r207276) accessed September 3.drums References [1] Donald Byrd discography (http:/ / www. although none of the originals caught on as standards (or have been performed since). Englewood Cliffs. 3. allmusic. 2010 .baritone saxophone (tracks 1 & 3-7) Chick Corea .9:34 "I Will Wait for You" (Norman Gimbel. "Samba Yantra" (Chick Corea) . jazzdisco. New York. Post-Bop 53:05 (original) 63:10 (2002 reissue) Columbia/Legacy Producer Teo Macero Professional reviews • Allmusic link [1] Miles Davis chronology Get Up with It (1974) Water Babies (1976) Circle in the Round (1979) Water Babies is a studio album by Miles Davis. 23. from the Nefertiti sessions with the Miles Davis Quintet (1967) to the experimental. 1968 at Columbia Studio B. 1976 Recorded June 7. 1967 at Columbia 30th Street Studio. Due to these recordings being released years after they were recorded. 13.124 With Miles Davis Water Babies (album) Water Babies Studio album by Miles Davis Released November 2. transitional period between Filles de Kilimanjaro and In a Silent Way (late 1968). the three Wayne Shorter compositions recorded during the 1967 session would make their first appearance in 1969 on Shorter's album Super Nova in a . it is a collection of stylistically diverse "leftovers" spanning eighteen months. November 11–12. Released during Miles Davis's retirement in the second half of the seventies. New York Genre Length Label Fusion. "Water Babies" (Wayne Shorter) – 5:06 "Capricorn" (Wayne Shorter) – 8:26 "Sweet Pea" (Wayne Shorter) – 7:59 "Two Faced" (Wayne Shorter) – 18:00 "Dual Mr. "Water Babies" (Wayne Shorter) – 5:06 2. avant-garde style. soprano saxophone Herbie Hancock – piano Ron Carter – bass Tony Williams – drums Performers On Tracks 4-6 • • • • • Miles Davis – trumpet Wayne Shorter – tenor saxophone. this line-up is very similar to that who recorded In A Silent Way (in fact tracks 4 to 6 was recorded during those sessions). 4. 2. "Capricorn" (Wayne Shorter) – 8:26 3. Anthony Tillmon Williams Process" (Miles Davis. On side B. 125 Track listing on 1976 original LP version Side one 1. allmusic. Ron Carter is replaced by Dave Holland and Chick Corea doubles with Hancock on electric piano. Shorter. com/ album/ r588821 . soprano saxophone Chick Corea & Herbie Hancock – electric piano Dave Holland – bass Tony Williams – drums References [1] http:/ / www. Hancock. "Dual Mr.Water Babies (album) much more free jazz. Tillmon Anthony" (Miles Davis. 6. "Sweet Pea" (Wayne Shorter) – 7:59 Side two 1. 5. 3. Side A features the second great quintet of Davis. Tony Williams) – 13:20 Track listing on 2002 CD resissue 1. Tony Williams) – 13:20 "Splash" (Miles Davis) – 10:05 Performers On Tracks 1-3 • • • • • Miles Davis – trumpet Wayne Shorter – tenor saxophone. Williams and Carter. "Two Faced" (Wayne Shorter) – 18:00 2. Filles de Kilimanjaro 126 Filles de Kilimanjaro Filles de Kilimanjaro Studio album by Miles Davis Released January 29. Holland played acoustic bass and Corea played an RMI Electra-piano in addition to acoustic piano. The album was produced by Teo Macero and engineered by Frank Laico and Arthur Kendy. It was recorded in June and September 1968. The September sessions replaced Hancock with Chick Corea.[7] :52 These are Holland and Corea's first known recordings with Davis. and Tony Williams on drums. 1968 at Columbia 30th Street Studio. Ron Carter on electric bass. post-bop 56:30 Columbia/Legacy Producer Teo Macero Professional reviews • • • • • • • Allmusic link [2] All About Jazz (favorable) link [3] Penguin Guide to Jazz [4] Rolling Stone (favorable) 1969 [5] Rolling Stone 2004 [6] Sputnikmusic link [4] Uncut link Miles Davis chronology Miles in the Sky (1968) Filles de Kilimanjaro (1969) In a Silent Way (1969) [1] Filles de Kilimanjaro (French: "Girls/Daughters of Kilimanjaro") is a studio album by American jazz recording artist Miles Davis. During the September sessions. and Carter with Dave Holland. . Herbie Hancock on the electric Rhodes piano. New York Genre Length Label Jazz. 1969 Recorded June 19-21 & September 24. fusion. and Columbia Records released the album in 1969. The June sessions featured Wayne Shorter on saxophone. as the album was the first in what would become a series of his releases to bear the subtitle "Directions in music by Miles Davis.[7] :52 Davis married Betty O. "Mademoiselle Mabry (Miss Mabry)" – 16:32 The first and last tracks were recorded in September 1968.Filles de Kilimanjaro The album can be seen as a transitional work between Davis's mainly acoustic recordings with the Second Quintet and his later electric period (for example. "Frelon Brun (Brown Hornet)" – 5:39 2. arrange.[8] :271 At the same time. and produce the album. some portions of the song resemble Lieber and Stoller's "On Broadway". The CD reissue includes a sixth track.[8] :272 127 Track listing All songs credited to Miles Davis (see previous text).Electric bass on tracks 2-4 & 6 Dave Holland . in which Holland played only acoustic bass and Corea played both acoustic and electric piano. a staunch critic of Davis' use of electric instruments. the others in June." However.Drums .[8] :273 The song "Mademoiselle Mabry (Miss Mabry). has described the album as "the trumpeter's last important jazz record. "Filles de Kilimanjaro (Girls of Kilimanjaro)" – 12:03 2. author Paul Tingen points out that while Carter and Hancock played electric instruments at the first recording session.Tenor saxophone Herbie Hancock . the later session was a bit of a throwback." while credited to Davis. Performers • • • • • • • Miles Davis . a company in which Davis had made a financial investment.[8] :273 Evans co-composed "Petits Machins".Trumpet Wayne Shorter .[8] :272 Davis decided to list all the song titles in French to give the album an exotic touch.[7] :52 Stanley Crouch. Bitches Brew).[7] :52 The song itself was recorded during the same month as Davis' wedding.Fender Rhodes electric piano on tracks 2-4 & 6 Chick Corea .Electric piano on tracks 1 & 5 Ron Carter .46 Gil Evans."[7] :40. Mabry Davis in September 1968.[7] :52 Betty Davis appears on the album cover. helped compose. with whom Davis had previously collaborated. and named "Mademoiselle Mabry (Miss Mabry)" for her. "Petits Machins (Little Stuff)" – 8:07 Side two 1. Original LP configuration: Side one 1. "Tout de Suite (Right Away)" – 14:07 3. though he is not mentioned in the credits. which he later recorded as "Eleven" with himself and Davis listed as co-composers. an alternate take of "Tout de Suite".Double bass on tracks 1 & 5 Tony Williams . is actually Gil Evans' reworking of "The Wind Cries Mary" by Jimi Hendrix (Davis and Evans had met with Hendrix several times to exchange ideas).[8] :269 The album title refers in part to Kilimanjaro African Coffee. Davis apparently saw it this way. com/ review/ 8803/ Miles-Davis-Filles-de-Kilimanjaro/ [7] Tingen. com/ php/ article. New York: Penguin. . Paul (2001). php?id=10269 [3] Cook. Brian Morton (2008) [1992]. Arthur Kendy . ed. [8] Szwed.).). p. allmusic. allaboutjazz. com/ album/ r588820 [2] http:/ / www. sputnikmusic.Engineering • Hiro . So What: The Life of Miles Davis (first ed. 346. org/ 5uAu8uxdL [5] http:/ / books. New York: Simon & Schuster. New York: Billboard Books. Richard. webcitation.Filles de Kilimanjaro 128 Credits • Teo Macero . ISBN 978-0-141-03401-0.). google. ISBN 0-8230-8346-2. The Penguin Guide to Jazz (9th ed. ISBN 0-684-85982-3. com/ books?id=t9eocwUfoSoC& pg=PA215#v=onepage& q& f=false [6] http:/ / www.Production (original recording) • Frank Laico.Cover art References [1] http:/ / www. Miles Beyond: The Electric Explorations of Miles Davis. [4] http:/ / www. The Penguin Guide to Jazz Recordings. John (2002). 1967-1991 (first printing ed. 1969 February 18. fusion. Since its initial reception. following a stylistic shift toward the genre in his previous records and live performances. Upon its release. Macero edited and arranged Davis's recordings from the session to produce the album. released July 30. 1969 CBS 30th Street Studio B (New York. the album was met by controversy among music critics. Produced by Teo Macero. it has been regarded by fans and critics as one of Davis's greatest and most influential works. avant-garde jazz 38:10 Columbia CS 9875 Teo Macero Miles Davis chronology Filles de Kilimanjaro (1969) In a Silent Way (1969) Bitches Brew (1970) Genre Length Label Producer In a Silent Way is a studio album by American jazz musician Miles Davis.[1] . who were divided in their reaction to its experimental musical structure and Davis's electronic approach.In a Silent Way 129 In a Silent Way In a Silent Way Studio album by Miles Davis Released Recorded July 30. In 2001. the album was recorded in one session date on February 18. electronic. Columbia Legacy and Sony Music released the three-disc box set The Complete In a Silent Way Sessions. 1969 on Columbia Records. In a Silent Way has been regarded by music writers as Davis's first fusion recording. 1969 at CBS 30th Street Studio B in New York City. particularly those of jazz and rock music. Incorporating elements of classical sonata form. New York) Jazz. Marking the beginning of his "electric" period. which includes the original album. and the unedited recordings used to produce In a Silent Way. additional tracks. in the critic's paranoia about his place in the world". who had one month prior to the February 18th In a Silent Way session recorded his classic debut album Extrapolation. but was so impressed that he told him to show up at the studio the next day. stating: It didn't swing. It was the sound of Miles Davis and Teo Macero feeling their way down an unlit hall at three in the morning. out of fear that he would lose his entire band to Davis. McLaughlin moved in early February from England to the US to play with The Tony Williams Lifetime.. writing "Rock critics thought In a Silent Way sounded like rock. while jazz critics felt "betrayed" amid the genre's decreasing popularity at the time. Instead Joe Zawinul. According to producer Bob Belden.[2] In his book Running the Voodoo Down: The Electric Music of Miles Davis. Davis had not heard the guitarist before.[15] However. Its incorporation of electronic instrumentation and experimental structure have been sources of extreme controversy among jazz critics. who had come to the session only as the composer of the song "In a Silent Way. The last six minutes of the first track are actually the first six minutes of the same track repeated in exactly the same form. thought it sounded like rock too. since My Funny Valentine (1965). and practically wet themselves with joy. at least partly. development and recapitulation. McLaughlin would go on to great fame in the 1970s as leader of the Mahavishnu Orchestra. the one asking all the unanswerable questions.[6] Both of the extended tracks on the album consist of three distinct parts that could be thought of as an exposition.[14] While it performed better commercially than most of Davis's previous work.[15] Freeman continues by expressing that both reactions were "rooted. But though In a Silent Way wasn't exactly jazz. the solos weren't even a little bit heroic." ended up playing organ on the album. organist Larry Young. Jazz critics.[4] Macero's editing techniques have incorporated elements of classical sonata form in Davis' recordings for In a Silent Way. was also intended to play on In a Silent Way.. it certainly wasn't rock. and it had electric guitars. or at least thought Miles was nodding in their direction. The album featured virtuoso guitarist and newcomer John McLaughlin. with that doubting. Williams brought McLaughlin to Davis' house the night before the scheduled session for In a Silent Way.[16] According to the 2004 edition of The New Rolling Stone Album Guide.[4] [3] [5] It is also the first recording by Davis that was largely constructed by the editing and arrangement of producer Teo Macero. while marking the beginning of his "electric" period. Reception Initial reaction Peaking at number 134 on the U. whom Williams had also recently hired for his Lifetime trio. It was the soundtrack to all the whispered conversations every creative artist has.[2] [3] It has been regarded by music writers as the first of Davis's fusion recordings. all the time. writing that rock criticism was in its early stage of existence and such critics found "reassurance" in viewing the album as having psychedelic rock elements. At the request of Tony Williams. Billboard Top LPs chart. Williams sent Young home as soon as he arrived. In a Silent Way featured a full-blown electric approach by Davis. to reach the chart. and they reacted less favorably". especially ones who didn't listen to much rock. In a Silent Way became Davis's first album in four years. Phil Freedom writes that rock and jazz critics at the time of the album's release were biased in their respective genres.