Society for Music Theory Popular Music Interest Group BASIC BIBLIOGRAPHYGENERAL pop-rock theory and analysis “popular music” and the canon undergraduate pop-music textbooks jazz theory textbooks ANALYTICAL APPROACHES form pitch structures rhythmic structures sound and technology timbre and texture meaning and text vocal expression gender and sexuality race, ethnicity and identity politics STYLES AND GENRES blues and R&B blues-rock classical influences country cover versions dance music film, TV and video folk (Anglo-American) funk global pop heavy metal jazz new wave popular song progressive rock punk rap and hip-hop SPECIFIC ARTISTS AND GROUPS Beach Boys Beatles Dylan, Bob Genesis Grateful Dead Hendrix, Jimi Led Zeppelin McLachlan, Sarah Mitchell, Joni Pet Shop Boys Pink Floyd Presley, Elvis Radiohead Rush Simon, Paul U2 Wonder, Stevie Yes Zappa, Frank GENERAL pop-rock theory and analysis Bennett, Andy; Barry Shank; and Jayson Toynbee, eds. The Popular Music Studies Reader. Routledge, 2006. Brackett, David. Interpreting Popular Music. University of California Press, 2000. Brackett, David, ed. The Pop, Rock, and Soul Reader, 2nd ed. Oxford University Press, 2008. Covach, John. “Popular Music, Unpopular Musicology.” Rethinking Music, ed. Nicholas Cook and Mark Everist, 452-470. Oxford University Press, 1999. Covach, John. “We Can Work It Out: Musical Analysis and Rock Music.” Popular Music: Style and Identity, ed. Will Straw, Stacey Johnson, Rebecca Sullivan, and Paul Friedlander, 69-71. Centre for Research on Canadian Cultural Industries and Institutions, 1995. Covach, John. “We Won’t Get Fooled Again: Rock Music and Musical Analysis.” In Theory Only 13 (1997): 119-141. Repr. Keeping Score: Music, Disciplinarity and Culture, ed. Schwarz, Kassabian, and Siegel, 75-89. University of Virginia Press, 1997. Covach, John, and Graeme M. Boone, eds. Understanding Rock: Essays in Musical Analysis. Oxford University Press, 1997. Covach, John, and Mark Spicer, eds. Sounding Out Rock: Further Essays in Musical Analysis. Forthcoming, University of Michigan Press. Covach, John, and Walter Everett, eds. Traditions, Institutions, and American Popular Music. Contemporary Music Review 19/1 (2000). Cutler, Chris. File under Popular: Theoretical and Critical Writings on Music. Autonomedia, 1992. Everett, Walter. The Foundations of Rock: From “Blue Suede Shoes” to “Suite: Judy Blue Eyes.” Oxford University Press, 2008. Everett, Walter, ed. Expression in Pop-Rock Music, 2nd ed. Routledge, 2008. Everett, Walter. “Pitch Down the Middle.” Expression in Pop-Rock Music: Critical and Analytical Essays, 2nd ed., ed. Walter Everett, 111-174. Routledge, 2008. Fink, Robert. “Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon. American Music 16/2 (1998): 135-179. Frith, Simon, Will Straw, and John Street, eds. The Cambridge Companion to Pop and Rock. Cambridge University Press, 2001. Gordon, Christopher P. 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