[15] —Phil Freeman .[15] the album's critics were divided in their reaction upon its release. Davis's recording process and producer Teo Macero's studio editing of individual recordings into separate tracks for the album "seemed near heretical by jazz standards". Freeman wrote that In a Silent Way was distinct from both jazz and rock styles at the time. taunting voice that lives in the back of your head. However.S.In a Silent Way 130 Background Although Davis's live performances and previous records such as Miles in the Sky (1968) and Filles de Kilimanjaro (1969) had indicated his stylistic shift to fusion. With this "trick" the track takes on a more understandable structure. "In a Silent Way/It's About That Time" (Joe Zawinul. All at once. Rolling Stone writer Lester Bangs described In a Silent Way as "the kind of album that gives you faith in the future of music. There is a beautiful resignation in the sounds of this album. Bitches Brew.[3] The Penguin Guide to Jazz has included In a Silent Way in its suggested "Core Collection". "Shhh/Peaceful" (Miles Davis) – 18:16 1. showed him moving even further into the area that lay between the genres of rock and jazz. "Shhh" – 6:14 2. "Shhh" – 6:20 Side two 1. ethereal beauty of the actual music contained within has remained beautiful and wonderful. while using musical devices from all styles and cultures. and is embracing the future. In a Silent Way has been regarded by fans and critics as one of Davis's best works. is defined mainly by its deep emotion and unaffected originality". either. but it's nothing stereotyped as jazz either. It is part of a transcendental new music which flushes categories away and. of his early years with Charlie Parker. it far outsold In a Silent Way. "In a Silent Way" (Joe Zawinul) – 4:14 Chart history .[4] Stylus Magazine writer Nick Southall called the album "timeless" and wrote of its influence on music. with John Coltrane and Cannonball Adderly. its echoes heard through the last 30 years. It is not rock and roll. Chip O'Brien of PopMatters viewed that producer Teo Macero's studio editing on the album helped Davis "embrace the marriage of music and technology". Leander Williams called it "a proto-ambient masterpiece". not only of jazz.[15] 131 Retrospect Since its initial reception. but of music itself". all music". The dark. touching dance music. fractured dissonance of Bitches Brew ultimately proved to be instrumental in its success. stating "The fresh modes of constructing music that it presented revolutionised the jazz community. rock.[11] Davis' next fusion album. it owes almost as much to the techniques developed by rock improvisors in the last four years as to Davis' jazz background.[4] writing "It is neither jazz nor rock. O'Brien wrote that In a Silent Way "transcends labels".[4] In regards to its musical significance. "Peaceful" – 5:42 3. Miles Davis) – 19:52 1. It is something altogether different.[17] Citing it as "one of Davis’s greatest achievements". and the shifting.In a Silent Way In a rave review of the album upon its release. pop. "In a Silent Way" (Joe Zawinul) – 4:11 2. something universal. as if Davis is willingly letting go of what has come before. "It's About That Time" (Joe Zawinul & Miles Davis) – 11:27 3. of his early ‘60s work.[18] Track listing Side one 1. electronica. Blender writer K. It isn’t what will eventually become known as fusion.[12] In a retrospective review. Phil. Richard. pp.S.): p. allaboutjazz. William. [16] Taruskin. Review: In a Silent Way (http:/ / www. PopMatters. acclaimedmusic. com/ album/ r106165). com/ php/ article. 2005. com/ reviews/ albums/ 2199-the-complete-in-a-silent-way-sessions/ ).S. [20] Smith. miles-beyond.In a Silent Way 132 Chart (1969) Peak [19] position 134 3 40 U. Brian Morton (2006) [1992].Stan Tonkel Cover Photography . Blender. 2004. Review: In a Silent Way (http:/ / pitchfork. New York: Penguin. Vibe: 90. Richard.Teo Macero Engineer (remix and editing) . NY: Gannett Company. Stylus Magazine. " Review: In a Silent Way (http:/ / www. com/ artist/ p6377/ biography). google. com/ books?id=Xi0EAAAAMBAJ& pg=PA90& dq=)". Greg. Pitchfork Media. The Penguin Guide to Jazz (8th ed. html).John G. [5] Tate. net/ Current/ A1989. acclaimedmusic. [3] Southall. [6] Tingen. sputnikmusic. Allmusic. Review: In a Silent Way (http:/ / www. popmatters. All About Jazz. vol. Rolling Stone: 215–218. Biography: Miles Davis (http:/ / www. Review: In a Silent Way (http:/ / www. Retrieved on 2010-04-01. Allmusic. [8] MacLaren. com/ album/ r106165/ charts-awards). Retrieved on 2010-04-01. Review: The Complete in a Silent Way Sessions (http:/ / www. [17] Williams. htm). "Miles Davis" (in English). stylusmagazine. com/ books?id=0xT1CYPMf4cC& pg=PA26& dq=)".).Frank Glenn Notes [1] Kenyon. Inc. webcitation. Lester. com/ books?id=lRgtYCC6OUwC& pg=PA215#v=onepage& q=& f=false)". Richard. php?id=15060).S. Sputnikmusic. " Voodoo Ray Gun (http:/ / books. Retrieved on 2010-04-01. K. ISBN 0-14-102327-9. allmusic. 5. com/ guide/ reissue/ 51192/ filles-de-kilimanjaroin-silent-waywater-babies. Retrieved on 2010-04-01. Review: Filles de Kilimanjaro/In a Silent Way/Water Babies (http:/ / www. com/ pm/ review/ davismiles-water). 2009. [12] Hartwig. Walter Back Cover Notes . " Music in the Late Twentieth Century: Fusion (http:/ / books. Nick. allmusic. popmatters. Allmusic. allmusic. org/ 5rB2dZu7D). [14] Ruhlmann. com/ pm/ review/ davismiles-silentway/ ).Russ Payne Original recording Engineer . Rolling Stone. Colin. [4] O'Brien. Retrieved on 2010-04-01. Review: In a Silent Way (http:/ / www. 2002. Retrieved on 2010-04-01. google. Billboard Best-Selling Soul LPs Personnel Musicians • • • • • • • • Miles Davis – trumpet Wayne Shorter – soprano saxophone John McLaughlin – electric guitar Chick Corea – electric piano Herbie Hancock – electric piano Joe Zawinul – organ Dave Holland – double bass Tony Williams – drums Production • • • • • • Producer . htm)". Christian. PopMatters. Dominique. [15] Freeman. htm)". [10] Leone. Rochester Times-Union (Rochester. Oxford University Press: 335. Chip. Review: In a Silent Way (http:/ / www. Virgin Encyclopedia of Popular Music: March 1. blender. [9] Cook. The Penguin Guide to Jazz: 2000. Billboard Top LPs U. " Running the voodoo down: the electric music of Miles Davis (http:/ / books. [19] Billboard Albums: In a Silent Way (http:/ / www. in Miles Beyond (http:/ / www. 1D. Retrieved on 2010-04-01. Thom. " Review: In a Silent Way (http:/ / www.Lee Friedlander [20] Back Cover Photography . Retrieved on 2010-09-19. com/ album. Leander. ed. Andrew. com) [7] Jurek. [18] Cook. net/ Current/ A1989. com/ books?id=CafvvoPxvzcC& pg=PA335)". November 2. php?albumid=3237). " Review: In a Silent Way (http:/ / books. Billboard Best-Selling Jazz LPs U. [13] Larkin. Retrieved on 2010-04-01. Trevor. [2] Hoard. Retrieved on 2010-04-01. com/ articles/ on_second_thought/ miles-davis-in-a-silent-way. google. 326–327. 1969). [11] Bangs. Cliff (September 11. The Penguin Guide to Jazz Recordings. Retrieved on 2010-04-01. Review: In a Silent Way (http:/ / www. John. "Rochester After Dark". Paul. google. September 1997. Hal Leonard Corporation: 26–27. . miles-beyond.com/Miles-Davis-In-A-Silent-Way/master/8408) at Discogs • Electric Miles: A Look at the In a Silent Way and On the Corner Sessions (http://books. 1998. Thunder's Mouth Press.htm) External links • Official website (http://http://www.milesdavis. Miles Davis: The Definitive Biography. 2001. Miles Beyond (http://www.com/ iaswbitchesbrew. 1967-1991.miles-beyond. New York.com) • Article about the making of In A Silent Way and Bitches Brew (http://www. New York.google. Billboard Books.In a Silent Way 133 References • Carr.discogs. Miles Beyond: The Electric Explorations of Miles Davis.com/ books?id=lKsu7XejoPkC&pg=PA91) — By Victor Svorinich . Paul. • Tingen. Ian.com/us/music/silent-way) • In a Silent Way (http://www. such as the electric piano and guitar. a four-disc box set that included the original album as well as the studio sessions through February 1970. due to the album's unconventional style and revolutionary sound. Bitches Brew was Davis's first gold record. . released in April 1970 on Columbia Records. Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre. as well as a major influence on rock and funk musicians. Davis rejected traditional jazz rhythms in favor of a looser. New York) Jazz.[1] selling more than half a million copies. avant-garde jazz 94:11 (Original LP) 106:01 (CD reissue) Columbia/Legacy GP-26 Teo Macero Miles Davis chronology In a Silent Way (1969) Bitches Brew (1970) A Tribute to Jack Johnson (1971) Genre Length Label Producer Bitches Brew is a studio double album by jazz musician Miles Davis. 1969 January 28. Later.Bitches Brew 134 Bitches Brew Bitches Brew Studio album by Miles Davis Released Recorded April 1970 August 19–21.[2] Upon release. fusion. With the use of these instruments. Columbia Records released The Complete Bitches Brew Sessions. it received a mixed response.[3] In 1998. 1970 (Bonus track) 30th Street Studio (New York. rock-influenced improvisational style. The album continued his experimentation with electric instruments previously featured on his critically acclaimed In a Silent Way album. to their own performances. There were many special effects. but at other times the musicians had little or no idea what they were to record. Short sections were spliced together to create longer pieces. the horns repeat the melody over and over while the rhythm section builds up the intensity. a few chords or a hint of melody. but was given a radically different interpretation on Bitches Brew. for example. or. again with several short tape loops of. A few pieces on Bitches Brew were rehearsed before the recording sessions. Davis composed most of the music on the album. The two important exceptions were the complex "Pharaoh's Dance" (composed by Joe Zawinul) and the ballad "Sanctuary" (composed by Wayne Shorter). Despite his reputation as a "cool". The issued "Sanctuary" is actually two consecutive takes of the piece. His closing solo on "Miles Runs the Voodoo Down" is particularly noteworthy in this regard. Bitches Brew not only became a controversial classic of musical innovation. five seconds (at 3:01. like tape loops. Macero concocted many totally new musical structures that were later imitated by the band in live concerts. Post-production There was significant editing done to the recorded music. Then. Miles and his producer. Later on in the track there are several micro-edits: for example. Once in the recording studio. and suggestions as to mood or tone. The title track contains 15 edits. the players were typically given only a few instructions: a tempo count. often playing fast runs and venturing into the upper register of the trumpet. Therefore. Davis did not perform on the short piece "John McLaughlin". in his distinctive whisper. featuring stacks of edits and studio effects that were an integral part of the music. tape delays.[4] . On the quieter moments of "Bitches Brew". a one-second-long fragment that first appears at 8:39 is repeated five times between 8:54 and 8:59. who has a classical education and was most likely inspired by the 1930s and 1940s musique concrète experiments.Bitches Brew 135 Recording sessions Recording sessions took place at Columbia's 30th Street Studio over the course of three days in August 1969. 3:07 and 3:12). used the recording studio in radical new ways. Macero. in this case. Davis's voice is audible. The latter had been recorded as a fairly straightforward ballad early in 1968. Through intensive tape editing. reverb chambers and echo effects. much of Davis's playing on this album is aggressive and explosive. not unlike Davis's recording of Shorter's "Nefertiti" two years earlier. Davis called the musicians to the recording studio on very short notice. or to Davis's cues. "Pharaoh's Dance" contains 19 edits – its famous stop-start opening is entirely constructed in the studio. Davis liked to work this way. melodic improviser. it also became renowned for its pioneering use of studio technology. "Keep it tight" or telling individuals when to solo. especially in the title track and the opening track. Mati Klarwein created this artwork for Bitches Brew's gatefold cover. he thought it forced musicians to pay close attention to one another. giving instructions to the musicians: snapping his fingers to indicate tempo. used tape editing as a form of arranging and composition. "Pharaoh's Dance". It begins with Davis and Chick Corea improvising on the standard "I Fall in Love too Easily" before Davis plays the "Sanctuary" theme. Teo Macero. using repeat loops of certain sections. and various effects were applied to the recordings. Enrico Merlin reports: Bitches Brew also pioneered the application of the studio as a musical instrument. which could change at any moment. saying. the album was ranked number 94 on Rolling Stone magazine's list of the 500 greatest albums of all time. perhaps its most important innovation was rhythmic. and a percussionist.[6] Reception Bitches Brew was a turning point in modern jazz... the other double bass).. vital release."[10] On the other hand. How much music do you hear now like that?"[11] The Penguin Guide to Jazz gave Bitches Brew a four-star rating (out of four stars). and at times. bandwidth) had.) Some critics at the time characterized this music as simply obscure and "outside"."[5] The solo voices heard most prominently on this album are the trumpet and the soprano saxophone. The technology of recording. by the late sixties. Gerow and Megill further explain that "the harmonies used in this recording move very slowly and function modally rather than in a more tonal fashion typical of mainstream jazz. In it are found long-form performances which encompass entire improvised suites with rubato sections.[12] Along with this accolade. the album's cover also sports the phrase "Directions In Music By Miles Davis" above the title. disc mastering and inherent recording time constraints (i. Notable also is Bennie Maupin's ghostly bass clarinet. describing the recording as "one of the most remarkable creative statements of the last half-century. Starting in 1969. two to three drummers."[9] Bob Rusch recalls. for one. many fans. How much groundbreaking music do you hear now? It was music that you had that feeling you never heard quite before. tempo changes or the long. "like rock groups." Some jazz fans and musicians felt the album was crossing the limits. which was perhaps the first use of the instrument in jazz not heavily indebted to pioneer Eric Dolphy. Maurice Gerow.. critics. two to three electric piano players. It came from another place. or even forgiven Davis for drawing. "this to me was not great Black music.[8] . I hear it 'better' today because there is now so much music that is worse. a gigantic torso of burstingly noisy music that absolutely refuses to resolve itself under any recognized guise. The static harmonies and rhythm section's collective embellishment create a very open arena for improvisation. The rhythm section for this recording consists of two bassists (one playing bass guitar. analog tape. vinyl album: Bitches Brew reflects this. Davis' concerts included some of the material that would become Bitches Brew. and musicians see the records as an important. or was not jazz at all. Davis had already spearheaded two major jazz movements – cool and modal jazz – and was about to initiate another major change (like Davis' album Filles de Kilimanjaro.e.. drummer Bobby Previte sums up his feelings about Bitches Brew: "Well. in any artistic form. In a 1997 interview. but I cynically saw it as part and parcel of the commercial crap that was beginning to choke and bastardize the catalogs of such dependable companies as Blue Note and Prestige. One critic writes that "Davis drew a line in the sand that some jazz fans have never crossed. even passages that are more characteristic of free jazz. the album has been ranked at or near the top of several other magazines' "best albums" lists in disparate genres. and David Megill explain..Bitches Brew 136 Innovations Though Bitches Brew was in many ways revolutionary. expanded beyond previous limitations and sonic range for the stereo. His use of such a large rhythm section offers the soloists wide but active expanses for their solos. slow crescendo more common to a symphonic orchestral piece or Indian raga form than the three-minute rock song. which recalls Duke Ellington's description of Davis as "the Picasso of jazz.[5] As Paul Tanner.. respectively of Miles and Wayne Shorter."[7] In 2003. It is also profoundly flawed. all playing at the same time. Davis gives the rhythm section a central role in the ensemble's activities. it was groundbreaking."[5] Tanner. The musical result flows from basic rock patterns to hard bop textures. drum set .electric piano .trumpet Wayne Shorter .Left Jack DeJohnette .soprano saxophone Bennie Maupin .electric piano .electric guitar Dave Holland . 1970 "Miles Runs the Voodoo Down" Recorded Columbia Studio B. 1969 . 1969 • • • Miles Davis . "John McLaughlin" – 4:26 Side four • "Miles Runs the Voodoo Down" – 14:04 2.shaker. "Sanctuary" (Shorter) – 10:52 Reissue bonus track 1999 CD release featured a bonus cut recorded in early 1970.soprano saxophone • • Bennie Maupin .Bitches Brew 137 Track listing All pieces were written by Miles Davis.electric bass Lenny White . New York City January 28.bass • • Harvey Brooks . New York City August 21.Left • • Jack DeJohnette .electric guitar • • Dave Holland . 1969 Miles Davis .Congas Juma Santos (credited as "Jim Riley") . Side one 1.bass clarinet • • Joe Zawinul . except where noted.Right Don Alias .Right John McLaughlin . "Pharaoh's Dance" (Joe Zawinul) – 20:00 Side two • "Bitches Brew" – 26:59 Side three • "Spanish Key" – 17:29 2. Brooks and White "Feio" (Shorter) Recorded Columbia Studio B.Right • • John McLaughlin .drum set . New York City August 19.electric piano .Center Chick Corea .bass Harvey Brooks .Shaker Recorded Columbia Studio B.Right • • Don Alias .drum set . New York City August 20.Left Larry Young .electric piano . • "Feio" (Shorter) – 11:51 Personnel Musicians "Bitches Brew" "John McLaughlin" "Sanctuary" (Shorter) "Spanish Key" "Pharaoh's Dance" (Joe Zawinul) Recorded Columbia Studio B.bass clarinet Joe Zawinul .trumpet • • Wayne Shorter .congas • • Juma Santos (credited as "Jim Riley") .Left • • Chick Corea .electric bass • • Lenny White .drum set .electric piano . congas • • On "John McLaughlin" omit Brooks On "Sanctuary" omit Maupin. electric piano . ISBN 0-697-03663-4. Enrico (1999). Paul O. Retrieved 2007-08-07. David W. Ink Blot Magazine. [3] Jurek. ISBN 0-87930-308-5. M. org/ web/ 20051001114409/ http:/ / www. Maurice Gerow. Bill. pp. . bestweb. [4] Merlin. com/ pm/ review/ 16181/ davismiles-mileselectricdvd). aspx?s=691026). RS500: 94) Bitches Brew (http:/ / www. [6] Losin. Brown. "October 26. Retrieved 2008-08-30. com/ milesAhead/ Sessions.electric bass Harvey Brooks . htm) on 2006-01-12. htm). [5] Tanner.). Matt (December 1997).Left Chick Corea .Left Jack DeJohnette . com/ rev-archive/ Miles_Davis_Bitches_Complete. Retrieved on 2008-08-30.soprano saxophone Bennie Maupin . "Crossover — Fusion". . 5/4 Magazine.. 1969 session) Stan Tonkel – engineer (All other sessions) Mark Wilder – mastering Mati Klarwein – cover painting Bob Belden. htm). "An Interview with Bobby Previte" (http:/ / web. archive. htm) on 2007-06-30.bass clarinet Joe Zawinul . html).Right John McLaughlin .. Archived from the original (http:/ / www.. audiomedia.electric piano . Archived from the original (http:/ / www.Bitches Brew 138 Miles Davis . com/ archive/ features/ uk-0599/ uk-0599-brew/ uk-0599-brew. Retrieved on 2008-08-30. [11] Snyder.electric bass Don Alias . htm) on 2005-10-01. [9] Meyer. rollingstone. Ron Wynn. Dubuque. AcclaimedMusic. popmatters. 197..electric piano . San Francisco: Miller Freeman Books. Bob (1994). Jazz (6th ed. net/ ~msnyder/ writings/ previte. "Miles Davis".trumpet Wayne Shorter .PopMatters (http:/ / www. "Slow Brew" (http:/ / web. Columbia.drum set . IA: William C. [2] Miles Electric: A Different Kind of Blue (DVD) . plosin. Review: Bitches Brew (http:/ / www.Right Juma Santos (credited as "Jim Riley") .). columbiajazz.Left Chick Corea . Allmusic. W.).electric bass Billy Cobham .percussion and cuica • • • • • • • • • • • Production • • • • • • Teo Macero – producer Frank Laico – engineer (August 19. 'Miles Runs the Voodoo Down'. Peter.. acclaimedmusic.. 135–136. AM Publishing Ltd. [12] Staff (November 2003). bestweb. allmusic. Allmusic. 327. Retrieved on 2010-10-08.ColumbiaJazz (http:/ / www.drum set . Brian Morton (2006) [1992].electric guitar Dave Holland . htm).net. . ed. p.Right John McLaughlin . [10] Rusch. Retrieved 2007-08-04.drum set ... Megill (1988) [1964]. PopMatters. V. pp. Rolling Stone. archive. audiomedia. The Penguin Guide to Jazz Recordings. org/ web/ 20070630164719/ http:/ / www. 'Bitches Brew'. . com/ archive/ features/ uk-0599/ uk-0599-brew/ uk-0599-brew. com/ rev-archive/ Miles_Davis_Bitches_Complete. New York: Penguin. . "Miles Davis: The Complete Bitches Brew Sessions (August 1969-February 1970)" (http:/ / web. com/ newsletter2/ brew.trumpet Wayne Shorter . htm). Erlewine. Retrieved on 2010-10-08. inkblotmagazine. ed. "Session Details" (http:/ / www. inkblotmagazine. Retrieved 2007-08-04. 1969.electric piano . org/ web/ 20060112205326/ http:/ / users.Left Jack DeJohnette . College Division. Bogdanov (1st ed. The Penguin Guide to Jazz (8th ed. archive. Richard. net/ ~msnyder/ writings/ previte. [8] "Bitches Brew" (http:/ / www.Right Airto Moreira . com/ album/ r106167).soprano saxophone Bennie Maupin . Miles Ahead. net/ Current/ A1995.drum set .bass clarinet Joe Zawinul . Retrieved 2007-08-04. All Music Guide to Jazz. ISBN 0-141-02327-9.congas • • • • • • • • • • Miles Davis .electric guitar Dave Holland . . Michael Cuscuna – reissue producer References [1] Bitches Brew: Miles Davis' Shot Heard 'Round the Jazz World . com/ music/ lists/ 6862/ 35223/ 35696). Audiomedia. Thom. 'Spanish Key'" [7] Cook. Archived from the original (http:/ / users. The Electric Period (http://www.Bitches Brew 139 External links • Salon Entertainment: a Master at dangerous play (http://www.htm) • Article by Paul Tingen: In A Silent Way and Bitches Brew (http://www.html) • A history of jazz fusion (http://liraproductions.html) • Article by Paul Tingen: Complete Bitches Brew Sessions boxed set at the Miles Beyond site (http://www.htm) • Miles Davis .com/electric.miles-davis. miles-beyond.salon.com/ent/music/feature/1998/12/ cov_16featurea.com/jazzrock/htdocs/histhome.com/iaswbitchesbrew.com/bitchesbrew.miles-beyond. htm) . which took place on April 7. It contains a riff from Sly and the Family Stone's "Sing a Simple Song". released February 24. Meanwhile. 1971 February 18 and April 7.A Tribute to Jack Johnson 140 A Tribute to Jack Johnson A Tribute to Jack Johnson Studio album by Miles Davis Released Recorded February 24. 1971 on Columbia Records. Miles arrived at last and began his solo at about 2:19 on the first track. the producers brought in Herbie Hancock. awaiting Miles's arrival. to play the Farfisa organ. 1970. jazz-funk 52:26 Columbia/Legacy Teo Macero Miles Davis chronology Bitches Brew (1970) A Tribute to Jack Johnson (1971) Live-Evil (1971) Genre Length Label Producer A Tribute to Jack Johnson[11] is a studio album by American jazz musician Miles Davis. began improvising riffs on his guitar. 1970 30th Street Studio (New York. and was shortly joined by Michael Henderson and Billy Cobham. The album's two long tracks were assembled in the editing room by producer Teo Macero. who had been passing through the building on unrelated business. was almost accidental: John McLaughlin. New York) Fusion. Much of the track "Yesternow" is built around a slightly modified version of the . "Right Off" is constructed from several takes and a solo by Davis recorded in November 1969. Music The first major recording session for the album.[2] It also serves as the soundtrack for a documentary by Bill Cayton about the heavyweight world champion boxer Jack Johnson. [5] indicating "an organically conceived masterpiece that repays prolonged listening with new excitement and insight". overall high-energy rockist stance". this may be a deliberate allusion to the song's Black Power theme as it relates to the film's subject. Some fans and critics. John Fordham of The Guardian noted Davis's "whispering electric sound to some of the most trenchantly responsive straight-horn improvising he ever put on disc" and commented on its legacy. however. Columbia didn't even realise what it had with these sessions. and that the eventual 1971 release was stitched together from a variety of takes. it's up there on the top pedestal. and for the tireless perfection of the studio assemblage by Miles and producer Macero". stating "Jack Johnson is the purest electric jazz record ever made because of the feeling of spontaneity and freedom it evokes in the listener. but in the early jazz-rock hall of fame.[12] Christgau dubbed it "a great one" and commented that "all the flash of Bitches Brew coalesces into one brilliant illumination".[5] In a review of the album followings its reissue. 141 Reception and legacy Jack Johnson was less commercially successful than Davis's previous electric album.[1] Track listing Side one 1. less subtly textured setting than Bitches Brew. it's a much starker. stating: Considering that it began as a jam between three bored Miles Davis sidemen. In his consumer guide for The Village Voice.drums The "Willie Nelson" section of the second track (starting at about 13:55) was recorded on 18 February 1970 by a different and uncredited lineup: ..Electric guitar Herbie Hancock . consider Jack Johnson to be the musically superior album.[6] —John Fordham Both The Penguin Guide to Jazz and Rolling Stone Album Guide gave A Tribute to Jack Johnson their maximum star-ratings. for the stellar and inspiring solos by McLaughlin and Davis that blur all edges between the two musics. critic Robert Christgau gave the album an A+ rating. Allmusic editor Thom Jurek complimented its "funky.Organ Michael Henderson .Electric bass Billy Cobham .angled toward the pop audience .were far more aggressively marketed than the Jack Johnson set [. it's a miracle that this album turned out to be one of the most remarkable jazz-rock discs of the era. and the mid-decade Miles albums that followed . "Right Off" – 26:53 Side two 1.Trumpet Steve Grossman .. Bitches Brew.A Tribute to Jack Johnson bassline from the James Brown song "Say It Loud .I'm Black and I'm Proud". "Yesternow" also incorporates a brief excerpt of "Shhh/Peaceful" from Davis's 1969 album In a Silent Way and a 10-minute section comprising several takes of the tune "Willie Nelson" from a session on 18 February 1970.[8] [10] In a retrospective review of the album.] Of course. dirty rock & roll jazz" and "chilling. reaching only #159 on the Billboard 200 where Bitches Brew had risen as high as #35. "Yesternow" – 25:34 Personnel The first track and about half of the second track were recorded on 7 April 1970 by this sextet: • • • • • • Miles Davis .Soprano saxophone John McLaughlin . Boston Herald: E. 2008) . Christian (November 2. com/ xg/ bk-cg70/ grades. 2001). Robert R. guardian. 2004). The Village Voice." References [1] Jurek. "Review: A Tribute to Jack Johnson". (January 23. Mediation. Richard (2004). [5] Christgau.htm) at Miles Beyond • Sound. Paul (February 7.+ Discs. All About Jazz. co.+ Rap's+ new+ player+ proves+ he's+ ready+ for+ big+ Game& pqatl=google)". pqarchiver.discogs. 2005). Lexington Herald-Leader: 6. php). robertchristgau. [2] Olson. PopMatters. Blender. Consumer Guide: The Grades (http:/ / www. 2005). blender. Retrieved on 2010-01-13. [9] Calder. Retrieved on 2010-01-13. Review: A Tribute to Jack Johnson (http:/ / www. [11] The original LP. External links • A Tribute to Jack Johnson (http://www. Robert (1969-89).com/Miles-Davis-A-Tribute-To-Jack-Johnson/master/8364) at Discogs • The Making of Jack Johnson (http://www.net/10161/894) — By Jeremy A. [7] Columnist (January 21. [6] Fordham. 2005). (Transcription of original review at talk page) [8] Cook.Electric guitar Sonny Sharrock .Bass clarinet John McLaughlin .Electric guitar Chick Corea . 2005). " Review: A Tribute to Jack Johnson (http:/ / books.drums 142 At the end of the "Yesternow" there is a sound clip recorded by actor Brock Peters saying: "I'm Jack Johnson -heavyweight champion of the world! I'm black! They never let me forget it. Review: A Tribute to Jack Johnson (http:/ / www. The Penguin Guide to Jazz: 410.Trumpet Bennie Maupin . 2005). aspx?id=3203). allaboutjazz. and Meaning in Miles Davis's A Tribute to Jack Johnson (http://hdl. " Review: A Tribute to Jack Johnson (http:/ / pqasb.com/jackjohnson. com/ get_album. uk/ music/ 2005/ apr/ 01/ jazz. com/ bostonherald/ access/ 788225521.Electric piano Dave Holland . Rolling Stone: 215–218. Retrieved on 2010-01-13. Retrieved on 2010-01-13. 2005). newsbank.+ 2005& author=& pub=Boston+ Herald& desc=MUSIC. I'll never let them forget it. google. html?dids=788225521:788225521& FMT=ABS& FMTS=ABS:FT& type=current& date=Jan+ 23. php?id=2403). Smith (PhD Diss: Duke University. popmatters.miles-beyond. Allmusic. like the film. John (April 1. [4] K. robertchristgau. allmusic.C.Electric bass Jack DeJohnette . " Review: A Tribute to Jack Johnson (http:/ / nl. com/ nl-search/ we/ Archives?p_product=LH& s_site=kentucky& p_multi=LH& p_theme=realcities& p_action=search& p_maxdocs=200& p_topdoc=1& p_text_direct-0=107C83230025E7D4& p_field_direct-0=document_id& p_perpage=10& p_sort=YMD_date:D& s_trackval=GooglePM)". (February 24. was called simply 'Jack Johnson'. com/ books?id=lRgtYCC6OUwC& pg=PA215& dq=)". Review: A Tribute to Jack Johnson (http:/ / www. php?id=16087). Retrieved on 2010-01-13. Retrieved on 2011-02-01. [10] Hoard. Review: A Tribute Jack Johnson (http:/ / www. Review: A Tribute to Jack Johnson (http:/ / www. [3] Pareles. Retrieved on 2011-02-01. Consumer Guide: A Tribute to Jack Johnson (http:/ / www. [12] Christgau. com/ guide/ reviews. The Guardian. shopping). com/ php/ article.A Tribute to Jack Johnson • • • • • • • Miles Davis .R. Jon (January 5. Robert Christgau.handle. com/ album/ a-tribute-to-jack-johnson-r137455/ review). I'm black all right. Robert (1971). Thom (November 1. com/ pm/ review/ davismiles-tributejackjohnson/ ).06. Live-Evil (Miles Davis album) 143 Live-Evil (Miles Davis album) Live-Evil Studio album / Live album by Miles Davis Released November 17. June 3–4. New York and December 19. . 1971 Recorded February 6. 1970 at Columbia Studio B. Washington Genre Length Label Fusion. 1970 at the Cellar Door Club. jazz-funk 1:41:39 Columbia/Legacy Producer Teo Macero Miles Davis chronology A Tribute to Jack Johnson (1971) Live Evil (1971) On the Corner (1972) Live-Evil Back cover. McLaughlin joined the band for one of the four nights at the Cellar Door. I told Miles I found the toad. but the back cover was painted with a suggestion from Davis: "I was doing the picture of the pregnant woman for the cover and the day I finished.[12] Bob Palmer of Rolling Stone commented that "this sounds like what Miles had in mind when he first got into electric music and freer structures and rock rhythms". "What I Say. 'blowing' tracks". with different personnel." a studio fragment of "Honky Tonk. and part of which was recorded in Columbia's Studio B. the studio recordings "Little Church" ("Igrejinha")."[11] Reception Initial reaction Billboard stated that the album "captures the live performance of Davis effectively".[6] Black World's Red Scott stated "All the tracks fuse into a perfect complement of musicians passing moods to each other".. was not a regular member of Miles Davis's band during the time of recording. Klarwein had painted the front cover independently of Davis. and he just looked like a toad. December 19. 1970.Live-Evil (Miles Davis album) 144 Live-Evil is an album by Miles Davis. Edgar Hoover on the cover. and there isn't any congestion to speak of. Then next to me was a copy of Time Magazine which had J.] usually fascinating and often exciting". Just stunning. One of the key musicians on the album. and "What I Say" as highlights. Though all compositions were originally credited to Miles Davis.[2] He cited "Funky Tonk" as "Miles's most compelling rhythmic exploration to date" and commented that . 4.." Cover artwork The album cover was illustrated by artist Mati Klarwein..[10] Musician lineup on Cellar Door segments • • • • • • • Miles Davis: electric trumpet with wah-wah Gary Bartz: soprano sax.. 1970. 1970: "Sivad" (a blend of "Directions. Miles reacts to this happy situation by playing his ass off. rather like a session player." and a live recording of "Honky Tonk"). too". Miles called me up and said. there aren't any weak links. who also played with the Davis band on these tracks. and June 3.' And all he mentioned was a toad. this is not the case for other Davis albums that he worked on. bittersweet lines [.[13] In his consumer guide for The Village Voice. "Nem Um Talvez" ("Not Even a Maybe") and "Selim" are by Brazilian composer and multi-instrumentalist Hermeto Pascoal. and praised each band members' soloing on the album's "extended. but this idea was abandoned when it became obvious that Live-Evil was "something completely different"." "Funky Tonk" and "Inamorata and Narration by Conrad Roberts. much of which was recorded live at The Cellar Door on December 19.] Each of these tracks is under four minutes. They feature larger groups but there aren't any solos. 'I want a picture of life on one side and evil on the other.[6] Palmer wrote of "Little Church". John McLaughlin. Fender electric organ Michael Henderson: electric bass Jack DeJohnette: drums Airto Moreira: percussion • Cellar Door Segments. "Nem Um Talvez". on February 6. alto sax John McLaughlin: electric guitar Keith Jarrett: Fender Rhodes electric piano. and "Selim" as "what used to be called 'ballads'. citing "Sivad". critic Robert Christgau gave the album an A. "Selim". stating "Everybody is just playing away. and they are all things of great beauty". Davis had originally intended the album to be a spiritual successor to Bitches Brew.rating and called its "long pieces [. .. 1970 at The Cellar Door. 1970) 00:00-00:49 04:15-09:11 "Honky Tonk" (2nd set) 05:23-10:20 09:12-15:12 "Honky Tonk" (2nd set) 15:13-21:14 • • • • • Miles Davis: trumpet Keith Jarrett: electric piano. and human whistles/vocals float about forebodingly like wistful phantoms". Allmusic editor Thom Jurek called its tracks "fine and deeply lyrically grooved-out" and described it as "the sound of transition and complexity. "Medley: Gemini/Double Image" . 1970 at Columbia Studio C. "Nem Um Talvez" . "Funky Tonk" . Faust of Stylus Magazine dubbed Live-Evil "one of the funkiest albums ever recorded" and commented that its "somber" short pieces "are haunting examples of musical purity—Miles enriching our ears with evocative melodies (his work on Sketches of Spain comes to mind) while the bass creeps cautiously. Washington.2:12 2. "Little Church" . "Inamorata and Narration by Conrad Roberts" .3:14 3.] wonderfully immediate and fiery".. New York..26:29 Recording details Side One (25:20) 1. "What I Say" .4:03 Side three 1. "Sivad" (15:13) Recorded December 19.21:09 2. writing that "The 15+ minute live jams [. organ John McLaughlin: electric guitar Michael Henderson: electric bass Airto Moreira: cuica .23:26 Side four 1.[2] 145 Retrospect In a retrospective review of the album.5:53 Side two 1.Live-Evil (Miles Davis album) "the four short pieces are more like impressionistic experiments".] run the gamut from barroom brawl action-funk to sensual bedroom jazz magic. creating two hours of charged eccentricity you'll never forget".[5] Track listing Side one 1. "Selim" . an organ hums tensly. NY Timing Source 00:00-00:01 "Directions" (2nd set) 0:00-0:01 (drum roll) 00:02-03:24 "Directions" (2nd set) 11:30-14:44 + "Honky Tonk" 00:00-00:08 03:25-04:14 "Honky Tonk" (studio. noting "the live material [. May 19.[9] Pitchfork Media's Ryan Schreiber called the album "easily the most accessible of Miles Davis' late-'70s electric releases" and described its music as "at once both sexually steamy and unsettling".[1] Edwin C. and somehow it still grooves wonderfully". "Sivad" . DC & May 19.15:13 2. "Nem Um Talvez" (4:03) Recorded June 3. 1970 at The Cellar Door. "Funky Tonk" (23:26) Recorded December 19. "What I Say" (21:09) Recorded December 19. "Selim" (2:12) Recorded June 3. 1970 at Columbia Studio B.Live-Evil (Miles Davis album) 2. Washington. 1970 at The Cellar Door. New York. NY • • • • • • • Miles Davis: trumpet Chick Corea: organ Herbie Hancock: electric piano Keith Jarrett: electric piano Ron Carter: bass Airto Moreira: percussion Hermeto Pascoal: voice. organ John McLaughlin: electric guitar Michael Henderson: electric bass Airto Moreira: cuica 2. New York. DC Timing Source 00:00-20:50 "What I Say" (2nd set) 00:00-20:50 20:51-21:09 "Sanctuary" (2nd set) 00:00-00:18 • • • • • • Miles Davis: trumpet Gary Bartz: soprano saxophone. 1970 at Columbia Studio B.right John McLaughlin: electric guitar Dave Holland: electric bass Jack DeJohnette: drums Airto Moreira: percussion Side Two (25:12) 1. New York. 1970 at Columbia Studio B.left Chick Corea: electric piano . drums Side Three (25:38) 1. Washington. DC . NY • • • • • • • Miles Davis: trumpet Steve Grossman: soprano sax Chick Corea: organ Herbie Hancock: electric piano Keith Jarrett: electric piano Ron Carter: bass Hermeto Pascoal: voice 2. New York. flute Keith Jarrett: electric piano. NY • • • • Miles Davis: trumpet Herbie Hancock: organ Dave Holland: bass Hermeto Pascoal: whistling 146 3. 1970 at Columbia Studio B. "Medley: Gemini/Double Image" (5:53) Recorded February 6. "Little Church" (3:14) Recorded June 4. NY • • • • • • • • Miles Davis: trumpet Wayne Shorter: soprano sax Joe Zawinul: electric piano . • • • • • • • Miles Davis: trumpet Gary Bartz: alto saxophone Keith Jarrett: electric piano. In the Source column of the tables above.Live-Evil (Miles Davis album) 147 Timing Source 00:00-02:54 "Directions" (3rd set) 00:47-03:41 (theme excised) 02:55-04:53 "Directions" (3rd set) 03:54-05:51 (theme excised) 04:54-16:14 "Directions" (3rd set) 06:20-17:39 (theme excised) 16:15-16:50 "Directions" (3rd set) 18:03-18:39 16:51-20:12 "Funky Tonk" (3rd set) 00:00-03:21 20:13-20:18 "Funky Tonk" (3rd set) 03:59-04:04 20:19-23:23 "Funky Tonk" (3rd set) 04:15-07:20 • • • • • • Miles Davis: trumpet Gary Bartz: soprano saxophone Keith Jarrett: electric piano. 1970 at The Cellar Door. . the title "Funky Tonk" is used. organ John McLaughlin: electric guitar Michael Henderson: electric bass Airto Moreira: cuica Conrad Roberts: vocal narration. "Inamorata and Narration by Conrad Roberts" (26:29) Recorded December 19. organ John McLaughlin: electric guitar Michael Henderson: electric bass Airto Moreira: cuica Side Four (26:29) 1. poem Note: The Cellar Door Sessions 1970 box set uses the titles "Improvisation #4" (for Keith Jarrett's keyboard intro) and "Inamorata" instead of "Funky Tonk". DC Timing Source 00:00-16:34 "Funky Tonk" (3rd set) 07:21-23:55 16:35-16:47 "Sanctuary" (3rd set) 01:50-02:02 16:47-23:08 "It's About That Time" (3rd set) 00:00-06:21 23:09-26:08 "It's About That Time" 0:00-2:59* Narration by Conrad Roberts first 0:43 26:08-26:28 "Sanctuary" 0:00-0:20* (*) The final two sections are not from The Cellar Door. Washington. Allmusic. The Village Voice. com/ music/ albumreviews/ live-evil-19720120). 2004). [9] Faust. org/ web/ 20021021010024/ www. org/ 5vbJoOcEP). 1972). Spin: 117. stylusmagazine. Rolling Stone. p. com/ books?id=t9eocwUfoSoC& pg=PA215#v=onepage& q& f=false)". " Review: Live-Evil (http:/ / books. org/ 5vbJReQwi). Muze. . 2002). [7] Hoard. [8] Davis. 86. com/ books?id=_uWz-QtMkI4C& pg=PA117#v=onepage& q& f=false)". Rolling Stone: 215. rollingstone. [6] Palmer. Retrieved on 2011-01-08. archive. Miles. google. Ryan (1997). Erik (April 1997). Review: Live-Evil (http:/ / www. net/ Current/ A1998. com/ get_artist. com/ books?id=Ng8EAAAAMBAJ& pg=PA25#v=onepage& q& f=false)". " Review: Live-Evil (http:/ / www. Review: Live-Evil (http:/ / www. htm)". Retrieved on 2011-01-08. Robert (1972). [5] Schreiber. Red (September 1972). (September 1. Miles: The Autobiography. htm). Thom (November 1. Retrieved on 2011-01-08. Consumer Guide: Live-Evil (http:/ / www. Review: Live-Evil (http:/ / www. Edwin C. 218. 319 [12] Columnist (December 18. Bob (January 20. Stylus Magazine. " Freakin' the Funk – Revisiting Miles Davis's '70s Visions (http:/ / books. Christian (November 1. pitchforkmedia. php?name=Miles+ Davis). Retrieved on 2011-01-08. com/ album/ r137461/ review). The Penguin Guide to Jazz: 377. [4] Cook. Billboard: 25. robertchristgau. [2] Christgau. webcitation. acclaimedmusic. com/ books?id=XrIDAAAAMBAJ& pg=PA19#v=onepage& q& f=false)". [10] Davis.Live-Evil (Miles Davis album) 148 References [1] Jurek. google. google. allmusic. shtml) on 2011-01-08. [13] Scott. com/ record-reviews/ d/ davis_miles/ live-evil. Archived from the original (http:/ / web. webcitation. Retrieved on 2011-01-08. 2003). " Review: Live-Evil (http:/ / books. google. Richard (September 2002). Pitchfork Media. ISBN 0634006827 [11] Szwed. John. So What: the Life of Miles Davis. 1971). Review: Live-Evil (http:/ / www. com/ articles/ on_second_thought/ miles-davis-live-evil. " Review: Live-Evil (http:/ / books. Black World: 19. [3] Product Notes – Live-Evil (http:/ / www. On the Corner 149 On the Corner On the Corner Studio album by Miles Davis Released October 11, 1972 Recorded June 1–6 and July 7, 1972 at Columbia Studio E, 49 E. 52nd Street, New York Genre Length Label Jazz-funk, fusion 54:39 Columbia/Legacy Producer Teo Macero Professional reviews • • • • • • • • • Allmusic link [2] Alternative Press link [3] Robert Christgau (B+) link [4] JazzTimes (favorable) [5] Penguin Guide to Jazz link [6] Rolling Stone (favorable) link [7] Stylus Magazine (favorable) link [8] Spin [9] Yahoo! Music (favorable) link Miles Davis chronology [1] Live-Evil (1971) On the Corner (1972) Big Fun (1974) On the Corner is a studio album by jazz musician Miles Davis, recorded in June and July 1972 and released later that year on Columbia Records. It was scorned by critics at the time of its release and was one of Davis's worst-selling recordings. Its critical standing has improved dramatically with the passage of time, as it is now seen as a strong forerunner of the musical techniques of post punk, hip hop, drum and bass, and electronic music.[4] [10] Joining previous multi-disc Davis reissues of In a Silent Way, A Tribute to Jack Johnson, and Bitches Brew, On the Corner was reissued on the 6-disc boxed set The Complete On the Corner Sessions, released in September 2007. On the Corner 150 Music Davis claimed that On the Corner was an attempt at reconnecting with the young black audience which had largely forsaken jazz for rock and funk. While there is a discernible rock and funk influence in the timbres of the instruments employed, from a musical standpoint the album was a culmination of sorts of the musique concrète approach that Davis and producer Teo Macero (who had studied with Otto Luening at Columbia University's Computer Music Center) had begun to explore in the late 1960s. Both sides of the record were based around drum and bass grooves, with the melodic parts snipped from hours of jams. These techniques, refined via the use of computers and digital audio equipment, are now standard amongst producers of electronically-based music. Also cited as musical influences on the album by Davis were the contemporary composer Karlheinz Stockhausen[11] [12] , who later recorded with the trumpeter in 1980[13] , and Paul Buckmaster (who played electric cello on the album and contributed some arrangements). Track listing All songs written by Miles Davis. Side one 1. "On the Corner / New York Girl / Thinkin' One Thing and Doin' Another / Vote for Miles" (19:55) 2. "Black Satin" (5:16) Side two 1. "One and One" (6:09) 2. "Helen Butte / Mr. Freedom X" (23:18) The 1993 CD reissue of On the Corner (which has the "Columbia Jazz Masterpieces" logo stamped on the front cover) separates each "composition" into a distinct track so that the album has 8 tracks rather than 4. Later reissues returned the songs to their original, conflated status. Personnel • • • • • • • • • • • • • • • • Miles Davis – electric trumpet with Wah Wah Dave Liebman – soprano saxophone (A2) Carlos Garnett – soprano and tenor saxophone (B1, B2) Chick Corea – electric piano Herbie Hancock – electric piano, synthesizer Harold I. Williams – organ, synthesizer Lonnie Liston Smith – organ John McLaughlin – electric guitar (A1) David Creamer – electric guitar (A2, B1, B2) Michael Henderson – electric bass with Wah Wah Khalil Balakrishna - electric sitar (A2) Bennie Maupin – bass clarinet (B1) Collin Walcott – electric sitar (A1, B1, B2) Badal Roy – tabla Jack DeJohnette – drums Al Foster - drums • Jabali Billy Hart – drums, bongos • Don Alias – percussion On the Corner • James "Mtume" Foreman – percussion • Paul Buckmaster – cello, arrangements 151 References [1] [2] [3] [4] http:/ / www. allmusic. com/ album/ r106173 http:/ / www. cduniverse. com/ search/ xx/ music/ pid/ 1088339/ a/ On+ The+ Corner. htm http:/ / www. robertchristgau. com/ get_artist. php?name=Miles+ Davis Chinen, Nate (October 2007). Review: The Complete On the Corner Sessions (http:/ / web. archive. org/ web/ 20071011155945/ http:/ / www. jazztimes. com/ reviews/ cd_reviews/ detail. cfm?article_id=18402& section=CD+ Reviews& issue=200710). JazzTimes. Retrieved on 2011-02-12. [5] http:/ / www. acclaimedmusic. net/ Current/ A2005. htm [6] http:/ / www. rollingstone. com/ music/ albumreviews/ on-the-corner-19721207 [7] http:/ / www. stylusmagazine. com/ articles/ on_second_thought/ miles-davis-on-the-corner. htm [8] Hermes, Will (November 2007). " Review: The Complete On the Corner Sessions (http:/ / books. google. com/ books?id=Db0ytsazMqUC& pg=PA124#v=onepage& q& f=false)". Spin: 124. [9] http:/ / music. yahoo. com/ read/ review/ 12035525 [10] Tingen, Paul (October 26, 2007). The most hated album in jazz (http:/ / www. guardian. co. uk/ music/ 2007/ oct/ 26/ jazz. shopping). The Guardian. Retrieved on 2011-02-12. [11] "Miles Davis first heard Stockhausen's music in 1972, and its impact can be felt in Davis's 1972 recording On the Corner, in which cross-cultural elements are mixed with found elements." Barry Bergstein "Miles Davis and Karlheinz Stockhausen: A Reciprocal Relationship." The Musical Quarterly 76, no. 4. (Winter): p. 503. [12] In Davis' autobiography he states that "I had always written in a circular way and through Stockhausen I could see that I didn't want to ever play again from eight bars to eight bars, because I never end songs: they just keep going on. Through Stockhausen I understood music as a process of elimination and addition" (Miles, New York: Simon & Schuster, 1989, p. 329) [13] "In June of 1980, Miles Davis was joined by the German composer Karlheinz Stockhausen in the studios of Columbia Records; the recording of this collaboration is still unissued." Barry Bergstein "Miles Davis and Karlheinz Stockhausen: A Reciprocal Relationship" The Musical Quarterly Vol. 76, No. 4 (Winter, 1992), p. 502 External links • On the Corner track sheets at the Miles Beyond web site (http://www.miles-beyond.com/otc.htm) • The Most Hated Album in Jazz (http://www.guardian.co.uk/music/2007/oct/26/jazz.shopping) at The Guardian • List of top album rankings for On the Corner at AcclaimedMusic.net (http://www.acclaimedmusic.net/ Current/A2005.htm) highlighting both the high and low registers. 1974. 1972 Columbia Studios B and E (New York. 1969. 2000 by Columbia and Legacy Records with additional material. February 6. it was reissued on August 1. 1970. on Columbia Records. tambura. NY) Genre Length Label Fusion. and June 12. March 3. Sides one and four ("Great Expectations/Orange Lady" and "Lonely Fire") were recorded three months after the Bitches Brew sessions and incorporate sitar. 1974 Recorded November 19. This contributed to creating a very clear and lean sound. released May 4. It contains tracks recorded between 1969 and 1972 by Davis. . 1970. as opposed to the busier sound of Bitches Brew which placed more emphasis on the medium and low registers. avant-garde jazz 98:45 Columbia Producer Teo Macero Miles Davis chronology On the Corner (1972) Big Fun (1974) Get Up with It (1974) Big Fun is a double album by American jazz recording artist Miles Davis. Largely ignored on its original release. and other Indian instruments.Big Fun (Miles Davis album) 152 Big Fun (Miles Davis album) Big Fun Studio album by Miles Davis Released May 4. tabla. which led to a belated critical reevaluation. making it sound much like the sitar. Background Big Fun reflects three different phases from Miles Davis's early-seventies "electric" period. jazz-funk. 28. They also mark the first time since the beginning of Miles Davis's electric period that he played his trumpet with the Harmon mute which had been one of his hallmarks. Big Fun (Miles Davis album) Recorded slightly later, "Go Ahead John" used a sparser line-up and was a major step towards the 1970 Tribute to Jack Johnson sessions. "Ife" was recorded after the 1972 On the Corner sessions, and the framework is similar to tracks from that record. It has a drum and electric bass groove (which in fact at one point breaks down due to mistiming) and a plethora of musicians improvising individually and in combinations over variations on the hypnotic bassline. 153 Reception Initial reaction Released on May 4, 1974, by Columbia Records,[9] Big Fun debuted at number 193 on the U.S. Billboard Top LPs chart and sold 50,000 copies in its first week.[10] [11] It ultimately reached number 179 on the chart and number six on Billboard's Top Jazz LPs chart.[12] According to music writer Todd S. Jenkins, "The long, ever-droning, darkly exotic electric music, and in fact the very idea of just four songs taking up four full sides of an album, was not too appealing to critics or the general market at a time when short, sharp disco tunes were beginning to chart like wildfire. So Big Fun received generally weak reviews".[2] In a positive review of the album, Billboard stated "Much of the existentialism in musical forms that has characterized Miles Davis' recent offerings are embodied in this new album, but Davis has the creativity of mind and expertise of profession to break away from the conventional and still remain an exciting, interesting, innovative and acceptable artist. This album is in that genre".[9] Bob Palmer of Rolling Stone wrote that "essentially Big Fun is the most consistently appealing, varied and adventurous Miles Davis album since Live/Evil, commands attention as such, and will doubtless give Davis's many imitators something to think about".[6] In his consumer guide for The Village Voice, critic Robert Christgau gave Big Fun an A- rating,[4] indicating "a very good record. If one of its sides doesn't provide intense and consistent satisfaction, then both include several cuts that do".[13] Christgau noted three of its "side-long 'pieces' [...] wind down prematurely", but ultimately commented that "for the most part this is uncommonly beautiful stuff, and it gets better".[4] He singled out "Lonely Fire" as a highlight, writing that "after meandering at the beginning [it] develops into lyrical mood music reminiscent in spirit and fundamental intent of Sketches of Spain".[4] Retrospect In a retrospective review, Allmusic editor Thomas Jurek complimented "some outstanding playing and composing here", but criticized "the numerous lineups and uneven flow of the tracks", writing that "Despite the presence of classic tracks like Joe Zawinul's 'Great Expectations', Big Fun feels like the compendium of sources it is".[1] The Rolling Stone Album Guide gave it three out of five stars and stated, the album "defies easy categorization, although its dark, moody tracks boast a strong undercurrent of Indian classical rhythms in addition to the expected swathes of rock and funk".[7] However, Alternative Press called the album "essential....colorful and exotic" and wrote that it represents "the high water mark of his experiments in the fusion of rock, funk, electronica and jazz".[3] The Penguin Guide to Jazz gave the album three out of four stars and described it as "an entertaining simulation of a top-drawer R&B band, just about pushed into the jazz zone", with the key elements of Davis's "electronic" sound.[5] Stylus Magazine's Edwin C. Faust commented that "a world without this music would be a considerably emptier place" and cited it as Davis's "greatest achievement" with regard to an album's "overall effect".[8] Faust viewed that critics were "privy to the knowledge of recording dates and band line-ups" in their criticism of the album as "scattered" and "unfocussed", and elaborated on its musical significance to Davis's catalogue, stating: Despite critics labeling it “scattered” and “unfocused”, Big Fun has a very consistent vibe throughout. In contrast to its title, the album is moody and hauntingly lyrical—not entirely unlike In a Silent Way. Imagine the foreboding nature of Bitches Brew, with the primitive and funky undercurrent of On the Corner, but also with the majestic melodies of In a Silent Way cresting the surface. Plus, Big Fun is tied together by a stronger Big Fun (Miles Davis album) Eastern vibe than any of Davis’s other albums [...] Big Fun is the work of a true musical craftsman and an even truer artist.[8] —Edwin C. Faust 154 Track listing 1974 double LP release Side one 1. "Great Expectations" (Davis, Zawinul) - 27:23 • "Great Expectations" (Davis, Zawinul) - 13:34 • "Orange Lady" (Zawinul) - 13:49 Side two 1. "Ife" (Davis) - 21:34 Side three 1. "Go Ahead John" (Davis) - 28:27 Side four 1. "Lonely Fire" (Davis) - 21:21 2000 double CD reissue Disc one 1. 2. 3. 4. "Great Expectations/Orange Lady" - 27:23 "Ife" - 21:34 "Recollections" (Zawinul) - 18:55 "Trevere" (Davis) - 5:55 Disc two 1. 2. 3. 4. "Go Ahead John" - 28:27 "Lonely Fire" - 21:21 "The Little Blue Frog" (Davis) - 9:10 "Yaphet" (Davis) - 9:39 Note: "Great Expectations/Orange Lady" is often shortened to "Great Expectations". Personnel Musicians "Great Expectations/Orange Lady" (1 November 1969 - Columbia Studio E) • • • • • • Miles Davis - trumpet Steve Grossman - soprano saxophone Bennie Maupin - bass clarinet John McLaughlin - electric guitar Khalil Balakrishna - electric sitar Bihari Sharima - tabla, tamboura • Herbie Hancock - electric piano • Chick Corea - electric piano Big Fun (Miles Davis album) • • • • Ron Carter - double bass Harvey Brooks - Fender bass guitar Billy Cobham - drums Airto Moreira - percussion 155 "Ife" (12 June 1972 - Columbia Studio E) • • • • • • • • • • • Miles Davis - electric trumpet with Wah Wah Sonny Fortune - soprano saxophone, flute Bennie Maupin - clarinet, flute Carlos Garnett - soprano saxophone Lonnie Liston Smith - piano Harold I. Williams, Jr. - piano Michael Henderson - electric bass Al Foster - drums Billy Hart - drums Badal Roy - tabla James Mtume - African percussion + "Recollections" (6 February 1970 - Columbia Studio B) • • • • • • • • • • Miles Davis - trumpet Wayne Shorter - soprano saxophone Bennie Maupin - bass clarinet John McLaughlin - guitar Joe Zawinul - electric piano (left) Chick Corea - electric piano (right) Dave Holland - electric bass guitar Billy Cobham - triangle Jack DeJohnette - drums Airto Moreira - cuíca, percussion + "Trevere" (28 November 1969 - Columbia Studio E) • • • • • • • • • • • • Miles Davis - trumpet Steve Grossman - soprano saxophone Bennie Maupin - bass clarinet Chick Corea - electric piano Larry Young - organ, celeste Khalil Balakrishna - electric sitar Bihari Sharima - tamboura Harvey Brooks - electric bass guitar Dave Holland - double bass Jack DeJohnette - drums Billy Cobham - drums Airto Moreira - cuíca, berimbau "Go Ahead John" (3 March 1970 - Columbia Studio E) • Miles Davis - trumpet • Steve Grossman - soprano saxophone • John McLaughlin - electric guitar • Dave Holland - electric bass guitar • Jack DeJohnette - drums celeste Khalil Balakrishna .Columbia Studio E) • • • • • • • • • • • Miles Davis . triangle Airto Moreira .electric piano.Fender bass guitar Jack DeJohnette .double bass Billy Cobham .electric piano Joe Zawinul .guitar Herbie Hancock .organ.electric bass guitar Dave Holland . Indian instruments Chick Corea . berimbau + "Yaphet" (19 November 1969 .electric sitar Bihari Sharima .Columbia Studio E) • • • • • • • • • • • • Miles Davis .electric piano (left) Chick Corea .sitar.Big Fun (Miles Davis album) "Lonely Fire" (28 November 1969 .double bass Harvey Brooks .electric piano Larry Young .tenor saxophone Bennie Maupin .tamboura.bass clarinet John McLaughlin .drums Airto Moreira .cuíca. tabla Harvey Brooks .trumpet Steve Grossman .drums.drums Billy Cobham .soprano saxophone Bennie Maupin .electric sitar Bihari Sharima .trumpet Steve Grossman .bass clarinet John McLaughlin .electric bass guitar Ron Carter .soprano saxophone Bennie Maupin .drums Billy Cobham . Farfisa organ Dave Holland .tamboura Harvey Brooks .guitar Chick Corea .trumpet Wayne Shorter .bass clarinet Khalil Balakrishna .drums Airto Moreira .cuíca.electric piano (right) Khalil Balakrishna .Columbia Studio E) • • • • • • • • • • • • • Miles Davis . berimbau .double bass Jack DeJohnette .Indian instruments. percussion 156 + "The Little Blue Frog" (28 November 1969 . com/ books?id=cgkEAAAAMBAJ& pg=RA1-PA62#v=onepage& q& f=false)".reissue art direction • Randall Martin . Retrieved on 2011-02-02. Review: Big Fun (http:/ / www. 218. (September 1. [6] Palmer.project director Frank Laico. com/ books?id=lRgtYCC6OUwC& pg=PA215#v=onepage& q=& f=false)".original record producer Seth Rothstein .reissue digital remastering at Sony Music Studios. NYC Bennie Maupin .G. 2002). [9] Columnist (May 4. [3] Product Notes – Big Fun (http:/ / www. Billboard: 62. Muze. 1974). Retrieved on 2011-02-02. Stylus Magazine. " Review: Big Fun (http:/ / books. com/ articles/ on_second_thought/ miles-davis-big-fun. (June 1. Darren Salmieri . [13] Christgau. Rolling Stone. htm). google. Robert (1974). 1974). " Jazzmen Fusing Rock Into Music for Wider Appeal (http:/ / books. com/ books?id=ZgkEAAAAMBAJ& pg=PT53& dq=#v=onepage& q& f=false).production assistance Sample use • "Lonely Fire" • "Suicidal Thoughts" by the Notorious B. robertchristgau. com/ xg/ bk-cg70/ grades. google. Retrieved on 2011-02-02. Todd S. [5] Cook. allmusic. com/ get_artist. Consumer Guide: The Grades (http:/ / www.Big Fun (Miles Davis album) 157 Additional personnel 2-LP original • • • • • • • Teo Macero .A&R for Legacy Patti Matheny. com/ php/ article. stylusmagazine. Eliot (June 1. robertchristgau. John Guerriere . from the album The Infamous. com/ music/ albumreviews/ big-fun-19740620). com/ books?id=aQkEAAAAMBAJ& pg=PA10& dq=#v=onepage& q& f=false)". Review: Big Fun (http:/ / www. Billboard: 1. "Review: Big Fun". Robert Christgau. [12] Charts & Awards: Big Fun (http:/ / www.reissue producer Seth Foster . 2004).. 10. [8] Faust. google. allaboutjazz.original cover art 2-CD reissue • • • • • • Bob Belden .I. 2001). " Consumer Guide: Big Fun (http:/ / www. The Penguin Guide to Jazz: 424. Retrieved on 2011-02-02. Retrieved on 2011-02-02. Richard (2004). php?id=7910). Retrieved on 2011-02-02. All About Jazz. Retrieved on 2011-02-02. Thom (November 1. rollingstone. php?name=Miles+ Davis)". Billboard. . Ltd. Review: Big Fun (http:/ / www. [7] Hoard. Stan Tonkel . Allmusic.original audio engineer Russ Payne. [2] Jenkins. allmusic. 1974 (108-200) (http:/ / books. [4] Christgau. Retrieved on 2011-02-02. org/ 5wDEtCGY6). Edwin C. Christian (November 2.reissue backcover photography Uve Kuusik . The Village Voice.reissue main liner notes Swing Journal Co.original mix engineer Steve Berkowitz . Review: Big Fun (http:/ / www. com/ album/ big-fun-r106180/ review). google. from the album Ready to Die • "Party Over" by Mobb Deep.. Stan Weiss. 1974). webcitation.reissue design • Rachel Dicono . Retrieved on 2011-02-02. Rolling Stone: 215. Robert (1969-89). php).reissue liner notes photography Howard Fritzson . Allmusic. com/ album/ big-fun-r106180/ charts-awards). " Review: Big Fun (http:/ / books. 2003). Bob (June 20.A&R coordination Corky McCoy .packaging manager • John Jackson . Japan . [10] Top LP's & Tape – For Week Ending June 8. References [1] Jurek. [11] Tiegal. . San Francisco on April 10. 1970 and first released in 1973 in Japan and released in 1997 in the United States in a double-CD format. 1970 at the Fillmore West.Black Beauty: Live at the Fillmore West 158 Black Beauty: Live at the Fillmore West Black Beauty: Miles Davis at Fillmore West Live album by Miles Davis Released Recorded Genre Length Label Producer 1973 (Japan) April 10. San Francisco Jazz fusion 79:20 Columbia/Legacy Teo Macero Professional reviews • • • • • • • • Allmusic [2] Robert Christgau (A-) [3] Down Beat [3] Entertainment Weekly (A-) [4] JazzTimes (favorable) [3] Musician (favorable) [5] Spin (favorable) [6] The Village Voice (favorable) Miles Davis chronology In Concert: Live at Philharmonic Hall (1972) Black Beauty: Live at the Fillmore West (1973) Pangaea (1975) [1] Black Beauty: Miles Davis at Fillmore West is a live album recorded by Miles Davis at the Fillmore West. Cuica Production • • • • Producer: Teo Macero Recording Engineer: Stan Tonkel Original Cover Design: Shuichi Yoshida .12:22 3.9:07 3.1:35 5. Teruhisa Tajima Cover Photography: Tadayuki Naitoh • Produced for Reissue by Bob Belden • Digitally Mastered by Tom Ruff. "Black Beauty . NYC. Jule Styne) . "Black Beauty . "Directions" (Joe Zawinul) . . "Sanctuary" (Wayne Shorter) . "Black Beauty .Part III [medley]" – 17:15 2. "I Fall in Love Too Easily" (Sammy Cahn.4:01 6. "Spanish Key/The Theme" (Miles Davis) . "Black Beauty .Black Beauty: Live at the Fillmore West 159 Track listing Vinyl Release Record 1 1. "Willie Nelson" (Miles Davis) . "Masqualero" (Wayne Shorter) . Sony Music Studios.Part IV [medley]" – 21:28 Disc one 1. "It's About That Time" (Miles Davis) . "Bitches Brew" (Miles Davis) . Soprano Sax Chick Corea: Fender Rhodes electric piano Dave Holland: Electric Bass Jack DeJohnette: Drums Airto Moreira: Percussion.12:14 Personnel • • • • • • Miles Davis: Trumpet Steve Grossman: Tenor saxophone.6:23 4.Part II [medley]" – 18:22 Record 2 1.Part I [medley]" – 23:46 2. "Miles Runs the Voodoo Down" (Miles Davis) .12:53 2.9:59 Disc two 1.10:46 2. webcitation. org/ 5wHa4yOXQ). [2] Christgau. Allmusic. Robert (October 1997).plosin. 2002). Retrieved on 2011-02-05. 1997). Tom (October 1997). [3] Product Notes – Black Beauty: Miles Davis at Fillmore West (http:/ / www. Retrieved on 2011-02-05. robertchristgau. Retrieved on 2011-02-05. [5] Davis.aspx?id=Beauty-CK) . The Village Voice. Erik (August 1997). Review: Black Beauty: Live at the Fillmore West (http:/ / www. google. Thom (November 1. com/ xg/ rock/ davis-97. Review: Black Beauty: Live at the Fillmore West (http:/ / jazztimes.com/milesAhead/Disco. Robert (October 14. JazzTimes. robertchristgau. The Village Voice. Retrieved on 2011-02-05. " Freakin' the Funk – Revisiting Miles Davis's '70s Visions (http:/ / books. Muze. com/ books?id=_uWz-QtMkI4C& pg=PA117#v=onepage& q& f=false)". • Miles Ahead: Discography (http://www. com/ album/ black-beauty-miles-davis-at-fillmore-west-r106181/ review). com/ articles/ 9767-black-beauty-miles-davis-at-fillmore-west-miles-davis). php)". " Miles Davis's '70s: The Excitement! The Terror! (http:/ / www. allmusic. [6] Christgau. Spin: 117. php?name=Miles+ Davis)". Retrieved on 2011-02-05. com/ get_artist. [4] Terrell.Black Beauty: Live at the Fillmore West 160 References [1] Jurek. " Consumer Guide: Black Beauty: Live at the Fillmore West (http:/ / www. New York Jazz fusion 101:26 Columbia/Legacy Teo Macero Professional reviews • Allmusic link [1] Miles Davis chronology 1969 Miles . 1970. originally released as a double vinyl LP. not the complete unedited performances.Festival de Juan les Pins (1969) Miles Davis at Fillmore: Live at the Fillmore East (1970) Jazz at the Plaza (1973) At Fillmore. nowadays. The original LP release had liner notes written by Morgan Ames. New York City on four consecutive days. 1970 at the Fillmore East. The album is particularly noteworthy for the extraordinarily precocious soprano sax work of the then 19 year old Steve Grossman. the songs remain the heavily-edited versions of the original LP release. The live performances were heavily edited by producer Teo Macero. For the 1997 Columbia CD reissue. for disambiguation purposes. .Miles Davis at Fillmore: Live at the Fillmore East 161 Miles Davis at Fillmore: Live at the Fillmore East At Fillmore Live album by Miles Davis Released Recorded Genre Length Label Producer December 1970 June 17 – June 20. However. June 17 through June 20. The 1997 Columbia reissue featured additional liner notes by Miles Davis Septet drummer Jack DeJohnette. also known as Miles Davis at Fillmore: Live at the Fillmore East is a 1970 live album by jazz trumpeter Miles Davis and band. the compositions and composers were correctly identified and indexed. and Mort Goode. and the results were named after the day of the week the band performed. Popular Music Editor of Hi Fidelity magazine. recorded at the Fillmore East. "Thursday Miles" (18 June 1970) – 26:55 Record 2 1. "Sanctuary" (Wayne Shorter) (2:49) 8. "Wednesday Miles" (17 June 1970) – 24:14 2. "I Fall in Love Too Easily" (Jule Styne. "Willie Nelson/The Theme" (7:57) All compositions by Miles Davis unless otherwise noted. "Directions" (Joe Zawinul) (9:01) 7. "Bitches Brew" (0:53) 3.Miles Davis at Fillmore: Live at the Fillmore East 162 Track listing Vinyl Release Record 1 1. "I Fall in Love Too Easily" (Jule Styne. "The Mask" (9:50) 8. "Directions" (Joe Zawinul) (2:29) 2. "Saturday Miles" (20 June 1970) – 22:20 1997 CD Reissue Disc One (50:53) Wednesday Miles (17 June 1970) 1. "Bitches Brew/The Theme" (13:09) Saturday Miles (20 June 1970) 5. "The Mask" (1:35) 4. "Bitches Brew" (6:57) 9. "Friday Miles" (19 June 1970) – 27:57 2. "It's About That Time" (3:43) 6. "Sanctuary" (Wayne Shorter) (3:44) 4. "Bitches Brew/The Theme" (10:55) Thursday Miles (18 June 1970) 6. "It's About That Time" (8:12) 5. . Sammy Cahn) (2:00) 3. "It's About That Time" (9:01) 2. Sammy Cahn) (0:54) 7. "It's About That Time" (11:22) Disc Two (50:13) Friday Miles (19 June 1970) 1. Electric Bass Jack DeJohnette: Drums Airto Moreira: Percussion. com/ album/ r137412 [2] http:/ / www. allmusic. Soprano Sax Chick Corea: Fender Rhodes electric piano Keith Jarrett: Electronic organ Dave Holland: Acoustic Bass. allmusic. Cuica Production • • • • • • Producer: Teo Macero Recording Engineer: Stan Tonkel Mixed by Russ Payne Original Cover Design: Nick Fasciano Cover Photography: Jim Marshall Original Liner Photography: Don Hunstein References • Miles Davis at Fillmore: Live at the Fillmore East [2] at Allmusic References [1] http:/ / www. com/ artist/ r137412 .Miles Davis at Fillmore: Live at the Fillmore East 163 Personnel • • • • • • • Miles Davis: Trumpet Steve Grossman: Tenor saxophone. 164 With Joe Farrell Joe Farrell Quartet Joe Farrell Quartett Studio album by Joe Farrell Released Recorded Genre Length Label Producer 1970 July 1 & 2. 1970 at Van Gelder Studio Jazz 34:17 CTI Records Creed Taylor Professional reviews • allmusic link [1] Joe Farrell chronology Joe Farrell Quartet (1970) Outback (1971) Joe Farrell Quartet is a jazz album by Joe Farrell on the CTI Records label. It was recorded at the Van Gelder Studio on 1 and 2 July 1970[2] . . Retrieved 2009-07-14. External links • "Billboard.com. "Circle in the Square" (Farrell) – 7:11 Side two 1. "Collage for Polly" (Farrell) – 2:28 3.allmusic.jazz. Retrieved 2009-07-14. allmusic.Joe Farrell Quartet 165 Track listing Side one 1.com. 3. 2.billboard. "allmusic ((( Joe Farrell Quartet > Overview )))" (http:/ / www. "Follow Your Heart" (McLaughlin) – 6:50 2.com.com/music/2009/3/17/joe-farrell-song-of-the-wind). Oboe • Chick Corea – Piano • Dave Holland – Bass • Jack DeJohnette – Drums • John McLaughlin – Guitar Recording credits • • • • Engineer – Rudy Van Gelder Cover photograph – Pete Turner Liner photographs – Robert Brosan Album design – Sam Antupit References [1] http:/ / www. .Joe Farrell Quartet . . Retrieved 2009-07-14. • "Joe Farrell: Song of the Wind" (http://www.jazz. www. "Molten Glass" (Farrell) – 5:15 "Alter Ego" (Farrell) – 1:23 "Song of the Wind" (Corea) – 5:57 "Motion" (Corea) – 5:13 Personnel • Joe Farrell – Soprano and Tenor Sax. Scott. www. com/ album/ r138578 [2] Yanow.com/bbcom/ discography/index.Joe Farrell Quartet" (http://www.com . Flute. allmusic.billboard. com/ album/ r138578). www.jsp?pid=59809&aid=106594). 4.Discography . Outback (album) 166 Outback (album) Outback Studio album by Joe Farrell Released Recorded Genre Length Label Producer 1971 November 1971 at Van Gelder Studio Jazz 33:20 CTI Records Creed Taylor Professional reviews • Allmusic link [1] Joe Farrell chronology Joe Farrell Quartet (1970) Outback (1971) Moon Germs (1972) Outback is a jazz album by Joe Farrell on the CTI Records label. It was recorded at the Van Gelder Studio in November 1971.[2] . discogs. "Outback" (John Scott) – 8:40 2. piccolo Chick Corea – Electric piano Elvin Jones – Drums Buster Williams – Bass Airto Moreira – Percussion Recording credits • • • • Engineer – Rudy Van Gelder Cover photograph – Pete Turner Liner photographs – Chuck Stewart Album design – Bob Ciano References [1] http:/ / www.Outback (LP. "November 68th" (Joe Farrell) – 9:25 Personnel • • • • • Joe Farrell – Tenor and soprano saxophone. www. Retrieved 2009-07-18.com. flute. "Bleeding Orchid" (Chick Corea) – 6:45 2. com/ Joe-Farrell-Outback/ release/ 1241924).Outback (album) 167 Track listing Side one 1. alto flute. allmusic. . "Sound Down" (Joe Farrell/Geri Farrell) – 8:30 Side two 1. com/ album/ r138582 [2] "Joe Farrell . . discogs. Gat) at Discogs" (http:/ / www. . 1967 Jazz 37:15 Verve Creed Taylor Professional reviews • Sweet Rain [1] at Allmusic Stan Getz chronology What the World Needs Now: Stan Getz Plays Bacharach and David (1966) Sweet Rain (1967) Didn't We (1969) Sweet Rain is a jazz album by Stan Getz on the Verve record label.168 With Stan Getz Sweet Rain Sweet Rain Studio album by Stan Getz Released Recorded Genre Length Label Producer 1967 March 21–30. 4. 2. New Jersey. Bass Grady Tate. "Litha" 8:22 (Chick Corea) "O Grande Amor" 4:42 (Antonio Carlos Jobim-Vinicius DeMoraes) "Sweet Rain" 7:09 (Mike Gibbs) "Con Alma" 8:05 (Dizzy Gillespie) "Windows" 8:57 (Chick Corea) Recording credits • • • • • • • • Stan Getz.Sweet Rain 169 Track listing 1. Tenor Sax Ron Carter. Piano Cover photograph: Tom Zimmerman Recorded at Rudy Van Gelder Studio. com/ album/ r139263 . 5. allmusic. Drums Chick Corea. 1967 Director of Engineering: Val Valentin Produced by: Creed Taylor • Original liner notes by Johnny Magnus References [1] http:/ / www. March 30. 3. who composed most of the material. Stanley Clarke. made for a tension that came pouring out of the speakers with great mutual respect shining forth from every cut — especially the steamy Latin-drenched title track.early 1970s". combining as it did the restlessness of electric jazz with Getz's trademark stubbornness in adhering to those principles that made modern jazz so great. New York Jazz 46:16 Verve Stan Getz Professional reviews • allmusic link [1] Stan Getz chronology Communications '72 (1971) Captain Marvel (1972) Jazz at the Philharmonic . Airto Moreira and Tony Williams. Along with Sweet Rain.[3] .Captain Marvel (album) 170 Captain Marvel (album) Captain Marvel Studio album by Stan Getz Released Recorded Genre Length Label Producer 1972 March 3. 1972 in A&R Studios. recorded for Verve.Jazz at The Santa Monica Civic '72 (1972) Captain Marvel is a jazz album by Stan Getz released in 1972 on the Columbia Records label. Captain Marvel is the finest recording Getz made in the late 1960s .[2] The album features performances by Getz with Chick Corea. The Allmusic review by Thom Jurek states "This band. "Stan Getz: Captain Marvel & Bossas and Ballads" (http://www. 3.com.com/php/article. "allmusic ((( Captain Marvel > Overview )))" (http:/ / www.discogs. com/ album/ r139204 [2] Jurek. George. allmusic. • Harris.com. Allmusic Review (http:/ / www. php?id=769).allaboutjazz. Retrieved 2009-07-11. . Retrieved 2009-07-11.Captain Marvel (LP) at Discogs" (http://www. "La Fiesta" – 8:21 "Five-Hundred Miles High" – 8:09 "Captain Marvel" . 6. . allmusic. [3] Jurek. T. 4.Captain Marvel (album) 171 Track listing All compositions by Chick Corea except one 1. Thom. www.allmusic. Retrieved 2009-07-11.5:06 "Times Lie" – 9:46 "Lush Life" (Billy Strayhorn) – 5:15 "Day Waves" – 9:39 Personnel • • • • • Stan Getz – saxophone Chick Corea – electric piano Stanley Clarke – bass Airto Moreira – percussion Tony Williams – drums Recording credits • • • • • • Recording Engineer: Dixon Van Winkle Remix Engineers: John Guerriere & Russ Payne Cover Design: Teresa Alfieri Cover Logo Design: Gerard Huerta Air Brushing: Roger Huyssen Back Cover Photo: Don Hunstein References [1] http:/ / www. 2.com/Stan-Getz-Captain-Marvel/release/ 1444625). com/ album/ r139204) External links • "Stan Getz . www. com/ album/ r139204).allaboutjazz. www.com.discogs. 5. allmusic. Track listing 1. Christian McBride (Bass). Al Foster. Chick Corea. Byron Stripling (trumpet). Tony Kadleck. 7. the fourth of the five albums he recorded with Verve Records during the end of his career. Lew Soloff. Pete Yellin. Conrad Herwig. Larry Farrell. Joe Temperley. Rich Perry. Virgil Jones. Michael Mossman. Robin Eubanks. Bobby Porcelli (alto saxophone). Earl Gardner. 8) • Joe Henderson (tenor saxophone). David Taylor . 5. alto saxophone). Gary Smulyan (baritone saxophone). Joe Chambers. Marcus Belgrave. 4.172 With Joe Henderson Big Band (album) Big Band is a 1996 album by jazz saxophonist Joe Henderson.Bob Belden (tracks: 2 to 4. "Chelsea Bridge" (4:30) 9. Charles Pillow (tenor saxophone). Raymond Vega. Jimmy Knepper. 3. Dick Oatts (soprano saxophone. Freddie Hubbard. Helio Alves. Craig Handy. "Recordame (Recuerdame)" (7:25) Personnel • Producer . Idrees Sulieman. 9) . 6. Tim Ries. "Without a Song" (5:24) "Isotope" (5:20) "Inner Urge" (9:01) "Black Narcissus" (6:53) "A Shade Of Jade" (8:22) "Step Lightly" (7:19) 7. Lewis Nash. Don Sickler (tracks: 1. 5. 2. Keith O'Quinn. Ronnie Mathews (piano). Kiane Zawadi (trombone). 6. Paulinho Braga (drums). . Jon Faddis. "Serenity" (5:52) 8. Douglas Purviance (bass trombone). Jimmy Owens. Steve Wilson. Nicholas Payton. 173 With Elvin Jones Merry-Go-Round (album) Merry-Go-Round Studio album by Elvin Jones Released Recorded Genre Length Label 1972 February 12 & December 16. 1971 Jazz 32:06 Blue Note Elvin Jones chronology Genesis Merry-Go-Round (1971) (1971) Mr.[1] . Jones (1972) Merry-Go-Round is an album by American jazz drummer Elvin Jones recorded in 1971 and released on the Blue Note label. 4:48 "Tergiversation" (Perla) .6:06 • Recorded at Rudy Van Gelder Studio.tenor saxophone.. allmusic. oriental bells (tracks 2-8) References [1] Elvin Jones discography (http:/ / www.drums Joe Farrell . soprano saxophone Frank Foster . but Elvin Jones has recorded many more rewarding albums". 5. alto flute. com/ album/ merry-go-round-r141765) accessed December 1. 7. jazzdisco. 4. 2. glockenspiel. alto clarinet (track 1) Pepper Adams . Personnel • • • • • • • • • Elvin Jones . An interesting set. Englewood Cliffs. Dave Liebman . 6. soprano saxophone.. electric piano (tracks 2-8) Yoshiaki Masuo . 1971. piccolo Steve Grossman (tracks 2-8).[2] Track listing All compositions by Elvin Jones except as indicated 1.2:25 "A Time for Love" (Johnny Mandel. S.4:46 "Lungs" (Jan Hammer) . Jan Hammer . 2010 .conga. 8.bass.baritone saxophone (tracks 2-8) Chick Corea. if a bit eclectic.3:28 "The Children's Merry-Go-Round March" . 3. Paul Francis Webster) .3:25 "Brite Piece" (Dave Liebman) . electric bass Don Alias . Allmusic Review (http:/ / www. 2010 [2] Yanow.4:20 "'Round Town" (Gene Perla) .tenor saxophone.Merry-Go-Round (album) 174 Reception The Allmusic review by Scott Yanow awarded the album 3 stars stating "the music is generally quite worthwhile.tenor saxophone.guitar (tracks 2-8) Gene Perla .2:50 "La Fiesta" (Chick Corea) . flute. org/ elvin-jones/ catalog/ #blue-note-bst-84414) accessed December 3.piano. New Jersey on February 12 (track 1) and December 16 (tracks 2-8). "Who's Afraid of Frank Wolff" (Frank Foster) . Trombone Carmelo Garcia . 7.Trombone Bobby Thomas . 4.Drums Victor Pantoja .Piano Chick Corea . allmusic. com/ album/ flute-by-laws-r142613) .Conga Bill Fitch . 6.Trombone.Percussion Sam Brown . released in 1966 on Atlantic Records.Flute.Bass Ray Lucas .Conga Rodgers Grant . "Bloodshot" "Miedo" "Mean Live" "No You 'D Better Not" "Let Her Go" "Strange Girl" "Baila Cinderella" Personnel • • • • • • • • • • • • • • • • • • Hubert Laws . 2. Flugelhorn Garnett Brown .Trumpet.Drums Richard Davis .[1] Tracklisting 1. 3.Bass Cachao López . Bass Trombone Chris White .Timbales Benny Powell .bass Raymond Orchart .175 With Hubert Laws Flute By-Laws Flute By-Laws is one of the first albums by jazz flautist Hubert Laws.Guitar References [1] Allmusic review (http:/ / www. 5. Piccolo Marty Banks .Trumpet. Flugelhorn Jimmy Owens .Piano Tom McIntosh . 1964 Jazz 40:15 Blue Note Alfred Lion Blue Mitchell chronology Step Lightly (1963) The Thing to Do (1965) Down with It! (1965) The Thing to Do is an album by American trumpeter Blue Mitchell recorded in 1964 and released on the Blue Note label.176 With Blue Mitchell The Thing to Do (album) The Thing to Do Studio album by Blue Mitchell Released Recorded Genre Length Label Producer 1964 July 30.[1] . php) accessed October 26. "Fungii Mama" .tenor saxophone Chick Corea . Englewood Cliffs.5:17 "The Thing to Do" (Heath) . 2. 2010 [2] Yanow.10:26 "Chick's Tune" (Chick Corea) . jazzdiscography. 3. Personnel • Blue Mitchell . com/ album/ the-thing-to-do-r144011) accessed October 26. com/ Leaders/ MitchellBlue-ldr. allmusic.trumpet • • • • Junior Cook . 1964. Allmusic Review (http:/ / www. New Jersey on July 30.7:48 "Mona's Mood" (Jimmy Heath) . 5. containing inventive tunes.piano Gene Taylor .9:35 • Recorded at Rudy Van Gelder Studio. meaningful solos. 2010 . and an enthusiastic but tight feel.7:05 "Step Lightly" (Joe Henderson) . Highly recommended". 4.bass Al Foster .[2] Track listing All compositions by Blue Mitchell except as indicated 1.drums References [1] Blue Mitchell discography (http:/ / www. S.The Thing to Do (album) 177 Reception The Allmusic review by Scott Yanow awarded the album 5 stars and stated "The record is prime Blue Note hard bop. "Alone. "One Shirt" (William Boone) . "Perception" (Chick Corea.6:16 5.7:30 . Blue Mitchell) . Alone. "Hi-Heel Sneakers" (Robert Higginbotham) . and Alone" (Terumasa Hino) . but each the soloists have fine moments that makes the session worthwhile for jazz purists".5:42 3.Down with It! 178 Down with It! Down with It! Studio album by Blue Mitchell Released Recorded Genre Length Label Producer 1965 July 14. "March on Selma" . 1965 Jazz 41:22 Blue Note Alfred Lion Blue Mitchell chronology The Thing to Do (1964) Down with It! (1965) Bring It Home to Me (1965) Down with It! is an album by American trumpeter Blue Mitchell recorded in 1965 and released on the Blue Note label.[1] Reception The Allmusic review by Stephen Thomas Erlewine awarded the album 4 stars and stated "the record is so relaxed that it fails to generate much spark.7:45 4.[2] Track listing All compositions by Blue Mitchell except as indicated 1.8:25 2. 6:00 • Recorded at Rudy Van Gelder Studio.drums References [1] Blue Note discography (http:/ / www. Allmusic Review (http:/ / www. com/ album/ down-with-it-r144002) accessed October 20.piano Gene Taylor . S. 2010 [2] Erlewine. 179 Personnel • • • • • Blue Mitchell . 1965. T. org/ blue-note-records/ discography-1965-1966/ #650714) accessed October 20. New Jersey on July 14.bass Al Foster . jazzdisco.Down with It! 6. 2010 .tenor saxophone Chick Corea .trumpet Junior Cook . allmusic. "Samba de Stacy" (Boone) . Englewood Cliffs. "Millie" (Duke Pearson) .[1] Reception The Allmusic review by Matt Collar awarded the album 4 stars and stated "Trumpeter Blue Mitchell delivers a solid hard bop date with his 1966 Blue Note release Boss Horn".Boss Horn 180 Boss Horn Boss Horn Studio album by Blue Mitchell Released Recorded Genre Length Label Producer 1966 November 17. Paul Weston) .6:36 .5:34 "I Should Care" (Sammy Cahn. Axel Stordahl.7:31 "Rigor Mortez" (Dave Burns) . 1966 Jazz 38:57 Blue Note Alfred Lion Blue Mitchell chronology Bring It Home to Me (1966) Boss Horn (1966) Heads Up! (1967) Boss Horn is an album by American trumpeter Blue Mitchell recorded in 1966 and released on the Blue Note label. 4. 3. 6.6:15 "O Mama Enit" . 5. 2.[2] Track listing All compositions by Blue Mitchell except as indicated 1.6:37 "Straight Up and Down" (Corea) .6:21 "Tones for Joan's Bones" (Chick Corea) . bass Mickey Roker . 181 Personnel • • • • • • • • • Blue Mitchell . Englewood Cliffs. alto saxophone Junior Cook .tenor saxophone Pepper Adams . M. com/ album/ boss-horn-r143999) accessed October 26. 2010 [2] Collar.Boss Horn • Recorded at Rudy Van Gelder Studio. php) accessed October 26.flute.arrangement References [1] Blue Mitchell discography (http:/ / www.trumpet Jerry Dodgion . Allmusic Review (http:/ / www.drums Duke Pearson . Cedar Walton (tracks 1-4) . allmusic. com/ Leaders/ MitchellBlue-ldr.trombone Chick Corea (tracks 5 & 6).baritone saxophone Julian Priester . 1966. jazzdiscography. New Jersey on November 17. 2010 .piano Gene Taylor . LP cover says August 26. 1970 but not released on the Blue Note label until 1974. 1970) Genre Label Jazz Blue Note BN-LA014-G Producer Duke Pearson Professional reviews • Moto Grosso Feio [1] at Allmusic Wayne Shorter chronology Super Nova (1969) Moto Grosso Feio (1974) Odyssey of Iska (1970) Moto Grosso Feio is an album by Wayne Shorter.182 With Wayne Shorter Moto Grosso Feio Moto Grosso Feio Studio album by Wayne Shorter Released 1974 Recorded April 3. recorded on April 3. The album features four originals by Shorter and an arrangement of ""Vera Cruz" by Milton Nascimento. 1970 (source needed. . 2. thumb piano Chick Corea — marimba.12:30 "Montezuma" . 5.11:22 All compositions by Wayne Shorter except as indicated. percussion • Dave Holland — acoustic guitar.5:12 "Iska" . tenor saxophone John McLaughlin — 12 string guitar Miroslav Vitous — bass (uncredited on album cover but mentioned as part of sessions in liner notes.5:24 "Vera Cruz" (Nascimento) . cello Jack DeJohnette — drums. drums. com/ album/ r147523 .) Ron Carter — bass. April 3. 3.Moto Grosso Feio 183 Track listing 1. Personnel • • • • • • Wayne Shorter — soprano saxophone. allmusic. New York City. "Moto Grosso Feio" . 1970. bass References [1] http:/ / www. • Recorded at A & R Studios.7:53 "Antigua" . percussion • Micheline Pelzer (credited as Michelin Prell) — drums. 4. 184 With Sadao Watanabe Round Trip (Sadao Watanabe album) Round Trip Studio album by Sadao Watanabe Released Recorded Genre Length Label Producer 1974 Allegro Sound Studio. New York City Jazz 43:53 Vanguard Kiyoshi Itoh Professional reviews • Allmusic link [1] Round Trip is a 1974 jazz album by the Japanese saxophonist Sadao Watanabe with Chick Corea. [2] [3] . Miroslav Vitous and Jack DeJohnette. www. 3.allmusic. Watanabe .drums Ulpio Minucci . [3] "allmusic ((( Round Trip > Overview )))" (http:/ / www.Round Trip (LP) at Discogs" (http:/ / www. 2.Bass Jack DeJohnette . Watanabe) – 5:52 "Pastoral" (S.discogs. Retrieved 2009-04-14.com/artist/p7778) .com. . External links • Sadao Watanabe at discogs. Watanabe) – 7:36 Personnel • • • • • Sadao Watanabe .com.Round Trip (Sadao Watanabe album) 185 Track listing 1.Y.piano & electric piano Miroslav Vitous .com/release/1407755) • Sadao Watanabe @ Allmusic (http://www. allmusic. com/ release/ 1407755). 4. Retrieved 2009-04-14.piano on São Paulo References [1] http:/ / www.Soprano sax & flute Chick Corea . www. com/ album/ r149861). com/ album/ r149861 [2] "Sadao Watanabe . . allmusic. discogs.com (http://www.allmusic. Watanabe) – 14:45 "Sao Paulo" (S. Masuo) – 20:02 "Nostalgia" (S. "Round Trip: Going and Coming" (S.discogs. php?oldid=401960604  Contributors: Airproofing. Jarkka Saariluoma. Malcolma. Aspects. Cultural. Ejlarson. WolfgangFaber. Atsirk20. Cdlilie. Slysplace.php?oldid=412699289  Contributors: Anghingo Tap Step  Source: http://en. Atavi.wikipedia. Taestell. Trivialist. Frank522. Slakr. Cdl obelix. JustAGal. Spellmaster. Cdlilie. Dogru144. Ander2ta. Anthony. StephenBuxton. Taestell. 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Rdsmith4.php?oldid=401943540  Contributors: Airproofing. Zetawoof. Fratrep.php?oldid=415391965  Contributors: 6. Satan165.php?oldid=414107906  Contributors: Andrew Norman. Rdsmith4. The Phoenix. Rdudle. Fredrik. LilHelpa. Fantailfan. Faradayplank. 21 anonymous edits No Mystery  Source: http://en. Wiki libs.org/w/index. Jubella. Mike Rosoft. Freshacconci. Witchwooder.org/w/index. Twsx. Charlie Brown  Source: http://en. MrFunkster. Slysplace. Jarkka Saariluoma. Everyking. Rich Farmbrough. Edgarde. Olli-93. FuriousFreddy. Dallasdavid. Peace-nick.wikipedia. Koavf. WaldiR. Colchester121891. Slysplace.org/w/index.wikipedia. DCEdwards1966. Matharvest. Fisherjs. Goody30.php?oldid=401144143  Contributors: Cdl obelix. Slysplace. Krash. Olli-93.org/w/index. KConWiki.php?oldid=402739561  Contributors: Cdl obelix To the Stars (album)  Source: http://en. Tassedethe. Martpol. MisfitToys. Cdl obelix. Koavf. Cdl obelix. EoGuy. Usernodunno.wikipedia. Cdl obelix. InnocuousPseudonym. 3 anonymous edits Happy Anniversary. 24 anonymous edits Light as a Feather  Source: http://en.org/w/index.php?oldid=412013760  Contributors: AndrewHowse. Deltabeignet. Austin Hair. Taestell. Rjwilmsi. ShelfSkewed. Whorepresents?. Tassedethe. Colchester121891. Nostalgic34.org/w/index. Cosprings.wikipedia. Gyrofrog.wikipedia. Daniel Olsen.wikipedia. Thomas279. Dan56. CanisRufus.wikipedia. Wikiklrsc. Starcheerspeaksnewslostwars. Jubella. Dan56.org/w/index.php?oldid=408520252  Contributors: DISEman. Igorrr. Mahanga. Kridian. Andrwsc. 28 anonymous edits Joe Farrell Quartet  Source: http://en.wikipedia.wikipedia. Rich Farmbrough.org/w/index.php?oldid=401840646  Contributors: BigDunc. Cdl obelix. Sam42. DISEman.wikipedia. Sstteevvee. Pcg13. DISEman. ShelfSkewed. That Guy.Article Sources and Contributors On the Corner  Source: http://en. Koavf. Mendali. MrFunkster. Gareth E Kegg. KConWiki. 39 anonymous edits Black Beauty: Live at the Fillmore West  Source: http://en. Tabletop Outback (album)  Source: http://en. Cdlilie. Koavf. The Little Blue Frog. 33 anonymous edits Miles Davis at Fillmore: Live at the Fillmore East  Source: http://en.wikipedia. Beckettwatt. Matharvest.org/w/index. FuriousFreddy. Nostalgic34. Rjwilmsi. Viktor Nilsson. Starcheerspeaksnewslostwars Sweet Rain  Source: http://en.org/w/index. Scarian. Starcheerspeaksnewslostwars. Tabletop. GrahamHardy Down with It!  Source: http://en. Twas Now. BNutzer. 4 anonymous edits Big Band (album)  Source: http://en. Mikeblas. Daniel Olsen. Mkrose. 1 anonymous edits Merry-Go-Round (album)  Source: http://en. Owen.org/w/index.php?oldid=415708904  Contributors: Andrew Norman. Danaimband. Squandermania. DISEman. Tassedethe.php?oldid=413688163  Contributors: Cdl obelix. Fisherjs. Cdl obelix. Mdeloia. Startstop123. Obcrip. Freshacconci. Yshrkwhr. LordyLordy. Zidane tribal Flute By-Laws  Source: http://en. Dan56. Gazzaaa. Arevco. Doorfish. Dogru144.org/w/index. GreatOrangePumpkin. E-Kartoffel The Thing to Do (album)  Source: http://en. Sugar Bear. Moskvax. 44 anonymous edits Big Fun (Miles Davis album)  Source: http://en.org/w/index.org/w/index.php?oldid=401919021  Contributors: Alansohn. Yshrkwhr.org/w/index. Freshacconci.org/w/index. C1k3. Waacstats.php?oldid=406514761  Contributors: Alcuin. DantheCowMan. Ian Rose.org/w/index. Rjwilmsi.php?oldid=402229151  Contributors: DISEman. InnocuousPseudonym. 1 anonymous edits Moto Grosso Feio  Source: http://en.org/w/index.Camus. KConWiki. Swanrizla. BlackMath77. Cdl obelix. Gyrofrog. Blastmaster11.php?oldid=400879523  Contributors: DISEman Boss Horn  Source: http://en.php?oldid=400506046  Contributors: Alcuin.wikipedia.wikipedia. Koavf. Ary29. Nothingofwater. Dogru144. Crystallina. Rjwilmsi. Andrew Norman. The Name’s Lordy. Jubella. Woohookitty 188 . Colchester121891. From That Show!. Rjwilmsi.wikipedia.php?oldid=405001360  Contributors: DISEman.php?oldid=404802203  Contributors: Cosprings. Koavf. Crystallina. Nikai.wikipedia. Pcg13. Freshacconci. 5 anonymous edits Round Trip (Sadao Watanabe album)  Source: http://en. Walls bridges. Ferdinand Pienaar. Flowerparty. Cosprings.php?oldid=412502583  Contributors: Airplaneman.wikipedia. Swanrizla. Gareth E Kegg.org/w/index.php?oldid=404809182  Contributors: DISEman. Rich Farmbrough. Waacstats Captain Marvel (album)  Source: http://en.php?oldid=401979341  Contributors: Blewit. Lebessis63. Twsx. KConWiki. Waacstats. Starcheerspeaksnewslostwars. Zidane tribal. Rich Farmbrough. GoingBatty.wikipedia. RodC.wikipedia. Rich Farmbrough. Palomorado.org/w/index.php?oldid=415709828  Contributors: Adrianiu. Royalguard11.org/w/index. Slysplace. Ary29. S. DISEman. Ricadus. Chrylis.php?oldid=412701932  Contributors: Cosprings. Fabrictramp.wikipedia. DavidCooke. 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